chez damiers balance recordings brings this 4 track ep from shaka to the imprint & starts with a jazzy back to basic mix of the title cut. kool aid follows in deep dancefloor fashion. laying in my bed (rework mix) on the flip is a perfect dub & just dancing (a synthella mix) ends smoothly.

with back-to-back singles on millions-of-moments, and contributions to a number of bass related compilations, lostlojic now joins the ranks of phuture shock musik to kick off the labels first release of 2012, entitled >she s special<, a heartfelt garage cut that rides the fine line between introspective home listening and dancefloor immediacy. the single is backed with remixes by opr8 and troy gunner.

joker has been riding a rocket propelled trajectory with an exponential rise in popularity since he first caught the attention of underground djs and bloggers alike, back in 2007. signed to major player 4ad for his debut lp >the vision<, dropping late last year joker has won the hearts and minds of both respected underground players and pop-loving youth alike. here he returns to his home imprint for a rare excursion away from 4ad with the monstrous, infectious fresh cut rhythm that is our lead track >skitta<. you know it must be a big lead if when you flip for the aa side and find the almighty newham generals featuring in secondary place! >i think you should know< sees footsie and d double roll out a shoulder popping beat in fine style while fans of all things instrumental can also enjoy an extended instrumental version of the same track. huge release all round.

after a long silence iron curtis returns with his magic. thoughts on is the producer’s debut single for 4lux. proper house and disco tracks! the original mix of thoughts on is a banging deep house joint with haunting melodies and cut up vocals. the 2012 version provides for a more jumping bassline and hard hitting straight forward beats. iron curtis goes mental on oh come on with his cut up and vibe-heavy jazz samples and heavy pounding 808 beats. relentless! on interlude in the park the lights are dimmed and the tempo drops. a slow disco burner for those who love slow jams.

disco ball stars vol 1 is the first in a new series by disco deviance show casing some of their favourite new editors on the scene. kicking things off in style is new yorks deep & disco with the heavily groovy knock me out. while irish masters of cut n paste business, get down edits, take more of a disco funk path with the highly infectious make your body move. finally, all the way from monte carlo, rocco raimundo (the man behind the massive we love dreams from last year) threatens to tear up the dance floor with the ecstatic must be love. lovingly edited and re-mastered for 100% disco action. enjoy the music!

in the second cut of the vinyl we will find uner remix, who after having reaped a great success with his palua ep released on cadenza, reaches rawseries to offer an outstanding job on it that shows its most personal side and gives to the original cut an electronic and technoid flavour. following the outstanding entry into the electronic scene, rawseries presents his second release, leix & hitch - low cutz ep . a solid and complete work involved the consecration of this new series of novotek on vinyl, establishing himself as a large shelter for lovers of house in all its forms and states.

o jays road manager, don king prison chauffeur, window washer, house painter, ink spot, domino, producer, engineer, label owner, guitorgan technician, and one-time steward of a coveted jet magazine delivery route, lou ragland is cleveland s eastside success story. though suffocated by lake eries nitrate rich waters and the burning oil from a cuyahoga river fire, between 1967-1977 lou ragland produced the most thoughtful, hopeful, and downright soulful work to come out of the forest city. bookended by his dynamic albums hot chocolate and understand each other, i travel alone gathers period singles, collaborations, and an unreleased live album cut in 1973, revealing a cleveland genius in a musical microcosm of fearless and confident creation.

almost four years after his last dial record single >miles< lawrence is back with another tribute to the sun. in the meantime he was still busy with a couple of releases for mule musiq, laid, smallville and dj kozes pampa imprint. his first mix cd >timeless< has been recorded lately for cocoon recordings. coming home to his own imprint prooves once more how modern house music should sound like: deep, moving and always surprising. >etoile du midi already travelled around the globe including tokyo, london, berlin and hamburg to finally being cut on vinyl after bringing the magic to all those lovely clubs worldwide

cork based producer and dj shane linehan has cut quite the impressive swathe in the first few months of 2012, anointing his own basic groove imprint in fine style with the swiftly sold out 12 inch my initial grooves as well as gracing mad mats local talk label with a stellar vinyl drop. linehan returns to the controls for the second basic groove release with more of the same - namely deep, tracky productions notable for a crispness in percussion and rawness in texture. lead track >get together< is a swaggering example of linehans style, with a groove formed of low set bass stabs and playful neon chords. its complemented by the deeper sounds of >the future< with the opening shards of dubby chords soon aided and abetted by snapping rimshot percussion, thick bass clouds and the whispered titular vocal.

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

joshua iz, the seminal deep house producer of iz & diz fame drops the debut release for dream in audio. the figure is an ode to his chicago roots but with a san francisco influence. b/w what u like a melodic deep house cut reminiscent of sf circa 1998. get this!

who is the great architect of the universe?! who is the supreme being?! both the square and compasses are architects tools and g used it to create our world. stefano is back on toffler vinyl with this new release, 3 original mixes pure dubstep experience, modern techno. this fantastic ep includes remix form toffler music headmaster quantec. fantastic deep and dubby floating techno. this is the release number 666 and it has been recorded at blues lab, a beatiful recording studio based in the core of salento. mastering/cut @ the exchange studios, london.

the first release of fottute registrazioni (marcello napoletanos label) is based on freedom, especially after release of a member of i.f.m. fran mela. after being locked up for some law bullshit, fran came out with an anger and strength, so as to be transmitted to another i.f.m. member, marcello napoletano, this blend of anger and strength derived from it this ep mini-album. in this record you can feel the anger and the power , the resistance, the freeform lifestyle and analog machines...desire for freedom, desire to fight and resist, desire for free expression, desire to rush the anger and the energy stored.

with surprise cut on center ... after the success of the first release, tanstaafl returns for their second wax adventure, this time with the musical renegade dj october at the helm. october has entered a new phase of production for the tanstaafl series and has focused himself firmly on a reduced, stripped and effective formula for the floor. his productions are heavy, smoked out narcoleptic dub infused journeys, and his latest 12 offers more or less of the same opaque vibe but with his sights firmly set on the floor, with one foot in the past and the other in the future - drawing from his usual detroit, nyc and chicago influences. so we kick off 2012 with a future classic, singularity jump, which douses you in synthesized saxophone hooks, chopped vocal samples and a meaty juno hip-house inspired bass-line.planet of minds is more of a inner space affair very much inspired by acid and dub. successfully combining the two, october injects more of an airy feel into the mix and delivers a moody cosmic acid jam that will not fail your dancing feet or tripped-out mind. definitely one for the later hours.this is going to be an anthem, hands down, so get it before its gone for good.

versatile producer nikola gala gets set to release monster club track >only< on the prestigious rekids imprint. a cut of driving, razer sharp techno, the rib-rattling bass and detroit-esque synths will no doubt slay the most discerning dancefloors. throw in a ryan elliott remix and you have yourselves an essential package

following the huge success of his recent close single - which thanks to a nick grimshaw single of the week, support from annie mac and skream & benga, and even a play on the chris moyles show, threw the 21 year olds bedroom productions to the front everybodys collective consciousness - hackman returns with his follow up, and first single from his upcoming album agree to disagree. * the agree to disagree 12inch is housed in a die cut sleeve with spot uv varnish in insanely limited quantaties. act quickly because it wont get repressed. ever

i know u combines tribal rhythms, pounding bass, insistent synth stabs, some distressed dialogue and a insanely large crash in the most maniacal way imaginable for what has to be one of the most devastating and original tunes for a very long time. sparse and spacious but yet rhythmical and energetic, lxc manages the ultimate arrangement balancing act here. the intensity increases gradually as the track progresses, culminating in an all-out tribal war ! a modern day jungle masterpiece from one of the most under-estimated producers around. on the flip, senses finally unleashes a track that decimated the very first technicality all-nighter back in 2004. 8 years later and that power is still very much in evidence! everybody want go heaven. nobody want dead – taking influence from the 1990 film marked for death, senses builds a dense vibe here, thick with imminent danger. rolling drums soon give way to a energetic ride-heavy break and pounding sub-bass hits. drum rolls drop and mentasms screech before the storm begins to subside half way through. the respite is brief however and after a complete silence the track reassembles, beginning with some insane slow to fast mentasm pitching which continues as a dark, slick reece begins to build with mysterious atmospherics. the tension is cut by the return of the drums – rolling along at first, before the mentasms and subs hit hard again, signaling a percussive onslaught! jungle just got catapulted into 2012.

ltd 2012 repress !! arguably the most popular track on 2562s stunning >fever< album, >aquatic family affair<, was only available on its cd version and a highly limited 10 inch lp sampler. due to overwhelming demand for the track on wax here it is again in full glory, extended and re-cut. half reissue, half remix 12 inch, the flip has the mighty head high aka shed giving his favourite albumtrack >wasteland< the powerhouse™ remix treatment, slow-building and boombastic as only he can. killer.

vinyl only !! big with: paul woolford, deetron, tazz, terrence fixmer, brendon moeller, anthony shake shakir, john osborn, chris duckenfield, dj deep, joel alter, nick hoeppner, nyra, cedric maison, eric cloutier, ed davenport, harri, ernie, milton jackson, a sagittariun, jonas kopp, huxley, danny howells,... never learnt follows up the superb nyra >best of< release with this superb two-tracker from october & borai, who have previously teamed up for the shadowing brstl imprint, october as a solo artist is currently winning many a plaudit for his unique take on house and techno, with releases on skudge, simple, applepips and his own taanstafl imprint all causing a stir. in this release, we see two dubbed out, cosmic housers with >level abstain< being a skewed peak time cut and >vital ital rub< heading for the deeper floors. stay tuned…

the title track on tychos long-awaited dive lp is just that — a ripple effect record that sounds like three songs in one, as if sound/graphic designer scott hansen just discovered progrock and decided to apply its winding passages to his own singular blend of sinewy synths and bleached beats. its also the first tycho song to feature a prominent guest musician, guitarist zac brown, in this case, who paints outside the lines of hansens halcyon hooks with restless rhythms and monorail-like riffs. the >dive< single fleshes things out even further, as keep shelly in athens and memoryhouse — both rising underground artists in their own right — cut hansens cloud-scraping composition in half and slow his cruise control chords down to a crawl. the misty vocal melodies are still there, but they are now floating through an embryonic assembly of jittery cicadas, rusty gears, and lean loops that are both welcoming and a bit woozy. the sonic equivalent of staring at the sun for too long, really, or two sides of the same cracked mirror.

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

latons new 12 inch series on (this being on_1) with zebra monos >zona< on the a - a weirdly pad-based technoid track sounding as up to date as vintage - dug out from the massive laton archives. on the b a harsh acidic ultra raw version of auralbinos >tangg ant< from 97, remixed by sex tags manias dj sotofett with help by fit detroit (featured on fxhes january release tonite). 45rpm uk style cut.

following her flowerhead single which was backed with a hugely successful spencer parker remix, swedens la fleur returns to her own fledgling power plant imprint for it s third release, eavesdropper. strong, melodic and timeless house music paired with stunning artwork, power plants remit is a simple but attractive one. the beautiful images of olaf hajek, wilfried pordiech sätty and now hans arnold provide a striking outer to a core that, in just two releases, is already essential for many a house fan. former dancer sanna la fleur, label boss and the artist in question for the label s third 12 inch, employs a variety of sunny major key chords and whispering female vocals on title cut >eavesdropper< to great ends. spacious and gentle yet undeniably propulsive >eavesdropper< is an infectious skipping groove with a strikingly beautiful feel underpinned with nagging bass. the flipside cut tjuvlyssnerskan takes its name from the swedish feminine noun for eavesdropper yet reverses the gender of the vocals of its counterpart. added dusty loops, poignant pianos and another weighty bass create a piece of house that much more than the sum of its parts. the > eavesdropper< is another triumph for the power plant label and la fleur while also being a shining example of how to release records with love and care.

first single cut from upcoming mule musiq compilation >im starting to feel ok vol.5<. a side, our one of the most favorite producer >juju&jordash< gave us the brand new song. its very unique psychedelic techno stuff and off course essential!! move d on a2 and dj sprinkles on b side are first available on vinyl. its just for vinyl lover. second single cut which coming in may have the track from vakula, kuniyuki and lowtec.

swiss producer echo 106 who 1st appeared on the music from mathematics vol. 7 release sees an ep with 4 outstanding tracks. the title track calls upon the spirits of chicagos jack past & is followed by copy ins del, a deep acid filled cut.

our second vinyl release 2012 introduces a new series, the bias jams, on ilian tape. we start off with a compilation of 4 tracks from japan, serbia, argentina and italy. after some internal investigations we found out that imugem orihasam is not only a japanese shaolin, but also a yoga guru. his bias cut sounds like an instruction for a deep meditation in a forest. we chose a forest, because forests need to be saved. too many black puffs of vapour are killing them at the moment. our late riser regen probably didnt had that a mind, but we declare him to be an environmental activist from now on. now how should we include paper tape in this story … had a look online and found the term perforated paper tape. pretty interesting stuff, it was one of the first methods for data storage. ok are you guys joking? orbital? there is no way to write a good story with those track names. >an atomic orbital is a mathematical function that describes the wave-like behavior of either one electron or a pair of electrons in an atom<. yeah right! well in fact its enough to know that the bias jams series will feature some heavy bomboclaat bias cuts from various artists! cheers

orphx, one of the main leaders of the industrialized techno movement returns to sonic groove with their latest new 12 inch >hunger knows no law<. delivering the goods once again to sg. orphx combines a mixture of tightly woven, deeply & bleepy hypnotic sound designs layered over fierce industrialized drum rhythms. electronic hypnosis for the dance floor. as was the case with their previous sg releases this one is sure to be played many a top techno ddj. >hunger knows no law< is being timed for release with orphxs european live show tour early this spring. along the tour will they will make their debut at the legendary techno mecca in berlin, berghain.

after a short hiatus diamonds and pearls is back with another stunning release by the mysterious eat. >rapture< takes you on a twisted disco journey which slowly but surely turns into a grinding acidic trip. on the b-side he heads for headier tropes, dismissing the 4×4 template for a mesmerizing and moody percussive workout somewhere between monolake and shackleton & pinchs collaboration with the first cut >sand<, before he unleashes the brooding >flux< which sports a nasty modulated squelching bassline and the same off-kilter dubstep-feel. dnp and eat are definitely back – with a bang!

following releases on mathematics, boxfade and vuzkid, chris moss acid returns with an extraterrestrial four tracker on holland’s 030303. the a-side features bay of cadiz, an eleven minute cut built around an hypnotic bass line and a simple hitchcockian synth that would do well in a horror movie featuring zombies with smiley faces. on the flip, lynchette matravers is an energetic, crystal clear banger reminding of early 808 state. the big freeze sounds a lot warmer than the title suggests and should please anyone into afx’s later output. the rhythm, the fourth and last track on the ep, continues on that vibe with beautiful synth work. chris moss may look like a nutter, this sure is serious sonic pleasure

sepalcure follow up last years critically acclaimed lp on hotflush recordings with a new ep featuring remixes from kevin mcphee and trevino (a.k.a. marcus intalex), alongside one previously released album cut and one original track.

edits may be dead, but just when your elitist attitude comes to a head and you think you re on top of your game, there will always be someone deeper, faster and still motivated enough to rekindle your digging desires. where blackdisco volume 10 saw the return of lovefingers and nitedog, volume xi pushes forward into new territory (and with a new aesthetic) by welcoming a group of three deep diggers who shun musical trends and their inherent fakers. dea, albion & spacelex combine their vinyl-mining efforts to unearth some real diamonds from the rough. deas cut malaka is a floater with a funky sailboat vibe, while his complimentary cut taubat takes the tired jungle disco vibe to new level with its triumphant synth-led chorus, an absolute stunner that could be extended for 20 minutes. on the flip, albion spoons water over the coals, steaming up the joint with an uptempo percussion bomb as if santana had a disco secret, and spacelex rides us out with a sexy rock groove complete with mysterious male voiceover, almost as if someone lowered the volume to whisper in your ear.

souvenir is proud to present its 44th ep from a duo of frankfurts favourite sons, chris wood and carsten meat schuchmann. both chris and carsten have come up through frankfurts music scene, chris with his long time residency at the infamous monza club and carsten having started the citys premier record shop freebase, still going strong 18years later. trained as a studio engineer, chris cut his chops under the wise wings of pascal feos and joinedforces with meat, who held residencies at cocoon and robert johnson. last year they dropped the mighty triple s on souvenir, which destroyed dance floors as far afield as sao paolo to ibiza.

the next release on the shapeshifters nocturnal groove label sees b. slade team up production duo frankie knuckles and eric kupper (aka directors cut), creating a slice of euphoric, anthemic vocal house music guaranteed to light up 2012s dance floors.

its finally here, the new deathchant lp009 entitled: now this is what i call hellfish volume 3 hellfish is back on deathchant with another savage release. 6 new tracks are ready to be exposed to the world which will guarantee mash up any dance floor. this lp features the hits on everything,sex machine, devine bomb and many more. the lp is pressed on 3 x 12 inch, limited release, so get as much copies as you can before its gone! fresh from the fish, another heavy hitter like volume 1 and volume 2 which completes a perfect trilogy! must buy for any hellfish & deathchant records collector!

ferdinando apicella aka kernel key adds to his extensive discography with pass it on backed with a remix by sebastian leger the release will drop on italian imprint loose records this december. a sound engineer by trade, apicellas work as kernel key is inspired by detroit techno but sounds entirely his own man. having released his first release on mkt rec, a close affiliate of loose, last year his productions are solidly growing in stature.pass it on not only marks kernel keys debut for loose but also the first remix for the imprint from the irrepressible sebastien leger, whose version of pass it on opens the ep.frenetic, swinging and massively infections, legers version is pure dancefloor mayhem and sees the revered producer inject fun and funk into the original.kernel kes original pass it on is relentless groove with short melodic loops and nagging bass doing all the required work while bizarre filtered keys cut through the tracks nicely judged breakdown for maximum build.lady red rounds off the ep with yet another squarely aimed dancefloor cut. as tight and urgent as pass it on but with slightly detuned stabs and a freakier feel, its a peak time animal of a tune.

limited 1st edition in lp style sleeve!! great original cuts - regis remix carries on where >in a syrian tongue< left off with increased club appeal... dominick fernow arrives on blackest ever black as vatican shadow. two tracks remastered from the the debut vs cassette on hospital productions, byzantine private cia, and a powerful regis remix of another early cut, >church of all images<. in the words of hospital: >militant religious industrial. music for assassins on the world-scale board game upon which it isnt clear who is winning or what side you are on.<

the new ep from memoria comes from fast-rising romanian producer vid whose previous outings have come on labels including fear of flying and barraca music. vid (vidum) aka sorin rastoaca is a producer obsessed with nature and organic sounds. his latest release >rebirth<, is stripped but not light on feeling, and mines a vein somewhere between deep house and minimal techno. etime is a fluttery, eerie cut that works on many subtle layers. like the feathery minimal percussion of villalobos, the romanians sounds present like flapping butterfly wings as a kick drum punches out a varied pattern below. poem is a little louder and bolder, with a firm rolling kick drum and drunken, wubby sounds running right through its core. plenty of sonic details flesh out the languorous but slightly tribal groove. rebirth is again about little tiny details and how they evolve with time, but the framework they inhabit this time is deep, late-night house with gentle tinkles on keys coming over like a fluttering candle in the dark. 3729 gets its head down and mines a shifty, itching and tight minimal groove, closing out an ep which shows vid to be a master of working minimum sounds into maximum effects.

after a break of over a year while he concentrated on his debut album >smoke & mirrors< for drumcode, ben sims theory label returns to celebrate the 40th release with a stormer featuring remixes from 3 of the finest techno names around (robert hood, rolando and skudge). the title track >slow motion< was included on marcel fenglers recent ostgut ton mix cd and has been in huge demand ever since plus there is the brand new sims cut >new blood< to complete the package.
early dj support: ben klock, marcel dettmann, adam beyer, dave clarke, joris voorn, marcel fengler, oscar mulero, rolando, robert hood, ben sims + more.

nice price deal !!! patiently waiting for the year of the dragon to commence, nick chacona & anthony mansfield are finally back with a 3 track ep of epically mental proportions! hector works numero uno duo take on a true journey to house music neverland with the peter vs pan ep. almost two and half years in the making, the boys reveal their many facets of cosmic, sleaze disco and acid wonk. one the a side, pan vs peter is a tech funk heavy slow house burner, that shimmers with dubbed out guitar, thumps with low end and grooves the like the funk brothers at opium afterhours. think vacum boogie meets silver connection and you are almost there. starting off the b-side is the eps title track peter vs pan and its right out the gate ncam drunkhouse maddness. a timeless disco house groove with a bassline so big that we were certain that it was gonna blow out the lathe and never actually get cut (thankfully mastering made sure that didnt happen :). and to round things out, the boys get hard on the acid house tip with terrys nightmare, an ode to the grouchiest bartender at peter lugers steakhouse in brooklyn ny.

lifestyle records is such a good label and only normally releases on digital but as a treat they have released this cut from ed.it and helix which as done really well on promo. this techy number squelches along providing big bass and clicky beats.

limited editin of 300 copies on translucent vinyl.
feedback and support from: 2000 and one, andrew grant, andy cato, butch, coat of arms, coyu, dexter kane, dubfire, ekkohaus, gorge, hermanez, huxley, inland knights, james talk, j.phlip, karotte, kiki, king unique, lazaro casanova, lee curtiss, m.a.n.d.y., maceo plex, martin landsky, paco osuna, paolo mojo, ralph lawson, reset robot, rodriguez jr, sasha, silicone soul, slam, solomun, super flu, terry francis, tiger stripes, till von sein, tim green, waifs & strays and many more!

nice price deal !!! house music like this is made for the late night hours. whether on headphones or in a club, its deeply immersive stuff which takes you to another place far far away.

disco mali! sofrito present a unique slice of afro-disco from the celebrated griot, niama makalou, recorded in the late 70s.
descended from a family of griots (traditional malian praise singers), niama makalou moved to france in the mid 70s where she cut this, her one and only vinyl release. at the time paris (like much the rest of the world) was swept up in disco fever, so along with a group of malian musicians the date was set to cut a piece of disco, griot style. the resulting mixture of off kilter hand claps, raw string arrangements, balafon flourishes and bambara vocals combine with a heavy disco groove to produce a one-off piece of cross-cultural dancefloor mayhem.
on the flip daphni (aka caribou) crafts an extended version that distills it into a stripped down and dubbed out groove.

disco deviance is coming straight outta chicago for their latest release as legendary dj and edit supremo rahaan wields the blade on two lost disco classics. proceedings kick off with the looped up chicago-style boogie of >make me whole<, a groove that is 100% guaranteed to work the dance floor. while over on the flip, rahaan digs even deeper into the crates and comes up with >shut up & rock me< an absolute dance floor bomb of a cut! lovingly edited and re-mastered for modern floors.

following the stunning album that (finally) surfaced on tirk records last year, seventeen-piece live disco band escort arrive on sister label nang via red music by popular demand with two of the most prevalent cuts from the album, cameleon chameleon & starlight, remixed by anglo-japanese powerhouse max essa, and red records label boss and ilija rudman. ilijas cut of cameleon chameleon is as funky as they come, enveloping strains of the originalin his silken synth work and driving dance-floor percussion. edits of adeline micheles vocal hook are teased in throughout, beautifully done but never deriving from the fact that this is strict dancefloor stuff. next up, max essa delivers a stomping rendition of long time favourite, starlight. his cut stays true to the original, retaining vibe, funk and feeling, but giving it that subtle injection of house that is just made for peak time at the dance. if you like your disco live, the escort collective has a couple of uk dates penned in for march / april 2012, so keep em peeled!

düsseldorf born niggemann has enjoyed a constant climbing success in recent years thanks to his precise tech house productions on 8bit,tsuba and supernature.now based in berlin,he arrives on poker flat with this,the first single to be lifted from his imminently arriving album debut. we dont want to tell you too much about the album right now, but if these two tracks are anything to go by,be sure youre in for a treat!dont wait (extended mix) layers niggemans trademark tight, percussive beats as it builds towards a surprising vocal arrival and a killer,positively hung bassline.equally perfect for late night sessions as it will be for the coming spring summer season,basking in the sun,its a versatile and uplifting cut in the true poker flat tradition. on the b side a dubbed out synth voyage unfolds with curious.working snappy drums and airy,wistful fx,niggemann skillfully tells his moody story with passionate charm.swirling synth pads lift before a mid-point break gradually introduces a second theme,cementing the young producers able hand at writing melodies and creating strong,rushing feelings.

daniels stocked the bar, rigged the lights, fed the smoke machine and is ready to welcome us all into room 5 with his brace of new tracks. two polished dance-floor tools in the shape of his and adam ks >in the vibe< and the solo cut >wash the dish<.

cassio ware digging back into the past for this new cut on on dope wax. as usual, kenny dope is the man in the mix, with the classic vocal from chip-es >like this< pitted against the bassline from esgs classic, >moody<, and some quality synth lines on an old school gem of a track for the house crowds to drool over. on the flip, that superb bassline is left to be star attraction along side those great synths on a bumping house instrumental.

this debut album, originally released in 1992, is named after blues-rock band the red devils favourite hollywood spot, which also happens to be the place where they cut this live album