the regenesis ep is the extraction of m.rahns current digital album >regenesis<. all sounding great deep and sometimes dark, based on detroit elements and enlarged chordpads. the stryx tracks are generally the most dubful tracks in here, perfectly placed for the peaktime afterhours.
welcome to a special definition of dub and techno, or let us say dimbideep music! pressing on transparent dark blue vinyl.
early supporters: xpansul, audio injection, slam, oliver klein, pablo bolivar, sis, stanny franssen, paco osuna, richie hawtin and many more...

stunning debut ep from jorge caiado on chez damiers balance recordings! bodiee opens the 12 inch with an ultra deep dubbed out feel & is followed by beyond the atlantic, a synth heavy cut with spaced out elements. on the flip my life & make sure continue with top notch deep house grooves.

2012 will be a year for new faces on the boe release schedule and first up is professor inc., a producer from paris who has taken inspiration from the masters of the early dub house and techno sounds, incorporating samples borrowed from the days of floppy-disk sharing to create fresh new soundscapes with a very modern feel. he delivers a 4 track ep of stripped back house with complex peripheral textures and effects, from the evolving strings and moving sub bass of path illumination and vtm beos tribute to the sinister echoes and delayed drums of elements combined and essence dub.

vital elements and ruffride hit you with two mixes of >want some more< which has been the selectas choice. on the a side you are treated to a drum and bass mix and on the flip a dubstep mix.

bop & diagram touch down on auxiliary under their abstract elements guise. super bass heavy minimal science is the name of the game here. delivered on beautiful purple marbled vinyl.

on her first ep, a.n.i.c.e. composed a track which is deep and full of emotions. >wait for me< is the official wake-up call for all the daydreamers and dally fairies. its marvelous vocals capture the listeners attention. dj le rois remix is more the four to the floor part of this ep. because of the driving bassline not even the last foot will stand still. >the dawn< is boosted by percussion elements and vocals that can only be sung by fairies underline this emotional track.
support by mathias kaden, daniel stefanik, brothers vibe, matthew dear, salvatore freda, tim green, david durango, ...

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement.
along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars.
on their third album >fifth dimension< from 1966 they started showing a more lsd-tinged side of themselves with the psychedelic rock of songs such as >eight miles high< and >i see you< and a preference for the indian raga.
one of their most pioneering albums re-issued on 180 grams audiophile vinyl!

following last years triumphant debut on untolds imprint hemlock, brighton based producer guy andrews is back with his first 12 inch for hotflush recordings. a superb followup to his 2011 auditory missive, the wait / hands in mine merges percussive elements with heavy basslines resulting in two dark dancefloor cuts. shuffling and persistent, side a is bass-driven track filled with arpeggiated goodness, while on the flip, andrews shows off his ability to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune. with recent acclaim from xlr8r, resident advisor and truants along with dj and radio support from the likes of benji b, l-vis 1990, brackles, sound pellegrino, shortstuff, benjamin damage and throwing snow, guy andrews is on the rise. lookout for another 12 inch via hotflush this fall.

here is the 10 inch vinyl only release from plan bs very own dakini9. she delivers two ultra-deep, emotional tracks filled with hypnotic synths & warm bass tones without overdoing it, but giving you much more to digest throughout multiple listens. a must have for any fan of her work or of the plan b recordings massive catalog.

their forse deep remix add some shifting percussive elements, a big synth bass, lush pads while layering the main vocal theme. yoshitaca remix completes this tasty package. tokyo based producer, this talented artist was behind one of metrolines most successful releases in 2011, the beautiful just lay back ep. his approach is also deep, with slower tempo, hypnotic synths, deep bass, smooth chords and an infectious groove that will make sure you are locked on the dancefloor!

london based welshman chamboche returns to the label that launched him with the smoke screen ep. his unquantifiable sound swerves genre classification, hovering around house but with enough musicality to please the hardened disco head. swirling pads and a bubbling bass line set down the groove, while keys fall around horns and vocals to make the lead track a refined, uplifting work out. slowly unfolding, the track is hypnotic and absorbing, showcasing the style of a producer as able to work the mind as the hips. bicep toughen up the drums and work the arpeggio, stripping down the track and bringing the chicago influence higher in the mix. while the original subtly unfolds, their remix demands attention from the outset, building to a climax then recoiling for another bite at the cherry. thinking big, krl ramps up the intensity with a bright, kinetic reworking. aimed squarely at the peak time, he harnesses all of smoke screen’s most propulsive elements to really work the floor. tucked away on the b side is the expansive mind your mind. trademark chamboche percussion is woven around a blissful riff, swelling majestically to round off the ep in slo(w) burning euphoria.

loftsoul is the moniker of renowned dj uchikawa masahiko. he has been a dj for more than 25 years, and is deeply involved with the japanese nightclub scene since its early days. his borderless and genre-straddling playing style, from soul, jazz, dance classics, deep house, to techno tells of the impassioned music life of dj uchikawa masahiko. in addition to running regular parties at his club loft in nagano, (which has hosted djs such as joe claussell, jerome sydenham and glenn underground) and premier at loop, uchikawa has been recording tracks as loftsoul, and collaborating with pianist makoto kuriya as rhythm of elements. >soul inspiration< sees loftsouls continued collaboration with chicago house stalwart glenn underground alongside ricardo miranda aka the latin soul brothas. >soul inspiration< is a deliciously deep groove with trademark virtuoso piano for some esoteric soulful dance floor action. the b-side sees the latin soul brothas slow it down for them electronic soul of the moog mix. finally, dj uchikawa and hide koyama provide an essential dub.

bristol based mensah anderson delivers something a little different from his current output and dj sets for his first release on deep medi. the gambia was picked up by mala almost two years ago and has yet to leave his record bag. it featured heavily in mala?s xlr8r?s podcast, which was voted best of 2011. ?the gambia? is a slow burning, dark minimal and heavily tribal journey taking in elements of techno, afrobeat with a touch of danchall, this output leans more towards mensah?s alias ?new york transit authority? than previous mensah releases and also shows the diversity of mensah as a producer. ?trailing moons of saturn? on the flip takes on a more laid back and cinematic approach with it?s subtly layered synths, thunderous bass stabs and intergalactic rave vibes and effects.

this band from houston, texas scored several hits with >i cant stop dancing<, >tighten it up< and >strategy<.
archie bell & the drells released seven albums in ten years and the tension that existed on their previous two records, which slipped back and forth across the disco/funk divide, is gone here. >strategy<, including honky tonk pianos, swelling strings sections, thumping basslines and soul singing background vocalists making this one of their best albums. elements of barry white and harold melvin making this album a full disco album. it made it to #37 in the r&b charts, and music on vinyl has the honour to re-release it for the first time on vinyl since its original release.
180 grams audiophile vinyl preassing.

gamm proudly presents the reflex, a new and rising star within the edit scene. after his edits made big noise on soundcloud they are now finally coming out on two separate gamm releases. note, these are not just standard edits but fully reworked productions using multitracks, original samples and even live elements. the second ep by the reflex delivers three outstanding reworks. first up is a killer stomping breakbeat take on marvins & tammy terrells >aint no mountin high enough<. next is a 60s soul twist on amys >rehab< hit. the best is saved for the last when mavins >whats going on< gets an tasteful beatless rework … simply beautiful!

lukes angers ace new dinked 7 inch label returns with part.3 for 2012 ! comes on slinky clear vinyl in a clear poly bag. super limited copies for distro, restrictions may apply . >duke slammer is, if you might wonder, luke’s anger in tight lycra pants who is suddenly making something between boogie and skweee. heavily infected with the purple and the disco funk vibe this sweetness is funky as hell!< (lowriders blog).. these records make their intentions clear from the outset, raw swung-out drum machine beats and squelchy moog basslines combine with sleazy pads and wiggly worm lead synths, all the necessary elements for a tasty funk formula! immediate comparisons have been drawn with early 80s synth-funk stars such as parliament, george clinton and zapp, as well as new school disco producers from dam-funk to space dimension controller. all tracks were created on the teenage engineering op-1 and uploaded straight from the synth direct to the mastering house, boom

emerging elements is adepths new ep of diverse, quality electronic music produced by talented dutch artists. its adepth audios seventh release and showcases the work of four of these artists and producers. mila by dan9er is reminiscent of classic chicago house, with its striking, angular bassline. the track is an homage to mila. dan grains in a beautiful world is a track from another dimension—expansive and melodic, incorporating sounds which suggest detroit-inspired music from mid-90s amsterdam. the luxuriant sound of true indentity is relaxing techno for the after hours, again proving rob belleville is one of the most detroit-inspired talents of the netherlands. détaché is a young producer determined to record fresh sounds influenced by detroit, deep house and modern techno. shapes & shadows is his most recent work, and features great bass variations and warm, relaxing synthesiser chords.

just like different fishes can be found in different grounds, also the acoustic tales of the micronaut take place in different regions of the emotional landscape: sometimes warm, sometimes fresh – sometimes calm and stagnant, sometimes lively and floating. and just like all the fishes are connected by the water surrounding them, also this album has its connecting element: a very individual and independent groove. this groove comes with a lot of surprises. for instance, when a guitar chord from the acoustic band atmosphere of gruen- dling suddenly gets tangled up in a loop and introduces an unexpected but coherent change into the direction of broken, electronic beats. or when the emotional world music elements of schleie mix up with exciting halfstep rhythms. sophi- sticated arrangements, unusual instrumentations and intense emotions- these are the main attributes of friedfisch . though the experimental character of this work does not really aim the dance floor, it still keeps connected to this place: two sensitive remixes by mollono.bass represent the upbeat for an entire series, being exclusively released on vinyl.

music is about passion, not competition. in this spirit the something vinyl series continues again with another stl record in his diy do-what-you-wanna-do style, including 3 house tracks aswell as a astro-science thrilling farspace interlude and loop introductions. the ascetic elements on this ep are the result of an isolated one man musical universe, where the love and passion for sound research is perhaps the strongest driving force behind the machines output. a bit of squelchy mircowave-acid, some sunny analog sequences and someting that seems to come out of a lovely b-movie track, where humanoids moving death proof onto the dancefloor feeling addicted to the groove. something 18 is probably that kind of vinyl which can be enjoyed the most when the time has come to loose yourself and let things flow into the positive. this 12 inch comes in limited quantities of 500 copies and is dedicated to all believers of the something vibe.

langer returns to uncharted audio wax for the first time since unch002 way back at the turn of the millennium. with four tracks of the highest quality techno and house, from dubby atmospherics to peak time shakers, this ep showcases all the elements of the second coming of langer, a reclusive individual currently based somewhere in london. with additional production assistance from kone-r on two tracks (athena and sensitive), this ep will turn ears from chicago to berlin and everywhere east, west and in between. counting carl craig, biosphere, basic channel, mark van hoen/locust and marcellus pittman among its various influences, anyone with an ear for quality electronic music will find something to love here.

producer oliver ho aka raudive is not a dark horse. two years after his acclaimed abc ep he returns to rrygular with his new release >love is the devil<. straight and facing forward but also back to the roots somehow. that doesnt need to be a compromise. it is a symbiosis that works absolutely fine in case of this particular 2-tracker. like always the englishman knows how to use percussion elements without getting cheesy. a certain reference to electro is obvious but it underlines the typical dirty raudive sound rather than trying to be referential. but who needs genres anyway? club-disco-techno-house-funk-electro - some kind of monster!

300 handnumbered limited vinyl copies only. no digital distribution. our new tracks from tangula, featuring the track >jebisu<, played by derrick may on his bbc radio 6 mix, which was supposed to be released on transmat. >the gorbals (endtime mix)< and >disaster strikes< are clearly for the dancefloor and have a driving force, whilst retaining emotional and deep facets. >imbalance< is a dark brooding techno track that is reminiscent of early 90s uk intelligent techno such as stasis, b12 or black dog. expect some sinister synth stabs and chords with sparse melodic elements. clearly a track for the forward thinking djs out there. last but not least >jebisu< finishes off this release with functional percussive elements and deep detroit techno inspired melodic synth work

above machine is a new label from production duo the project club.field of dreams (reprise mix) incorporates their trademark dreamy guitars coupled with a gorgeous synth hook courtesy of the dave smith prophet. this mix is best served horizontal.
the lexx remix stays close to the original mix but moves gently into the world of disco by adding a smooth bassline by reto gaffuri, along with a tight drum track that together creates a beautiful beach bar groove.
d-pulse serve up a top-notch remix production using all the very best elements from the original mix whilst adding their own unique quality and musicianship to the proceedings.
beginnings started off life as a remix, but ended up as a project club beach epic. the track is irresistibly melancholy and a worthy inclusion on this stunning debut 12 inch.

hailing from hamburg colourz hits you with >liquidation< which combines classical pop elements with massive beats and top notch sub basslines. flip it over and you are treated to >the cove< which is a mind blowing masterpiece that combine rock with 175bpm beats and we strongly believe this producers going to go far.

early support: adonis smith, hakim murphy, neville watson, perseus traxx (future flash), anthony shakir, david vunk (moustache records), massimiliano pagliara, mass prod, ksoul, photonz (one eyed jacks), boris noiz, ali renault (human shield recordings), humandrone, michael eldridge, rick hopkins (thunder, london), terrence sinclair allen, john heckle, lula circus, eddie richards, alexxei n nig (exprezoo), rufus (bosconi records), moody manc, merrick brown, g marcell marcell, edoardo scarpellini (aka e-dward!).
locura present the second vinyl of our brand new imprint, locura records. they are trying to involve the best underground artists, focusing on the first chicago sound, with deep, acid and disco elements. this record starts with our collaboration with ennio colaci, half of minimono (oslo, bosconi, tuning spork), >the keeper of dreams<, remixed on the same side by the highly acclaimed german duo snuff crew (gigolo, rush hour, snuff traxx). the 3 tracks b side will contain 3 originals by meschi (lunar disko), rio padice (tsuba, morris audio) and takeshi kouzuki (mathematics).

the jivers is a production duo formed by the two french djs/producers don pascal and fred spider. having not known each other before, their paths first crossed when both of them had moved to barcelona in 2007. soon they discovered their common love for deep and soulful music ranging from jazz, funk, brazil to nu-jazz, broken beat or house. their debut single >do what< has already been featured on the jazz&milk breaks compilation and received amazing feedback and spins from djs all over the globe and was brought to an even broader audience after being included on several compilations such as >saint germain des pres cafe<. now the song is being re-released in form of the do what ep including a brand new track called >move on girl<, again featuring the unmistakable voice of anqui and remixes by dj moodz, don pascal and fred spider. the jivers music can be described as a dance-floor oriented fusion of jazz elements with modern beat productions including the colorful and melodic vocals of anqui.

conforce goes deeper into delsin terrain... a very cool four tracker! preceding the release of his next full length album, dutchman conforce has selected four tracks to release as the dystopian elements ep. but dont let the title fool you because, as is often the case with boris bunnik, there is a warm analogue/digital harmony to his sounds which is more than worthy of its place on delsin

for cadenzas latest output, the imprint serve up something a little different from usual with a versus ep from two astonishingly contrasting yet equally prominent artists within electronic music. no remixes or reinterpretations are to be seen but instead, a meeting of minds between mirko loko and stacey pullen with deux elements. titled in fitting reflection of the combination of swiss born mirko loko and detroit innovator stacey pullen, this two track cut is as its name projects in all musical and conceptual aspects. whilst mirko loko is by no means new to cadenza after releasing his highly praised seventynine album on the label in 2009, stacey pullen is a fresh cadenza artist that the label couldnt be more excited to have aboard…this is >deux elements< the eps first piece is >formulaic mode<, a twisted combination of chaotic clicks merged with underlying melodies and a serene ambience of calm.

played by dominik eulberg, adam beyer, ewan pearson, joris voorn, gabriel ananda, karotte, carlo lio, sebrok, martin eyerer, gregor tresher, monika kruse, stephan bodzin, troy pierce, darren emerson,.. ideal audio 019 again sees the coming together of two of modern technos super powers. having first stepped into the studio back in 2008 to bring us the mighty >diablo< (cocoon), dubfire and ideal boss oliver huntemann kicked off one of the most exciting production partnerships of today. the success of >diablo< encouraged the pair to continue their studio relationship - not an easy task with such hectic touring schedules.

following steffis debut long-player >yours & mine<, the story continues with three special remixes, each re-interpreting a key track, courtesy of staffan lindberg, lone and the analogue cops. swedish newcomer staffan lindberg, already promoter and dj on the malmö/stockholm scene, is a recent favourite of steffi for his tracky, fresh house sound. this hypnotic, rave- tinged mix of >yours< weaves an intricate tale for the dancefloor - nothing is rushed as the classic elements have so much room to shine in his fluid arrangement. recent r&s signing lone is becoming well known for his warbling strings, wandering melodies and glissening old school flavours. this remix is no exception and sees him work the chicago-vibed >arms< into a magical cosmic future-acid trip. berlin based duo the analogue cops aka marieu and lucretio have brought the house down many a time with their stomping live shows in the capitals clubs and warehouses. their pumping remix of >you own my mind< is tight, middly and uncompromising - a perfect example of the rough, tripped-out house vibe they live and breathe.

rhythm of elements consists of internationally renowned pianist makoto kuriya and japanese club scene pioneer dj uchikawa. together they combine exquisite musicianship with the deepest club beats to create a unique hybrid - musical tracks for electronic dancefloors.
over the years, rhythm of elements has called on some of the biggest talents in dance music to re-interpret their tracks. these will now become available for the first time together on cd later this year, but as a teaser, beyond remixes ep selects four on this heavyweight slab of vinyl.

300 copies, vinyl only, authentic, raw, underground. the second offering from laak on their austere imprint is another defined four tracker. >back of beyond< kicks things off, a sincere heads down jam combining latin percussion elements with a killer bass line and warm chords. the second track, >dont ever leave< is a heartfelt lament on the feeling of loss, slowing the tempo down, this one is deep! on the flip, >cosmic causeway< offers something a little different although keeping with the warm pads, this time the use of a spaced out trumpet keeps things flowing. the remaining track >cantankerous emotions< is a little different as regards to the beats, but loses none of the soul and profoundness of the other tracks. only for the underground soldiers!

nich premium edition 12inch come with maxicd big with markus kavka, dubfire, aki bergen, andre kronert, feygin, sebastian roya, secret cinema, pierce, moodymanc and many more.
dont miss the next long awaited vinyl on night drive music. this time we gave the black gold to hypnos. hypnos (deepology, urbantorque, myhouse, box music) presents now his 2nd release on night drive music. he graduated from music school in guitar, and played keyboards in a rock band for a few years. he was member of the infamous >demoscene< in poland - an unofficial and underground group of like-minded people mixing music with street graphics. the original is a never ending dream between sweet deepness and techy elements. its hard to describe the tune. just listen please! remixes are coming from pawas, subsky and stefan mallmann.

a seriously jampacked new compilation featuring only brand new and exclusive tracks! >forward to the past<, according to label boss steve bug, renders homage to the period between 85 and 92, traversing the heady sounds of chicago house, acid, new york house and early detroit techno. the album amasses an all star cast from across the board including the talents of steve bug, martin landsky, clé, redshape, ribn, the revenge, deetron, sasse, kink & neville watson and more. >forward to the past< takes in many of todays rising talents alongside faithful veterans of the scene. its really a joy to hear how these top class producers, both vintage and modern, each add their own spin and re-interpret the sounds of the past. complete with audiophile-approved analog tape mastering, and the highest production values around, its a wonderful tribute to the past, present and future of electronic music.

following his prized joker rework, his inclusion on the hefty fabric-curated >elevator music< comp, his dope 7 inch for the all city crew, and corridor ep on plasticians terrorhythm imprint - not to mention a slew of remixes - om unit joins the civil music stable alongside starkey, reso, debruit, drums of death and darling farah. and yet again we see him pushing his sonic manifesto ever further. with years of working intently at the nexus of instrumental beats and electronic music, its time for the timps ep. the timps is real electro. faceless, percussive, underground with a sci-fi feel. dark, futuristic and dancefloor-oriented, punctuated with elements of 80s detroit techno.

berghain resident norman nodge offers up his first full ep for ostgut ton with three contemplative tracks. expanding and contracting with countless subtleties and enriched with bold artistic license. >the happenstance< is an enthused explorations into the many musical zones existing outside of techno. a warm and fresh embodiment of 80s wave electronica - like a classic carpenter score - only a few elements are needed for his narrative to shine. the impression of distant melodies exist in purposefully excluded moments of rest, where nodge uses restrain rather than release to interact with our very perception of the music. a fuller club cut, >body to body< floats into spacious, acidic zones. with the impression of sinking into a disorientating, resonating industrial space, this snaking and hypnotic exercise takes us in a very different yet equally rewarding direction to its sweeter a-side cousin. an ornate exercise in reduction and challenging timing, >breakdown< is a slow and measured display of nodges unique synthesised visions. this short exploration piece is a brave and gritty suggestion of whats to come next from this talented producer

though there is something refreshing and original about the afronauts, their music could be described as somewhere in between the heavy afrobeat of fela kuti and the ethio-jazz of mulatu astatke. this debut 12 inch single combines all these elements, >journey through time< having a hypnotic, spiritual feel, whilst the b side >kibo< is totally exclusive to this 12 inch single, and is an upbeat positive groove, both tracks only hinting at the delights the forthcoming album flight of the ancients (fsrcd/lp085) will contain.

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

fof kick off 2011 with a nod to the past in the form of justin drake (peace division) and kevin griffiths- (tsuba) -the devil-s eyes-, a deliciously grimy jackin- groove, coming on like a low slung mid 90s house production a la schatrax. we enlisted the talents of christopher rau for the first remix. as many of you know christopher has had an impressive 2010 culminating in his critically acclaimed lp -asper clouds- for the always excellent smallville label. chris cleverly uses elements of the original, intertwined them into an altogether quirkier, more optimistic deep house groove with a definite injection of -fun-: to round off the package, new talent bleak takes the reigns, providing a peak time techno stomper. bleak-s debut single will be released on hamburg imprint -sudden drop- sometime in early 2011 and promises to mark bleak out as a name to look out for.

the second release on claap appeals to those who enjoy mixing long transitions and like to create moments during their dj set. sounds from the continents features two wonderfull musical collages, inspired from the favourite findings of label head gummihz in world music. loose percussion, hypnotising xylophones, guitars and singing voices take you on an introductory trip to the beautiful soundscapes of the african continent. high priest and toba lee theme also feature elements of field recordings which alex has collected throughout the years. sharpened with an extra edge for those who seek!

the owl, like its namesake, sits in the shadows. its deep, dubby bassline lazily rolls along, as our franco-italian alliance layer their percussive elements. string stabs usher in the smooth-keyed break, before that weighty bass drops back in. on the flip, txarco brings a sinister, somewhat industrial brand of funk, provided brilliantly by its growling, predatory bassline. as scything sounds, breathy vocals, and a variety of drums rolls lunge from the darkness, and fade just as quickly, we are constantly guarded by our bassline protector.

limited backstock!

after many huge works in others labels as off recordings, disco royal, natural rhythm, religio audio and many others, supported by loco dice, nick curly, sis, audiofly, shinedoe, dj t., robert dietz, david labeij, dan ghenacia, gel abril, lauhaus, markus fix, andre crom, aldo cadiz and many more … its time for >triangle disco< b< paul cart & manu-l, the debut release of the cool fresh label triangle records, the bright levels issues by the forward producer michele pinna. the release comprises of 2 tracks from paul carts typical style, processing elements like house vocals, organic drums and percussion maintaining ever up the groovy trademark with fat sub baselines and banging breakdowns, and an huge remix from the long time buddy manu-l.

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

he created a minimal groover with hypnotic and nice nervouse elements called -the bling-. dennis reichs remix moves in the field of minimal-dub-techno-sound with some elements of the original, mag ivory proposes a harder way with his remix.

support by: magda, adam beyer, troy pierce, konrad black, ellen allien, damien lazarus, camea, alexi delano, tim xavier, joell mull, someone else, dilo, ambivalent, dustin zahn,.. british tech-house master mark henning is back on clink with an exciting collection of deep and funky tracks, perfect for spring and summer. this new series of artful techhouse encompasses our love for immersive and psychedelic music, and stays true to the fast developing sound of our imprint. the ep kicks off with the title track >supersonic< and presents all of the right elements that we love in trippy tunes: aquatic bass, transparent atmospherics, and an orbiting vocal to boot