times of innocence etire en avant is a track by i:cube from 1996 recorded straight to tape, when he was still doing music in his bedroom at his parents house. this slow jam contains french hypnotizing aerobic lyrics combined with a funk filtered sample, perfect for a tantalising disco sleaze late night set. on the flip side, abel from the infamous red light records amsterdam offers us a surprising re-jam based on the original xxxx track released last year on the oeil cube ep speeding it up from 33 to 45 rpm, and then extending it for maximum effect. from cinematic slow boogie to proper boogie monster.

kim ann foxmans firehouse imprint storms into 2018 with an extra special re-release of the 1994 rave classic scott richmond and john selway aka psychedlic research lab, keep on climbin.the package features both original mixes alongside two outstanding remixes from deetron and kim ann foxman. mix 1 and mix 2 sound as glorious now as they did when they were released. mix 1, a bold, breakbeat construct, chopped vocal and emerging acid lines. mix 2 places four to the floor. it’s deeper with added percussion, soft chord stabs and an almighty breakdown to the drop. deetron makes his debut on firehouse with a tough, grinding version, underpinned by his signature, gnarling bassline sound. kim ann foxman incorporates acid lines to her revision. it builds intensely from start to finish, using angela johnsons iconic vocal loop to perfection.

rsd 2018 title - 22 hits from bunny striker lee, made between 1967 - 1976, when reggae went international....to celebrate the 50th anniversary of top flight reggae producer and icon bunny striker lee’s involvement in the reggae business and producing one of its biggest catalogues, we are releasing his greatest hits package ‘reggae going international’ as a limited record store only release of 175 copies each on heavy weight red,green and gold vinyl in a deluxe gatefold sleeve.

grego after all’s underthesea is back with an ep by the polish artist eltron, who has been a big supporter of the label’s vision since the beginning, headlining its inaugural party and contributing to its podcast series. ‘le volte’ is his first release for the label, including three original cuts and a remix by the canadian producer basic soul unit. eltron is probably best known for his quirky, playful, driving house sound with roots in disco, as illustrated in his productions here. the narrative of ‘le volte’ starts with ‘la prima’, full of anticipation and discovery as we set out to explore a new oceanic territory. once the clock strikes two, we find ourselves in a sub-aquatic discotheque with ‘un’altra’, dancing to the rhythm of classic chords revisited with a contemporary touch. meanwhile, ‘l’ultima’ represents a voyeuristic peek into the world of seductive mermen. finally, when basic soul unit gets his hands on ‘la prima’, he transforms the track with complex drum patterns and whirlwind pads with a sense of empowerment to conquer the mood of any dancefloor.

its been a year and a half since we last saw la fleur grace watergate records with a proper ep, having been featured on remix duties for sashas trigonometry and her contribution femton to the celebrated 15 years compilation. so her brand new outbreaker ep arrives just in time to curb any impatience you might have waiting for her signature blend of house and techno aesthetics fused with modern production techniques that sets her apart from her peers. la fleur kicks things off with a wild heaving bass line and crisp, distinctive organic claps on ‘devils sigh setting the tone for the hypnotic groove that soon turns into a high energy burner of explosive bursts and an incredibly unique lead guaranteeing an absolute hit. it only gets better when one of the hottest acts on the scene, tuff city kids, lend their talents for a remix and turn devils sigh into an analog heavy, future-retro banger thats as different as it is the same as the original, creating a perfect alternative to the already killer original. wrapping things up, la fleur takes it a little slower and deeper with outbreaker by utilizing lush organic percussion and washed out guitars to build a tune that will be the anthem for early mornings, open airs and beach sessions alike. we couldnt be happier to have the first lady of watergate back at the controls and we think you will agree.

in the 5th installment of our various ep series, we continue our journey through both international and georgian soundscapes. put the needle on the a side, and you’ll find yourself in a melodic electro labyrinth. the journey goes on with the hypnotizing grandezza of a big room. the a-side closes with a spaced out sketch, deeply dedicated to rave reminiscences. what happens when electronic music resonates with eastern territories? flip the record to find out. distorted kicks and dirty drums, like ruins of an empire long gone, clash with house samples. our second georgian artist keeps it dirty: intertwined melodies tell fairy tales of landscapes both familiar and foreign.

this time we releasing music of someone who has nothing to do with music professionally, it’s something only about passion and inspiration. a very modest ukrainian boy, aleksei berezovskiy is a photographer, but sometimes when he feels like some sound is coming out of his soul he stays in front of his computer making actually a great music. he never shares his music in public, only with some friends and i was lucky enough to be informed about such a talent, so this is how we got into this point.
enjoy beautiful and different sound by dj present perfect now on black 180g inside-out vinyl only ep.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

the next yoshitoshi classic is here and it s a heavy one - dino lenny s -i feel stereo.- anyone on the scene in 2001, when this monster tune was originally released, remembers its pulsing rhythms and ear-catching vocal hook. seventeen years later, -i feel stereo- is back with three remixes from some of the finest artists around. steve lawler (working here as lawler) has crafted a badass, bassline-driven house track that pummels with all the energy of the original. steve continues his reign as as key innovator in dance music, modernizing this classic with unquestionable finesse. the red axes boys deliver their silky smooth brand of minimal house with a variety of distorted arpeggio riffs, futuristic chimes, and other left-field sounds that make their remix truly unique. it s another ace production from the israeli duo. last but certainly not least, up-and-comer frankyeffe, who delivered the goods on his collaborative splitting minds ep with loco & jam last fall, serves up some impeccably produced techno for big, loud rooms. the italian phenom s mix is absolute savagery. of course, it wouldn t be a yoshi classic pack without a remastered original mix.

selections from the album rio grande

the next release on shaddock records is more than just dance tracks, 2 songs that come with full-blown vocals, a re-edition of classic latin freestyle by jorge ojeda ft. hilda mariee with an up-to-date cover version by mr. & mrs. jonson. the original version is a slammer coming straight from miami the capital of freestyle music. driven by hard electro beats and ojeda s signature, miami bass with latin hip hop/ freestyle dance grooves, -betrayal- when initially released on ojeda s destune records became a club and street phenomenon in miami. it would be one of the first of many productions between jorge ojeda and hilda mariee and their project teaz ii pleaz.

relentless apparel wax never misses a beat and is back at it with aplwax003, the 3rd chapter of the saga. the release is made up of 3 tracks, 3 distinct parts of the same engine, 3 proper dance floor bangers. the ep kicks off with a compelling broken-jazzy beat, with its groovy breakdown and reprises and its funky vocals its that one track youll need to shazam on the spot. the 2nd tune will have you right away when youll hear those tribal rhythmics and hypnotic vocals that drive it till the end while the 3rd is the typical one youd call a peak time track.

with its third release, hundert is diving further into the technological maelstrom that has slowly transformed our perception of reality and what this thing called life is. dj oks private messages poses some crucial questions about how we find, form and maintain relationships in our day in age. fittingly, its sound was forged seemingly everywhere and nowhere at once: classic new york-leaning deep house vibes meet uk-inspired gunshot sounds and the frantic grooves of contemporary outernational club music, balearic feels converge with the slick sound palette of our digital environments. private messages is as immersive as an ever-refreshing newsfeed, but just as emotional and real as the next person checking in on you via imessage. dj ja and dj neins third effort can be as much enjoyed in the sweat-drenched physicality of a crammed club as it may serve as the perfect soundtrack for when you are home alone, connected with the entire world via a dimly-lit interface. these four tracks will touch your heart like a spectre attack would infiltrate the device you are using right now. and you know that it is unpatchable. all hardware problems are.

following two previous appearances on the -contemporary dance- and -quiet eye- compilations the elusive lyubocha makes their first full ep release through black opal. -noblask- opens proceedings and instantly energises with a bass heavy acid jam, sitting on a simple motif and crunching away into the dance.-berzerk- pushes with a slow burning, deep and dubby tech sliced open by red hot hats. -nenavist- proffers a floral counterpoint to the earlier acid, bejewelled back drops host a perfectly wonked 303 line popping off to the horizon. closing track -nikogda- rolls re-pitched kalimba/xylo styles into a ball and jacks it against the wall, hard. simplicity is a powerful tool when used correctly. lyubocha nails a warm, lo-fi techno minimalism on this debut release.

deepartsound, perpetual rhythms, osunlade s -yoruba-, and many others – -about u- is trinidadian deep s first release for croatian label burek.

born and raised on the island of trinidad and tobago, today a place this producer calls -home- is found on various locations scattered all over the globe and a variety of influences is what is immediately evident by rich sounds and textures engraved onto this piece of vinyl.

a side, -i want- is the most laid-back moment, in lack of a better term. warm-sounding tribal percussions supporting the interaction of deep chords and wonderfully lush synths running thought the whole track only to get enriched with a beautiful piano line in the 2nd half. if there is track fitting to represent the sunset, that transition from day to night moment – -i would- is the one.

b1 -ghost- is the track on the record with the most forward-momentum. deep tribal rhythms and lush synth lines are a sort-of a leitmotif on this record and are present here as well, with an occasional vocal snippet that only deepens the magic.

b2 -abourisha- makes good use of those leitmotifs in a similarly effective but overall quite different manner. broken rhythm gives it a slightly different energy, making it an ideal track for those 5 am moments when a track like this marks the night.

deep, soulful and techy treats by maestro eric ericksson. eric has been releasing his music since the early nineties on labels like fragile and planet e. in resent times eric’s music can also be found on papa records, local talk and freerange, to name a few. an elegant four tracker that starts out with the uncompromising and crude track ”greed”, followed by ”acquiescence” with its sharp and classy shuffles, lush strings and big sounding pads. the flip side starts of with ”totality”. complete, raw sounding with morphing dubby stabs, combined with rough grooves and punching beats. the ep ends off with the pulsating, dreamy and sensitive track ”closure”. nothing is left by chance when eric shows his vision and approach for modern electronic music.

a new duo launches by the name of ghost vision. joining forces with an introspective, uplifting debut slice on kompakt, the pair are two well-known figures thomas gandey aka cagedbaby, member of matom alongside matt edwards, and daniel mclewin, half of uk-based production duo psychemagik. fruit of these blissful moments when no imaginary wall obstructs the vision and the stream of consciousness gives up to the entrancing magic of the creative flow, saturnus is an upright mano a mano between two musicians and their gear, unchained from all preconceptions and biases, real (machine) talk as the hip-hop heads would say.

following the success of last years kunta kinte 2017 riddim, brooklyn-based label and collective dub-stuy add a new installment to their popular dancehall inspired series with a fresh riddim from in-house producer dj madd, featuring international vocalists from jamaica, spain and bermuda. jitta riddim is a brand new production from dj madd, a sturdy yet spacious riddim carried forward by a lilting melody and guitar stabs that are anchored by slapping snares, dub flourishes and a rolling bassline. this is a weighty but energetic riddim with the dancefloor in mind. bringing the riddim to life are a trio of vocalists representing the roots and global expansion of dancehall and sound system music. spains sr. wilson delivers an anthem in the making with zapatillas, a song dedicated to all the sneaker heads worldwide who like to sport fresh kicks when they hit the dancefloor. singing in his native spanish and english, sr. wilson shares tales of daily shoe addiction around a catchy refrain that name checks the best known brands. his blend of reggaeton-flavoured autotune and kicks geek outs is sure to resound loudly around clubs worldwide. backing him is jamaican veteran deejay cutty ranks, a man whos been lending his distinct flow to productions for over 30 years. on double trouble cutty speaks to the daily realities of life on the streets and the ills keeping people down, warning of the trouble that awaits those in charge. wrapping up the release is bermudas troy berkley who aims his vocal rifle straight to the orange-skinned resident of the white house, spitting rapid fire lyrics about the deteriorating state of things in 2018 america. lace up your sneakers and get ready to move and chant with dub-stuy’s new riddim.

part two of the ep features the motor city drum ensemble remix, and the original “in a silent mix” version from 1999, a track out of its time when released on allen’s sole record “black voices”. a long serving dekmantel veteran, danilo plessow was there from the start. after compiling the first selector’s compilation last year, mcde turns tony allen’s masterpiece in a jam, with added house beats, giving the funk number the edit treatment. the final mix sounds like the kind of track you would hear mcde play in one of his sets as he’s firing up the heat. the organ sounds and trumpets are left high in the mix, to create an unforgettable hook that resonates throughout, in complete motor city style.

the 20/20 vision offshoot basic vision continues to mine the folklore of the legendary back to basics with a selection of carefully selected deep cuts from the history of house music. chris cuevas hip hop already sounded strong when masters at work chunked it up in dub form, and then rob mello perfected the jam when he performed an extended edit on the breakbeat fuelled jam. eddie fowlkes where will i be? is a classic slice of 90s vocal house, while free energy is an uptempo deep house jam for those feel good peak time moments. black science orchestra sound utterly timeless on the soaring new jersey deep, laying the soul on thick and keeping things fresh and funky throughout.

our boss claude vonstroke is the busiest guy we know. when hes not traveling the world or curating an event, hes in the studio every day putting in hours upon hours, relentless in perfecting his craft. hes had a slew of hits the past couple years in the form of remixes and collaborations, and now with the walay (my bae) ep, claude gets back to some inventive and somewhat out of the box solo works. the title song leads with a melodic riff and an funky vocal that sounds like a defective cyborg is proclaiming love for his partner, walay. this quasi-human uses the slang my bae to try and pass for human and we almost believe in his passion. the sound harkens back to old classic rave tracks but also pushes very modern production techniques. on the flip, raw nerve is an emotional exploration in both sounds and lyrics. a melancholy vonstroke dives deep into his insecurities and fears with sonically mutated lyrics like im feeling so sad, im feeling real bad today. when i see you on the street i dont want to compete. you can feel the social instability oozing out of the vocal only to come back at the close with a violently hard bassline embodying the personal angst and frustration that goes along with not fitting in.

the raw jacking sexiness of ghetto house has always played a big role in the killekill universe. so its high time to put out our first release which goes that direction. italian andrew soul is an artist we have been watching for a while already. when he sent the demo with the extremely raw and dirty tunes that you find on the a-side of this 12inch, the decision was easy: killer stuff which makes you bounce immediately we want to put this out! the b-side comes from dirtbox, who is also one half of snuff crew and therefore has been part of the killekill family for a while already. actually almost from the start. being the musical wizard he is, he can not only make house and acid music and anything else you could think of, but also class a ghetto house. maybe even more classic than andrew souls side but ranging from the percussive style of smmfd and work that to the raw energy of fukk it is definitely in no way less original. shake dat ass!

tenderness is four cuts of emotional dance music from super tuff label head, m. vaughan. with galloping shakers underpinned by a weighty sub-bass, the a1 cut moon river is a blue-eyed peak time anthem. turn around! is an a2 track with heavy duty low end and a tender pitch shifted vocalia wonky patchwork of melodies that sums to something reminiscent of early herbert. for the b-side, tenderness at 117 bpm is a soft, opening tune that serves up a breaky drums, liquid pads, and a well-placed harp solo. -when it all happens. is a dj aakmael inspired groover that leaves the ep with a driving kick, chunky moog bass, and a vocal sample wailing out from the pains of heartbreak. dont cry! get intimate with a brand new copy of m. vaughans tenderness from super tuff.

great return of the classic and pioneer band of the french funk scene! after a long absence, malka family reformed, burned some scenes and composed a new album without changing anything to its magic formula. recomposed with almost all original musicians, they come back today with a new album, le retour du kif. at the heart of a still popular and multicultural marais area in paris, young musicians gather to jam. this is where malka family is formed. their first self-produced album, malka on the beach, was released in 1991, and gigs were immediately chaining up all over france and europe, famous for their eccentric costumed performance and after-parties. in 1992, warner france signs them for a second album tous des oufs, a real p-funk space opera with guests such as sidney, dee nasty, marco prince (fff), or juan rozoff. they will then traveled france, switzerland, italy, holland, denmark, namibia, japan ... and in 1994, the band becomes independent again and records an ep for big cheese records, titled fricassee de funk. after a final tour for the third album, fotoukonkass (bmg) recorded with renaud létang the band finally broke up. at a time when daft punk is using funk artists to support their performance, when bruno mars & mark ronsons uptown funk continues to make the crowds dance, it s time for the original funkateers families to come back and teach a lesson to new generations. after the band reformed and started touring again since 2015, they quickly decided to record a new album and to leave on the roads again

oxford-based emseatee is a kind of special. like a scientist in a secret laboratory in the dawn of the night he is blending atmos, styles and rhythms. organic in flow and open to experiments with natural sounds, he is always up to something new. emseatees experiments take time and go back until 21.06.2014, when minerva visited him and together they laid the foundations for this release.

jon dixon, member of underground resistances live band timeline, pays tribute to legendary detroit jazz trumpeter marcus belgrave. the ep features belgrave himself (recorded before his passing in 2015), alongside additional contributions from detroit musicians: ur/timelines mike banks & saxophonist desean jones, and jazz trumpeter, composer & educator kris johnson.

slow motion s 38th (!!) release comes courtesy of berlin-based gallo who you may know as part of balearic gabba soundsystem. joining the family for his debut solo release gallo drops the tempo for three deep-cuts of blissful balearica. backed up with an acidic, chugging re-rub of faron from fabrizio mammarella which is perfect when the sun goes down, orange stripe arrives just in time for summer. how to get the most of this track: combine it with blissful and dreamy beach-excursions or with a sunset aperitivo. this 38th release has -future classic- written all over it.

so you wanna be a star 24 carat disco gold from 1980 right here. mtume, led by legendary jazz percussionist and all-round musical visionary james mtume had a number of massive hits and can count quite a few classics within their repertoire ( juicy fruit anyone?). this flawlessly arranged, funk drenched jam speaks on the dangers of living life too fast and relying on those who can t be trusted. remember, this was the beginning of the 1980s, the disco era had began to fade amidst the drug hazed excesses of the previous decade, while the music continued forging it s path skyward with tremendous records like this one. so you wanna really has a message and that s not surprising considering it has one of the most underrated production teams behind it in the shape of mtume / lucas. a true gem of the post-disco era. essential and rare. this repress of the original epic promo from 1980 is backed with a brand new re-edit from one of nyc s disco kings mr.k aka danny krivit. with almost half a century spent behind the turntables in nyc and beyond he surely understands records like so you wanna be a star intrinsically, he was, after all, there when it all happened! this classic has been legally reissued by above board distribution in conjunction with the legal rights holders sony music entertainment. this high quality repress features original epic label disco 12inch artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

after a hectic weekend you awake dazed and confused deep in the urban jungle. as the sun starts to rise, in the distance a lush pad starts to drift closer. the sounds of your past... a time when everything in the world was right, perfect. tearing breakbeats release, kinetic energy moves your body and you start to reminisce about friends, love and music. days gone by, the vibe never ends. jem one kicks off 117 spring with 3 fresh cuts pressed on a special edition clear & white mixed vinyl.

“courtrai moderne: definite definitivos” is the very first full vinyl release of kortrijk’s own punk heroes: an anthology of their best songs. it was sheer enthousiasm when punk-craze hit kortrijk in the late seventies. frank holvoet didn’t really know how to handle a guitar but that didn’t really matter: he gathered drummer rik masselis (see also the p.i.g.z.), peter coppens and local wild boy lucien callewaert: definitivos were portuguese cigarettes and also the name of the band.

a techno king / mixmag. the dj titan is still stepping it up / dj.
steve bicknell is currently having a moment. when you look at his recent releases, his growing number of gigs, his eye-catching collaborations and his new record label 6dimensions, it seems he’s feeling particularly inspired. resident advisor steve bicknell has been an integral and highly-important segment of the underground electronic scene since the early ’90s and has continued to expand his musical horizons through producing, promoting and playing” hyponik “bicknell has shaped a scene from the shadows for decades thanks to the legendary lost parties he co-ran, which brought djs like jeff mills and robert hood to the uk for the first time, as well as his own production work the vinyl factory an underground leader announces his return. his 6dimensions label seems to have reinvigorated him the arts desk.

the happiness is back! after his debut in future times, repetentes 2008 checks the third 40% foda/maneirissimo 12 release as -os maneiros-, an ep showcasing the sound that only the fail experiences of gabriel guerra s school years could bring. with his trademark sound of sped-up boogie and happy-as-hamtaro fusion, repetentes 2008 packs it up four crazy tracks that are perfect for bringing up your mood. -lucas freire birthday- it s that crazy instant hit accompanied by a chit-chat between two friends (lufreire and timidozinho) who doesn t seem to get along but love each other. supervagabundo is flute-filled fusionness with conventions and solos that could make even casiopea get jealous. in the b-side, -nova berserker- gives you the chill in a ymo-esque fashion by showing how things works when it get s the glassy and digital synth fever and -fofo shuffle- closes with the cute triplet groove and a beautiful and bubbly melody. are you suffering from po-faced music in the dance floor? no problem, repetentes 2008 s -os maneiros- is the cure, the sugar that you gives you the rush without losing the joy! get it now!

the backroom club was packed with the hottest kids from the street. the movers and shakers wore their finest clothes to get down to the boassanova rock whilst the gangsters and players watched on from behind luxurious red curtains. in the murky shadows some exchanged more than just pleasantaries in the form of parcels and goods. they were devilish figures who existed only by night, when the streets were no longer safe for the do gooders to walk. this was a rough and ready town. cyrk is set to release a new ep on the infamous rawax record label. a charming assortment of well crafted house and some sophisticated electro cuts for the club. rounded up by a fantastci remix from claude young!

rsd 2018 exclusive release - limited to 1 copy per customer! zero 7’s debut album ‘simple things’ sold over a million copies and was nominated for the mercury music prize and the band as best newcomer at the brit awards. the album featured singers sia, sophie barker and mozez. ‘when it falls’ followed with the same guest vocalists along with danish singer tina dico. their third album ‘the garden’ was nominated for a grammy award with singers jose gonzalez and sia. two further albums ‘yeah ghost’ and a best of ‘record’ completed their time with atlantic records.

neben dem original-album aus dem jahre 1960 enthält diese 180 gramm vinyl zwei bonustracks, aus dem gleichen aufzeichnungszeitraum: messin‘ with the blues und das instrumental hold it. limitierte pressung auf 180 gramm vinyl.

masta ace goes munich underground! the legendary us rapper teams up with the heads of primatune to deliver a monster king kong rap epic, fresh and full of energy - hip hop at it s best. this is what happens when munich musicians celebrating the golden age of the 90s collaborate with one of their heroes!

nyc label homage continues a hot streak with their third project from uk producer jvxta (pronounced jux-tuh). after an excellent debut on his label hardmatter, jvxta gifts homage with four ny-inspired deep house cuts. brawn is an immediate tone setter. the banging stand-out made waves overseas prior to it s online premier thanks to cinthie, who pressed it to dub plate and played it as the opening track at her boiler room set in berlin. the remaining tracks offer a look into jvxtas unique tastes, and listeners will find themselves lost in quick-fire deep jazz, dreamy 80s tinged house, and a rolling tribal cut that we wished never ended. serious selectors take note, homage is not messing around, and this is a project that you ll reach for again and again.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

2023 repress - pablos eye is the science of studio pressure, when engineer becomes artist. appropriating left and right as well as front and back, pablos eye uses the mixing desk to examine and exhaust the possibilities of moments. pablos eye is a record of that examination and exhaustion, but it is also a record of its own inner space. by means of depth placement, psychoacoustics and spatial fug, pablo’s eye is experienced in the deeper reaches of the body, bypassing the conscious part of the mind entirely. . pablos eye is the turning of recorded music inside out to show its seams. it interrogates a song, stripping down the body of the song to reveal its bones. pablo’s eye is in the interstices of music, it plugs the gaps, fills the holes. pablo’s eye seeks out the concealed mechanisms, it is a songs hidden agenda. for this compilation, it was decided to present the softer air-beatings of pablos eye. more than anything, pablos eye is a temporary atmosphere, like a taste or a dream.

double-gatefold lp with detailed liner notes, label scans & unseen photographs. all but one song appear on vinyl-lp for the very first time.

repress of bp002 to 2014.

vinyl only release! 2018 repress
galluzzi and schneider: two masters of their craft and two specialists for merging minimal techno with dark house vibes. this particular sound that is high on demand when the club crowd get lost in the middle of night. lost in music. lost in the hot air that makes their bodies sweat. lost in these disco lights that makes us all dazed & confused. this very special sound, based on hypnotic and minimal beats with every bass sound hitting your body and soul.

hot on the heels of their recent eps on roam, correspondant and futureboogie, zombies in miami maintain the disco heat with their debut on mike simonettis 2mr. three tracks and one remix deep, the entire release is a full trip to the senses. take it off leads by example: strident, uplifting and dynamically arranged so a whole new level of feels is unleashed when you least expect it, theres a real timeless energy and focus coded deep into every element. new odisea takes more of a cosmic approach with its slinking bassline and soaring, yearning chords that weave and wave above it. buckle up even the slightest variations and percussive additions are so well placed, they create an almighty rush every single time. finally ‘where is the voice of that man on acid’ attempts to ask the question we’ve all been asking for years. fittingly psychedelic, layered and circuitous, its springy riff persistently tickling under waves of evocative atmospheres and it comes complete with a sublime, sub-loaded rolling technoid trip-fest from honey soundsystems jackie house. the duo describe the ep as the result of hours of jamming, trying to imagine and recreate the loudest, most energetic and sweaty dancefloor tracks that we could play in mexico, europe and all over the world no matter the borders. we’d describe that as mission accomplished.

groove odyssey records are truly excited to release the debut album from our very own paris cesvette entitled celestial (my journey among stars). paris cesvette’s celestial (my journey among stars) is the audio memoirs of a producer and musician that from the very start has always been amongst great musical company. a creative soul, born into a home where music was the currency, her inquisitive nature and desire for knowledge had her studying her father’s record collection, embracing her mother’s passion for music and then, what happened after that, is what we hear today. her vision of combining the sounds she lived for, with the music inside of her is finally represented in one physical work. each song on celestial reflects a moment in paris’ journey and every artist sings each song with a greater purpose. on listening you will realise that every song was tailor-made for each star. paris believes that you get an artist at their best when you let them be the true artist they are. “my role as the producer and the visionary is that it’s my job to make their sound become our sound and among all of us we are like stars in a constellation, together we make one and that s what makes this celestial, my journey among stars complete.”

xor gate is the brainchild of heinrich mueller, one half of drexciya and dopplereffekt.
silver colour print sleeve.
in linguistic or electronic logic, the xor gate designates a device, digital or grammatical, which outputs a value only when two di ering inputs are fed into it. this can be summed up with the formula “one or the other but not neither, nor both.” a conic section is a shape created as a plane intersects a cone. this can result in di erent figures such as a circle, an ellipse, a parabola or a hyperbola. conic sections is here composed of eight themes, or shapes, over which waveform and synthesis entirely merge with human emotions. the line is blurred. these eight themes are intertwined, forming one long musical string. the line is forever blurred. conic sections was commissioned by artcenter south florida in miami, for the an image exhibit

pets boot down the doors of 2018 with this generous five track version excursion. five of the label bosss most distinctive and decorated tracks from recent years get the treatment from five fittingly big names, this is how its going to go down… the one and only roman flügel takes the lead with a wonked-out trip down ‘basic colour theory lane. with a sly switch on the kicks and full emphasis on the alien encounter feels, his trippy take on ‘dont sets the perfect creative benchmark for whats to follow. dig deeper for a bumping, stripped back warm and jacking twist of ‘its happening by the currently unavoidable rutilance founder dj steaw while counter records pional breaks down their recent jolt of euphoria ‘rave history and rebuilds it into a slinkier, house affair, repurposing every spine-tingle and skin-ripple greg and voitek coded into the original. deeper again were treated to an exceptional twist of their green velvet collaboration ‘keep on as lawler injects a springy, molten momentum to the elements with a salubriously loopy machine funk feel. finally, for good measure, jonathan kasper wraps up their 2016 spiritual trip ‘elixir with a new sense of conga-riddled, bass-licked momentum. still reaching the highs when you least expect it to, the pay-off keeps giving and giving. a little like this whole ep

fresh from his and elizabeth wights widely supported pale blue debut on crosstown rebels, new jersey renaissance man mike simonetti returns to correspondant with a touching cyclical trip.fuelled by emotion thanks to an on-point sample of a barbed spoken word, i love you mom is characterised by shimmering hypnotic cathedral cascades that fully arrest the senses. symmetrically bookended by the equally overwhelming i love you dad, where the same chords and sample take a much darker acidic trip, simonetti also treats us to the icy ricochet subversions of the chime-binding riser lets go for a walk and the purring electroid bass prowler no gods, no masters along the way. pregnant with restraint and well-tempered emotions but knowing exactly when to pop, its another certified odyssey from the perennial troubleman. feel the love.