the television screen is the retina of the minds eye david cronenberg, videodrome 1983. passarella death squad lynchpin danny passarella collaborates with london techno producer perc to create 5 soundscapes echoing erotica viewed through supercharged synapses to accompany the recent series of artworks created by danny passarella that share similar voyeuristic obsessions. lavishly colourful, the listener is drawn towards them, like an obsessive james woods slithering into his television in the climactic sequence of cronenberg’s horror classic videodrome. available as a limited edition 12- see-through blue vinyl release, the 5 tracks act as an abstraction and intensification of the mood set with their previous collaboration temperature s rising .

romansoff continues his recent stellar run with a wandering, daylight-dreaming ep for mörk. four tracks channeling light-splintered techno, looping, shuttered-blind house and even some more visceral washed-out 5am sounds on the flip side. dreamy, deep techno at it’s finest.

camea gelingt es mit der auswahl ihrer tracks die basis ihrer experimentellen kombination von deep house und techno weiterauszubauen, sowie ihren eigenen sound lautstark zu kommunizieren. sie erweitert ihre diskographie um einen essentiellen teil genauso, wie das archiv von bpitch control!

already featuring on two earlier prrukblk samplers and on the digital imprint, it was just a matter of time for his 12 inch solo-debut to come, von grall presents his *no contact ep* on the planet rhythm black imprint. the paris-based producer has been pushing forward his characteristic deep & atmospheric sound over the past two years and has proven to be one of the strong upcoming forces of the label. next to the great claudio prc remix on the a-side, the release features three original tracks ranging from the dancefloor-driven *quadratic* to the trippy *no contact* and even deeper into dark atmospheric sounds on *molecular collison* - making this ep another strong addition to the prrukblk catalog!

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

repress 2015 ... with dubsteps big push into the mainstream, stirring up all manner of hybrids, variants and mutations, its worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception. paul rose, aka scuba, and his hotflush label have, since 2003, had experimentation and genre-collision etched into the very structures of everything they do. putting out key tunes by the core pioneers of dubstep, but also by true outliers like mount kimbie, joy orbison and sepalcure, hotflush has created a sense of absolute consistence in diversity: multiple sounds united by true craftsmanship and high-tech expression of complex emotion. joining the uk underground to the deep-rooted techno culture of berlin, where rose is now resident, the label is a vital nexus in the flow of musical information that is fuelling the current innovative climate. so next time you hear someone talking about >post<- this or >future<- that, consider that maybe the times are just catching up with hotflush. back and 4th features ten brand new tracks from bass musics most innovative producers, as well as a collection of essentials from hotflushs recent catalogue. the compilation is presented in double-cd and as a triple 12 inch vinyl release.

repress 2015... presented are 4 previously unreleased cuts from the vault of ben cozmo d cenac, producer of newcleus, dream 2 science, push/pull & sha-lor. written in the late 80s / early 90s, these tracks have been sitting on dat tapes for over 20 years. the tracks themselves feature bens wife yvette cenac a/k/a vai cee from dream 2 science and lady e of newcleus, gregg fore a/k/a buster fhott from dream 2 science and push/pull, the cellar boyz a/k/a the original jam-on djs and finally shareen evans. a career musician, bens instrumentation and programming is timeless, its a sound that cannot be replicated. we are humbled to be working on a project such as this. dont sleep, its a rare 12 inch vinyl weapon!

dogma is the new chapter of tensal to his label, 4 tracks passing the classic and contemporary techno with surround sound for the dancefloor, after his last works supported by djs like jeff mills, ben klock, rodhad, oscar mulero, dvs1, etc ... sure that it does not leave anyone indifferent. pressing on white coloured and marbled vinyl.

liebe047 features 4 more analogue acid sounding techno tracks by pablo sanchez feat. colonel red (+ a remix by meta.83) on side a, berlin cooperation saytek vs quantum entanglement and italian up and coming producer dast on side b.

brand new excursion into eastern territories curated by zambon of the very polish cut-outs and transatlantyk fame. five obscure disco tracks from late soviet era edited, reworked and remixed into dancefloor bliss by creme de la creme of russian and belarusian producers. among the editors we will find leonid lipelis (known from collaborating with brennan green and his own label thats a steal, here working under the alias beard in dust), moscow based diggers crew shiny boots grodno based edit wunderkind schmoltz, st. petersburgs krjuk and the papers from ekaterinburg. tracks range from balearic pop stomp of alla pugachevas *kafe*, through to the blue-eyed slavic soul of tatiana kochergina, to big band funk full of breaks and even russian disco rap with baby scratches! drink some vodka and taste the disco sound of the soviet union.

chile 2015 - larry peters is taking us on a journey to the orbit around a minimal and spherical sound . a little bit driving and impulsive, a little bit psycho and relaxing enough to begin this journey . take your helmet , space suit and these wonderful 4 tracks to start the countdown .... 3.2,1 ....

this release from unknown deetroit is pressed on red vinyl and is limited to only 666 copies. featuring 6 tracks, including one with backwards music, this is sure to appeal to fans of the previous 12 inches. hand stamped white labels taking the sound from wild pitch and deep to techno and jack!

iron me debuts on resopal for a grand sonic journey not only to the vibrant heart of the dancefloor. coupling contemporary 4/4 tracks with a bit unusual resopal style breakbeatish-tinged soundscapes and deep deep dub, iron me acts as both a skillfully composed portfolio of personal memories and a sublime collection of charming cuts. his unique mélange of emotional and functional elements works exceptionally well for the full-length format. each cut operates as its own little time capsule, storing bits and pieces of recollection and then magically transforming them into epic, beat-driven soundscapes. red bodden is an album for dancing wildly, relaxing, hoovering the house and losing yourself. a true musical journey.

the originals -excuse me-, keep going-and first kiss , taking inspiration from ... they sounds fresh and housie, got a shaky beat accompanied with sexy male vocals. the remix -first kiss- done by jumaira, is the little hard version with an impressive groove, kittenish but tight. we can and will say for sure, these tracks will find their way on the dancefloors around the globe.

featuring heavily on most of drumcodes shows due to his impeccable djing, bart skils is back with a new ep flexing his signature rolling sound and hooks. caressing from one track to another, the use of pads in this ep and using uneasy sounds to build tension in each track. the swelling bass within each track manoeuvres the tracks into dark after hours territory with the help of the subtle percussion.

die beiden hamburger djs rich vom dorf und fabs# haben sich mal wieder richtig ins zeug gelegt. im august erscheint eine vinyl mit der katalognummer t&n025 beim hamburger label tach und nacht mit tracks, die wie für den sommer gemacht sind. unter freiem himmel entfalten sich die melodien und nehmen einen mit auf eine reise, auf der gute laune garantiert ist. regelmäßig auch weit entfernt vom nördlichen hamburg sieht man rich vom dorf hinterm dj-pult stehen. fabs# überzeugt auch hier wieder einmal mit seinem sound, der sein können schon mehrfach auf releases beim hamburger label tach&nacht unter beweis stellte. als remixer wurden keine geringeren als kollektiv ost und thomas lizzara engagiert. pressung auf grau marmoriertem vinyl.

qnete joins the lobster theremin gang with a trek through inspired drum machine-based house tracks on this debut white label. channeling the spirit of chicago, detroit and new york in a dash through long-buried catacombs to find the lost pads of yore, qnete imbues his sound with melodies so jacking yet so yearning that they belie his young age and short discography. melancholy moods come and go like waves of a fever, leaving us confused and isolated, yet somehow comforted by the overriding desire and optimism left over. a release for the secret lovers, the lost individuals and anyone who s ever been caught dancing in the dark alone.

deleted - einer der besten lounge-serien der welt, hotel costes, bringt nun in zeitlicher reihenfolge alle 15 bisherigen folgen auf schwarzem doppelvinyl heraus. jede der von stephane pompouganc zusammengestellten ausgaben hat ein individuell-exquisites tracklisting. vol.3 kommt mit 15 tracks feat. shirley bassey, gotan project, a reminiscent drive, lustral, coco steel & lovebomb, u.v.a.

having previously used their dnuos ytivil offshoot to release material from their nearest and dearest (think batu, bruce, hodge and alex coulton), bristols livity sound crew turns to unknown french producer simo cell. the two tracks showcased here are a rather fine introduction to this newcomer, with opener *piste jaune* offering a clandestine blend of stuttering electro bass, discordant analogue percussion hits and spooky electronics. the mystery man goes for the jugular on *cellar door*, with pitched-down, bleep style melodies and liquid electronics riding an off-kilter, broken techno groove. another fine livity release.

lxury returns with an all greco remix package of square 1 featuring deptford goth. joe goddard starts off the record with his quirky adaptation of square 1, followed by the mysterious v.o.x and their spacey dub edit. on the b side george t & jean gabriel becker bring their 90s dat loop sound to the table and to round things off we have the original cut of square 1 featuring deptford goth. prepare for 4 tracks of peculiar melodics, 90s dat loops, and blissed out cuts...

the second release we do with french artists upwellings aka vincent raude who is professor of modern art at the academy of brest and has been recording music since 1996. his ep comprised two tracks. a-side >dubbin at the strobe< feat. michael zerang shows a nice interaction of drums and sounds developing a profound deep mood. drum parts were recorded in chicago by michael zerang, a real jazz legend who played a lot with peter brötzmann and joe mcphee, hamid drake. the flip side >lighthouse dub< has the aura of an place which is extremely isolated. the sound is at times extremely pulled back and melancholic and holds a sentiment that reminds us a bit of joy divisions >we are the young men<. the track undergoes a transformation beatwise when going more uptempo.

as one of the most exciting talents rising out of the uk, there is no better time for dc-10 resident richy ahmed to team up with new yorks seminal house imprint, strictly rhythm, and release * cant you see ep*. opening with a hard-hitting 4/4 beat * cant you see* features a funk-laden walking bassline adding fluidity to the mix, calling on the sound of the 80s and bringing it in to the present day. analog synth sounds are peppered amongst bluntly cut vocal samples, drawing inspiration from the clinical elements of techno, yet retaining the groove that ahmeds work is rapidly becoming synonymous with. the eps second track is ahmeds remix of logics 1990 classic * the warning*. the originals acapella has been repurposed by ahmed, looming over the tracks driving percussive elements. with a low-slung bassline interchanging with sizzling hi-hats, the remix pulls the original away from its blissed-out roots and firmly into the warehouse, providing new meaning to one of the legendary strictly rhythm’s many classic club anthems.

limited edition of 200 copies on black vinyl.
in this most recent phase, the intercontinental duo progress into new territory on four tracks that dwell in minimalism. atmospheric white noise and resonant synthesizer sequences combine together with spatial awareness and repetitions that build structures progressively. primal, slow and pulsing sounds give way to dynamic peaks. these tracks were recorded in the same session as the recent “el temps no passa” release on the philadelphia imprint white denim making it a perfect follow-up.

messed up house ep is the right mood s debut on vinyl and for the four tracks on it, house music borrows their foundations. powerful kick drums and bright handclaps make the tight bases that carry lots of musical influences, from distorted guitar amps to brazilian percussion, passing through techno bleeps and minimal noises, all of them, always involved by huge basslines that will put to proof the sound system s capabilities of reproducing low-end frequencies. underground house music has found a place in this bundle. an ep title was never so true!

nyc s bookworms makes his return to l.i.e.s. with four tracks of hypnotic headnodding techno. big tip! ever evolving in his sound, bookworms is fearless in his production whether behind the beat, in front of the beat, or subtly changing tempos through his tracks, there is a bizarre swing to it all keeping it moving. jump into the haze zone of the worm and hear for yourself, perfect for those backroom moments...got it?

bahdeni nami besticht mit einer vielzahl an kollaborationen mit produzenten aus dem elektronischen bereich, die einmalige interpretationen des bereits etablierten sounds von omar souleyman liefern: four tet ist erneut mit an bord, gilles peterson ist mit dabei, modeselektor steuern 2 dance-tracks bei und legowelt liefert einen remix des titeltracks. das neue album wurde in instanbul aufgenommen, omars wohnsitz, und der sänger wurde dabei standesgemäß von traditionellen musikern begleitet. unermüdlich bringt omar souleyman seine wilden dance parties in alle ecken der welt vom sxsw, über konzerte im rahmen der verleihung des friedensnobelpreises, hin zu rock-clubs auf der ganzen welt.

the vienna based imprint noiztank delivers the second statement of his design sound manifesto. label head zosima supplies three original tracks accompanied by a remix of industrial-esque pioneer kareem of zhark recordings. a lady from siberia moves around the cutting-edge agenda of current techno aesthetics. driven by an aura of melancholy and depression, only fragments of drama and uncontrolled violence break the stimulus of chaotic stubbornness.

appropriate to the golden gate club s philosophy and attitude, -its never to late for gate-, ggcr is coming up with cat.002. it took nearly 2 years for this second release, we could also say, better now then never or good things take time, but hey, who cares anyway? to the content, -golden times- is a exclusive various artist collection, trying to reflect the wide spectrum of sound we find in the place. four very different producers with four different tracks but yet a unique vibe. techno, deep house, tech house and electronica goes here very smoothly hand in hand. while only three of them, saytek, midas 104 and elizar & dromme are placed on the vinyl, samuel fach s -technologie- has been added as digital bonus.

liverpool based scenery records has long championed artists and producers from in and around the city. framing the labels sound with the talent on offer in merseyside. the parent label has released eps from the likes of john heckle, bantam lions, binny and label boss asok. it is label boss, asok, who shares this first release with the london based stalwart neville watson, christening the introduction of scenery white with aplomb and a sympathetic step away from the scenery output to date. asok and neville watson supply two tracks each, produced exclusively on outboard equipment and split over each side of the ep

untitled 100’s label series kicks off with the release of two of its co-founders. in an experimental session of three conceptually unique tracks the austrian duo foehn & jerome definitely prove their hands on analog gear. the outcome is a peerless sound that hits right at the label’s notion. expect more!

it is no exaggeration to say that ultrastretch has accumulated an array of outstanding releases and artists since its creation in 2011. one knows that being as renown a representative of the underground music scene as sammy dee is, he can easily sign music from any established artist he would like, the so called ‘big names’, however, when we look at the past seven releases on ultrastretch, the agenda here seems to be another. what has become an apparent and admirable feature of this label/platform and of sammy dee himself is his clear support for new music from young and yet to be discovered talents. it is on that note that ultrastretch 08 brings you romanian artist crihan. hailing from a small town close to cluj, alin crihan moved to bucharest in 2009 to be more in touch with the underground scene and music in the capital as it poses more opportunities for him to grow and develop. from dj’ing in the most various clubs in his home country, his first steps into western europe as a dj came earlier last year at no less than the legendary robert johnson club alongside petre inspirescu in frankfurt. producing under his real name for the past four years, crihan’s release for ultrastretch brings two tracks, setting the listener into two very distinctive paths. the a side, * uelden* is a dance floor oriented track. the first words to come to mind are groove and rhythm, giving the track a somewhat funky feeling overall. the elements have been crafted carefully and therefore appropriately placed just where and when you need them. by simply starting the track with a bass line and shuffling hihats he slowly develops to a journey that not onlyventures further into groove and rhythm but also in mind grabbing harmonies with deep/airy sounding pads giving it a comforting sense of beauty and obscurity. the b side is called a doua dimensiune, literally translated from romanian it means the second dimension. doing justice to the title the track does generate the feeling of being in another dimension. it is a very deep affair into mind-altering soundscapes, very atmospheric and at times dark and obscure. attention to detail is apparent judging by the overlayering of elements featured in this track. a constant rolling base formed of water tapping ambient sounds give way to harmonies made up of strings and random noises on top.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

the boldly titled new release on nous klaer might not sound like what you expect. trance unlimited is a four-track-run full of kicks and curiosities, crafted by dj/musician/label owner benedikt frey. though this versatile producer is new to the label, he sounds perfectly at ease, providing us with a warm and balanced 12 inch for dancefloor fun and bumpy road trips. after releases on hivern discs, live at robert johnson and his own love pain sunshine & rain, benedikt frey explores new rhythmic ranges and phasing patterns on this ep. whilst all tracks are dancefloor-ready, it s the a2 that s the raving giant: trance unlimited.

the brilliant initial outing from kerri chandler on large music gets a re-issue and sounds just as fresh and influential as it did in 1995. darker and more minimal than kerri s output at the time on labels such as king street and freetown, this four track ep set the tone and sound of large for most of the late 1990s. all four tracks feature the trademark chandler bassline, jazzed-out trippy chords, and chopped up vocals. this is a timeless classic and a must have for any serious house vinyl connoisseur.

tasty treats, another side project of the multi-talented ronald burrell dropped this 4 track ep way back in 1993 on the cult citi label out of nyc. as expected the tracks contained within have all the facets of that magical burrell sound healthy doses of soul, sleaze, deepness, late night atmosphere and that solid, no nonsense ny/nj house attitude, for the heads, the dancers, the all nighters and the freaks! this is pure shelter/garage joy! the burrell brothers back catalog is just ridiculous in terms of releases, styles and quality control and this ep sits comfortably up there with some of their classics. an all round solid ep for all true house music lovers regardless of area code or geography! %100 legit re-issue, re-mastered and brought back for the summer 2015 flex - dont snooze!

introducing another new name to truesoul simon baker has delivered an outstanding ep that encapsulates everything he is about. named after the title track, chapter one ep is a breathtaking collection of tracks that showcase simon bakers diversity and talent as a producer. bakers use of percussion and synths that are laced throughout each track create trippy grooves that are supported by the raw sounding drums.

returning home after the acclaimed holding ep and the highly regarded clap clap remix, lurka continues with his journey into sonic bat country. partials kicks off with lurka’s typical intrigue, pads swell with distant spectres of percussion build into the most saturated kick of the year slapping you in the face like wet rag, while an architecture of syncopated hats and bit crunching snares lock the angles a shower of haunting bells falls. dancehall for witching hour. mach steps in with an equally holo-deck soundscape. drums swing in awkward alliance with dry wooden blocks and woozy binary language. both tracks united in their skewed viewpoint and distinctive awkward funk.

2015 repress !!!
1st longplayer after 6 years! amazing!! six and a half years after the release of his last album >into submission< on tresor (tresor.173), james ruskin returns with >the dash<, delivering prodigious new tracks that are not only stunning in contrast to his earlier dark and urban techno but even startling as the tracks unfold in bold innovation. with >the dash< james ruskin is in full control and weaves a work of penetrating electronica that shares dancefloor pieces with heady, downbeat soundscapes. an album of integral finery that will have you >listening< more intently with each play

the enigmatic danced til midnight graces the debut release for brand new uk label thylacine sounds. bringing together elements of disco, funk, hip hop, afrobeat, complemented perfectly by the spirit-channelling of the likes of fela kuti, babe ruth, chicago transit authority, via francis grasso and larry levan, over the four tracks... danced til midnights *sun bleach* ep is built for dancing, a treat for the ears and the feet. with a special appearance from vinyl hero tall black guy on the collaboration *wheat bread and eggs*, this is an audacious and energetic debut for the label and the artist, and a clear statement of intent of further gems to come on thylacine sounds.

>figmentation< stefan vincents debut on traut muzik, including two tracks, a remix from the label boss and also a locked groove. >delusional< is an authentic killer, a perfect weapon to activate the dance floor with dubby chords and classic 909 percusions. on the same side jonas kopp, minimizes the original providing his talented vision of techno music. >a drones loneliness< is a timeless track with the unmistakable touch of detroits sound, while >one< closes the record with a functional techno tool for djs.

opiums latest offering from italian techno impresario destrict offers up intelligent deep journeys culminating in this 6 tracks ep alice hole highlights the artists signature sound by incorporating his trademark analog beats and deep undulating melodics whilst holding a solid break groove. chandni chowk carries the same vibe but pushes the producers sound deeper into self indulgent drum programming that keeps you locked amongst its evolving mood. denis kaznacheev alongside the analogue cops pushed the destrict beats to another level jumping form minimalistic to techno tunnels. re-up and rich nxts appearances bring more straight up dance-floor ready locked-grooves and re-works. again, if your comfort zone is a tunnel opium audio is your safe place.

oid is the solo project of russian producer andrei antonets who is set to release his latest track bright side of life on pnn records 13/07/2015 born in riga and having lived in berlin, oid is now based in moscow, where he is inspired by the citys rapidly changing scene. bright side of life translates a sense of potential, it is upbeat without being commercial. the tracks singular sound has prompted the field, popnoname & j.p janzen (von spar) and mujuice all to produce remixes which will appear on the ep alongside the original. each of these deliver a unique take on this uncommon yet catchy tune.

nice price deal !!! we are very proud to welcome kamran sadeghi to welt, know for his work with the new york outfit soundwalk collective. he provides three beautiful and abstract tracks that will transport you away on the dance floor.

long-time techno protagonist and figure mainstay johannes heil returns with a new 4-track package under his cryptik pseudonym. continuing the focus on a more leftfield, experimental sound, cryptik emerses the listener into a soundtrack world of rich sound, depth of field and versatile, changeable moods. by no means a simple club record, all four tracks offer subtle and rich musical content, each telling a story with beautiful melancholic melodies and rushes of endorphins. from elongated 10 minute journeys into the more reflective zones of heils techno world, snaking and building, showing off all the skills he collected over his 20 years-plus career at the top of his artform, crypik is a dance on the senses. from the cinematic elegance of >the gate<, or the bleep-laden epic of >radiance<, to the post-house piano led drama of >messenger< or the heavyweight synth swarms of >belief<, the ep is full of passion and life, capturing truly magic moments.

head-honcho adam beyer delivers the next drumcode release following a monumental year from the techno heavyweight. two singles on the drumcode a-sides compilations, a multitude of releases on different labels, a 7 hour live broadcast from awakenings festival, 10 shows in ibiza for carl cox, cocoon and enter as well as an incredibly busy show circuit across the world. coming up there are a multitude of drumcode parties around the world including festival stages at major festivals and other high profile events. adam beyer is back on drumcode with an impressive array of tracks that will get the senses tingling and shows us what drumcode is all about. these 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only beyer can achieve within his productions. the under lying throbbing of the drums drives this ep into the forefront of the heads down drumcode sound and have been heard in many of beyer s phenomenal sets throughout the year.

tangible assets returns with its fourth release in the series by label owner stojche. an outlet that’s given the berlin based producer the freedom to explore and distill his trademark dubbed out detroit fueled productions. asset 04 follows on from three previous releases and opens its account with ‘payback’. a dubbed out affair that’s firmly grounded in a powerful groove. stojche sets about reinforcing his strengths in composing a surgically laden foundation with precision placement of 909 toms, panned snares and staggered kick drums that proceed into razor sharp hats, blooming into subtle delayed pads which are further lifted by emotive and colourful chords. payback’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent.“tunnel’ continues where ‘payback’ left off and leads in with a booming cavernous kick drum, diving directly deep into a wonderland of mysticism, an effortless trademark that’s clearly evident within all of stojche’s productions. rich swirling pads rise and sit happily beside cleverly programmed melodic keys that tease in out of the mix, directly complementing the main elements of its structure. if anything, ‘sinister alley’ should be further proof of the macedonian born producer’s maturity in exploring the outer worldly and broken beat time signatures. his approach in creating both depth and enchantment is both pragmatic and effective. beautifully deep, undulating and atmospheric. ‘sinister alley’ opens with an airy signal that captivates upon overture. combining quintessential snares, a series of rapid fire hats that are anchored by an analog baseline, he sets about creating hypnotism with layers of atmospheric suspense, while fluttering waves of electronic circuitry waver in the distance. a multitude of pads and textures combine to create an ethereal feel and harmonic cloud to float within. tangible assets 004 is far more than just another chapter in stojche’s musical journey and much more than just another release on his label. it’s further evidence and development in a sound that truly captures the essence of the man behind these tracks. an ethos he’s been exploring for quite some time, catalyzing imagination and furtherance that’s beyond tangible.

rdv4 welcomes portugals dazeem to the fray delivering his own unique brand of sound on two tracks designed around some old school flavas. we welcome third child onto remix duties on the track understand who delivers his stamp called third child slippery mix.

limited to 300 copies. support from josh wink, luke slater, dvs1, pfirter, marco bernardi, markus suckut, ambivalent, ben sims, marcel fengler, randomer & mosca.
brack, the new imprint from uk-born berlin-based producer bnjmn, is back in quick succession with another strong transmission from the label boss. after plunging into dirtier, darker sonic waters on the pitchfork-tipped brack001, chromed continues the descent. while the propulsive rhythms and skilfully stacked samples remain intact, these 4 tracks are imbued with subtler elements that become more apparent with repeated listens. drums don’t just bang, they scrape, stab and shudder, and the typically mesmeric synth-lines are swathed in analogue hiss and seething low-end. idiosyncratic aural details have always been a specialty of the young producer, but here they rise to the fore. the rapidly flourishing sound world that is brack comes more into focus, and it appears it is even more intricate and musically rich than on first glance.

the second release from the hlanganani label lives up to its mo to provide a platform for talented producers from south africa to shine, focusing here on deep sixty, aka young and fast-rising producer johannesburg producer thabiso mamogwa. back in 2010, the producer made it to london to take part in the red bull music academy, which is when the hlang team first heard the tracks that make up the mme hayo ep whilst some studio time on the same trip with todd soundmurderer osborn resulted in the thursday nights track which mamogwa previously self-released. in addition to deep sixty s own deep terror mix of mme hayo, the label have coaxed some fine remixes out of esa and william kouam djoko.