through out history, there has a been a growth of intellectual thoughts, thoughts that makes us different from other living creatures. among those thoughts, we see familiar rules of moral and ethics in many historical contexts such as in law and religion, among warriors and even pirates.

betsy just stood there with her mouth wide open. those two guys where fencing each other up and down the stairway. they took 20 steps, back to back, then they turned around, smoothly from the hip, firing magazines at each other. then 10 steps and then 5, both where still standing. they beat each other to a pulp until the blood came out and then until no blood came out and still none of them hit the ground. betsy did not dare to move, even when the duelists finally went away in opposite directions she still stood there like a curtain rod. she cautiously moved her eyes to the left, cautiously meved her eyes to the right, everything seemed to be safe. then there was this flicker of light in betsys sunglasses. they came back.

the second release of the 10inch repitch series features on the a side for the first time a collaboration between repitch bosses ascion and shapednoise after his recent debut album on prurients hospital productions, while on the b side we have a track from the other repitch boss d. carbone

daniel helmer and ben manzone started making tracks as sycorax back in early 2011. since then they have self-released 2 in demand 12 inches. in the spring of 2012 they debuted their live all hardware set at the bunker in brooklyn. their second 12 inch titled orfamay quest was a top seller of 2012 at halcyon records. mike simonetti has known ben from sycorax for over 15 years, and is probably more proud of this release than any other to date. true underground sounds.

topset is the first vinyl release of the nu music label from hamburg, called tach & nacht. topset is a rich mix of deep bass, dry minimal babble with calming melodies and tech house kicks. newcomer dice start with their own and first vinyl ep. dice, also known as rausch & metrik are together in style and sound and they complement each other brilliantly. they offer an individual form of music that doesnt fit into once specific genre. the release is backed up by the renowned remixer miyagi & m.tuschy (topset). they are both influenced by deep & tech house with slightly hypnotic techno sounds, what is heard in the remix of topset very clearly. and of course mareue, better known as heymann & stietzel with their northern seaside influenced style. have fun and listen

berlin based brit ed davenport launches his own counterchange imprint, titled after his defining debut lp last year on uk label nrk. maintaining the concept of presenting bold, contrasting and multi-faceted dance music, the label will release new material from ed alongside other artists, ranging from techno, house, electronica, and beyond. blending atmospheric house with heavily laden techno, davenports inland project was first revealed on the berlin based falkplatz label in 2012, with the self titled inland ep.
dj support: ben sims / rolando / ben klock / len faki / joe mull etc

the mad aussies at haul music have changed things up a lot since the inception of their digital imprint nearly 5 years ago. in what might be described as a backwards move made by label-men who have simply lost their edge, they began releasing on vinyl only. first with a limited run of ornately illustrated portraits of the label owners, and now they are set to present a vinyl-only release from a cast of relative-unknowns.

scott mou, known as one half of the duo jane – the folk techno drone duo he had with panda bear - aswell as part of manhattans famous record store other music, debuts with his soloproject queens. johan jacobsen describes the wonderful music of queens in oxymorons, colorful monochrome, myopic depth, sad joy, driven slowness, enlightened darkness, universal intimacy, ethereal earthboundness ... as it should be. queens is one of those wonderful artists who are hard to catch on the fly, who escapes easy definition. his music is an unexpected and unimagined universe ready to be explored, and it s a universe that is wonderful to be in. when dial records david lieske and peter kersten listened to a performance of their new york based friend in 2009, it was one of those unforgettable unique experiences you only have once in a long while these days. the idea of releasing an album was born. the production of end times involved other labelmates such as phillip sollmann aka efdemin (recording), kassian troyer (mixing) and hendrik weber, who once joined a life performance on stage with scott mou in 2012.

2nd single cut from latest kuniyuki album feather world . a side, kuni reconstructed jazzy deep house which one of the best sax player played freaky sax to experimental techno house. it s not easy to compare to other artist. but if i say, it s like kink meets joe claussell. b side, one of our most respected artist dj sprinkles remxied dark poetry track which legandary 80 s singer anne clark joined to great playful deep house. it s for all house music lover. 3rd single cut will be finally kuni&henrik schwarz collaboration.

house is at home with bobby browser, who may be “still browsing” after 2012’s “just browsing” ep, but these four tracks feel like he’s finally splurged on the pleasure-purchase. never afraid to fuse sad soul ii soulisms with flute-floozy milan model-walk wonders, or blue lipstick, platform dance with classic groove-back ogle-voguing, bobby browser remains a san fran late-night-on-haight-night latin legend. browser’s known for djing gel-gems like “bad bad boys” and other, mostly forgotten, romantic thrift store singles and as producer he’s got the same no-boundaries deep-‘preciation for all that can be stirred in his stoopid stew. howard jones meets earth, wind, and fire meets n’dea davenport meets sade meets frankie knuckles but not at all straightforward, and nothing short of silky slip-peeling. always lovely and light, sleek and chic, bobby browser’s bought a spot on your yacht. it’s going to be a smooth cruise.

the first in midnight shifts vinyl-only remix series sees festival headliners deetron and secret cinema provide their dancefloor interpretation to the labels debut release. basic soul units cool a2 black ice, is re-edited by none other than deetron, the swiss native with a prolific and starry discography to his name. he turns black ice on its head, leading with its running bassline first while letting its crystal notes be polished to a bright, blinding shine.
already much supported by the likes of shackleton, josh wink, bleak and dixon, eddie niguels absolute, has been circling the circuit to great effect. here, netherlands secret cinema aka jeroen verheij pumps the mental factor up sideways with an infectious, relentless groove that holds back just enough to keep you wanting more. coming soon to a dancefloor near you: rmx001.
already supported by agoria, dubfire, ame, claude young, vince watson, chymera, andy baumecker, tensnake ...

the story of bonobo is one that has become uncommon in contemporary music. there was no sudden, viral internet sensation, no one-off big hit, no abrupt, accidental alignment with the zeitgeist. instead, over the course of four albums, myriad tours, singles, remixes and production work for other artists, he quietly but very definitely became one of the most important artists in electronic music. the hard work paid off, and culminated in 2010s black sands, a masterful album that married greens inimitable melodic genius and musicianship to bleeding edge electronics, bass and infectious drums.
after a year plus of touring the hypnotic, extended live versions of black sands, he finally found time last year to embed himself in his new york studio and write his fifth studio album. now, in 2013, he stands ready to take things up yet another notch. the north borders is a long stride forward - both a natural evolution and a continuation of the electronic palette of black sands. thematic, resonant, addictive and perfectly formed, it is a thrillingly coherent statement piece.
heavyweight double 12 inch vinyl plus code for free mp3 download of the full album.

esteban adame follows up his determinacion ep with an other 3 track dancefloor filler

it is a double vinyl set of empty locked grooves that contains nothing but its very own surface noise - and physical structure. it is a sculptural revision of stefan goldmanns earlier locked groove-based double vinyl the grand hemiola, but it also serves as a genuine hauntological vinyl surface noise tool kit, out on its own. pulling a knife or other tool to its grooves allows for cutting your literally uniquely own beats directly into the record.

between the two of them, jenifa mayanja and lola (aka dakini9) have over 20 years experience in nycs electronic music community. here, they have combined forces for the first time to launch a new label and music collective: sound warrior. jenifa & lola envision sound warrior as a forum for developing and promoting women electronic music producers. based on their own, and the combined wisdom of other women in the scene, jenifa & lola decided to create this platform as a community for women electronic music artists, and hope to grow the idea into far beyond a record label. starting things off with a split 12 inch, jen and lola deliver two distinct takes on percussion-heavy, ritualistic deep house.

in den vergangenen wochen setzte yoann lemoine bereits mehrere audiovisuelle ausrufezeichen: unter dem namen woodkid veröffentlichte er mit iron , run boy run und i love you aussagekräftige vorboten seines debütalbums the golden age . wer sich die aufwändig produzierten videos zu den vorabsingles angesehen hat, ist mit dem thema des albums schon bestens vertraut: auf the golden age wird in 14 songs die geschichte eines jungen erzählt, der sterben muss, um als erwachsener wiedergeboren zu werden.

sounds tumbling over each other with awkward grace like some sort of parkour ballet in turns evokes firebrands like tim hecker, burial, and tom jenkinson. limited pressing, vinyl only, full-colour hand-made jackets (spray-painted).

chicago legend jamal moss makes a return to sequencias with two tracks of overdriven angularity in his most jacking incarnation, the sun god. if you know jamal, then you are aware that no other artist has informed electronic rhythm-based music quite like he has. the current crop of raw, low-fi house and techno owes a large share of its existence to his releases under various monikers: hieroglyphic being, ibm, and as one half of africans with mainframes.

slowly but surely spencer parkers work them label has been gaining a deserved reputation as a no nonsense house and techno imprint thanks to releases from the likes of pittsburgh track authority and dana ruh. now it is the turn of the s:vt who serves up one track, basement sweat, complete with a remix, which will then be followed by a separate 12 inch featuring two remixes from arttu. the original track pairs classic, piled-on-top-of-each other claps with a freewheeling melody that runs up and down the scale. the bottom end is streamlined and techno inclined, bringing with it plenty of raw warehouse vibes. the no strings attached mix loses the melody and ups the percussive ante, chopping up and slicing out patterns as that bottom end continues to burrow on.

left hand path is an ode to the other, the outside, the odd and uncanny, a window to the wilds of theoutdoors from the crushing claustrophobia of the rat race. musically, the new aspects album deftly treads the light beam divide of old and new - at times dusty-fingered and familiar, yet finding moments of un-quantized lo-fi sci-fi - not far from l.a.s low end theory sound buffet.

lower east, the brainchild of cozzy d & lee brinx, returns with michael jansons brand new single *addiction*. following his debut release *i know you re feeling ok*, jansons returns with this slick new offering, stamping his authority as one to watch for 2013. title track *addiction* kicks off the proceedings and is deceptively ambient, before jansons drops in a pulsing bassline that rolls out under mizbees eerie yet classy original vocal.
*addiction* is given the remix treatment by none-other than detroit dub master marc mk kinchen. mk retains the deep, gritty and brooding elements of the original, adding his own trademark organ riffs. on the flip side *just us* deliver a more uplifting affair, with a precision bassline and chopped and cut vocal samples adding a touch of soul to give the record and overtly classic house feel.

frigio happily announces a new release by san francisco based artist exillon who is well known for his amazing works for detroit underground among other labels. in mind techno control ep, exillon (aka jay fields) drops us 3 energetic and overwhelming tracks.

are you a dreamer or are you a believer? listen to kal012 and figure it out! our latest release features egokind on a split ep with blenn & gleich. each act put in a song which was later remixed by the other. you will enter egokinds world of multi-layered sounds and feel the vibe of blenn & gleich. in the end it doesn t matter if you are a dreamer or a believer, this ep will turn you into a dancer!

ethereal sound welcomes on board erevan based producer tommy finger jr. with hot single >into you<. on the other side remixes from afrikan sciences and kotzilla!

dj rashad has been instrumental to the creation and evolution of chicago juke music and has been lifelong friends with other key players on the scene, such as paul johnson, dj gant-man, dj spinn, dj godfather, and jammin gerald.

the new bomb on echocord colour comes from mike dehnert. mike already released several eps on echocord colour, and we are happy and proud to have him back. this ep contains 2 powerfull techno-tracks, typical stripped down mike dehnert sound, perfect for the peak time dancefloor. the remix comes from mike s colleauge sascha rydell, a monster flowding powerfull track. mike dehnert is mostly known from his own imprint, the raw techno label fachwerk which he has been running since 2007. he is also releasing on other respected labels like delsin, clone basement series and deeply rooted house

ethereal, haunted deep house music from beyond the grave, spirit-channeling from the deepest recesses of electro-spiritual obscurity. the slow to speak label presents its latest offering—a residual of the holy-era of the ny underground continuum, conjuring the ritual and pomp of the new electronic goth without abandoning its undeniable roots in the techno/deep house story. dark-matter melodies interlock in an ever off-centering orbit of sparse percussive return, while the distorted exhortations of some wandering intergalactic phantasm whisper menacingly just beneath the surface. trance-inducing, strangely unsettling and ultimately transcendent—further evidence that electronic music can transport its listeners into the fertile pastures of the sublime like any other high art. clear vinyl pressing with japanese obi.

on the fourth unterton release the black dog present a new sound somewhere between house and techno that the black dog call darkhaus. the original version of * council flat emptiness* is an infectious, futuristic, disco-tinged version of a progressive dancefloor workout bathed in strings, mellow melancholia and heavy bass. this is preceeded by a straight to the point stripped down version that multiplies the hypnotic elements of the original. on the b-side a 9-minute-30-something remix from luke slaters l.b.dub corp project drives the original into classic slater territory where techno and groove marry and electrify each other.

finally, a new, true doering, whose other name dirty is something of a fake-out: >i would< captivates the listener with clean, maximum minimal beauty, in typical doering style. the melodies swing gentle as a cradle, the beats take effect in a supporting role and the vocals, though sparsely deployed, complete the demand for inner harmony. the elements combine to create a languorous, warm feeling around the heart û a flawless hit.

debut vinyl release of new russian label based in moscow, hosted by agcp (a guy called phone) also more known in russia as sasha partyphone. focused on producing young russians (and ex ussr republics) underground artists, who was inspired by 70s, 80s and 90s. also concentrate on producing not only basic dance music, but and music for the different moments of live with the funky, old school and different other influences as well. rush inside (which sounds like russian side) - is a compilation of deep, funky, groovy, new disco sounds by unknowns underground producers from moscow and st. petersburg. the first step in attempt to present a part of contemporary russian electronic scene.

ameti recordings is a misterious project based on different musical experiences of his member walkthrough is the hidden identity behind the sound of the label heres the first undisputed release---- supported by : luciano, satoshi tomiie, greg gow

big follow-up of dolly dubs 1 by dutch hero martyn! both newspeak and what is room 101 will be creating many special moments on dancefloors worldwide in 2013... ecstatic contemporary house tracks making you remember once again what this music is all about. pure bliss. oceania on the other hand goes deeep... very intense track with beautiful broken beats and mesmerising melodies for the more adventurous dj. big release!

flying bodies are beta evers and charles kent. they produced only three tracks together of which only one was released on vinyl before. here are the other two tracks. one is a dancefloor smasher and the other one perfect for night drives on the highway... dark, minimal elektro to energize and sooth you. limited to 150 copies.

simon garcia rmx! alessio mereu rmx!

amazing release feat three remixes of bigfires *general of the universe* on the japanese label of the same name. the a-side is courtesy of none other than robert armani in full chicago-style jackin effect, it is a bomb people, be warned! flip over for deeper but still epic remixes from hawkinson and beroshima, all packaged in a really cool full-colour picture sleeve and everything adds up to a record that is not to be missed.
pressing on translucent vinyl, smokey blue marbled.

we are the ones with the courage to stand up and express our ideas. so many heroes have sold out, moved on, and turned their back on the detroit underground. if the true believers are waiting on the calvary then i guess cryovac will have to do. this is our fight whether we like it or not. we are a few like minds, not the alphas, never the favorites. we are the other guys, the ones nobody bets on, the least likely to survive a business. we know what the score will bring us, but there is an appointment and we mean to keep it. heroes must define themselves and then redefine themselves. each day that moves forward brings opportunities to tweak creations into what the now means. kieth kemp endures the elements and ailments of an ever changing electronic world. he is an original hero with a smooth technique that reflects an instinctual nderstanding of sound and soul. kieth represents a talent and spirit that does not falter no matter how strange a circumstance can get. he follows his own path to relavence. i am proud to welcome kieth to the cryovac machine.

blue hawaii, arbutus records and many of their montreal counterparts all began with the same breath in early 2010. to date blue hawaii has released an 8 song ep: in may of that year, blooming summer (arbutus records 2010) was recorded following the pairs travels in central america. it frames a time of warmth and novelty, featuring dense female harmonies, tape saturated synths, guitars and drum machines. eventually ra- returned to her role in braids, touring constantly, while ag– moved to europe, treading deeper into dance music, electronics, and production. the two decided to make untogether in 2012, they began recording on new years day in vancouver and intermittently worked on the project until summer broke in montreal. the music followed their winter in canada, it became colder, more introspective. it again captured a time and place, but instead of a dense saturation of love and excitement, this record reflects the vast world of self-awareness and delicacy.

for the first two remixes of her album *meine zarten pfoten* (released on pampa), and to add a certain familiar smell, ada pops by at areal with none other than dj koze and superpitcher who come up with remixes that couldnt be more different, and at the same time more wonderful.

after a storming end to 2012 with the slow it down & elijah collins release in november swiftly followed by elias tzikas in december, retrospective is back with a monster of a release. we are proud to kick off 2013 with none other than italys finest, ajello! eclecticism is definately the keyword word of the ajello project comprising of luca (dj rocca) roccatagliati and fabrizio taver tavernelli. the ajello sound features a number of influences all of which can be heard in the tracks on this, their first e.p. on retrospective, electro, new-wave, italo-disco, disco, neurofunk, eurodance, space sounds, early house.

the latest in tru thoughts series of essential label compilations, compiled by a&r and label owner robert luis, shapes 12:01 is available on double cd, double lp and digital. bringing the best of the current sound of the label, with a handful of upfront exclusives and cuts previously only available on other formats. artists include quantic & alice russell with the combo barbaro, belleruche, zed bias (aka maddslinky), mark de clive-lowe, hint, the bamboos, lanu, anchorsong and many more.

the eenundoertig comes with two stompin floor smasher by none other than josh

another clever techno release with emphasis on quality and structure and not forgetting the input from detroit dub merchant luke hess. *terminator reserve* is dominated by a thick bass line, razor sharp percussion, devastating juno stabs and with tonnes of analogue warmth coming from its abyssal depths. the luke hess remix provides the deep qualities of the original however its much more repetitive in its nature making it truly hypnotic and one you cannot help but get completely lost in. on the b side *mediator* is rough and ready ... booming kicks, dynamic bass shifts accompanied by the right amount of snare and filter inputs make this one of the toughest on the release not forgetting that its split down the middle with a heavy 303 bleed. highly recommended! *stilled* runs off in the opposite direction to the other track it shares the b with as its laden with detroit influenced floating chords and percussion.

early 2013 brings new niceness from the luv shack. head honcho, simonlebon teams up with other luv shackers, and comes good with his own lick. simonlebon has been providing quality through his djing and productions in recent years, good to see his name at the forefront of this release. buddies help out of course, and first to fly is the collab with jakobin on *cant do with you*.

the new vinyl release by stefan gubatz features unreleased new dance floor versions of his tracks >byte and scratch< and >offshore< (which had originally appeared as electronic versions on cd) which appear now exclusively for the first time on the telrae vinyl 10 inch series as reworks. >byte and scratch rework< generates a subtle form of urgency which slowly step by step takes possession of yours and does not loose its grip till the very end. stefan has reworked the original for the club, has kept many details in the process of the sound shaping while on the other hand has changed the arrangement and dominance of key sounds very skillfully. he has transferred a piece of electronica into an intense piece of dub techno. >offshore rework< is the counterpart of >byte and scratch rework< being much more ease and repetitive... more in the fashion of some of stefans 10 releases on telrae before

adam beyers mad eye records was created as an opportunity for adam to be as experimental as possible with records that dont fit on either of his other labels drumcode or truesoul.

tanz! the new bmg hit on abschuss, finally released on vinyl for all the fans. features the original version by bmg and remixes from buchecha & mystery! also watch out by the other big remixes on abstract031 soon to be released on vinyl..

another slab of wax from the large music crew and this one is a beast! four fresh delectable cuts all with the classic deep large music house vibe. side a stars berlins nathan g with a garage workout and evan iff with a nod to classic vintage styles. side b features james dexter working out a chicago jack track and denmarks jacob bech with a sweaty nu school workout. get large 2013!

ffr start well 2013 with a vinyl release which could be qualified as indecent, featuring an original track by phonokemi, remixed by two well respected artists, the italian nico lahs and the incredible german producer tim xavier. a release with multiple facets: deep, tech house, minimal & mental and chicago-bump-styleas we would come to expect from phonokemi, thoughts is a deep tech house track of extremely high quality. with a deep and pumping baseline and well refined vocals, thoughts is dark and groovy on one hand and an invitation to dance on the other, with absolutely no second thoughts.nico lahs s remix is an ultra-personal and mental re-read of the original track: minimal and elegant, cosmic and organic this track is reminiscent of some of ricardo villalobos s reference productions.finally tim xavier takes us straight to the centre of the universe: the dancefloor. his remix is a real dancing machine… pumping basses, efficient snares and sublime vocals that loop the loop and make this ep a killer release.

eclectic avenue welcomes the inimitable lil mark, one of the true stalwarts of the uk house scene & regular contributor to some of the finest imprints worldwide. here mark expertly shows his unique knack for genre-straddling. kicking off with pulling strings more familiar lil mark territory, with his trademark tight-as-hell percussion & firing bass sat below a freaked-out twisting riff. seriously, this bad-boy takes no prisoners....other than the ones on the dancefloor.... on the flipside we are treated to memoirs, a beautifully sumptous lo-slung roller, utilising a vox refrain over the top of a glorious rolling bass groove. like being comforted by a welcoming acid-bass-hug, this is truly something special. nestled inbetween marks original cuts is e.a.r. main-man j.cub, who offers up an alternate interpretation of memoirsl. taking the vox refrain & weaving it throughout the track like an instrument, j.cub nudges the tempo up slightly & adds a solid percussive backdrop & a reworked bass groove, creating a cut which is deep enough to warm the crowd but packs a solid punch at the same time