in 2011, when singer/rapper/songwriter phonte of the foreign exchange (+fe) fame released the critically-acclaimed, top 10 rap/hip hop album, charity starts at home,it was an impactful reminder that phonte was more than just the occasionally comical, often reflective crooner of +fe, much more. as a rapper, phonte had been the lynchpin of north carolina’s globally respected four album, six mixtapes run of the now defunct little brother trio, whose “lovin’ it” single from the 9th wonder produced the minstrel show is a bonafide cult classic.

instalment three in the minor notes recordings journey sees baltimore chop provide four cuts of hard hitting house. moving is straight out of the gate with an acid laced, pumping jam resonating those vocal cries right around your mind, before deep in your soul cruises in with a bustling, low slung, deep house jaunt, sweeping synths behind a hypnotic vocal refrain. on the flip, again & again is a summery, synth laden, garage house groover with the closing track, a remix of deep in your soul, rounding off the ep in style switching the low slung dynamic to a bassy, club ready bomb.

daniel terndrup ist ein in los angeles ansässiger dj, produzent und langjähriger plattensammler, der zu einer lokalen autorität vergangener musik geworden ist. er ist regelmäßiger gastgeber in radiosendungen auf dublab (crosseyed & painless) und nts (heat-wave) und veranstaltet gleichzeitig eine wöchentliche party für heat-wave in zusammenarbeit mit wyatt potts im ehemaligen hollywood stripclub gold digger. daniel begann vor einem jahrzehnt als eine hälfte von cosmic kids musik zu machen. neben ron poznansky machte er sich einen namen mit berauschenden house und astral dance tunes auf kultlabels wie throne of blood, let s play house und dfa. das duo remixte auch namhafte künstler wie the rapture, holy ghost!, poolside und superhumanoids. nach einer handvoll veröffentlichungen mit cosmic kids wendete er sich eigenen projekten als daniel t. zu. sein solo-output ist inspiriert von allem, was sich beim durchblättern seiner plattensammlung findet: funk, post punk, new age und pop (z.b. compass point all stars oder yellow magic orchestra). die musik, die er als daniel t. veröffentlicht, spiegelt seinen globalen geschmack wieder, ist aber unauslöschlich gefiltert durch seine südkalifornische umgebung. die vinyl-lp erscheint inklusive downloadcode.

limited pressing on red vinyl. including riso printed lyric sheet. over three years after the release of his latest record, belgian singer-songwriter bram vanparys finally returns with breathtaking new music. silent days comprises both classic songwriting reminiscent of the old masters such as leonard cohen and bob dylan and on the other hand dark, complex arrangements that refer to late talk talk and even radiohead.

duke ellington once said that there are 2 kinds of music: the good one and the bad one. with the compilation series shaolin soul we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by rza and the wu-tang clan. following a second episode in 2001 and a third one in 2014, the famous curator uncle o is back to celebrate the 20th anniversary of the shaolin soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because everybodys talking about the good ol days!

diving into nu’s musical world is like a butterfly’s flight through the tropical nature of the peruian andes. orchídeas. cantutas. mariposa. at berlin’s bar25 club, nu was a pioneer. with his organic sounds, he paved new paths and set the foundation for a new genre: relaxed, open-minded, playful, floating, full of soul and depth.under the alias canu, he and mexican world-traveler alejandro castelli draw us under a spell once again with “mariposa“. the unwavering beat grooves to the sound of the melody. equally inspired by his music, bedouin, kmln, viken arman and davi each contribute a remix to this single. these four artists are also among the brightest stars on the night‘s horizon. let’s fly little mariposa…

in the senses is a soundtrack concept album from fernando pulichino based around the premise of music for film. melody, ambience and mood are central to these pieces influenced by the likes of angelo badalamenti, john carpenter and johnny jewel. the result is timeless electronic music infused with bittersweet synth chords & melodies, beat less atmospherics, bubbling electronics and synthesizer minimalism.

the latest release on francis harris scissor & thread is another exercise in subtlety and restraint, brought to us by the emerging talents of nadia khan. with little known about the artist, this release lets the sublime music do the talking. title track ‘in gleam is a beautifully evocative drift into ambient textures - rising pads and occasion bass tones combine to set an exquisite scene. ‘local visit is a collaboration with label boss francis harris, and features some of the trademark submerged rhythm and textures the label has become known for, unfolding its deep structures over the course of the track. ‘restless sees label regular alex albrecht aka melquíades (whose previous ep on s&t was received warmly) provide the last bells remix - again muted tones and rhythmic complexity glide under ethereal piano fragments and slowly evolving pad washes. ‘sorting through finds its groove early, a deadened kick unfolds into an urgent percussion creating a thick atmosphere of melancholia. ‘sunburnt rounds out the physical release - ending how it started - with dreamy, smudged tones, and warm pads.

commix completes his generation ep series with part 3, carrying on from where the 2nd instalment left off. again, the ep explores commixs influences from electronic music and beyond, culminating in an extremely polished final part that were excited to release.

master of snare disaster limewax strikes back hard again on this huge 4 track ep on prspct. delivering all things great this disturbed but brilliant producer has to offer. drum & bass for the freaks and outcasts that crave for more then just a rolling beat. 2 solo tracks + 2 collabs with the likes of l 33, switch technique, dieselboy and thrasher. did we mention this release is huge? hell yeah we did! well it s a good thing as its double huge anyway! all hail limewax and houjekkmuil!

inits music has the rare quality of transforming bleakness into a soothing experience. in the duos new ep, wildcard, this mechanism is more intense than ever. and that might be because of the particular circumstances that surrounded its inception. two years ago, nadia dalo and benedikt frey decided to move from darmstadt to berlin. adjusting to a rough area of a big city when coming from a quiet town necessarily brings a change of perspective. for nadia and benedikt, that meant experiencing the city life as outsiders while trying to figure out what they wanted from it.wildcard is the sonic result of this process, and proof that changes always bring growth. recorded in their new home studio during winter, the six tracks on the ep are as haunting as their previous lp for hivern, but with a rawer approach and enhanced power. take cover and solver, an approximation to the kind of moody psych-techno they display in their live-shows and two of the most dance floor oriented tracks init have recorded to date. but its the title track which best expresses the mindset of this work. with its skeletal rattle and undulating synths, wildcard feels as desolate as a berlin street in a winter night, but possesses the kind of focus that turns uncertainty into hope. in a similar way, cuts such as copycat or half baked perfectly capture the sort of estrangement -daunting yet hopeful- that comes when moving into a new place, with its slow tempos mirroring the cautious pace of a foreigner and the intoxicated atmospheres calmly distilling the essence of a new environment. nadia and benedikt describe this new habitat as small kids on big bikes, eating dry instant noodles, playing with whats to find on the streets, static aircraft traffic closely over our heads and constant running engines. listening to the music that arose from it, its obvious that, once again, they&# 39,ve been able to overturn apparently hostile elements into a place were youd want to stay forever

japanese artist - tominori hosoya has been releasing on a good deal of underground deep house / techno vinyl labels such as deepartsounds, mixx records and minuendo recordings, though this will be his first album on his own th pressing imprint which is only 5 releases deep but is already a firm favourite for the likes of titonton duvante, keith worthy, hiroshi watanabe & jimpster

silicone soul welcome the return of old friend justin robertson as he brings his much loved deadstock 33s project back to darkroom dubs. last spotted on the label only a matter of weeks ago with infinite interchange on the darkroom dubs presents summer love collection, here he builds on the momentum with two more singular missions deep into the timeless analogue abyss. whats more, they come covered with a print of one of justins very own hand-drawn pieces. dr. spectro on the frontier marks the start of this new deadstock trip. celebrating the lesser spotted dc super villain who could control people’s emotions with a brazen line or two of sinewy acid what starts off dark and gnarly gradually unfolds into a much more emotional narrative. watch out for the harmonic riff that rekindles feels of raving fields and a salvo of chords towards the climax that genuinely will control your emotions. the music is madness (to those who cannot hear it), meanwhile, is more than just a poetic title. already a summer anthem at a love from outer space, it s a roomy, cosmic affair that’s laced with layers of trippy textures and chugs at a cool 120. its one of justin’s classic signature smouldering sessions, what ostensibly seems forlorn and introspective is actually coded with deep hope and positivity. youd be mad not to hear it. youd be mad not to stay tuned too. for the first time in darkroom dubs history, this release and all this years vinyl dispatches will be released digitally as part of an end of year compilation, tales from underground vol. 1 and will also feature an exclusive silicone soul remix of rigopolar & cannibal inks thousand years before. and to round the year off? the long-awaited new single from silicone soul themselves.

with sincere excitement co&#769,,,meme is now delivering katerinas very first ep to planet earth: just when you thought it was over. katerina from helsinki - finland via sofia - bulgaria is a passionate music lover, a skillful dj, an imaginative music maker and an emotional and hyper sensitive artist. she produces music that is essential and timeless, tracks that feel necessary in your life once they have entered it. katerina has already contributed to the ever growing, always radical and forward thinking catalogue of the co&#769,,,meme music collective, with tracks on the compilations solidarity forever vol. 1 and 3. she also hosts a show on radio co&#769,,,meme called radio emotsiya, in which she generously shares her broad musical knowledge and her very particular musical obsessions, for instance her steady – and in our opinion very understandable - veneration of dj quik. and yes, her music breathes the emotionality of hip hop, the sensitivity of well placed, swinging beats, and that steady survival mode, that essential melancholy in dance music: where melodies tell about love and longing, and rhythms help you to keep going on.just when you thought it was over, here we go again, its another day on planet emotsiya, from where katerina sends us reports about her adventures, always sided by her already legendary white cat nopo

tall black guy does it again. marvin x notorious big x craig mack x busta rhymes. no further explanation needed. sleep and you’ll be paying discogs prices in a few months.

the latest collaboration between nicolay and the hot at nights. available now on lp. nicolay is the producer for the foreign exchange along with rapper/singer phonte (little brother).

amsterdam, nl: 12 months ago we concluded a series of experiments with a test subject named ben penn. a year on, we decided to repeat this experiment at his tilburg base. once again, the results were startling.

this is already our seventh deep love compilation and we dare to say our most complete yet in sound and flow. the ten pieces on this sampler blend in perfectly with that laid back late summer mood. we are very pleased to welcome yet again some new acts to dirt crew with the likes of jaxx madicine, ouer, times are ruff and s3a. we cross many borders not only in genres but also country wise. from the heavy disco sampled jam by french producer s3a to the jazz and funk laden epos of the italian 3 piece jaxx madicine over to the dutch deep house boys times are ruff who are well known from their, same named, label and finally to the berlin duo ouer who also run an own label and released with our good friends at heist recordings, delivering an ecstatic electronic floating tune here. this is all completed by some excellence from long time dirt crew artists. 25 places have been with us for many years now and their two eps have gotten so much love from the deeper deep house community. here they drop an epic almost idm techno like tune that closes this great album in the best possible way. our icelandic stall wart felix leifur drops a heavy hitter named buster. after his recent bobby donny ep earlier this year we are thrilled to have him back on dirt crew! harry wolfman and ponty mython need no introduction really, they are adding electro/ disco/ electronica fuelled cuts that form a great middle part to this mix of tunes. harry going in very smooth and relaxed, something else than his usual house workout which we really loved to present to you

seb zitos seven dials imprint serves up its third offering with jamie trench & khalil anthony continuing to champion the early garage flavours that the label is fast becoming known for. what was missing transports you back to the 90s with that ukg groove, bumping sub bass goodness and kahlil s gritty vocals. the dub mix leaves only a small portion of the vocals in the mix, chopping them todd the god style and giving the shuffling garage rhythm more room to breathe. on the b side label head, seb zito, switches things into peak-time roller territory, dampening the kick whilst putting more emphasis on the hats, dubbing out vocal snippets, adding acid flurries and throwing in an epic echoed breakdown. all three mixes make a clear nod to the past, whilst firmly setting themselves in the present gold again from seven dials.

das 1993er album very katapultierte sich im uk, in deutschland, in schweden und in der schweiz auf platz 1 der jeweiligen charts und hat bis heute verkaufszahlen in höhe von weltweit fünf millionen exemplaren erreicht. das album enthält fünf singles, darunter ihre coverversion von go west, die in england auf platz 2 und in deutschland auf platz 1 ging und hier mit platin ausgezeichnet wurde, und die single can you forgive her?

it was nearly a year ago when these two graced with their hugely successful track ‘hope’ on our ‘watergate xv’ various artist compilation. matthias meyer and ryan davis come together again to deliver the stunning ‘love letters from sicily’ where infectious organic grooves pave the way for a flourishing well of emotions in the form of lush pads and shimmering sonics that unfold into a tale of epic cinematic proportions. from start to finish it’s a intimate piece of aural imagery, yet the duo always keep a keen percussive focus making it ideal for any dancefloor moment. to complement ‘love letters from sicily’, we’ve enlisted the one and only john digweed to rework meyer and davis’ original of ‘hope’, and with no surprise, he’s given it the master’s touch. staying true to the original, while at the same time reinventing the storyline and constructing tension by saving the powerful harmonies for a later climax, he’s crafted a revision that’s both driving and timeless.

cirez d is back again with three massive big room anthems on his mouseville imprint. straight out of the stall dare u builds and builds layering a pounding kick, soaring synths and rumbling bass enticing you in with each build up and subsequent drop, before repeating it all again to added effect. a2 - the glitch has an industrial and sinister feel to it, combining a rapid-fire bass and metallic sounding percussion before opening up into a melting pot of arps and sonic glitches. ‘black hole closes out the e.p drawing you in with a swell of synths, an unrelenting bassline and a killer kick pattern to send your mind into overdrive. with early support across the festival circuit, this is a three track weapon fit for any discerning djs arsenal.

after last years excellent discoveries from volume 1, another batch of lost and unreleased dutch (cassette) material is coming back to the future. for this sequel we dug deep into the dutch lowlands and again found some independent music thats still relevant today. in the process we met even more amazing musicians and heard great stories from a distant-not-so-distant past. expect a wide palette of diy and experimental sounds by artists from groningen, zwolle, arnhem, the hague, rotterdam, tilburg and deurne. volume 2 will also feature a beautifully designed inlay with liner notes in dutch and english. mastered by wouter brandenburg, designed by steele bonus and compiled by mark van de maat.

back to the roots: the critically acclaimed and reggae/dub-affined white-label ‘war’ series returns. founded in 2007, the imprint has procured sought-after outings by artists such as j:kenzo, matty g, noah d and roommate among others. breaking eight years of radio silence, the legendary imprint is at it again - 2018 marking the year of the imprint’s fulminant return. in the sonic spotlight: the vital aspects of jamaica’s reggae characteristics coupled with its contemporary dubstep counterpart. exclusive business, as each release is being kept strictly vinyl as well as limited to a single-time pressing of 500 copies. for sound system heads & vinyl collectors alike - be sure to mark the 24th august in your calendar, ’war020’ is about to detonate.

in 1989, an italo-house act sueño latino released a self titled track, which went on to become one of the most revered electronic music records of all time. louis botella is now set to release a sensational remake on emerald city this september. the track itself samples part of manuel göttsching’s influential e2-e4, an album known for its role in the development of house and techno. fast forward to 2018 and the record is again set to be revived thanks to louis botella, and with the blessing and support of göttsching and expanded music. on his interpretation of the track, louis has stayed true to the original, replaying each part and adding an extra dimension to the tracks through a sparkling piano topline, a new vocal hook and dreamy arpeggiations. louis’ passion for the art of djing was sparked from a young age. at sixteen he got his first gig at a club in luxemburg and released his first record in 1998. since then, he’s released on respected labels such as classic music company, ovum records and poker flat recordings.

kerri chanler , adesse versions, dj deep, matrix, demuja & more

the 5th re-issue release of berlin based label ltd, w/lbl features once again long forgotten gems and on top an exclusive vinyl rework. this one won’t might be as jazzy as usual but this selection, being part of the channel for quite some time now, was worthy to be pressed!

from uvb-76 music’s fractal personnel rises karim maas. a familiar face behind a new mask, maas, one of the sonic panjandrums at the core of the labels sound submits an aural experience that bleeds between genre and tone with striking ease, negotiating a through line that is hard to pin down in any moment before it shifts again. a stunning ep that remains true to uvb-76 music’s core tenants. four absolute steamers and a huren remix for good measure.

bucharest duo vinyl speed adjust return to visionquest. four tracks of the crystal structure/vsa bossmens signatur grooves, back & forth builds on the introspective motion and reputation of their previous visionquest eps retro and carpe diem: off & on is a tight weave of heavy atmospheres and swelling basslines, blue notes takes us up a gear thanks to a bassline that bumps with authority and a maze of rhythmic layers. deeper again we hit two more mystic moments: noek is deep, direct and driving while late shuffle flips the coin for a smouldering farewell. like all vinyl speed adjust eps it leaves you wanting more.

bang! superfiction recordings is back with label bosses italoboyz and blind minded joining forces once again, + 2 sublime remixes by superhot mexican new kid sakro, and legendary house music french maestro dj w!ld. this record, once again, offers a wide spectrum of superfiction’s music taste, encapsulating minimal house - tech sound - deep grooves, all blended in a fresh and modern way. vinyl only.

one of our most mysterious and intriguing states of consciousness is the dream. we lose consciousness when we enter the deep waters of sleep, only to regain it as we emerge into a series of uncanny private realities. through the fog of the mind we can get a glimpse of a world beyond our day to day realities that sometimes is able to show us deeper truths than those we face in awake states. roger is one of those lucid pioneers that is able to translate these experiences into sound. let him guide you through these wondrous clouds. were very happy to welcome dutch-born german-raised roger van lunteren on sohaso for the first time. his rosa dos ventos ep is a four-track story that oozes retro vibes and nostalgia for a past that never seems to have existed. utilizing raw 80’s analog synths and humanoid acid lines he sets atmospheres that remind of lynchian dreamscapes. vanish starts out with an emotional chord sequence, as you enter the fluid world of the subconscious. a gnarly bassline welcomes your arrival and lets you know things here aren’t exactly what they seem. journeying on through seemingly dark areas, it ends with a hopeful melody and the bass softens as you start feeling weightless. uncontacted uses choral pads and two intertwining 303 sequences as a way of communicating between the different dimensions. aroy dee remixing vanish is like taking a psychotropic liquid, adding more drive to the original while retaining the emotive synth patterns. sleepless is rogers hardest cut on the record, again providing directly plugged in 303 goodness and stomping beats. it rounds off a balanced ep with plenty of introspective dance material.

a new adepth audio record featuring canadian rennie foster, including a remix of nomadico (dj dex/underground resistance). the title track witch hazel is a 9 minute long track with no breakdown and a minimal approach to arrangement, with organic elements cycling in and out subtly rather than obviously beginning and ending. a rolling half time, tribal groove drives the power of the track with a haunting vocal sample and layers of percussion creating a heady, polyrhythmic hypnosis on the dance floor. not since rennie s well known devil s water has he presented such an overtly occult offering as this extremely finely crafted ep, and this song represents the initial seduction of the record to the listener very effectively. the second track, navigator, is a drum machine driven workout, again with a polyrhythmic and tribal vibe, this time drenched in a rich, holographic pad that morphs and moves in unexpected ways. minimalistic in presentation, this track is bass heavy and functional for the dj, yet artistic and emotional. the nomadico remix by dj dex of underground resistance takes the elements of witch hazel and re-constructs them in a futuristic style with a more driving kick and molten detroit attitude. a heavier techno approach to the piece, but still intact is the melancholic atmosphere of the original and siren song of the vocal sample. this mix includes a dramatic breakdown and unique arrangement familiar to fans of nomadico s awesome yaxteq label. the last track on the ep is called crossing the boundary is possibly the only track in this style to sample distorted vocals usually associated with black metal, making this a very unique, perhaps polarizing, experiment in sound. evocative of the desolation of deep space and suggestive of sonic dark matter. this track combines rennie s singular approach to dub techno with ambient and drone music and the result is like nothing else currently in existence.

after a few tracks on soundcloud and the stellar anthem “useful powder” on the first record released on no she doesn’t label nsd001, dj spielberg presents us his debut solo ep, “virtual eden”: over three tracks, we are praised with a lush array of sample-based work that, from disco to jazz, shows the prowess of dj spielberg to convert evocative fragments from the past in true dancefloor gems.
take the laidback vibes of the first track “glam shaming” (a1) and let yourself go through its ecstatic build-up. or follow the classic house chords that sustain an unknown diva vocal on “mad tough” (b1), before getting in the dreamy mood of “dirty delete” (b2) with its aquatic melody involved by latin percussion and a memorable sax.
“virtual eden” is not a place outside reality, it’s right here, built to shelter all those who fall in love with club’s simple pleasures.

2018 repress .. emotional rescue and woo once again come together, this time to reissue their masterpiece, the previously cassette-only album into the heart of love. a joyous, uplifting ode to love in all its forms, the trials and tribulations and ultimately the triumphs are all encapsulted in woo s unique soundscapes. of all the myriad of released and unreleased woo recordings, into the heart of love is without a doubt their most complete and cohesive body of work. full of woos quirky analogue dub electronics, there is also a very english sense of folk. with more vocals then their other albums, the structure and softness of mood quintessentially comes from the mother isle.

the first one was already a success... and its successor promises just to be the same: new hot stuff from the city of dusseldorf. once again, versatility is key, with two dreamy yet energetic ravers by dj normal 4 + 4boom & aki aki and one downtempo chugger by kaschiel. get familiar!

with the summer season well and truly in full step, mosaic returns with two finely tuned cuts of classic dubbed-out minimalism. a side in the night is a typically understated affair from label boss steve o sullivan under his wise caucasian alias. propelled by a bass-heavy tone and lit by layers of percussion that build on each other you ll find yourself getting lost in the washes of sparse vocals, rhythmic stabs and splashes of delay that reach out over the dance floor. far from providing instant gratification, this requires timely and repeated play to uncover the layers of subtle finesse and craftsmanship: perfect for keeping those feet moving at any hour of the night, or day for that matter. on the b side, steve teams up once again with fellow londoner, frazer campbell on rise which goes straight for the full smile effect as the duo conjure up one of those rare pieces of magic. set to a melee of skippy percussion, high-pitched toms and warmly toned melody, the prophetic voice of maya angelou and her timeless poem still i rise resonates supreme, bringing a touch of thoughtful intelligence thats all too often forgotten. as the track hits it peak, you cant help but feel the deep elation a groove like this brings in the darkest of hours.

space-electronic beats from saint petersburg. please welcome lyosha nocow. dope! cryovac recordings is proud to release its 20th edition on random colored vinyl. cryovac is a gathering of minds that work together to create a physical record of their sound in this time. we go our own way in production and arrangement for our personal vision to endure. our goal is to add a new layer to the detroit soundscape. d.j. roach is a techno activist with a rhythm agenda of percussive techno. his banging and clanging romps rock through breakdowns and back again. conga and claps work together to form a shaky funk. what is needed for a healthy dancefloor. a.garcia s subtle drone rides waves of synth in an offering of minimal ease. his moody atmosphere turns tone in soulful harmony, while simple drumming builds to a nonchalant bop. the rise and fall of the elements allow you to examine the track on all sides. garcia smoothes out an early morning gem that is taylormade for a smoke.

*refugee camp (bootleg versions)* is a remix album of a song selection from the refugees 1994 debut *blunted on reality* and follow-up *the score*, released in 1996. the album features eight tracks, including seven remixes, and one new recording.

limited edition of 400 copies on silver coloured double vinyl.

having hallmarked their success through their ability to showcase the hottest talents in dance music, whilst being renowned for curating some of the finest compilations over the years, londons finest party collective, future disco now offers a warm welcome to gimbrère to the imprint. the young dutchman steps up to the plate with his heavy weighted disco weapon, a thing, seeing ava regular jordan on the remix duty. kicking things off, gimbrere teases with a series of sweet melodic disco grooves under a booming range of 808 kicks, slowly sweeping off the filters to let the passionate vocal howls let loose and tear through the speakers. coupled with thunderous crashes and well deserved breakdowns, this track is without a doubt some real peak time business from the flying dutchman. on the flipside, jordan lays one down for the early hours, switching up the beat into a trashy hi-hat affair, making room for a wobbly old school bass and synthline to playfully glide along with the sam-ple hooks. two completely different, yet equally as satisfying cuts, rounding off what is yet again an-other quality release from the future disco crew.

following their first dive into the archives of earguard studio which led to bm02, basic moves have tapped the source again and selected two raw,previously unreleased productions from 1996. for dj deg,this was a transitional period: a moment to look back on the genesis of circadian rhythms and a time to look forward to both personal and artistic evolution. on the a-side of bm06 lies a track where house and techno come together to shape a mysterious, hypnotic atmosphere. “sinh session” is coloured with the warmth and passion that deg absorbed from his musical influences of the time and it reflects an era of great emotional importance: for him,each track holds a story.

the second part of vuosi. shuffless gives us again two timeless pieces of their highly appreciated diversity. another trip into the deeper cosmos of northern electronic.

music from memory return with a further six tracks from dutch musician richenel. continuing with recordings taken from his debut album la diferencia, originally released in 1982 on the cult amsterdam cassette only label fetisj, the tracks on music from memorys second ep perfect stranger includes alternate takes drawn from richenel’s personal copy of the album alongside a further composition which didnt make it onto the original fetisj cassette.

l.i.e.s. presents the first part of broken english club new album trilogy, white rats. following on from last years the english beach, white rats is described as, a collection of caustic and absurd portraits of the human animal. oliver ho continues to push his industrial influenced sound with metallic acid tracks, guitar noise/drone experiments and heavy synth wave once again with this nine track release. includes download card. the album sleeve features the disturbing and erotic photography of javier gallego escutia, which also comes as a poster with limited edition copies of the record. white rats part 2 and 3 will surface in 2019.

hailing from italy, different ways is the new label run by atimpuri. the first release is signed by one of the most influent duos of the italian dance scene, tengrams. “fractured textures” is a mini album composed of 6 tracks which are an excursion of tengrams talent when it comes to electronic music. once again, the duo managed to express their art combining tracks of different styles into a unique journey. a not to be missed record for your collection!

pnn turns 5! celebrating our birthday with the 20th pnn release. publishing our most original artist hendrik meyer a.k.a. myr. again on 12inch. myr. is already known for his maxi nobody knows, his album diamondsbacks make wonderful pets and his latest release next 1 on areal in 2018. now releasing apparently innocent on pnn we face a 4-track ep beginning with -that s right, pop-, which revels us in ko&#776,lscher euphoria. -beach bag- a reminiscent of matt karmil s sound cosmos - stumbling charmingly to endlessness (in the digital version even a little further). while the third track “she hums- brings us a myr. classic for the dancefloor and finally -one - eyed reilly- revitalizing the shuffle and leading myr. to new glamour. we proudly present apparently innocent!

die berlinerin meggy ist nun schon seit langem eine gefeierte djane und sängerin, die sich mittlerweile mit einer reihe großartiger soloveröffentlichungen auch als produzentin einen namen gemacht hat. erst im mai deisen jahres kam ihre times ep auf suol heraus, für die sie nicht nur eine menge lob und dj-support einheimste. jetzt ist sie zurück mit einer weiteren neuen ep – welcome to the v.

donna is back again!!! acid, breakbeats, vintage drum machines and og warehouse rave vibes! those who know, will know.

official repress on 12inch of these sought after charly kingson tunes. the label says: charly kingson, (ps. for charlie kingue soppo) is a legend of afro-funk who managed to shake the entire continent up with his infamous 1978 lp, born in africa. often forgotten when conversations turn to afro-dance, and the likes of tony allen or fela kuti, he has been an incredible source of inspiration to many musicians exploring the funkier side of jazz-dance, and this album itself goes way beyond any traditional notion of tropical discotheque. -born in african- itself is a funky groover for the dancefloor and here is the original 1982 remix, made by dutch legendary percussionist eddie conard available again, featuring nimele bolo on the flip-side. released in 1982 on ariola/fleet, but also pressed on the original fleet label. the latter (remarkably with identical catalog-number) never saw daylight. but, we got them all! all in all, this hard to find 12 inch (at discogs copies on the ariola/fleet label go for around 250 euro) was recently re-discovered, and now you can finally enjoy it again