a sophomore tour through bachelorettes expanding universe, featuring a little bit more of everything that made >the end of things< so incredible (sweet pop songs, harmonies, space-age production sounds) in an increasingly streamlined setting, but still reflecting the lonesomeness of the title. interstellar innerdrive!
originally released in 2006 on new zealand label mistletone.
comes with coupon for free digital download of this release.

passion has always been one of marcus meinhardts favourite subjects. he has managed to secure the singer fabian reichelt for his latest release on upon you, fabian has intertwined the theme of eros and thanatos delicately within the beats. fabian is known for his collaboration with marek hemmann, who recently produced his album with him. >dont look into my eyes< is a typical meinhardt styled club track that has been sweetened by fabians voice giving it a certain pop-appeal and funkyness that is sure to get the hearts pumping faster on the dancefloors. his producer partner andreas henneberg adds his more cantankerous style to this track with his the glitz remix on the flipside firing the whole thing up with some strategically placed strings

big with: dubfire, roberto rodriguez, mijk van dijk, karotte, kissy sell out, makossa, david durango, aga heller, franksen, dan mangan, greg churchill, louis osbourne,.. following the huge >human you< (moon033) the much loved disco bear ante perry returns in a double-trouble beatdown head-to-head with tube & berger.just pure and simply an anthem, >ever never< is the type of record that you know you ll love even before its started. drenched in melancholic synth pop melody, heart-warming bass lines and euphoric moments, this future classic builds to a real finale!stereofunk provide a techier remix that treads the colourful lines between disco, tech house and cosmic exploration! soaring synths and funking basslines combine in this italo-inspired treat for the dancefloor

58 minutes of proto house, denizen loops, far flung folk, post punk, cosmic rock and other junk. after forging new ground with his previous sonic hotchpots >miscellaneous mutant mishaps< and >the exploding disco inevitable<, dom thomas returns with another brain melting audio escapade into the ether. the third album in his dynamic anti-mixtape series on brutal music is salubriously entitled >synthetic soul & other junk<, giving thomas free license to curate a mood that takes the unsuspecting listener on a cascading journey of edits and loops, blurring the lines of traditional dj mixes and original compostion. >synthetic soul< is composed of a variety of genres from >international disco frankenstien< thomas musical heritage, warping together vastly disparate records into a rich sonic tapestry. repeated listening recommended with or without substances...

pascal pinon, das sind jofridur und asthildur, zwillinge aus island, die bereits im zarten alter von 14 mit zwei freunden eine band gr?ndeten. die beiden mºdchen klaubten sich die instrumente zusammen, ?bten in ihrem zimmer und traten mal hier, mal dort auf. ihre musik - ein mix aus neofolk und lo-fi-pop - klingt sch?chtern und zur?ckhaltend, was sicher auch an den d?nnen wºnden ihres zimmers liegt. die songs indes beweisen gro?e klasse, kein wunder also, dass pascal pinon mit ihrem deb?talbum f?r den islºndischen musikpreis als newcomer des jahres 2009 nominiert waren. die drei-track-single >i wrote a song< gibt einen vorgeschmack auf das schaffen der beiden.

striking the elusive balance between creativity, originality and pop sensibility, canyons have just unveiled the first taste from their debut album (due 2011) in the form of the new single, >my rescue<.
with an aural likeness to elements of psych, folk, house and everything deep, what is essential to canyons is that their music evokes a sense of feeling and truth, ruth. close your eyes, feel the sun on your face and prepare yourselves for the sonic vision that is canyons.

the green door studio opened its (confusingly black) doors to glasgows vibrant music community at the end of 2007. set up by three glasgow-based musicians emily maclaren (michael dracula/the lady vanishes), sam smith (mother & the addicts) and jamie greer (park attack), who, sick of using other peoples clinical digital studios and being told by engineers >you cant do that..<, decided to create a musician-friendly space where >actually you can...<.

after his work for kompakts pop ambient 2010 and eps for labels like millions of moments, meanwhile or glacial movements, here 4 new highlights by one of the leaders of the ambient dubtechno-newskool. san franciscos brock van wey presents his cheerily titled new album >a silent reign<. limited edition, only 300 copies worldwide as 2 x 12 inch vinyl album in different vinyl colours. mastercut at calyx mastering, berlin. grand stuff that followers of the >pop ambient< school. snap up a copy before it disappears into the murky world of the collectors market. essential purchase

ltd white coloured vinyl !! after his work for kompakts pop ambient 2010 and eps for labels like millions of moments, meanwhile or glacial movements, here 4 new highlights by one of the leaders of the ambient dubtechno-newskool. san franciscos brock van wey presents his cheerily titled new album >a silent reign<. limited edition, only 300 copies worldwide as 2 x 12 inch vinyl album in different vinyl colours. mastercut at calyx mastering, berlin. grand stuff that followers of the >pop ambient< school. snap up a copy before it disappears into the murky world of the collectors market. essential purchase

babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future – its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in

aeroplanes highly anticipated debut album >we cant fly< has finally found its way into the stores. now its time to follow up the first singles >we cant fly< and >superstar< with a new one, >without lies<. on vocal duties here is sky ferreira, the american singer and actress, who has her own debut album coming up next year. pop music doesnt often get more pure and beautiful than this!
the remixes this time are being provided by black van – the newest moniker from kris menace & kowesix – and ed banger artist breakbot, that broke through with >baby i m yours< earlier this year.
when i eat cake, i prefer the cherry.

new chain is the debut long-player from new york s small black. richly coloured and thickly layered, it is an absorbing, eclectic and obsessive body of work. the brooklyn group have succeeded in melting together locked and popped drum-shudder, gauzy spirographic synths and subtly contagious, half-remembered melody into ebullient bursts of evocative, subliminal and thoroughly modern pop. the songs are equally informed by the rhythmic bounce and stylistic swagger of more left-leaning contemporary radio rap and r n b as it is the submerged kaleidoscopic swirl of the early 4ad dream factory.
digital download-code included.

even though youre with another girl is the amazing second single to be taken from trentemoellers stunning new album >into the great wide yonder<.after the huge reaction to the beautiful longplayer, which mixes classic trentemoeller production mastery with more of an analogue, song based, indie-feel,its time to carry on with this intriguing set of remixes.side by side comes a hot 12inch that features remixes by kollektiv turmstrasse and pantha du prince.the kollektives half of the record slaps a heavy dose of deep,dark funk into the mix, with this ingenious lo-slung version. postminimal-punk electronic drums meet warbling synths and reduced,subliminal use of the vocals in a delicate and stylish mixture of pop-meets-deepest-electronica.dials man of the hour pantha du prince creates a typically high-end remix based on his trademark twinkling melodies and warmly grooving understated beats.the dub version twists and turns with unpredictable laid-back intensity as a rousing chorus of strings and harmonic elements fuse under dubbed out vocal elements.

released on the always reliable hit farm neon gold, which has given the world marina & the diamonds, ellie goulding, your twenties and penguin prison among others, starsmith is a super-hip young producer who has worked with ellie on her album, as well as remixing marina, passion pit, nerd and loads of others. its a scorching electro-tinged pop demon, glam without the cheese, and reminiscent of the kind of smashes that the french house lords of the mid 90s (like fred falke and alan braxe - more on him later...) were ruling dance music with. great sample from an old ritchie family (clip below...) disco stomper from the 80s which powers the whole thing with a undeniable hands-in-the-air vibe. a big autumn hit!

this exquisite disco roughie, paying homage to that sleazy, backroom-disco sound of the boys town gang and skatt bros., is the latest addition to the history clock canon. and ill wager that this is going to be the post-summer smash of the undergrounds counter-cultural disco scene. >cruiser< is a simple, bass loop that grinds and growls like an early weatherall-style groove, beneath some of the most x-rated sociolinguistics that would make even a sailor blush! on the b-side, relaxer is a punchy, proto-house instrumental that sounds like something somewhere between the very early releases on trax and one of those obscure 12? killer dub versions from a mid-80s, uk pop tune

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

anfang des jahres hat kasper bjørke ein großartiges electro-pop-album auf hfn veröffentlicht. als kasper bjørke & his friendly ghost präsentiert der mann aus kopenhagen indes einen sound, der seine wurzeln in techno, minimal und house hat. mit dem >go away song< feiert er einen starken einstand auf der black label-serie von compost. remixe kommen von wareika (eskimo, perlon) und holtoug.

played by jesse rose, mandy, karotte, lexy, seth troxler, sascha funke, ivan smagghe, dubfire... the producer and dj oliver koletzki and singer fran are still firmly riding on the fast track to glorious pop music. after the first single >arrow and bow< of their new album >lovestoned< they now release >echoes<, both as a maxi single with four different remixes and a vinyl edition that includes three of the remixes. but lets start with the original, which is easily one of the strongest and most powerful songs of the album. it is here where koletzkis background as a producer of house and techno meets with frans ability to create divine lyrics and perform them with her unmistakable voice.

goose hat sie schon immer gehabt, diese laute dance-music-with-rock-attitude, schon auf ihrem 2006er debütalbum bring it on. ihre bellenden synths, schreienden vocals und wuchtigen energie-levels sind längst zum festen bestandteil der justice/ed banger-szene geworden. auf >synrise< macht die band einen ausflug in die 70er- und 80er-jahre, in die zeiten von space disco wie automat und 80er-filmsoundtracks, mit musikalischen koordinaten wie philip glass, giorgio moroder und vangelis. das resultat ist mehr als nur die summer dieser teile: es ist ein album voller dance-tunes mit klaren pop-strukturen. das beginnt schon mit dem titeltrack >synrise<, einem jetstreaming-soundscape von moroder-artigen synth-arpeggios, die sich hochschrauben zu einem gastauftritt von peaches. >words< dagegen könnte problemlos als vintage chemical brothers track durchgehen, während die sich verlierenden sphären von in cars den einfluss von trance mit klaxons-style-vocals kombinieren.

hypnotic and mesmeric, the haunting music that brazilian artist babe, terror makes belies its origins: originally conceived as a soundtrack to >cold saturday afternoons< at home and long, late night walks around his hometown of sao paulo, his tracks are not so much songs as compelling, unsettling aural landscapes, lush, cinematic stories rendered as washes of electronica, absorbing influences as disparate as 50s pop, tropicalia and cold wave and distilling them to their ghostly essence

the self-titled debut ep from rising san francisco-based artist ooooo (pronounced oh) will see its highly anticipated release on 12inch vinyl and digital formats this september 27th via tri angle. the second release for the upstart label (following the august 16th release of balam acabs see birds), ooooo heralds a new era of shrouded pop music, approaching territories untraveled with an inimitable melodic touch.

stephen falken and pierre de la touche revive the outrunners project with the running for love and money ep. the sound is vintage futurism of italo disco pop (without trying to be retro) with a blend of heartfelt nostalgia that seems to operate in a time zone all of it s own. this release is limited to 330 copies with full picture sleeve and free download coupon.

due to popular demand and before the release of their first album >babylon by car<, bot ox asked to a bunch of talented producers to remix their pop single >blue steel<. para one and tacteel are celebrating their come back with a outstanding midtempo remix.

hers is the most anticipated debut album of 2010 and her name is on everybodys lips. seldom before has a young artist so captivated the attention of a generation that she personifies. >the ultimate it girl<, >the new electro pop sensation<, >totally in tune with the spirit of the times<: these are just a few quotes from her reviewers. the delayed >sex dreams and denim jeans< is finally complete. uffie took her time, for after years of continuous whirlwind she needed to take a step back, put her bags down and concentrate on her writing.

mr white returns with a 3 track special. this is the follow up to the sun cant compare, the 2007 highlight - and once again this does not let you down. back with his mentor larry heard who brings the best out of the uplifting vocalist. side a - aeroplane lifts and drives on this tech-house journey. on the flip heard treats use to his deep world of house - larry at his best with mr whites twisted vocals on inside your mined. they round off the ep with you dont answer - a cross over tack of pure electronic pop simplicity.

mr white returns with a 3 track special. this is the follow up to the sun cant compare, the 2007 highlight - and once again this does not let you down. back with his mentor larry heard who brings the best out of the uplifting vocalist. side a - aeroplane lifts and drives on this tech-house journey. on the flip heard treats use to his deep world of house - larry at his best with mr whites twisted vocals on inside your mined. they round off the ep with you dont answer - a cross over tack of pure electronic pop simplicity.

everything from a small room. a few friends joke and start to record something.. something strange, indecipherable, or maybe just their souls. a voice begins to sound diffuse, catchy, distorted, hot. what happened to them on in that room don t know, but it was enough to convince us that this was a true story, unique ,inimitable. hooved was amused to construct a simple, yet many artists have come out of my mind, since the scsi-9: anton e maxim have made a pop song like this phoebe, that seems to be everywhere, but didn t think hitherto.. barrytone, new project of korablove, we delight rolled, cuts batteries and more pressing reason, unlikely to fade in your shelves. echonomist in greece seems to fall after many years in his bedroom, and start playing with the same old things, but with the eyes of this. finally tuccillo helps us find a very specific connotation, destination, disco. vinyl seems to sail on his last tour, but in the digital ve rsion will still expect the memories: l original track of hooved, version reinterpreted version of the cool voice hvoya, and the last train, the remix of dualism. a man and a woman summed up in just under 13 minutes all monsters and insecurities, words and glances, the soul of a gesture that turns into projects, loop, hours, bpm, second. apparel is pleased to present phoebe ep.

mr konfuze & lunatic as known from manmade feature funk and for their sureshot track >on the beatbox< come again with their first extended player! employing the original techniques and artform of sampling they bring the bomb track >dont wanna lose it< in two different versions for your dancing pleasure.
mixing uplifting disco piano, slamming breakbeats, electro-synth, funky rhodes, and pop vocals to create a catchy sound chopped up inna hiphop style - familiar to anybody and outstanding at the same time.

beg to differ is a dance music duo comprised of house hero nick chacona and wurst label boss roy dank. the two longtime friends started tinkering around in the studio last year, remixing the likes of detachments for thisisnotanxit as well as nicks solo outing with kathy diamond for moodmusic, and quickly finding favor with fellow new yorkers james murphy and holy ghost!. influenced by talking heads, my bloody valentine, and paulsimpson, beg to differs work is characterized by big hooks, live instrumentation, and lush production. the duos wurst debut features two massive - and decidedly different - reworks. parisian afrobeat masters bibi tanga & the selenites get the full beg to differ overhaul on >be africa<, complete with infectious arpeggios, killer keys, and an entirely new rhythm section, with nick himself on bass duties. the pop rock of the hours >ali in the jungle< is transformed into an epic, string-laden anthem taking in disco, rock, and even trance by the end of the mix. heavy to say the very least.

raised in the parisian suburb with a background of multiple genres throughout her life : from rock and new-wave to electronic music such as synth-pop, minimal techno, jungle, house, disco and 90s hip hop, malilones productions have helped express her influences and incorporate her emotion into the dubstep tempo we all love. malilone production has seen support from producers like matt-u, von d and bunzero as well as featuring in numerous dj gigs from paris to berlin.

brand new boka records in a double-barrelled month for the label, swiftly following on from the innasekt 12 inch, matt-u & riskotheque pop up with easily their biggest tune on the scene >guillotine growl< another one from the archives that has been knocking around on dubplate for a while, big worldwide dj support for a tune with one of the sickest hooks around, menacing and ugly bizness! on the flip matt-u gets his deep, dark roller head on for >double blind< a tune first showcased on the mary anne hobbs radio 1 show, arguably his finest solo output to date making this an insta-bagga release!
support from mary anne hobbs (radio 1), bunzer0 (subfm), dj madd, von d, vista, afterdark, south bound hangers and many more.

finlands 501 made his name writing smashers for labels such as chase & status imprint more than alot, but this plate on black acres dancefloor subsidiary will confound all expectation. >short circuit< marries synthetic pop production with dancefloorsensibilities and adds a dash of pure cheek for good measure. an intro of vibrant chords, talkbox vocals and live electric bass sets up the naughtiest of drops - skipping jazzy beats, switching synth edits and snippets of turntablism, all shoe-horned over an enormous warping bassline.

>listenin to the records on my wall<, the first single from skreams second album on tempa - the much anticipated and highly acclaimed >outside the box< - has long been in demand and is now finally being released on vinyl. >listenin to the records on my wall< is the perfect introduction to why skreams current level of success is just the beginning. its a joyful, ragingly energetic celebration of the last quarter decade of british street music, inspired by the hardcore and jungle records used by his older brother hijak who was part of grooverider<s internatty crew. its also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s ? and to those who didnt.

jocke & elliots debut release which features the beautiful synth-pop tracks regnbagen and stadens labyrint. jocke is an established producer from gothenburg, and the beautiful young voice is from luke eargoggles son elliot. classic electro pop for all the fans of kraftwerk and dopplereffekt. lovely record!

vinyl only! first at decks.de! ben anders, bekannt von off und percusa, arbeitet auf inside out mit der stimme einer glühend verehrten sängerin aus dem britischen house-trifft-pop-kosmos von anfang der neunziger jahre. eine großartige idee und ein großartiger track, den wir unbedingt signen mussten. unschlagbar auch der fimo remix, eine perle subtiler deepness und gleichzeitig doch so kickend. drei farben house kommt in seinem remix mit oldschool-funk um die ecke und zeigt mal wieder, wie man soulful und straight unter einen hut kriegt. tenderpark bleibt am ball.

bosco delrey is at once a thick combination of influences and a totally unique voice in current music. diplo describes him as >a sort of garbage can elvis from new jersey... teaspoon craziness, a pinch of rockabilly, and full cup of soul dressed in a leather jacket. he cant be topped as far as song writing... hes doin the music i wish i could if i had bought a guitar<, the fader called his song >round n round hillbillyhall, and boscos own myspace says >jerry lee lewis carol king of pop<. but whatever you call him, bosco delrey is making music that is instantly accessible, totally cool, and unlike anything else on our wide-sweeping mad decent radar.

september signals a welcome return to the scene by two of d&b?s most respected characters, craggz & parallel, and it couldnt have come a moment too soon. since releasing their debut >northern soul< lp on valve back in 2006 the pair have stepped back, regrouped and are now ready to come full force with a brand new super-fresh sound that?s sure to raise heads throughout the scene. drawing on influences from electronic music past and present from early techno sounds, 80s synth-pop through to a myriad of contemporary dance music genres, craggz & parallel have created a truly unique and daring album sure to quench the most discerning and dance floor tastes whilst challenging the more traditional drum and bass album ideals. even reverting back to analogue production techniques to combine with the modern creates an experience unlike any other around today so keep you ears open for the genius new sounds of craggz & parallel.

space junky is the track that first brought bosco delrey to public attention, landing him pieces on the fader, rcrdlbl and elsewhere. it features his typical excess of influences- semi-psychedelic guitars, bedroom soul hooks, splurting dancehall reggae basslines- anchored down by solid songwriting and lyrics. it s a weirdly great combination that made us think this guy might be on to something. my my racecar is harder to pin down, but no less intriguing with a chopped up guitar lead, mouth pop rhythm section and zipping bass. the drop the lime influence shines on these two tracks, lending heavy bass, sound effects and making everything crispy.
free mp3 download-coupon included.

>african tango< ep is deep pleasure for your soul. dan casters vorgaenger ep >birdy< auf supdub records bekam weltweiten zuspruch aus der gesamten szenerie. seine qualität, sowie sein talent stehen außer frage, soundauswahl und rhythmuswechsel beweisen dies. was nun folgt auf dem hauseigenen sublabel moonplay records übertrifft alles. wir erleben hier einen hohen qualitätsstandard, ein präzises arrangement mit viel ideenreichtum. kunst kommt auch hier nicht von ungefähr und sein können beweist dan caster mit zwei tracks, gewollt tanzbar, ein hauch von pop. mit purer energie und ausreichend rückenwind sind diese produktionen von der ersten bis zur letzten minute ein genuss für die seele.

produced by da sampla

great 1985 synth-pop / new wave album by abc. b-stock items, because cover with incision (as you can see on the cover pic - b side)

supported and played by mark henning, laurent garnier, dubfire, slam, fra, luciano, karotte, chloee, acid pauli, mike callander, deetron, animaltek, 2000 and one, dj t., michael reinboth, dj hell, jack rock and butane. >careless< is a beautiful house track, which gets a great pop music turn in the second half. >m92 sternhauven< amazes with a soulful >for every man theres a woman<- vocal on a kicking techno beat

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.

a major global player in all things futuristic disco prins thomas internasjonal imprint is further branching out and diversifying with its brand new spanking series internasjonal spesial. the a-side sees the proven and tested multi-national team of reykjavik born holmar filipson of thugfucker and crack & speed fame and ny party veteran ulysees ( one half of neurotic drum band ) pushing the agenda of joining the dots globally with the soon-to-be-classic emotive eletronic disco cut escape from new york . starting out as a leisurely paced electro boogie cut with sentimental string chords, additional e-guitar loops and haunting synth noises leak in a dark 80 s pop sensibility a la my bloody valentine. also the b-side by valentinoland - holmar filipsson partnering this time with arni runar hlodversson of fm belfast fame - is nothing short of truely exceptional but more on the dulcet side with a gut-wrenching string-lead melody in classic balearic sunset style.

marbert rocel veröffentlichen nun ihr wunderbares zweites album auch auf vinyl. das ständig land auf, land ab tourende trio aus erfurt kombiniert minimal house, electronica, jazz und elegante pop-musik in einer absolut souveränen weise.
inklusive poster und mp3 download-code.

from the mid-70s to the early 80s, hall & oates ruled the pop charts. with six number one singles and six platinum albums, they brought their own brand of philly soul to every city in america. their first hits came in the mid-70s with sara smile and rich girl and they were still touring and recording heavily when this album was recorded live in denver in 1979. this lp features many of their biggest hits and several songs from their >along the red ledge< and >x static< albums.
comes on 180gr virgin vinyl.

zu hedonisten-pop dem m®rder auf der spur: zweites album des schwedischen trios.

1982 synth-pop / rock album by german sound engineer and electronic composer harry thumann.