for the first time, the world’s greatest film composer performed by the world’s most exciting musicians.
double 12 inch vinyl in gatefold sleeve.

following his release on perlon as alter mahnn, collective member ion ludwig signs toi.toi s 4th release. the ep brings two tracks carefully chosen and crafted. rather than having the dance floor as a drive they are rather more mind driven, a very mature ep. not for you - this track, from the very beginning, manages to create a tension, a rather pleasant tension, a constancy is built and it does keep giving very slowly, building up to be an amazing jam suiting a dance floor as well as an inner moment of peace. are we for real brings a very slick groover. it brings a very delicate and extremely classy straight hihat leading the way at the forefront while the mind is grabbed by the musicality through a beautiful melody in addition to many hypnotic noises in and out.

consistently unearthing a hotbed of new talent, hot creations next release is back to the music from dj and producer sooney. the release features two original tracks and a stellar remix from one of the biggest names in dance music, route 94. title track back to the music is an exhilarating record shaped through melodic synths and keys alongside a sharp bassline. route 94 strips back his remix to the bare groove. while the chugging beats of afraid of the dark bring the release to an accomplished close. london based sooney fell in love with house, hardcore & jungle in the early 90 s. in 2015 he set up his own label, take control records, gaining support from the likes of shadow child, jamie jones and gorgon city to name a few. since being discovered by the hot creations family, sooney’s sights are firmly set on big things for 2017. fellow uk artist route 94 shot into the limelight in 2012 with chart success and has since gone on to appear on labels including virgin, defected and crosstown rebels, and work with major names like katy b and jess glynne.

having been approved by labels as respected as underground quality and autoreply, brazilian producer apoena returns to his allnite label with yet more of that pure and heartfelt deep house music for those who like it classic and classy. i know yo- punches and tickles in all the right places with its dreamy keys, soulful vocal lick and rock solid drum lines, while tristeza nao tem fim heads into even more blissed-out territory with its rolling groove and heavy-lidded chords. lost has a solid bottom end thrust that wouldnt sound out of place on a mike huckaby record, and mama loves you brings more of that sweet, laid back, feel good feeling to finish up this impeccable collection of house jams.

limited deluxe edition vinyl release in gatefold sleeve with double cd included. cd1 included in the vinyl features the same tracks in the same order. cd2 features the same titles but demo version in the same order as the studio album.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicides second album, and the elegant melancholy of the national.

standard vinyl release in gatefold sleeve with album cd included.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicide’s second album, and the elegant melancholy of the national.

for their debut album ,the french-danish-dutch trio are among house s best-loved producers :mandar comprises 12 tracks and arrives as a five-disc vinyl package.

vinyl only. a coming from gran canaria, notik delivers his debut ep on mr ks & friends. a3 deep groovy cuts for the floor. the greatest trick the devil ever pulled was convincing the world he didn t exist

review ornate music continues in its mission to reach out to the freshest talent in the house and techno scene by shining a light on emergent german talent faune, following last years stellar releases by ka one & st-sene and homepark. thus far, jakob panthels production as faune has been spotted on the soundscape versions label, while under his own name he has produced two albums released digitally on crystalline days. most recently, he delivered the four-track isvatten ep to tuesday slump, which operates out of his native munich. as well as his rising release schedule, he has been appearing frequently on the circuit in munich and berlin, performing alongside the likes of a made up sound, stefan jòs and skudge. on this ep panthel delivers three tracks of deep, hardware-powered techno with a keen dancefloor instinct, fitting right in to the ethos of ornate and marking another step forward for faune.

nice price deal !!! dis music – das >draußen ists schoener< imprint spiegelt den sound der drei bühnen der open air reihe wider. waldbühne, lichtung und rummelgarage stehen für kompromisslosen facettenreichtum mit einer spannweite von techno über house bis hin zu experimenteller, alternativer elektronischer musik.

the mighty shadeleaf pull in a seriously strong u.s team for their twelfth release damon bell from oakland, is a chief connoisseur at heralded deepblak recordings, and stands strong offering a complex variety of sounds that ebb and flow through all of his productions. known for his polyrhythmic, organic, and soul-filled musical releases on deepblak recordings & sound of speed records japan, he has also scored critically acclaimed releases recently on burek, meda fury, and don t be afraid. this collaborative ep with the vocalist (good friend and former oakland, and now berlin resident) khalil anthony, features a production collaboration with shadeleaf s own thatmanmonkz, and a remix from the mighty afrikan sciences as always, top drawer isht another shadeleaf sureshot

* this is a single cut release from akiko kiyama s fourth album, ophielia. these new works stem from two years of exploration outside of her established dance floor inclinations, boiling down her sound to its essential organic grooves, intricate harmonies and eerie atmospheres. from her peculiar sense of harmony and rhythm, and a meticulous minimalist approach to composition, rich lyrical lines emerges to form a unique musical universe that few has had the chance to hear yet.

* this is akiko kiyama s 4th full-length album, stemming from two years of exploration outside her established dance floor inclinations, boiling down her sound to its essential organic grooves, intricate harmonies and eery atmospheres. the nature of her organic grooves lies within inter-sound gaps, carefully crafted to lead the listener through time distortions and into an hypnotic solitary world where music is breathed, not played. a sound imprinted of a definitely human character and vigor, yet sometimes ambiguous, fleeting, and capricious. from her peculiar sense of harmony and rhythm, and a meticulous minimal approach to composition, emerges rich lyrical lines forming a unique musical universe that few has had the chance to hear yet.

brooklyn based luminary recloose readies his second 12inch for the label and in doing so enlists the help of mara tk of electric wire hustle, ezrakh and son of sound of house 2 house and strictly rhythm fame. his spirit knows ep adds to a catalogue of more than 20 years - one thats touched the likes of planet e, rush hour and peacefrog and in a similar vein to honey rocks - his latest offering comprises 3 eloquent cuts of house music and carries with it a balmy sense of soul that fans both old and new will relish.

“which doobie u b?” is the debut studio album by the latino rap group funkdoobiest. dj muggs was the executive producer for this album. tracks on the album are performed by son doobie and tomahawk funk, including additional cypress hill member b-real on the track “wopbabalubop”. hence the album is very much in line with the cypress hill productions.
pressing on 180 gram audiophile vinyl.

voilaaa is one of the many projects led and produced by bruno “patchworks” hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres.
this time exploring the wide spectrum of the african and tropical disco scene, he received a massive international support for voilaaa’s first album, on te l’avait dit, released late 2015 on favorite recordings. with a second effort already planned for spring 2017, voilaaa has not finished to feed international dancefloors with heavy afro-disco vibes.
here comes the first single from voilaaa’s upcoming second efforts, made of 3 new killer tunes featuring doctor lass, sir jean, and pat kalla.

klyne first caught everybodys attention with their critically acclaimed debut paralyzed ep for aesop, as well as their maiden remix, a rework of disclosures omen feat. sam smith. water flow is their follow up to the acclaimed dont stop, their because music debut released earlier this year, its stunning video was directed by acclaimed choreographer and film maker holly blakey (florence and the machine, jungle, coldplay, young fathers) and is nominated for a uk music video award. the duo supported years & years and label mate christine and the queens on tour this year, and performed their first uk headline show for the sold out dummy presents because music event at the ace hotel, london in the summer. more shows will be announced shortly. vital sales points: mellow electronic pop thats like a long-lost cousin of jai paul- the fader infectious and effortless groove-laden soulful masterstrokes - vice / noisey minimalist vibes, captivating vocals impeccable melodies - pigeons & planes gorgeous electro-pop - spin more fire from the young dutch duo… the boys are off to a strong start - i-d

shamrock grew up in the township called ‘kwathema’, in the east of johannesburg. he has being crazy for music since he was a young child, and at primary school he sang as the soloist in the choir. everyone now knows that south africa is the house music capitol of the world! most young upcoming producers look up the american and european producers, but shamrock’s sound is standing out from the rest, as he’s been digging into his african roots to come up with his own style of music, working with mainly south african musicians, only using the computer to record the audio. on this album he’s also featured international musicians han litz,flutist from the netherlands, asali, vocalist from kenya, andy compton, from the uk, and jimmy gabriel on sax from nigeria.

optimo music are delighted to present the second full-length from the golden filter, still / alone. after relocating to london and playing shows around europe for a year and a half, self-imposed pariahs penelope trappes and stephen hindman delved into creating a two-sided existential opus by renting out old studio spaces around the uk and using mostly analog 80 s instruments, machines and effects. an album about being in love with pure solitude, when still // alone is separated into two distinct sides, record one, still, is a hypnotic meditation for the nightclub. wavy patterns of sound and light bounce off of penelope’s literary vocal bursts, layered over the ominous deep synths and arpeggiators, held together only by a strict 4/4 beat. the rhythm, ironically forcing the body to move, however internally focused and mindful, still. record two, alone, takes the club offline and into the fringes of raw, odd pop.

the next chapter of attic music is a propulsive, dark and deep techno ep from st. petersburg’s new talent relic radiation.
loss of logic explain his direction with a moody and cinematic title track full of introspective drones, nebulous clicks and slow-nervous rhythms.
the territory of irrational is a most functional and hypnotic techno track perfect for your blackhole robotic-dance.
loss of logic comes also with an ace remix from the outstanding giorgio gigli who made a serious work on the beats creating a dense techno tunnel over the b-side.

darauf haben die vinylliebhaber unter den pink-floyd-fans sehnsüchtig gewartet. die rocklegenden veröffentlichen all ihre alben nach und nach wieder als lps. im juni 2016 ging es bereits mit den ersten vier platten der band los, nach und nach folgten weitere alben. 2017 wird die reihe weiter fortgeführt, und zwar mit »the final cut«. die songs der neuauflage wurden von james guthrie, joel plante und bernie grundman neu gemastert. alle reissues der reihe erscheinen auf 180 g schwerem vinyl. beim coverartwork handelt es sich jeweils um das originaldesign.

darauf haben die vinylliebhaber unter den pink-floyd-fans sehnsüchtig gewartet. die rocklegenden veröffentlichen all ihre alben nach und nach wieder als lps. im juni 2016 ging es bereits mit den ersten vier platten der band los, nach und nach folgten weitere alben. 2017 wird die reihe weiter fortgeführt, und zwar mit »a momentary lapse of reason«. die songs der neuauflage wurden von james guthrie, joel plante und bernie grundman neu gemastert. alle reissues der reihe erscheinen auf 180 g schwerem vinyl. beim coverartwork handelt es sich jeweils um das originaldesign.

pads boss & klang club affiliate compiles a few choice tunes that give a insight into his love of lush tones & emotive vibes after connecting with fp for a tribute to the klang club w/move d, christopher rau + collaboration project w/easy to remember

what is footwork house jam (fw)? first of all it is a long-running club night in moscow, russia, dedicated to real house music and house dance culture. started in 2010 as a small project, influenced by sound and visual esthetics of 90 s house parties in new york and chicago, fw soon has become the biggest creative community of dancers in russia, gaining strong local following and international reputation. it is the birthplace and home for leading moscow dance crews. various artists ep -footwork house jam #1- is a homage to the global house culture and the eponymous moscow-based club night in particular. the idea behind this compilation is to provide the fuel for house dance culture and house movement to expand further on, blurring the boarders and eliminating the prejudices of the present times.

in the follow up to his doornroosje ep released back in october last year - aus continue on form in 2017 and present another solo ep from label mainstay marquis hawkes. having been brought into the fold on 2015, the berlin based artist has consistently utilised aus to outlet his more soulful and stripped productions. his previous work has comprised fun, sample-heavy tracks designed with nothing but the dance floor in mind and his latest 12inch sweet temptation expands on this bringing melody, rhythm and chords to the foreground. jubilant, powerful vocal lines and stony drums are the core ingredients and their melding results in a collection of 4 tracks of varying moods and intensities. while ‘burning light’ and ‘sweet temptation’ pack a certain big-room punch, eivissa and zapper bluesky carry depth and soul in a manner that recalls a classic and cherished hawkes sound. now 5 releases deep with aus music - marquis hawkes continue to demonstrate why he is a regular and esteemed member of the roster.

banoffee pies records step into the realms of contemporary music with ishmael ensemble opening their release schedule for 2017 as the label drops their second lp and continues to investigate more musical landscapes. this time saxophonist and producer ishmael leads the six piece electronic jazz ensemble on their debut release and thought provoking journey. a tribute piece - with love from banoffee pies x artwork and text compiled by ellen pearson watercolours by chris cunningham artist: ishmael ensemble written & produced by pete cunningham additional writing on bembe by holly wellington additional writing on solace by chris hillier engineered by jake spurgeon mixed by caradog jones & pete cunningham @ secret sundaze studios mastered @ alchemy copyright control 2017 in loving memory of josh edward pearce x

the brilliant 2006 debut demo by by germnanys leading instrumental post-rock / metal act. remastered in 2016 - available on vinyl for the first time. pressing on 180 gram vinyl, cd inluded.

jackie is a biographical film from chilean director pablo larraín. starring natalie portman (black swan) in the title role, the movie follows jacqueline kennedy from the days when she was first lady of the white house to the aftermath of the assassination of john f. kennedy. critically lauded since its debut at the venice film festival where it won the best screenplay award, jackie also received the platform prize at the toronto international film festival and is a heavy favorite going into awards season.
the score to jackie was composed by experimental british musician mica levi, best known for her ethereal score to 2013’s sleeper hit under the skin. mournful and eerie with a touch of the surreal, levi has delivered an unmistakable musical tapestry every bit as iconic as jackie o herself.
jackie is getting the vinyl treatment. the mastered-for-vinyl score is pressed on 180 gram black vinyl and housed in a heavy stock euro sleeve featuring black-and-white artwork of jackie. a download card containing a digital version of the album is also included.

the material collated on this third release from heavenly music corporation was composed specifically for st. giga in japan, a satellite broadcast radio station transmitting ethereal audio harmony 24 hours a day. what made this station otherworldly was its programming, motivated by tidal movements, the aquatic ebbs and flows of each day synchronised to the activity and intensity of the music broadcast.

three 9 volt releases bundled up for 1 special price:
- 9volt28: toubi mcweird - transformers
- 9volt31: gosh milushev - ups & downs
- 9volt32: positive merge - test

phonograph music is back with a 4 tracker by anthropous anonymous. four cuts that embody a poetic approach to dance music, trough deep house, balearic and tribal. a few months ago, in the time and space of a few impromptu sessions, an ep was conceived and produced. not much was planned, but the voice and the keyboard notes our dear brazilian friend roberto coelho hit, gave the whole thing its not so but quite ambiguous form and meaning. soon after that, the music just flowed…

only 200 copies! exciting new release from the one and only dont dj who opens new territories by delivering here percussive and noisey forms of primitive dance evolving in real time on the floor in the style of deleuze & guattari could describe with the ritornello principle.

picking up where they left off three years ago, modern heads, the much-respected collaboration between gianluca meloni and dino sabatini, are back with a dynamic and intriguing four track ep. the duo go straight in here with the club-ready athena. throughout this track, tight percussive elements wind in and around one another, creating an ever-changing rhythm that you can only just hold onto. under this, tense synths pulse away, producing an opaque and insular atmosphere. next up, eumaeus lightens the mood somewhat, providing clarity with a distinct opening drum pattern. this mood doesnt last long though, as indiscernible, haunting vocals begin to echo in the distance, gradually moving closer and further in the mix as sharp pads swoosh either side. side b of the record opens with the deepest and longest track of the ep, eurycleia. simple yet unrelenting drums frame this hypnotic sci-fi episode, through which otherworldly screeches and rumbles reverberate over the twinkling sounds of machines. eurycleias atmosphere continues straight into the final track, laertes theme. this beatless piece takes eurycleias exploratory mood and extrapolates it over five and a half minutes, resulting in what feels like the perfect soundtrack to a glacial expedition in alien territory. as an ep this is a complete and coherent package, a perfect extension to modern heads previous work. the sound palette is familiar, yet refined, developed upon and taken further. the old beggar is undeniably worth the wait for anyone with a taste for the extraterrestrial.

hot on the heels of system of survivals latest album and exclusively on vinyl comes the d-votion ep to get physical music. the influential house duo present cuts from the album, d-votion and no time to waste,d-votion is laid out first a deep and groovy dancefloor track with low end grit and a funky swing it its step. a collaboration with salvatore stallone the track is very moving and nearly impossible to resist. no time to waste plays a hypnotically rhythmic synth over a steamy stage of sweaty percussion. next we turn to the brand new vinyl-exclusive acid house number phantom power for a heavy dose of midnight action. with a very technoid feel, the acids presence suspensefully builds a tension throughout while the bassline chugs the track further. next surfbit joins to present searching for a wave, another track featured on the album. this one shines more sun with warm synths, soft vocals and gentle melodies. the collaboration ends the ep on a warm note, a special sound for a special dancefloor moment.

following the success of dam001 - no comment - dennis ayler returns to his own imprint with another ep packed full of goodness. from smokey lo-fi house to abstract atmospheres, and everything in-between, this is a release not to be missed. suitable for the club or play it low when your auntie’s home.

-christos mavridis is a many of many guises. he s done an ep on - house is ok , some tech house on noir music, kindisch or get physical and right now he s preparing a tier-1 techno career...for s4aw he delivers a dancefloor-heavy house music ep showing of

2017 re-issue. depeche mode branded synth pop thats remained unique for the last 20 years. including dream on, i feel loved, freelove

das in der karibischen atmosphäre aufgenommene -the temple of i&i- atmet den spirit und den rhythmus jamaikas und klingt wie eine fortsetzung des legendären thievery corporation debütalbums -sounds from the thievery hi-fi- (1996). das duo siedelte für die aufnahmen mit seiner gesamten live-rhythm-section aus washington, dc in die geejam studios in port antonio im herzen jamaikas. dort entstanden mit viel ganja und rum und diversen vokalisten, darunter dem bekannten mr. lif sowie der exzellenten newcomerin aus kingston und ex-miss jamaica, racquel jones, 15 fabelhafte tracks zwischen dub, downbeat, reggae, hiphop und electronica, und damit ein inspirierender nachfolger ihres letzten brazil-albums -saudade- (2014).
das doppel-vinyl erscheint im klappcover, inklusive downloadcode und poster.

after blessing wolf with a fantastic remix of mr. fries on wolfep033, hodini steps up for a full ep on the label. having started out producing hip hop alongside retrogott, the mpc addict has been turning his hand to more uptempo grooves in the past few years having released music on max graef & glenn astro s money $ex records & damiano von erckert s ava. the hip hop influences can be heard throughout the ep with the two a side cuts primed for the dance with their heavy soul and jazz sampled grooves. the flip features the hip hop beat, represent right here & the ep rounds off with the mid tempo collab with hade, parashutes.

for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larrys ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicagos toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive – what many consider to be the holy grail - of chicago funk, boogie and soul.

kool keith is an american rapper from the bronx known for his surreal, abstract and often profane or incomprehensible lyrics. black elvis/lost in space is the fourth studio album by mc kool keith, but recorded under the alias of black elvis. this is the first album performed under this alias.
pressing on audiophile 180 gram vinyl.

originally released in 1972, “it’s just begun” set the tone for the jimmy castor bunch’s success through an effective and distinctive mix of funk, pop hooks, social commentary, and gonzo comedy. the album also helped the group score a million-selling crossover hit single with “troglodyte”. in the united states the track peaked at #6 in the billboard hot 100. it was a million seller by june 1972 and received a gold disc award from the riaa.
pressing on 180 gram audiophile vinyl.

los amigos invisibles are successful music exports from venezuela creators of the disco love-funk ensemble gozadera an irresistible fusion of latin rhythms with fiery funk and house music. signed for their first international breakthrough by david byrne and produced by the likes of dimitri from paris and masters at work they have built a successful career full of world tours and various grammy nominations. fellow venezuelan disco specialists apersonal music teams up with the band to press this vinyl-only special release packed with 2 original cuts from los amigos invisibles plus the unreleased instrumental disco versions mixed by ray mang.

tucked away in a now not-so-quiet corner of south east london, wholemeal have been quietly, unobtrusively getting shit done. wholemeal music’s freshman release hits the shelves this month featuring two cuts from yam records boss tom esselle and a hoofing remix from fellow south-londoner west norwood cassette library. skilfully treading the line between house, techno, and jazz, the a-side, until she spoke is a superlative exercise in light-touc h sampling and devastatingly effective rhodes work. it shuffles then stomps, hypnotises then elates, bringing together disparat e threads to create something for the head and the heart. the title track, garibaldi, maintains the light-touch sampling thread and then takes it to a whole new plane of drum-driven dancefloor detonation. twisting chord hits whirl around a savage interplay between bass and drums before dropping back to an elemental pounding, bypassing the brain and heading straight for the feet. long time wholemeal friend and serious contender for the nicest man in music award bob wncl has very kindly picked up garibaldi by the scruff of the neck, grafted an enormous pair of junglist balls onto it and kicked it screaming across t he dancefloor. this is about as peak-time as it gets. wait for the wall of bass after the second drop, its enough to stop you breathing.

dez williams, umwelt, fleck e.s.c, dmitry distant and igors vorobjovs line up for mtron002 with a set of diverse electro and acid cuts, shifting forward in similar, energetic manner of mechatronica’s debut 12”.
umwelt and dez williams, following recent releases on boidae and vanta series, make up the a side with two booming productions, only way i know, an ever-intensifying 100 bpm eyes-down roller and mankind origin, a heavy, melodic trip in signature umwelt form.
on the flip, dmitry distant and igors vorobjovs team up on the stinging, rapid electro cut cold scape, and fleck e.s.c rounds off mtron002 with dimmer set up, another bubbly electro track from the tokyo-based producer’s vault of dramatic, buzzed-out alien sounds.

air cushion finishsdistinctive sound palette reconciles pop music with experimental electronics, think alan bishop meets white noise (with a touch of super collider?) air cushion finish formed in berlin in 2007 and comprises of composer jayrope and natural vocal synthesizer lippstueck, who have graced berlin’s underground scene together since the 1990 s. lippstueck sings, wordless and backwards in time while his partner jayrope tends diy, electronic, string or percussion instruments small enough to fit into a small suitcase. changing setup and subsequently music is programmatic to the band, resulting into an unforeseeable slow motion cacophony of whispers, bleeps, rhythms and harmonies. theres a notion of dada, but you never know. the 8th album of acf marks their current state of poetical accident, swaying, swinging and bouncing, boldly careful, like a transparent tattoo on your forehead.

a tribute to long forgotten beauties. these edits were made to bring a smile on your face, to take things not too seriously and to celebrate life.

nachpressung im regulären cover ohne booklet & mit downloadcode.
flofilz hat sich in den letzten zwei jahren in die erste liga der europäischen beat-produzenten gespielt. mit seinem entspannt jazzigen sound kriegt er sie alle: seine 46.000 (!) soundcloud-fans genauso wie die beatgeeks in berlin, die rapkids beim splash und den boiler room in london. mit “cenário” setzt flofilz nun seine musikalische städtereise fort, die 2014 mit “metronom” in paris begann. für sein neues album ist er in begleitung von fotograf robert winter nach lissabon gereist. die eindrücke dieser reise hat flofilz in 16 neue tracks umgesetzt, bei zwei songs wird er dabei von der jazz-sängerin oliva wendlandt (relaén) begleitet.

going even further into the tape archives of robbie m we find ourselves with “friend”. this time it’s going to be a late night affair, as robbie smothers you with those smooth vocals as only he can. rock island s ram music direct to you from the midwest. robbie is currently working on his autobiography film project, but had the time to bless us with a new music video for “thanks for the love” featured on this lp.