both tracks are an orgy of dark analog synths, old skool percussions and perfectly placed breaks, which keeps you in tension from the first to the last beat. the perfect weapons to raise to hell any dancefloor. b sides calms down a bit with a great dose of deep house with a tasty south american flavor. emerging peruvian artists israel vich & jairo betancourt (get physical, king street), delight us with your control .

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
summer of my life joins newcomer and alumnus, closed paradise and b.g. baarregaard. the title is a cheeky reference that sidesteps youthful sentiment with a nod towards middle age. b.g. establishes the mood with his impeccable balance of sample and synthesis with the loopy, upbeat astarjatning and the carefree, balearic astargardurinn. closed paradise produces original disco with sheer panache weaving sample and groove with slight melancholic tones across breakin down and wolf sisters. whiskey disco #40 exemplifies our roots and future, a constant evolution of modern disco and vintage edits.

repress 20015 ... peter m. kersten ist zurück auf dem deephouse dancefloor. extrem aufgeräumt aber arg dreckig & roh zelebriert er eine hommage an die unperfektheit früher chicagohouse stücke

2015 repress, vinyl only! the third ep from djebali affirms the french producer as an accomplished purveyor of warm house. comprised of two tracks, the sounds are deep and hypnotic creating a sexy, underground dancefloor feel. released as part of the >djebali< limited vinyl series, all tracks are arranged and mixed by djebali, and made exclusively with analogue gears

the fourth release from palms & charms sees the return of label co-owner barnaby bruce, ruminating on the perils of fine fabric care. we ve all been there – a lengthy session on the dancefloor playing havoc with the pile of your velvet coat. faced with this dilemma, barnaby reaches for the battered volume, passed down through untold generations of his family, detailing archaic yet uncannily effective methods for extending the life of even the most exquisite textiles. as he does so, the percussive jazz-tinged boogie of sweat on velvet takes over his mind, unleashing a wave of dancefloor euphoria. not to be outdone, pete herbert (reverso 68), unveils his own masterful fabric care techniques, providing a remix that will starch your collar and shake out the creases. not the same clothes, but something brand new. freshly attired, barnaby begins to notice curious and somewhat unsettling noises coming from the next room. he gingerly opens the door, and is confronted with a seance in full swing. strangers sitting around his dining table wait with baited breath for word from the other side. but the unearthly howling of tortured spirits is quickly silenced by the devilish groove of seance fiction. as the arp makes its entrance, every soul is up and dancing. finally, barnaby bruce also provides the eminently useful go go percussion dub of sweat on velvet – rounding out a sartorially elegant ep with something for everyone, from sceptics to lost souls.

emotional response open the secret circuit archives to some of eddie ruschas contemporaries from the city of angels for a fine exercise in how to do a remix 12inch. first up is suzanne kraft, aka diego herrera who forms one half of blase along with ruscha in his hands the crazy afro-stylings of afrobotics are pulled towards the dancefloor, adding percussion and sirens, forging the originals vibes in to a ethno-beat club jam that is all about that heads down moment. next up the samps turns shockers into a warped mesh of psychedelic dance, whilst superior elevations tom noble adds some killer boogie vibes to underdogs. finally sun araw man cameron stallones appears under rare alter-ego aristrocrat p. child to re-edit roll in superb fashion

deep disco warrior the revenge turns in an epic hypnotic mix of slow burning house nailed down by analogue bass and acid. using a filtered vocal it builds slowly as the bottom end is tweeked towards a mesmeric journey through minimal wigged out disco. sleazy mcqueen and romano arcaini turn in a disco inflected house mix with congas, spaces out synths and enough dynamics to keep any dancefloor bubbling. it builds with added percussion and a filtered pad before the lead hits the break and the track comes back in with even more wallop. drug empire is an original off the album and has had support from the likes of rune lindbaek, crazy p’s hot toddy and horse meat disco. said to be inspired by theo parrish’s productions it’s a delicious slice of bass driven deep disco with a nod to the looser end of detroit and chicago. it’s all about the fully locked in three note analogue moog bass which holds down the grooved out drums before breaking to jazzy rhodes at the end. one for the heads.

the first release from the new malka tuti record label introduces us to xen, a multi talented multi cultural singer, artist and designer from tel aviv. for her debut ep she went into the studio with the red axes lads to produce 2 original tracks for the a side as well as 2 different versions on the b side. after already collaborating with them on their track -this is it- for a correspondant records compliation on 2014, this time she takes a step forward and really brings out her post-cold-wave-some-wave attitude and delivers 2 psychedelic poppy tracks, highly influenced by german krautrock as well as british and french post-punk and israeli late 80s new-wave. on the b-side you can find a massive dancefloor remix from the red axes themselves as well as a secret psychedelic voodoo b-side.

unknot is the duo consisting of producer/dj sciahri and composer/audiohead emanuele porcinai. unknot01 is the first release on the duos self-titled label. the music is derived from recordings of jam sessions taken on a semi-modular set-up and later contextualized, through arrangement, within a dancefloor-oriented framework.
the core of unknots sound is strictly bound both to sciahris solid techno background and to the mutable character of emanuele’s electroacoustic productions. the dialogue between such distant practices and approaches, brought to an extremely restrained setup, is what defines unknots musical identity.
unknot01 is a stark, angular swarm of sounds, shaped within very structured yet experimental arrangements. each track delivers propulsive, cryptic and poignant melodies disguised in the harsh and outright aggressive rhythmical patterns.

superb recordings presents the brand new ep „associate“ by berlin based producer & dj by the name of phil barbee. this poland born artist is an integral part of the electronic music scene in germany since 1994. phil barbee also has a deeply rooted past in house, disco, hip hop, breaks, drum ‘n‘ bass and jungle. so he is definitly a secret weapon for every dancefloor worldwide.

stunning and hypnotic music that works in your head, not on the dancefloor.

uabos, aka matteo pepe, is a young and rising start from the fashion capital of europe. this milan musician melts the mediterranean with 707 attitude, connecting his homeland with the iconic floor grooves of chicago. warbling acid warmth gives way to spiralling female samples as dusk sets in. the track is pure golden sunshine. tweaked bars are woven through clean drums to form an energy-filled track of explosive properties. polished rhythm patterns scaffold the ep. from this solid base flow clever melodies and dancefloor subtlety. 303s trickle against thick and rich chords for the textured tones of abc dream . uabos grabs his audience, holding them with hypnotic harmonies and an entrancing elegance. but with that is an intoxicating funk, one epitomized in the drill . toms and pads introduce. snares snap as a deep and dense build is constructed, layers bubbling arpeggios support cascading chords for a chitown streaked disco romp. the finale, squash , is living musical liquid. a syrup of synthesized squawk squirms under soaring notes and crisp beats for a jackin infusion.

* rust* is the debut single from the new collaborative project between harry agius (better known as midland) and vocalist robbie redway. the project was formed in leeds, written in london and finished in berlin under the influence of ewan pearson. as midland, harry agius has built a reputation for releasing delicately brilliant bass driven house and techno, and over the course of his various releases he has hinted at a desire to explore sounds away from the dancefloor. coupled with the songwriting talents and vocals of robbie redway, *rust* is the first taste of that exploration.

seit seinem debüt 2013 hat jesse tijn seinen platz in der elektronischen welt gefunden. der harte technosound des londoner djs und produzenten ist rau und erbarmungslos. als kernmitglied von untolds label pennyroyal veröffentlichte tijn auch auf overlee assembly, power vacuum und bedouin records. für die elfte veröffentlichung des labels naked naked präsentiert j.tijn zwei versionen von *pick your battles*, die den dancefloor zu einem unwiderstehlichen groove ein wenig zerhackstücken. für fans von breach, dj deep, midland, dusky, lorca, viers, cinnaman, glimpse, bicep und ben sims.

four tracks of highly original, impossible to pigeonhole, dancefloor-not-dancefloor music.

lakehead returns to nabla for a second release by evolving his rendition of unearthly ambient pads with a tasty three track ep. two parts testimonial, one part interpretation, this record emulates ‘90’s groovy techno with modern melancholic keys tantalizingly hovering over fog drenched surfaces. the a-side sees us start with ‘1991,’ an assertively murky tune that immediately intoxicates with the introduction of keys that manage to invigorate and remain melancholic. following bewitching synth work, a throbbing energetic bass line pieces this number together while releasing suppressed emotion. a true anthem! on the flipside, nabla welcomes zaphod salmon to the fore with a well-taken, minimalist approach in remixing ‘1991’. by sparingly using snippets of hi-hats, claps and snares, zaphod creates formidable tension in an onrushing build up. this mixture of harmonic sounds sensibly reintroduces key elements of the original in a sensation shrouded in suffocating haze. ‚workout trax’ maintains the straight-faced groovy vibe with intermittent bleeps and filthy cymbal work whose jacking undercurrent will keep your feet moving. with its rhythmic nature beat, ‚workout trax’ represents machine funk at its finest. like the moon the strength of its gravitational pull will create a powerful tide swiping unsuspecting subject towards the dancefloor, whetting your appetite by precisely ending when the hypnotic swirl begins to form

mindtrip is pleased to announce the release of the labels 10th ep with 3 strong, synth orientated dancefloor tracks from label boss pfirter and a remix by tensal. the frenetic procyon begins the ep, a dark, atmospheric and intense track. with its driving percussive flow, its guaranteed to send whoever hears it into a feverish delirium. up next is rige, a more subtle and deep track which works a relentless groove alongside colourful metallic textures. tensal - also known as hektor sandoval and one half of spanish techno titans exium - remixes procyon superbly for the third track of the ep and demonstrates his innate ability to craft interesting and fresh sounding techno. the ep closes with closer to the truth, a hypnotic, trippy outing where tension and energy builds relentlessly amid a backdrop of organic anologue hubbub, providing a perfect showcase of pfirters trademark sound. this is mindtrip!

we are proud to present the debut ep from docteur satan, a new project by i m a cliches own crackboy, aka krikor. †docteur satans speciality resides in injecting a lethal dose of horror to the dancefloor through the lens of new beat, belgiums own slow burning and utterly decadent sound.

matias aguayo gets down to the dancefloor. 12inch comes with an inlay and in coloured vinyl. limited to 300

after 2014s set of acclaimed releases on l.i.e.s, creme organization and rush hour, jorge velez comes to skudge white to drop a proper dose of relentless subterranean techno. 4 tracks created with the adventurous dancefloor in mind. this is the sound of velez at full command.

hot on the heels of his inaugural release in january, braiden introduces slewis, a new producer on his emerging off out label. after years of honing his craft in the studio and playing in experimental bands, london born slewis makes his mark on his debut with two equally bold dancefloor cuts. group v opens with an extended twisting cacophony of synthesizers before breaking down into metallic driving machine funk. on the flip, despot delves deeper down the rabbit hole as ebm influenced sounds and syncopated claps dance around a bed of paranoia, leading to a tense breakdown populated by a flurry of spasmodic drums.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

marking its 11th release, leicester-based label city fly welcome philpot regular tim toh to its already impressive roster spanning dj nature, fred p, andres, medlar and basic soul unit. the berlin artist is also renowned for his works on the likes of ornaments music, delusions of grandeur and mild pitch, and his idiosyncratic vision of electronic music is one shared with the discerning minds behind city fly. ‘endlessly’ is a track that melds interlinking rhythms with vocal snippets before easing in to a beautiful rhodes sequence containing all the hallmarks of an absolute floor filler. ‘everything’ then features the beautiful vocals of ranavalona to engineer a track dripping with pure soul, making way for a remix from thatmanmonkz that focuses on rhythm whilst boiling the piece down to a slice of timeless house. finally ‘expectations’ is a number exhibiting toh’s avant-garde approach to music production whilst still focusing squarely on the dancefloor.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd38 welcomes three newcomers to the whiskey disco roster, andy ash, jp source and vincenzo de bull & halve soul. they join alumni, rabo & snob, to present the disco darling ep. on the a side, andy ash adds his typical 909 vibes to the sliced and looped, chi-town influenced, you ve been found. in the inside, vdb & hs deconstruct and reconstruct cherry pie with acid tension and dub love. flip the platter for rabo & snobs darling, a showcase of what this duo does best, sample + analog synth jam. followed by the quirky rollergirl return. jp source offers a tool to keep the mid-set bouncing heavily, even at 107 bpm!

last summer theo parrish toured europe with a badass band he calls the unit, comprised of himself on keys and vocals, lead vocals by ideeyah, amp fiddler on keys and backing vocals, myele manzanza on drums, mr. mensah on bass and keys, duminie deporres on guitar and dancers jade soul, mai le, dominique choreographed by gehrik. on stage they covered sound signature classics, cuts from theo’s latest lp and a selection of theo’s favorite dancefloor tracks, and the label are excited to be putting out a few of the recordings made during the tour. starting with this two track 12 inch, the a side is a cover of skye’s ain’t no need. for those who know, the b side is a rendition of walking thru the sky from theo parrish’s 1996 baby steps ep.

for our seventh excursion into sound, we bring you 2 weapons from different sides of the globe, but with a common theme.
we welcome to the label two extremely talented sound sculptors from mexico, kaban & di rugerio. both boast a string of innovative sounds released on some top notch labels, but here they have teamed up to bring us something really special. *overflow* is a swirling nemesis of a track, with crashing drums and tribal percussion flowing around huge electrical pulses that inject pure energy into the dancefloor.
boom merchant follows up last years hugely successful *stars/green symphony* with another perfect balance of rhythmic and melodic elements. *surge* is a track that always generates a huge reaction, built around a tight groove with plenty of action in the low end. it is literally smeared with electrical charge and doused in layers of harmonic goodness.
we hope these tracks put a smile on your face.

two of ny s finest collaborate as happy family ! we re going back to strobe-lit, day-glo, warehouse territory for these extra large portions of acid soaked dancefloor abandon. limited us import - one press only get on it!

italian conquerors giovanni verrina and germano ventura after releasing music in some of the most interesting labels on the market they decide to open a side project for their own taste of music, focusing on needs of djs and dancefloors. double 12 inch debut release of howl called uno represents funk and techno influenced groovy dancefloor materials on the higher level as usual.

this year is the 2nd year of polen and right now we are presenting the fifth record. louis is a drummer, a bassist, a musician and a dancer and this is his ep for polen. it was a lot of recreating and a lot of shifting to get the end result, but it was worth waiting for. music for dancefloor, for mornings and afternoons, for dancing feet and chosen ears. the art work is made by anne-sophie kneer.

vibe009 is here! on colored balck/orange 12- vinyl, signed by yan cook (planet rithm/delsin) a techno-industrial track that has the essence of this ukranian producer... big kick, ground noises, a 4/4 to break the dancefloor. andre kronert (odd/even) an a2 for the first remix with his analog trade mark. marco faraone retouched this track with a powerfull techno-detriot flavour. great. to close this vinyl on b2 the dub-techno master quantec (echochord). deep techno trip.

honor oak park electronic dispensary inaugral release pays a hefty respect to the classic 90s house and techno sounds that emanated from the motor city. the silky smooth textures of the a side someday serve up a reasurring yet refreshing slice of real music. the flip of the release couples a fine jazzed up boogiefied track called down with me with a raw dancefloor devastating cut called #5. this release comes highly recommended for all lovers of authentic sounds. buy now!

ltd to 100 copies --- the eight heulsuse comes by hanne & lore themselves, boasting with some cripsy kickdrums and distinctive bars to keep the dancefloor bouncing. *samara* should definitely roil up the whole zone with the venturesome title track itself. but just in order to clean it up again, the b-side brings the avowed style back to the next level - the clue is in the name with *come clean*. the tape release includes a download code.

top quality remastered reissue on the original highly collectable us fire-sign records from super funky frenchman francois feldman aka ff yellowhand. both tracks on this in-demand 1981 boogie funk double hitter are pure dancefloor dynamite. side a has the long mix of *you want every night*, a party starting disco boogie dancer with an infectious funky groove, lush strings and a great english / french vocal. *can you feel it* on the flip keeps up the pressure with more blistering upbeat percussive funk. killer!

following toju kaes critically acclaimed debut *villa/11 rooms*, the young vienna-based producer offers us with his new album *unfold* an outstanding collection of tracks that contrary to the detail-loving beautifully arranged first output shows a distinct rougher and downscaled side of his music. ranging between the sticky crowded dancefloor and the safe haven of ambient roots it hints at, the album, released through swiss label neopren records, still unfolds its own room of both subtlety and drive as well as a much-needed sense of buoyancy and a certain impression of forward movement. with a new and unexpected feeling for roughness and spontaneity and some great avant-garde moments (buscheli), unfold is a marked progression, both in terms of composing and producing, in the career of the artist.

following on from the previous 3 volumes of high quality disco heat dug from salsouls legendary back catalog we have here the 4th and final installment of selections that were favored by dj-demi god larry levan on the dancefloor of his seminal, game changing nyc nightclub the paradise garage.

we at finale sessions are glad to have grey people aka alex michalski raining from chicago he is one of the new up and coming producers from the windy city that has flavor that finale sessions really likes and we present you with his first track called feeling strange with its weird but funky bassline and its dark synths gives it a peak time feel with its spooky chords that sets this track apart from the rest, then we have the track called - defeated which really has this depeche mode feel with its wicked bassline and its solid claps but we also dig the pads and synths also. then last but not least is the track forget the peak is my favorite track of the ep its solid chords and pads give this track a melodic feel and very dancefloor friendly vibe. we want to thank you from the bottom of our hearts for your on going support of finale sessions

hot of the heels form his omega album robert hood delivers 2 killer new tracks. the thundering kick and warehouse style acid line on power to prophet will add energy to any dancefloor. clash is a nod to the old skool chicago minimal techno sound of producers such as steve poindexter.

ltd nice price -
in 1976, nile rodgers & bernard edwards founded the legendary chic organization ltd. together they wrote and produced many number one hits and very quickly became the biggest hit music factory since motown.
the 12 inch singles collection includes the bands biggest and best-loved hits. cuts like *dance, dance, dance, dance (yowsah, yowsah, yowsah)*, *everybody dance*, and *good times* show why chic are the band who have been getting us on the dancefloor for over 25 years!
the five 12 inches (45 rpm) records are individually cased in disco bags, and housed in a hard slipcase. perfectly packaged for commandeering the dj booth!

nice price deal !!! lightfield marks the first release of the berlin based label soundscape records and debut ep in the long career of cem orlow whos own mindfulness and altruistic beliefs serve as the foundation and ethos of soundscape records. the ep features an instrumental version as well as a dancefloor-friendly remix from fred p who takes the track into after-hour territory with atmospheric chords and a beautifully crafted aesthetic.

matias aguayo gets down to the dancefloor with these 100 percent soundsystem-tested tracks. 12inch comes with an inlay and in coloured vinyl. limited to 300 copies.

brainchild of two passionate and likeminded artists, a sacred geometry was born as a platform to illustrate techno as a narrative, forgoing the strictly dancefloor nature of the medium. influences from noise, ambient and new wave coupled with their graphic identity play a crucial role in how the music is perceived, as the journey continues with each new cover art.

lunatic with its second release. jennifer touch as the producer and singer presents three tracks in that beautiful mixture between cold new wave and dramatic synthpop that we all love. after several releases on ortloff, riotvan and female pressure she is now going to show full strength in her first solo-ep.
on the a-side, you just forces the listener on the dancefloor with its wild attitude, while the b-side shows the more calm and melancholic way of her musical spectrum with astra and boom. may you think you heard that style before - you dont. the jennifer touch ep is in the spirit of the time as it can be!

vinyl sampler 1 of a comprehensive journey in the essence of chicago house music, featuring forgotten gems, future classics, highly sort after originals and obscure edits...
this is how it started focuses heavily on the early days of the chicago sound, especially in the formative years at ron hardy s music box.
following chicago s disco demolition night in 1979 the genre s popularity fell dramatically, hence fewer disco records being released.in this era chicago s djs such as hot mix 5, hardy, knuckles & jesse saunders played a variety of styles mixing in italo, electronic pop music, electro-funk and older disco joints often playing their own edits which focusing on the portions of the songs which always rocked the dancefloor. at the end of 1982, when dj frankie knuckles left the warehouse to open the power plant, ron hardy started to dj at the warehouse s new location until owner robert williams renamed it the music box. in 1984, a local label released a 12-inch single called -on and on- by locals jesse saunders & vince lawrence who had simple made the song in order to replace a record which had been stolen from saunders collection, the -on & on- bootleg disco megamix by mach. hence chicago house music was born and a modern day phenomenon followed.

no labelcoverartwork - just standardcover. for the first time this ep unites hood’s two dancefloor personalities on a brand new release. with one track as robert hood and the other under his floorplan alias we certainly get the best of both worlds.

played by vorres (vrrs), kixnare, natan h, lumitecc, noizar (wicked bass), cecil (artfuldivision), steve murphy
for his comeback release on ukraine s wicked bass label, the gloomy producer hiding behind the alias raw m.t. presents another set of trippy, yet noticeably simplified masterpieces of 90 s e-werk informed analog techno. falling into nowhere with its melancholic xylo drops and twin peaks infused pads takes us to a setting of descending sadness, while random peak leads and swinging hats on abductions and essense , in contrast, contribute to a much more dancefloor-friendly and optimistic picture. three fine cuts that will work both at peak and afterparty time.

the bunker new york is proud to announce the second ep from mehmet irdel, also known as lot.te (pronounced loat-tey), following his debut release on our label in 2014. lot.tes history of discipline ep features two distinct moods and detailed, industrial-inspired sound design with a firm focus on the dancefloor.

maya jane coles lotet als nocturnal sunshine neue künstlerische tiefen aus und demonstriert beispielhaft ihre expansive musikalische vision. nocturnal sunshine ist mehr ein kohärentes, künstlerisches projekt als nur ein album. das album wurde von maya im alleingang in ihrem home-studio eingespielt, produziert und gemischt, sie hat das artwork selbst entworfen und singt auch selbst auf dem gechillten its alright. weitere vocalgäste sind der aufgehende stern chelou, der den beunruhigenden, süchtig machenden song believe singt, sowie catnapp aus argentinien, die ihr gesangstalent im düsteren down by the river zeigt. obwohl eminent dunkel und manchmal bedrohlich, ist nocturnal sunshine eine berauschende reise, die durchdrungen von mayas dancefloor tradition eine weitere facette und entwicklung der künstlerin zeigt.

played by martin haberland, james ornate, james what, agnostic rhythm, anna wall, lance desardi, kammerton
following the release of their debut lp, keep up appearances on their new label modelmaker, dan berkson and james what draft in frank & tony, dana ruh, dorisburg and alan doe for remixes. berkson & what have chalked up many releases on poker flat and crosstown rebels over the years whilst most recently turning heads outside of their own modelmaker imprint via singles for dogmatik and seth troxler s play it say it. the duo s lp, released in january, marked a new chapter in their production history and has seen support from josh wink, mr g and skream over the past few months. keep up appearances - remixes opens with anthony collins and francis harris superb frank & tony alias taking on seraphim which results in a tense but understated piece of layered, classic sounding house music while dana ruh, fresh from her excellent debut lp on underground quality last year, drops an eerie recreation of worship that draws on spacey synths and unsettling ambience. dorisburg, known for outstanding material on sweden s aniara amongst others, continues a sterling run of form with a rendition of feel free which employs soaring chords to fashion a luscious and elevating take on the original. rounding off the package is berlin producer alan doe, an artist who debuted on rue de plaisance in 2014. doe s worship remix is squarely dancefloor-aimed with punchy kicks, smokey effects and teasing keys