grandi successi is a project by angelo sindaco and maurizio carli moretti with guests like raime drummer valentina magaletti, soft moon matteo vallicelli, impro-avant combo starfuckers, jonathan clancy (singer of his clancyness) plus contemporary artist claudio corsello and writer-performer emidio clementi. angelo sindaco started producing electronic industrial music on tape in the mid 80 and dark techno during the nineties, releasing albums for acv, minus habens, eukatech and more. he has been the first techno dj in bologna (italy) at link club sharing decks with underground resistance, aphex twin, theo parrish and many others. maurizio carli moretti started djing in 1981 opening for killing joke and contorsions acts and then performing in clubs and art galleries mixing dark wave and electronic music.

grandi successi is a project by angelo sindaco and maurizio carli moretti with guests like raime drummer valentina magaletti, soft moon matteo vallicelli, impro-avant combo starfuckers, jonathan clancy (singer of his clancyness) plus contemporary artist claudio corsello and writer-performer emidio clementi. angelo sindaco started producing electronic industrial music on tape in the mid 80 and dark techno during the nineties, releasing albums for acv, minus habens, eukatech and more. he has been the first techno dj in bologna (italy) at link club sharing decks with underground resistance, aphex twin, theo parrish and many others. maurizio carli moretti started djing in 1981 opening for killing joke and contorsions acts and then performing in clubs and art galleries mixing dark wave and electronic music

good for saturday nights as well as sunday mornings, maxi jazz, rollo and sister bliss are the holy trinity at the centre of the u.k. electronic dance collective faithless. catapulted into fame by their 1996 banger >insomnia<, the group went on to play almost every stage, club and festival known to man. twice. >outrospective< was their third and most successful album, where maxi jazzs trendy vicar approach and sister bliss & rollos innate sense of what makes music work reach their climax. it is more upbeat in tempo and emotion and has an intuitive production that emphasizes their e-flavoured spirituality to a tee. featuring dido and their biggest selling hit >we come one<.

n.o.i.a. records is proud to announce the arrival of an eight track album from italian pair tengrams entitled outerspace blues. tengrams are brothers alessandro and davide piatto, who collectively have a deep and long understanding of dance music. davide runs the n.o.i.a. label and was one of italy s first touring electronic live acts, performing and recording with drum machines and synthesizers as early as 1978 as part of seminal italo outfit klein + m.b.o. since then they have released under an array of aliases, have clocked up numerous club hits and this new project brings them right back to their electronic roots.

2017: the camo & krooked takeover continues to permeate every corner of the electronic music landscape as they take their unique sound to uncharted pastures. two successful singles, one high profile remix of noisia, one essential mix and a non-stop world tour into 2017, the austrian music-producer a-listers now present the most critical releases of their career...
after three long years of the deepest studio craft they’ve ever committed to, camo (reini) & krooked (markus) have delivered their most unifying, high profile vocal track like i do with fellow vienna artist and runaway songwriter sensation james hersey. then, on june 23, they will finally unveil their most startling, detailed and singular body of work yet - mosaik.
their fourth album since emerging in 2007, mosaik is a pivotal document that elevates camo & krooked’s creative credentials, vision and technique to brave new levels. the result of years of studio hibernation, studying vintage analogue instruments, honing their instantly distinctive signature, songwriting skills and, in markus’ case, even finding their own singing voice, mosaik galvanizes the duo’s position as one of the most exciting, unique, innovative and in-demand acts in electronic music.

time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: jay shepheard, who’s back with a track that’s so infectious if you licked its back you’d trip for weeks. prepare yourselves for ‘bullfrogging’: wry funk, warmth and humanised technoid soul. taking a vocal texture then processing, harmonising and splicing the spawn out of it, jay’s precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem. ‘early doors’ follows suit and there’s a massive clue in the title… soft-focused, warm, rolling and laced with textured chimes, it’s definitely tailored for those key transitions between warm-up and second gear. deep, trippy but coded with a hookiness that grabs rather than soothes, once again it’s classic shepheard but with a revitalised 2017 twist. hey, he didn’t lock himself away in the studio for twelve months for nothing, right? neither did jay’s long-time friend and neighbour mark henning, a man who hasn’t taken on a remix since the early 2010s. his return to the remix game is as poignant and powerful as jay’s return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of jay’s original. two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. we’re pulling out some serious stops here.

quantum collage is the latest pseudonym of olaf gutbrod aka ohm-g. having built a reputation around his long list of chill out tracks produced while resident in ibiza, this release on martin gretschmann (acid pauli, console) and nico stojan’s ouïe sees him dive into some more electronic textures. ‘lucid dreaming’ is a chugging, groovy trip built around a shuffling beat and dubbed out percussion and horns, tapping into gutbrod’s talent for amplifying the vibe. ‘afrika im weltraum’ adds a little more tempo - a swirling, driving drum loop provides the basis for layers of extra percussion and spacey synths and various chants and radio broadcasts. her beauty certainly draws on some the mastery gutbrod showed in his releases on café del mar and hotel costes cds - a chilled out groover with the sunset / sunrise seemingly in mind.

no tech, just wax! was born from the love for the raw essential old school sounds and the new deep electronic shades of gian marco / sucaz / frankie.

since his first release in 1997, hanna has been a body of art with the agenda of putting ambiguous chord structures and harmonies into an electronic music envelope. the more popular works lying in the deep house and techno genre. the apron release called the never end, opens and closes with ambient pieces without drums or percussion with strange titles being and when which are improper adjectives or nouns that symbolize the ambiguity of the chords and beauty of the sound. the other 4 pieces nudge previous unique hanna minerva that makes this a special and impressive release.

the legendary moscow club propaganda celebrates its 20th anniversary in april 2017 and launches a brand new record label. the label will cover different styles of intelligent electronic music, focusing on techno in the first year. at the beginning there will be released music by great artists who had performances at propaganda club in past. more artists will be involved and more excellent music will be released over time.

the historical power electronic founders duo remixed by two of the infamous artists of this new industrial/noise scene. parrish smith, also know as sige bythos and volition immanent, already appeared on labels as nation, contort yourself and knekelhuis, made a smashing track, slow and heavy, distorted and electrically powered. black seed, already appeared on dtls snd and sign bit zero signed a syncopated track, with tribal influences and bouncing sounds that will turn your brain into a whirpool.

frigio records is going back in time for its latest release, some 38 years into the past. back then a young newcastle man was experimenting with early electronic instruments and synths. mick clarke is his name and nearly forty years later he is still at it. two tracks have been borrowed from clarke s seminal games lp, each given a bit of modern boot polish from minimalrome s heinrich dressel and frigio father juanpablo.

-walls of the night- is a blissed out work of ambient prog rock abstraction. think rumbling horror score and soaring guitar strings. heinrich dressel offers a giallo dipped remix. the building bars of the original are maintained, beats added for ballast and darkened organ keys for a remake etched with murderous intent. the flip is introduced by the dreamy -time is now.- slender synthlines intertwine with gentle strings in a cerebral work. juanpablo tweaks the 1979 material. syrupy acid lines swim in meandering currents, a thick beat keeping time in murky waters of modulations and undulations.

following the ‘frequency vs atkins – mind merge lp’ (march 2017), featuring the collaboration between orlando voorn and juan atkins, italian label out-er (out electronic recordings) welcomes long standing detroit producer terrence dixon for a 21 track triple vinyl pack ‘12.000 miles of twilight’, out in july 2017. this is dixon’s fifth album and follows his last ‘badge of honor’ released back in 2013. the legend has been putting out material since the mid -nineties. recognized worldwide for his visionary, futuristic sound, dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. this overall hypnotic approach can also be seen in his parallel project population one, which appeared on out-er respectively in early 2016 with two-tracker solo ‘temporary insanity ep’, as well as in late 2016 with ‘temporary insanity remixes’ which saw the label offering reinterpretations from cosmin trg, pangaea, voiski and label co-founder simone gatto. ‘12.000 miles of twilight’ remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

hand-picked selection of tracks by uk s negative response in this initial limited run of 300 discs. negative response is a diy minimal synth project that formed in 1980. they self-released 3 cassettes from 1981-1983 as well as playing a number of gigs from 82-85. the tracks embody a very melancholy atmosphere reinforced by their arsenal of early electronic analogue equipment. this collection will certainly appeal to fans of early bedroom synth artists such as john bender and other diy home recording moguls of the era. all tracks remastered from cassette by martin bowes at the cage, uk.

here comes argoman, the antihero of disco music. inspired by the 1960s b movie super hero argoman, the name literally means lazy man, however its also a combination of three italian producers names, who started the project about one year ago. the track chimicalissimo merges the vibrant rhythms of disco with the emotional approach of modern electronic music. its a peak-time dancefloor banger completely produced with analog synths and drum machines. the tune is a proper voyage between syncopated rhythms and heavy basslines soaked with synth melodies that often recall idm progressions. the dub version gives more space to a melancholic piano melody that culminates through analog arpeggios to an unstoppable build. black spuma remix finally turns the track into a slow burning disco monster.

telepopmusik, iconic electronic music group and author of « breathe (featuring angela mccluskey)» from their first album « genetic world » released in 2001 inspired roche musique, trailblazing french label coming from the electronic parisian scene which managed to rise from the ashes a classic and timeless electronic tune. roche musique crew tried to readapt the classic track proposed by telepopmusik in order to offer a contemporary vision through the prism of their respective universes.

the second release from producer eomac’s new dublin-based label eotrax comes from nomadic irish producer lair. this is an exciting step for the label, moving away from the dancefloor into more diverse, eclectic territory. lair is a producer far from the norm, especially for those releasing on an electronic music label. she classifies herself as a composer, producer, vocalist, artist, sound-healer and yoga teacher. with a diverse background that includes singing classical and traditional material shes expanded her artistic approach into a diverse web-like multi-disciplinarian approach in keeping with her nomadic life. currently she creates electronic music, contemporary classical music and healing music under a variety of alias including laura kilty and luminousounds (for healing music). she is also in the duo noeverything with eomac. in her words my lair music is how i see the world - this one and others channeled - expressed through layers of my vocals which i shape electronically. the music has elements of mysticism, sacred geometry, energy, sound with intention and just sounds i love formed to make music i love. i see music as i create it. i work with lots of layers - for me its like creating an aural representation of the image i see. these layers of sound can be found in her debut self-titled ep in the deep, ritualistic drones of invoke and meld on the a-side, and the more concise rhythmical patterns of searching in circles on the flip.

it took me a couple of years get invited to christophe de groot’s (aka circadian rhythms) homebase, and a couple more years to dive into his sonic archive. but time tells and basic moves 02 is what came out. the two tracks were recorded at earguard studio in brussels around 1996, at a moment when his interest was moving away from club music towards other golden musical horizons. “frequency” is a macro tech-house track in mid tempo.
i’m super happy i could archive it on wax because we almost fucked up the master dat tape by blowing up the player during a marathon listening session at his place. we had to open the device, unroll the tape across his house (full of records) and fold it back into the mini dat cassette. after a few hours and twenty metres of tape, the problem was solved and the tracks archived: “a dose of authenticity at a time of post-counter-cultural stagnation”. “house speaker call” originated in proto-techno forms. christophe never sees techno as a type of music but as a process. as a producer, collector and deejay he always dives deep into authentic forms of electronic music. deg’s antic personality shines out in the middle of the harsh beat-driven electro/techno track like a hopeful melody passing by on its elliptic orbit. tune your cells into his vibrations and get ready for these two timeless club tracks.

bottom forty s fifth release and second vinyl press showcases two french producers living and banging the drums in berlin, a long time bottom forty favorite, la fraicheur, teamed up with veteran producer and leonizer record label ownerleonard de leonard. la fraicheur, a producer of emotional and story-telling minimal techno, is seen here paired with leonard de leonard to turn up the heat on our first club-banger release track, -afraid of the groove-. la fraicheur and leonard de leonard beat the hell out of their analog elektron to lay out a relentless whipping melody that demands a twirling dance floor while a classic minimal bass line, rhythm and -she s uh-fraid of the groove- sample keep this track dark, dirty and underground. in a beautiful contrast to the heart-pounding a-side, flip to the b-side for -une place au soleil-. literally translated as -a place in the sun-, the saying is more about conveying the emotion of your hard work is putting you in a good place in life . -une place au soleil- is a gorgeous deep house track filled with teasingly melodic stabs and subtle hardware sounds that come and go, crashing on the record like powerful but soothing waves on the hot beach sands. while -afraid of the groove- may twist a peak-hour dance floor into a frenzy, -une place au soleil- will entrance them in the after hours, reminding dancers why electronic music is so beautiful and why dance floors can carry so much emotional release.

nothing would be possible without ryhtm. from a heartbeat to a tough bass line, every part of music is linked to the strength of rhythm.gregory louis, aka esss, understood this a long time ago. as part of the cutting edge of the french house music scene at the end of the 1990s, he experienced electronic music before the digital music revolution, and kept a fascination for the authentic analog sound, its warmth and its texture.inspired by this era of time and his love for indie music, esss was born. esss is a tribute to those years and revisits the fundamentals of indie funk through electro songs and sounds, cross bredding them with influential and special touches from electronic legends -john carpenter- and -giorgio moroder-. stay tuned, esss is coming

moscow based multi-talent impish has been steadily honing his skills since 2013 working through labels such as program, fokuz recordings and his own fast rising occulti music imprint. it s that last label that saw him release the critically acclaimed silence lp back in 2016. fast forward to the summer of 2017 and a new album project the hush lp is set for release through all quality physical electronic music outlets around the world.
being the perfectionist that he is impish continues to impress working on crystal clear music productions where impeccable drumwork is combined with organic touches and progressions. this album sampler which features the two tracks can’t feel and that’s right is no different: it’s written on the fine line where driving beats for the dance floor meet harmonies for the mind and soul.
look out for the sampler dropping on 12” vinyl near the end of june. the full album will be released late september on 3x12” vinyl and all digital formats.

in an era where electronic music increasingly favours rhythmic patterns and sound textures over classical harmonies, it is with a musician’s sensibility and a sound engineer’s technical skill that cologne-based producer and dj ferdinand grätz aka ferdinger embraces the zeitgeist and pushes beyond the boundaries of contemporary techno.

thousand knives & plastic bamboo by the legendary ryuichi sakamoto are taken from the incredible better days label catalog. both killer slices of 80ties japanese electronic music. latest addition to the rh store japan 7inch series. recommended!

the next ep on just this comes from octual, an established figure on the dutch underground techno circuit. his 3rd release to date is an exploration into melody and beat composition – a journey through uncharted territory. “jupiter’s moon” presents a fleeting view of different landscapes - claps and hi-hats depict the lights and shadows of a sublunary word. “untold places” reaches an otherworldly place where rhythm and metre counteract each other and obscure sounds sway us in and out of reality. amsterdam based electronic pioneer sterac provides two remixes, analysing and repurposing the molecular details of octual’s productions. his first rework of ‘jupiter’s moon’ provides a stunning and heartfelt view, exploring the intersection of each artist’s approach. for the dub version he reveals a darker sentiment, creating a dancefloor oriented secret weapon.

st173 is the first various artists effort on kastil’s stale imprint. the 3rd installment of 2017 showcases the most active artists from the stale stable (kastil & irazu).
kastil opens up the record with the noteworthy tones of “carucci” while madrid based irazu offers a wild adventure that’s constructed around his usual paranoidsynth work and frantic fx with “introversion”.
basel native ben kaczor is offering a piece of acidic techno on “sick acido” and desroi explores the dystopian side of electronic music with his “disprocess”.

claude debussy (+1918) was one of the most popular and forward thinking composer associated with impressionist music. his innovative and at this time new way to compose music with non traditional scales and chromaticism inspired countless artists from the likes of steve reich, philip glass, miles davis and herbie hancock. remarkable attributes of his music were i.e. the usage of parallel chords, bitonality and many compositions of whole-tone and pentatonic scales and all this surely reminds us on contemporary electronic music where you hardly find limits or boundaries when it comes to traditional, harmonic sounding scale tone music. after studying countless composers of the last centuries marc romboy decided to accept the challenge to edit, remix and reconstruct several works of his favorite french composer, ranging from „la mer“ to -prélude à l après-midi d un faune“. romboy: „one sentence of debussy impressed me a lot when he said that he simply intents to write new sounding music. this is and has been exactly my goal, to create kind of unheard sounds“. on the album romboy performs together with the dortmund philharmonic orchestra, the renowned conductor ingo-martin stadtmüller, the well respected düsseldorf based concert master miki kekenj and sound programmer ali khalaj. the recordings was directed december 12th 2016. it s the first live recording ever released on an album where electronic sounds and classical components were merged in such manner.

plaza’s first physical release features 4 tracks from an all local lineup of atripat, consulate, lanngman and mike midnight. this one comes from a special place, a place where raw electronic excursions go head to head with heavy machine fuelled jams. conceived in the north western coast and commemorated from the depths of the city.

trudge joins the of paradise family with his buried hopes ep, a four-track journey into the heart and mind of one of the most exciting young producers currently working in electronic music. brimming with his signature brand of focused, emotionally charged and room expanding electronics, buried hopes perfectly captures the euphoria and fragility of life.

** !! ltd backstock !! / one copy per customer.... **
while following a normal catalog order, the live series is a parallel line of releases that will bring to fruition more acoustic-electronic crossbreeds as well as other sonic experiments, each release will also benefit from an one-of -a-kind type of artwork.
blending light is the first in the series and is s also amorf s debut album, a collaborative project connecting three musical minds and exploring the converging areas between acoustics and electronics, neoclassicism & techno.

henrik schwarz and !k7 are proud to announce a collaboration that will bare many different musical fruits. the first of these is a brand new label called between buttons, curated by henrik and focused on acoustic sounds and contemporary compositions. between buttons will be in partnership with !k7’s own neo-classical hub 7k!, and will kick off with a new mini lp by schwarz entitled works piano, followed by an ep entitled aphorisms by syrian artists khaled kurbeh & raman khalaf ensemble. mixing up old and new technologies, experimental and more classical approaches, the label will see schwarz forge new paths in his own work, as well as curating material from the peers he has worked with over the last 15 years. mainly made up of acoustic sounds, piano, string quartets, self-built instruments, percussion and intriguing classicist elements with a modern twist, there will be eps from piano virtuoso bugge wesseltoft, as well as other electronic producers wanting to show themselves in a different, more unplugged light. “in these times of constant turbo mode, likes and thumbs-up, we need to go back to basics,” says henrik. “we want to move away from the idea that relentless hasty productivity is a must, and instead take time to create space, to let ideas mature and to focus the mind on subtler sounds.” works piano will be a four track mini album that uses a yamaha disklavier as the starting point and reimagines it, reworks it and alters it with various digital and recording technologies. one track is a created with a reactive algorithm and one is composed purely from altered and processed piano sounds.

nadia struiwigh is an electronic music dj & producer from rotterdam, netherlands. sitting somewhere between biosphere and boards of canada, struiwigh s refined downtempo electronica takes you on a journey full of synthesized soundscapes that flirt with ambient techno. awash with melody and warm electronics, lenticular is an expertly crafted piece from an artist who has found her sound and is now effortlessly outputting inspiring compositions. reminiscent of warps artificial intelligence series, this is electronic listening music for quiet nights and club drowsy dawns. both tracks are taken from her forthcoming album of the same name.

with releases from lerosa, andy mac and piezo already under our belts, idle hands strides towards the summer with a transmission from a kindred spirit across the pond. area, sometimes known as m50, has been flying the flag for forward thinking electronic music in chicago for a long time. his radio shows on wnur have a distinctive quality one step to the side of the music his hometown is best known for, while his label kimochi sound has released incredible music from the likes of benjamin brunn, strategy and many more besides. as a producer area has been equally prolific since first emerging in 2007. from ethereal sound and steadfast to untilmyheartstops and sequencias, his various approaches to rhythm and texture are all bound together by a meditative quality that feels like a perfect fit for idle. on this single, both sides of the 12- continue the theme of dusty, dusky 4/4 area is most widely known for, locking on to a house groove while sporting the abstract atmosphere of techno. -rlgl- is an understated, emotional heater that uses looped up fragments as a counterpoint to the more lilting strings and static that bed the track. notice takes a more overtly melancholic approach with its lingering, heavily processed keys that drift in between a tough set of drums. theres a punch to the track that will translate beautifully to a big system, even as the melodics spell out a more intimate listening experience.

nice price deal !!! xavi beat is one of the most succesful artists at fresco records having a career of more than 14 years as a professional dj , has released cosmic club fre004 and pressure fre008. he is the resident dj at cosmic club (girona) and lokotron (bcn) where has played with john acquaviva, francesco farfa, pascal feos, wally lópez, mistress barbara or funk d void in several times, also he is doing a lot of performances worldwide as guest dj. he generates sets of electronic and progressive house , with touches of minimal house , really a master behind the turntables.

intergalactic, retro-futurist broken beat-ish track by legendary drum&bass producer seba teaming up with o persson under the east bound moniker. daniel savio follows with a laid-back spacey synth journey, spiced with a 70ies sci-fi flavor, yet with a modern approach. the b-side meanwhile takes off with a dark, yet progressive techno groover by young talent bonaca, ending with daniel araya s analogue-rich bomb, with a body-music type of vibe. operating under the radar, but romb records have so far been pushing an immensely diverse, yet cohesive soundscape of quality underground electronic music. the thirteenth release is no different, neatly summing up the label s genre-defying philosophy, presenting a four track collage of electronic mastery. that s how you do it!

dark entries present -a tape-, a double lpof early work by helena hauff, a dj and record producer based in hamburg, germany. at university she studied fine art, physics, and systematic music science. she previously was a resident at hamburg s golden pudel club, where she hosted a night called birds and other instruments. as a selector she weaves energetically between electro, new wave, and ebm. her music, often recorded live in one take, has a raw intensity to it. she debuted with an ep on werkdiscs back in 2013 followed by records for lux_rec and bunker sublabel panzerkreuz as well as two collaborative eps for pan, produced under the name black sites with fellow pudel resident f#x. ‘a tape’ is a compilation of helena’s earliest recordings from 2011 and 2014, originally released on limited cassette by handmade birds in 2015. clocking in at over 50 minutes, this collection spans hauff’s musical universe, from jacking acid-techno to krautish zone-outs and scuzzy feedback interludes. it’s tempting to consider it helena’s debut album, but she views these tracks as mostly forgotten sketches left on the cutting room floor. it a gripping collection of deep, sinister analog synth sequences, industrial dissonance, and heavy percussion. her equipment set up was a roland alpha juno 2, juno 60, tb-303, tr-707 and tr-808. both of the discs end with hauff stepping outside of the intentionally stiff, robotic rhythms, instead showing her skill at crafting less conventional electronic sounds. all songs have been mastered by james plotkin with vinyl eq and lacquer cut by george horn at fantasy studios in berkeley. the record is housed in a custom made jacket designed by eloise leigh, featuring a checkered graphic and black lines, highlighted by yellow and green for maximum visual tension. each copy includes a double-sided postcard with notes.

time has come – once more: sula bassana walks on electronic trails again and produces an album in the attitude of electronic krautrock! after the successful forerunner «shipwrecked» (2016), which was built mostly on electronic instruments, the sound is a bit more relaxed on this album. «organ accumulator» accured on the application of portable keyboards and little organs, also synthesizers, drumboxes, etc...

this double-pack cymbolic originally came out in 1995 and found favour with electronic music fans who sought a deeper edge in their music. it s all here, the trademark drum programming, the epic sense that all of the burden bros productions have within them. this is dancefloor music, music for dj s to utilise, tools, but tools with the deepest soul imaginable. listen to terraforming or the symbiont - perfect examples of driving, almost tribal-esque rhythms fused with strings, synth pads and human feeling. cymbolic is for you if you re a fan of detroit techno, but it s also for those who enjoy the deepest electronic sounds. that s not to say it isn t funky though, these tracks will decimate most dance-floors, and therein lies the secret. essential

after recent releases on the save fabric album, alola & jack trax, mr.c has delved deep into his musical psyche to deliver an acid master-class that s influenced by ska, dub, electro, italo disco, acid house & tech house, bringing his roots up to date with this massive modern production. incidents is about things that can happen while clubbing. down-tempo tracks entry search, a civil dose & quick exit will dub you out. slightly quicker acid fever & stand up will completely groove you & dance tracks do it for me, disco rebellion, shape your dreams, raid, ripple effect & master of the universe will make you dance like no-one s watching. incidents is the complete electronic album that pulls all the punches, gives a nod to the past & yet has it s feet firmly embedded in the future. this is easily mr.c s best solo work to date & essential listening.

a leopard cant change his spots and magnus international earned his spots in the sequence hue of oslos disco scene. disco is the single thread that runs through all electronic dance music. after an inconsistent hiatus from recording, the norwegian dj had donned the producer cap resolutely for his debut lp, echo to echo with us last year in 2016, the an additional much loved album bonus 12inch. that all, aside his many other projects for us in the last years. now 2017, magnus synths are on again, like a breath of fresh air and sunlight, these 4 tracks roll on to the world from oslos shores and as his usually best magnus is very strong on seamingly endless grooving chords and timing, sweet harmonycentric bliss and tight, on the point drum programming that comes with this pull factor wich makes you want to play or listen out loud over and over again. theres a chmmr remix as well so things look really good here!

electronic music- / dj- und producer-pionier moby veröffentlicht sein 13. studio album »more songs about the apocalypse«, das bereits zweite werk, welches unter dem alter ego moby & the void pacific choir erscheint.
für moby-fans ist es nicht überraschend, dass innerhalb der 3 dekaden seines schaffens auch dieses album die spirituelle als auch politische ebene in diesem album aufgegriffen wird. »more fast songs about the apocalypse« ist wohl das persönlichste werk, das moby seither veröffentlicht hat! »that quality of atmospheric sadness i’ve done so much of before isn’t here – there’s nothing quiet or ambient, sonically, this record isn’t subtle: it’s big & loud, with huge kick drums & massive choral choruses.«
pressung auf transluzentem, pinkfarbenem vinyl.

ariwo ist ein in london beheimatetes, kubanisch-iranisches quartett, das sich darauf konzentriert, die bislang unerforschten zusammenhänge zwischen elektronischer musik, afrokubanischen rhythmen und iranischem mystizismus zum klingen zu bringen. sein selbstbetiteltes debüt erscheint als auf 500 exemplare limitierte doppel-lp mit vier sehr langen und hypnotischen tracks. die platte ist die zweite veröffentlichung des labels manana, das vom !k7-kollektiv in der nachfolge des atemberaubenden kubanischen manana-festivals 2016 gegründet wurde. in den worten der band ist es deren ziel -to connect our native musical traditions to electronic music in a way, that pushes beyond traditional cuban an iranian identity-. denn auf diese weise entstünde ein sound, der keiner spezifischen kultur mehr zugeordnet werden könne. dazu passt es, dass der begriff -ariwo- in der westafrikanischen yoruba-kultur, die im zuge des transatlantischen sklavenhandels auch nach kuba gelangte und dort zu einem einflussreichen faktor wurde, schlicht geräusch bedeutet.

ultra-rare d.i.y minimal / synth-pop / industrial / darkwave album from 1986! . kozmonaut was the personal project of a young & talented canadian musician called michael gutierrez, who moved to san francisco in the early 80s. influenced by kraftwerk and german culture / electronic music, michael recorded the “flieg” album all by himself at his garage studio, using the pseudonym of “hans schiller”.

timothy j. fairplay is revisiting hoga nord rekords to release the 12inch ep mindfighter: photosensitive electronic music from one of the pillars of the modern meaningful dance music scene. together with scott frasier, t.j.f. is running the record label crimes of the future and he is also known as one half of the asphodells together with andrew weatherall. this is his second release on hoga nord rekords and his first ep on the label.

beau wanzer returns with another lp of archival material plucked from the mutant mounds of shitty coughs and smelly feet. wanzer digs deep and delivers twelve tracks in his inimitable style, with some dating as far back as 1999. the brutal electronic punk productions like something stinks are balanced with moldy movements such as staring at at fish. this lp takes a more vocal heavy and menacing approach, but it s not without moments of respite. undoubtedly another oozing outing from the chicago deviant.

fever am comes from a berlin connection between a pair of artists with roots on either side of the mediterranean sea and on both sides of the atlantic. label founders mor elian and rhyw (one half of cassegrain) share many musical reference points reaching back to early childhood right up to the present including the deeper, darker reaches of electronic music. the label is the pair’s rawest and truest realisation of these influences.
the first ep will be from elian, a sublime 4 tracker that has matured after a winter in the studio and is now ready for club play - from heating up peak time dance floors to trippier after hours moments. sprinkling her trademark stripped back sound with electro and breakbeats the release sets out the label’s stall to release vibrant, challenging dance floor music.

jet series is an electronic music label born in valencia from the hands of the city’s new musical generation, which matured their sound during the glorious years of the mediterranean capital. jet series looks to the future without losing the sight of the past, distilling a vintage-futuristic sound.
played by: sano, xxxy, daniel dyo, demarzo, zombies in miami, javi redondo, alvaro cabana and more.

vices is the first ever record from separation anxiety, continuing the horo quest to expose the untouched underbelly of electronic music. separation anxiety mixes gothic tinged ambience with metallic beats and contained distortion.
early support from samuel kerridge, ancestral voices, pact infernal, grebenstein, sam kdc.

2017 repress! lumiereslanuit (alias lln) is a london-based french label dedicated to creating minimal-techno music and well-crafted products for djs, music producers and casual listeners. at lumiereslanuit we think there are a multitude of approaches to express yourself through electronic music and infinite ways to translate them emotionally, visually, and physically. we strongly believe in the interdependence of arts and that the combination of music and design can lead to new frontiers. >a music label is more than a piece of vinyl, it is an endless exploration that can come from anywhere, anyone,< said edouard and achille.

shadow play, the brand new label owned by parisian artist le loup and his partner pura, drops its second release courtesy of the bossman himself alongside chris carrier. the two men got together in the studio and cooked up some tasty goodness. the first of four tracks on this release is the intergalactic opus phoenix lights , which works off serene pads that transport you out into the cosmos, along with a warm, soothing bassline and electronic chirps and bleeps. research programm (outro) takes us into more obscure realms, as chris carrier and le loup sample a scientific vocal and create a mesmerising bed of sounds underneath it. on the flip we kick off with clouds reflection , another track which features a sample from an old instructional video. this track has minimal composition, with dreamy astral pads, shuffling beats and a grumbling low end. in the second half chris and le loup introduce more twinkling fx, to engage and hypnotise you... to bring the ep to a close we re presented with v-shape , which begins with a layer of clever drum programming aimed straight at the hips. once you re moving get ready for the juicy bassline, and a sultry top end that grips you and gripping progression. the perfect to end an utterly fresh ep..