vinyl only! this time with 4 tracks by henning baer and session restore

vinyl only ! after a break render obedience is back. a side comes from valeria croft /russia/. make me good is classic filter house track with strong rhythm and groove. b side comes from adrianho and azteca /romania/. neverending dream is powerful tech-house burner with massive bass line and remarkable breakdowns.

this artist that s also known as simoncino takes on the second release for the conservation department series with a four track ep. the title track leads off and is followed by the killer groove on underwater sunlight. jamaica girls & lay it on the line on the flip bring more disco dance.

reissue

recently a series of very limited and mysterious 12inchs by jorge velez popped up in stores around the globe - rush hour chased the artist and now offers a selection (which includes exclusive tracks) on this double lp, seriously decent electronics that ooze nostalgia (we hear afx, larry heard, drexciya in there to, name a few) all with a genius twist...tip!

nice price deal !!! the kwattro kanali label returns with its second release containing 4 brawny tracks by liebig & enviro. the 4-tracker presents at first a gorgeous disco funk edit of a wellknown 80s synth pop hit with massive drums & extended synth line providing a definite cosmic disco feeling. next up is a heavily filtered disco tool with horny snippets woven around deep n low grooves, strictly made for maximised happiness. on the flip waits a smashing dancefloor-friendly groovetool contrasting its rhythmic drive with filtered vocals and a monstrous bassline. beefy kicks are added, guaranteed to raise a desire to dance! the last track is a hazy slo-mo looper with vocal teases, sexy shakers and a tough kick settled in a huge groove. don t miss that vinyl only release!

sev dah makes his debut on komisch with three unique club tracks. the mysterious producer has been making waves with releases on naked index and gynoid, but he has reserved his most individualistic music for komisch. lead track otit revolves around a surging, powerful bass and subtle metallic percussion. its a prelude for a doomy synth line that gives the track an intangibly eerie feeling. on the flip, disciple is led by heavy claps and a more stepping rhythm, but the lunging bass and eerie synths ensure that itll have maximum impact in a club. >tension< also travels a less obvious route thanks to its offbeat rhythm. but its beats are stomping and the dark, churning filter, coupled with sev dahs haunting synths, means its getting support acoss the board

three cities, three artists, three definitions of modern deephousemusic. fm delivers a great journey for all deephouse lovers out there. helly larson are known for his awesome releases on labels like plastic city, acryl, shayan music, lucidflow and many more. here he comes with a truly deep-tech monster. cassique still run his own net-label supafeed. his percussive hypnotic track >deepware< offers a catchy vocal lines to let the crowd moving. marc cotterell still have released on soul industries, peng, deep pressure music, um records and more. he bring us a sweet and soulful track with an incredible sax line, played by jonny vasquez.

after having blessed the world with >soarex< released on our sublabel irr (international records recordings), including a remix by ada, we would now like to welcome von spar to areal. and this time, the remix comes from no other than techno legend john tejada. with >jon voight<, the hamburg-based artists have created another epic masterpiece in line with their earlier electronic tracks: great emotions, melodies you will never forget... in other words: a track that will send something of a shiver down your spine. tejada, of austrian decent now living in the united states, shows full respect for the original version and comes up with a remix that has proven immensely effective on the dancefloor. it so effective that we still find ourselves awestruck in the studio. well, in the meantime, we have to admit that we went out to one or two parties, but only to find ourselves back in the studio again, still awestruck.

pulse locker refers to the analog method of synching analog modular instruments and drum machines, a method of working john tejada & josh humphrey have embraced to generate their trademark sounds and grooves. preferring to work away from the computer as much as possible, john and josh have adapted a more old school approach to their work, syncing analog gear together, not from a computer, but the way it was synced back in the day. the results are a tight, organic analog sound showcased particularly by the 2nd track >bifur gates<. with a tr-808 as master clock, syncing the modular system, the sound takes you back to the mid 90s era of techno. real 808 beats, punchy bass and an ever so shifting classic chord line will leave you lingering for the days of old. on the a side, >pulse locker< with its big and warm groove, gets things moving with a blend of house and techno. rounding out the ep, >unanimous arc< showcases the mad acid sounds possible on the sh-101 while modular chords elevate the track to a manic pace. >pulse locker< marks the duos third collaboration on palette recordings.

limited pressing of 150 copies only! nancy fortune on nation, chicago! nation has returned!

footprintz are on a rich run of form right now, showing a craftsmanship in their songs that is so often lacking in modern day dance music. new single favourite game is set to further buck this trend when it drops on december 3rd (general release).

decoy 01 showcases southampton artist chris colburn, a regular feature on alan fitzpatricks 8 sided dice imprint. a selection of 3 techno gems made entirely for the dance floor. acid whip is the lead track, big drums and a nerve cutting acid line create this frenzy of a track. universal oddity brings in a tonal bell ploughing through light percussion and chris signature kick. no smoke is last but not least delivered with a touch of soul through the melodic stabs and swirling hazy noise effects, taking it even deeper. hans bouffmhyre adds his touch to the ep with his remix of acid whip, pulling away from the acid and focusing on the drums and effects, the sleaze and electric deluxe artist doesnt fail to deliver as the track flows, drops and lifts with this warehouse style monster.
decoy records is launching in 2012 at a time where electronic music has become very exciting. with a grass roots approach and a nod to talented uk artists, the story begins.

after the hit >confiara< (vibe002) fabio alampi gives us another awesome dancefloor bomb! vibe005 >escape< pushes loud from the first to the last beat of kick, surfing in a techno percussion kit, dancing on a killer bass-line stoled from the dirty detroit club of late 90s that lets you trip when an incredible dark voice speaks directly to your soul. cant miss an amazing series of remixes, opened by the big-boss alan fitzpatrick . (drumcode/soma/sleaze), essential and straight, violent and elegant, powerfull detroitish pure techno. we will find the same detroit-vibes also in the remix by francesco bonora (abstract theory/plastic city), gumming and bright ambient, big kick, far voices. so good. &#8232,,,,,,,to close the remixes, sarp yilmaz (apparel) retouched the original mix to create a really grooving old housy beat, slowly and rolling. can you escape?

one of figures most prolific artists, a.mochi offers up his first ever ep for figure spc, with 2 especially subterranean and highly charged tracks. mochi, who last year released his outstanding >primordial soup< lp on figure, continues to tread the line between functional club techno, and post-apocalyptic mechanical soundtracks. the well-defined a side burner, >riff< charges along with textured, woody percussion at its heart, and mochis trademark white noise ensemble pushing the high frequencies. a reduced, classically minimalist work, the track relies on just a handful of elements to induce a real fever on the dancefloor. following closely in its footsteps is >sunset<, a deeper cut with hi-tech atmospheres and intricate percussion at its core. metallic synths surge under mochis wall of bass, and the straight-ahead ebb of the sharp hats and claps edge this monster into even darker zones.

the ep opens with >black jack<, a percussive, grooveled workout built around next up is >as much as this<, applying similar drum programming tactics with a raw shuffled groove but this time opting for an esoteric vocal line and smooth house pads to fuel a deeper melodic movement. highly respected bass culture, off and robsoul artist chris carrier turns in a remix of >as much as this< to follow, stamping his signature french soulladen house sound on the original cut. the track captures a 90s feel through its crunchy 909 drums, loopy piano hook and acid squeaks and bleeps.
supported by: lauhaus, boris werner, nick curly, federico molinari, kabale und liebe, nekes, johnny d, sascha dive, 2000&one, markus fix, dj wild, chriss carrier, ilario alicante, martinez, loco dice, mathias mayer, brothers vibe, karotte, tanzmann, matthias kaden, raresh, robert dietz, reboot, anthony collins, vera, ray okpara, …

unlucky for some but not it seems you or us, dot013 comes comprised of a hat trick of deep and sultry, some would say rnb flavoured slow jams, made for those sexier evenings when you feel the urge to want to nod your head, wine your body and give those hips something of a work out as opposed to just pointing haphazardly to the sky whilst hopping between legs and occasionally pulling your best ooooh listen to that bass line face. though those evenings clearly have their place as well.

nite recordings third 12 inch brings a amazing production by deep mariano & yoshitaca together. this single gives us an original song called oh yeah! with a crazy voice sound and very fat bass line. in the other side of the vinyl we have a deep house song called smog, perfect for warming every dance-floor. also we have a remix from fer marino of oh yeah! which highlights the crazy voice with classic 909 drums. a must-have 12 inch that you can play a any time.

the same people behind emotional rescue launch as fine sister imprint in the shape of emotional rescue, with a near perfect insight into how the label will operate thanks to nzambi - a quite stunning full length album from jason letkiewicz under his alan hurst moniker. if you consider yourself an avid purchaser of vinyl, you will no doubt have added some letkiewicz heat to your collection in recent times, with excellent releases as steve summers and innergaze in recent times. the alan hurst project sees the brooklyn producer in more laid back form, indulging his passion for library sounds and experimental electronics with just as much aplomb. allegedly commissioned to soundtrack a film on modern haitian voodoo, nzambi is a woozily intoxicating thirteen track set that opens your senses to a true darkness in this producers palette of sounds that has not really been explored before.

tune in: dana ruh brings brouqade back from summer holidays. an ep completely rounded, mesmerizing from first to last. sula wakes with vivid snares. precisely produced, finely tuned arrangements and driven by a straight beat and pulsating bass line, the track develops with its deep clubsound to a veritable groover.cautious in the beginning nebouxii gains its selfesteem, builds up subtly, pushes and drives forward and spreads its hypnotic appeal. the mood is constantly high and takes its time to fully develop. sulidae brings you back from the previous hypnosis and gives you insight in a different world: charming vocals glide on a steady synth line, when all around a poetic magic is revealed and some ingenious elements are pulled out of the hat.

expect the usual heads down, subterranean business! side a contains probably the most dance floor friendly track that laak have produced, always true, with a solid bass line and 303 subtleties to get going. the second mix of it adds some classic chords to great effect. flipside is for the underground heads, with a lush brooding track called mixed messages and a slo-mo burner amor meus closing the ep. only available on vinyl as usual.

pianobatacazoo provides us his most powerful set up ever: vibrations and deephouse oriented strokes charged with baroque sensuality, decorating and presenting himself extra sensitive through solid percussion lines that come from uk-funky, counteracting with elegant shines of real instruments. mngc, a more minimal cut built from an explicit mutant bass line that works as the spine that receives new tools through the playing of the tune: dry falterings, bipolar personality that makes his own the mysticism of the original dubstep or the synth motifs connected with the intensity of the deep techno.

nice price deal !!! ultraista ist die neue band des radiohead-produzenten nigel godrich (u.a. auch r.e.m., pavement, u2, beck), seines kollegen joey waronker und der sängerin laura bettinson. das trio vereint auf seinem gleichnamigen debütalbum afrobeat und elektronik zu einer art elektronischer krautpop. ihre live-shows sind ein multimediales ereignis audiovisueller kunst.
pressung auf transparent blauem vinyl, inklusive code für freien mp3-download des kompletten albums.

the forthcoming release adds another notch to whats been an impressive and prolific year for funkineven, closely following that all-conquering fatima collaboration phone line and the funkinevil record produced with kyle hall. the two track on it make for a stylistic about-turn from the tv theme funk of the last apron release (and artwork of the year contender) chips & sweets, >dracula< is the kind of stuttering 303 acid jam funkineven is an expert of, reminiscent of the brilliant rolands jam, while cha! is a loose-limbed slice of proto-techno which goes heavy on the unfiltered analogue bass, driven forward with lolloping drum machine beats. released on red coloured vinyl, the look & sound for a perfect horror movie soundtrack !!!

support by noir, sascha braemer, tiger stripes, m.in etc. while its getting colder outside, miyagi sends us beautiful melodies for the autumn. you will bet! but such as love the new rennbahn has got a lot more to offer! weird world is a dreamy & floating deep house track, which will levitate you over the dance floor. warm melodies combined with a heavy bass line make sure to catch the mind of the people. the remix of jaxson & david keno let disappear your thoughts in the straight beat and the floating and hypnotizing bass rhythm! this remix is anything but weird. on the b-side, medusa is waiting for you with deep sounds and a beautiful piano chord in order to take you on a journey through her walk of fame. dont you dare to look at her cause her dreadful sight will turn you into stone. with oliver schories remix you will discover an interplay between deep basses and beautiful highs accompanied by his typical piano sounds which finally come together to one gorgeous climax at the end of the track.

chairlift present takes on several cuts from acclaimed second album >something< by some of their favorite producers, showcasing how their songs can easily be adapted for the club. appropriately titled the 6.15amix, spanish equipo fantástico john talabot and pional turn >i belong in your arms< into a balearica-infused club-closer. a nifty piano line and seductive rhythm take the song on a late night (or rather early morning) trip to the beach, while carolines voice is being warped into something from outer space. photek takes the same track to a whole different place with his powerful jungle interpretation. martyn respects both the pace and rhythm of sidewalk safari, yet exchanges the clean production for a rather more cosmic beat, incorporating many of his signature touches to compliment the sinister >i m gonna hunt you down< lyric. dan careys dub mix of >sidewalk safari< shows a more playful side, while arguably the most intriguing remix of the package is the fields take on >met before<, recalling his early work it is so warped and layered you may struggle to imagine the original minus the smallest of hints.

for the first solo ep on horror boogie, fedka the irritant steps up, after his outstanding track on horror boogie 01. fedka the irritant is probably best known as the trombonist in the excellent band pest (ninja tune), alongside ben pest (panic bridge, victim, bonus round). he is also a seriously original and versatile producer in his own right. he has released on panic bridge, alongside the other pest members and his trombone techno live sets are something to behold. here, he drops four varied tracks, starting with the behemoth >words for friends<. a heavy slice of wonky techno, with a big kick and rasping synth. next up is one uncertain eyebrow. a building, funky, fuzzy acid-laced track that drops harder and harder as it goes on. on side b, calypso-flavoured, jazzed up >stick it< progresses on to a become a warbling bass effort with a smooth hip-hop vocal. last but not least, is >you only die once<, another funk-laden monster, with a killer slap bass line.

italian talent francesco mangini aka francys strikes back! after his massive chart breaker crossing the white line , he returns on highway records with brand new tracks — people and deeper than the skin.
people ep is completed with amazing remixes by alex niggemann (soulfooled, poker flat, tsuba) and nico lahs (ovum, 8bit, culprit) & ahmet sisman (cocoon, slash, one records).

the second single to come from miaoux miaouxs acclaimed >light of the north< album, the limited >autopilot< e.p brings us the original track backed with a heavy-duty line-up remixing select tracks from the album. the original title-track is a glittering synth-fuelled hymn to heartbreak, which incorporates elements of bass and hip-hop, while recalling the stylistic flourishes of boards of canada. reworking >hey sound!<, glasgows very own auntie flo and esa bring their exotic stomp to the table: a percussive journey soaked in dubwise holy water. tom furses remix of >stop the clocks< is almost like a reigned-in, beat driven version of john elliots outer space project, thick cosmic ritual elixir bubbling over the sides. already having made his name on skreams disfigured dubz, echo park takes on >autopilot<, turning the original into a cast-iron lesson in militant rhythm. echo parks real talent however lies with integrating elements of the original seamlessly with his own punishing sound palette.

pragmat is a new white label from germany and was founded by markus masuhr. this label is for his own interpretation of techno. 300 copies hand-stamped and vinyl only. two tracks of deep and raw, yet intricately textured techno. the label is following his line of dark, dubby, pure and peak haunting techno.

paper recordings continue their journey back to plastic with another vinyl release once again proving why they remain one of uks best loved labels. jamie l is a mysterious figure of undisclosed origin and history who fits in to the moodymann / theo parrish mold of heavy future disco, which his new production >(what we saw) in the burg< nails. it is a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. the detroit pad creeps up to the break and filters in and out as the track works its way through for locked down dance floor business. next up, havana candy breaks out the analogue and takes things deeper and techier. with a rolling bass and tweaking acid line, it cuts to a rhodes before filtering down and riding back to the heads down groove. cottam steps up for paper for the first time and demonstrates what all the fuss is about with a very special mix. clocking in at 9.41 it is deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.

leftroom limited follows up a hearty contribution from waifs & strays with one of its biggest line-ups yet this october with maceo plex teaming up with odd parents and the ever-quality mark e turning in two remixes.

hailing from ireland, shane linehan is committed to showcasing the finest that new jersey-styled house music has to offer. having impressed with his release for local talk, he returns to his own basic grooves imprint to get the good times rolling with aplomb. >ilinx< wears its heart on its sleeve with a crisp beat that makes all the right moves, while a slick organ chord line takes centre stage in an upbeat revelry written for the start of the weekend. >so now you know< on the flip is a more contemplative affair, although no less steeped in bumping house culture. the keys are played in a more downbeat refrain and the beats a little more restrained, but this is still very much a dancefloor burner

the human experience ep from jamal moss is the 8th 12 inch from this highly coveted and limited imprint. how wet is your box starts with a great distorted & chaotic synth line & is followed by siddhartha (part 1). flip it for long live the flesh & the title track. hand stamped & limited to 300 copies.

vinyl only release !! limited to 300 copies... after the previous four compilation releases, merkurs founder shingo suwa now announces his own ep. as first track never leave me / original mix is a smooth house track, which combines synthetic riffs and chords with a solid bass line. hm dub is a remix by house mannequin, this remix contains some of the vintage chicago style beat, including filtered pads with dubbed samples. it is an incessant groove of a mellow and simple dub edit. side b inhaled deeply / original is a profound production by shingo, created with a deep and raw groove. wild rhythms assist the techno flavor here as well. sei katsu acid mix was created by the mysterious newcomer sei katsu from miyazaki. this remix is a repetitive trip through hypnotic, sweeping synthesized lines and tricky drumming. its kind of a dj tool that is functional on the dance floor

craig mcwhinney is a melbourne based dj, producer and live artist. beginning his techno explorations behind the decks in 2000, his transition to the studio has been swift and fruitful. a string of releases on his own label haul music which he co-founded in 2008 with friends mike callander and christian vance, are now being backed up with remixes and eps for speedy js electric deluxe, and brendon moellers steadfast records. drawing upon his wealth of djing experience, he crosses the boundaries of dub infused techno and house with precision and intent, blurring the line between dance floor dynamics, home listening, experimentation and sound design. he is also collaborating with mike callander as haul music live, fusing craigs rhythms with mikes soundscapes to create unique dance floor interpretations of their individual sound experimentations. wild coast is a low-slung filthy minimal romp that possesses as much primal energy as it does futuristic funk. bassbins and heads are likely to be blown by this demented puppy. echologist keeps things lofi, hypnotic and subby.

rune lindbaeks drum island returns! having joined forces with celebrated vocalist kurt maloo for this superb balearic vocal gem, rune has drafted in an all-star remix line-up too. superb versions one and all from cos/mes, seahawks and ray mang.

tip! a fresh 12 minute musical journey, a collage of organic sounds, melodies and pads which transport us to a world poised between the visionary and the dreamlike: inspired by the magical village deep in the jungle of the mexican sierra madre. ethereal atmospheres laid down on a bass line with a dub flavour that wraps around warm and essential groove ... for us its a little gem with which to inaugurate a new cycle. e n d l e s s.

in line with his appreciation for all things deep, bell creates his deephouse visions fusing funk, jazz, & soul into an intoxicating melange.

surely not is a brilliant house number with moodyman indebted drum pattern based around a soul edged vocal sample which unfolds into a deep late night groover. this is an essential release for detroit aficionados. on the flipside earl goes in with british knights a frenetic subloaded tribal number with a lot of swagger and the odd nod to classic todd edwards and afrika bambaataa along the way. this one is all about the stabbing repetition and the infectious bass line that builds and builds euphorically until it drops into a rhythm track that commands the hips to move and the fist to punch the sky.

lakosa & io are third to grace the madtech roster with their dancefloor banger home early, which features remixes by west norwood cassette library and the 17 year old exceptionally talented experimental grime producer pedro 123. home early is a punchy house track weighted by bass and marching with the suave speed of 4/4 house. its sultry vocals and samples tease the determined beat that drops in and out developing a bold breakdown. the track sits nicely between house and uk bass, giving it the flexibility to sit within an array of styles in future sets and mixes. west norwood cassette librarys remix gives the original a disco tinge with the use of strings and vintage sounding samples. the vocal is scrunched and ricochets neatly off the carefully placed beats and samples. the pedro 123 remix gives the original a smack of grime and a refreshing sound. pedro stretches the vocal into a smooth echo that drifts over the top of his clipped punching bass line. a grime-tinged wobble and a bassy beat resonates beneath pedros impeccable percussive production.

frank music proudly presents: the future sound of limburg! our homies monosoul & johannes not only like peter hoff produced house sound back from 2001 but also good food, turkish beer and a good laugh. on mondays they use to sit together and cook or make music result is tasty house music as we like it.whatever is pushing prime time house.chords,higher strings and those beats. we shouldnt forget about the nice acid line in the end. mornin moanin is more on a mellow tip, pads and a nice bass out of the beloved juno machine. for warmup or late nite use they offer jomo mf which consists of some riot-as-well-as-rainy beatdown sweatness house.

hotly anticipated does not really do justice to the level of excitement the release of reptile youths debut album is generating among fans and critics alike. those in the know are expecting the danish duo to deliver a defining moment of 2012 - injecting their off kilter brand of highly-charged electro-punk-pop into the worlds consciousness - and reptile youth aren’t in the business of disappointing. reptile youth was formed by mads damsgaard kristiansen and esben valløe in 2009. it was their intense period of gigging through asia and europe that earned reptile youth their radically evangelical fan base, while also prompting a string of superlative-laden reviews hailing the youth as the saviors of rock n roll. hype aside, the incredible energy generated by kristiansen and valløe and their extended live line up have made the arrival of this debut album a red letter day for their clued up followers

uk producer jason courtney aka simplicity is beauty makes his long awaited heavy reel debut in real style with this atomic bomb of an ep. from the low slung driving bass of title track >i am colossus< to the more stripped back sounds of >the obelisk<, its an ep that crosses genres & straddles the fine line between electro & techno. we are sure it will find a home at most parties.
the newly formed dynamic production duo of unsubscribe - techno baron dave clarke & mr jones complete the package with their own twisted & distorted take on the title track, evoking memories of some of daves classic electro mixes from back in the day.

finally we have d.o.g regular tornado wallace onboard to provide a remix which takes the original into far deeper territory. tw drops the bpms, adds an arpeggiating marimba line and builds up the synths resulting in a late night vibe which compliments the vocal perfectly.

on the heels of the success of tin mans – s_mpl_house ep shaddock is proud to welcome another true master for the labels fifth release: j.t.c.
originally produced for tim sweenys beats in space radio show the title track was heard in one of j.t.c.s dj sets during a night out in berlin and was signed to shaddock on the spot. heavy on the synths with a stirring bass-line and a driving 808, beats in space is destined to shake-up every dance-floor.

meakusma is releasing a 12inch compilation to coincide with their party in eupen in september 2012. four artists from the line up each deliver two tracks.

ideal audios latest offering is served up by remain & electric rescue.erma finds the duo in sinister form.their mysterious machine opens with a broken beat before its thumping kick-drum breaks through and powered by a rocky electrified bass riff marches on through two huge breakdowns. marc houles remix unleashes a snarling bassline and spritely melody before the snare roll announces the the arrival of the synth line.