(180gr vinyl, deluxe version heavy weight ‘old style tip-on card sleeve) psychedelic, vigorous and at times quite experimental, koen de bruynes only real album to have seen the daylight is a rare belgian gem, one that stands the test of time and is waiting to be rediscovered by new generations of listeners

in an uncertain world, its a comfort to know that the same sun shines over all of us. from the levenshulme vista to the beaches of tuscany and beyond, we all bathe in the same golden warmth. and as the summer sun begins to blaze and swelter, aficionado return with their latest release, inviting an international cast to sooth our cares with sweet sonics.

ein lebenszeichen von the knife! das schwedische geschwister-duo vereint bisher unveröffentlichte remixes auf dieser limitierten 12inch.

mit seinem 2014 veröffentlichten album *outta here* hat das wiener duo tosca bewiesen, dass man auch nach einer zwei jahrzehnte andauernden karriere zu positionswechseln in der lage ist. das magazin clash sprach gar von der beeindruckendsten und grundlegendsten musik ihrer karriere. richard dorfmeister und rupert hubert hatten sich nach sieben alben, auf denen sie die welt des downtempo und der chill-out-musik zu definieren halfen, entschlossen, den dancefloor für sich zu entdecken. wobei sie nicht umhin kommen, einige traditionen zu bewahren: auf *shopsca*, einer überarbeiteten version von *outta here*, betrachten sie jeden albumtrack aus einer radikal neuen perspektive, von hartem drei-uhr-morgens-techno und electronica bis zu spacigem dub und darüber hinaus. für fans von laidback, rainer trüby, kraak + smaak, kalabrese, lord echo, stee downes, silvercity, ltj experience, rodney hunter, smith + mudd, blundetto, nightmares on wax, the avener. das doppelvinyl erscheint mit cd.

hot on the heels of her debut artist album on dj spens prestigious quantize records label, sheila ford drops a teaser 7inch with a helping hand from seasoned pro & highly respected john morales.

it is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of santería and vaudou mix with raw electricity into burning diabolical polyrhythms. we here present cut hands and festival of the dead.
the double vinyl lp comes in gatefold sleeve and includes mp3/flac download code.

here comes the sun (1971) is an album by jazz singer-pianist nina simone, consisting of cover versions of songs by pop and rock musicians. it features songs recorded in the rca studios with a full orchestra and backing vocals. although simone covers songs by bob dylan and the beatles, among others, most of the versions feature arrangements substantially different from the original recordings. this is most clearly in the final song *my way*, which with its fast pacing rhythm deviates significantly from the usual interpretations. pressing on audiophile 180 gram vinyl.

true old school quality house and techno tunes by o b ignitt, known for his collaborations with omar s, on the first release for his own label.

7 years after the last zhark vinyl release, heavyweight techno nihilist & labelhead kareem opens up another chapter of advanced technoid noizcore with his 11th full length ep on zhark. after a few years of silence kareem had just reemerged with releases on foundation sonore (fs 01), porto ronco on death of rave or mesmer on zhark digital but is now threatening to inspire more uncompromising percussive hostility. let this just be the beginning: whereas side a emphasis on a very distinguished dance floor groove concept of machine funk embedded in metal layers side b leaves room for a less formatted approach building up tension which is leading to a free firezone of depravity. while methodic differentiations can be discovered on each side, the listener is continously confrontated with haunting sonic extremism.
pressing on dark red coloured and black marbled vinyl.

phantasy release the next in a series of remix 12s for daniel averys hugely acclaimed drone logic album. first up, kink applies his ever-masterful touch to knowing well be here for a wholly euphoric house embrace whilst, on the flip, label boss erol alkan resurrects beyond the wizards sleeve, his neu-pysche collaboration with richard norris, to push new energy fully into the realm of the third mynd with a very special re-animation.

wenn wir etwas benennen müßten, das sich unsere fans immer wieder wünschen, dann wäre dies wohl eine vinyl-version von the fields legendärem ersten album from here we go sublime: ursprünglich 2007 veröffentlicht, war das gefeierte albumdebüt des projekts, welches alsbald zu den beliebtesten in unserem künstlerkatalog zählen würde, als reguläre cd-edition samt begleitendem 12 inch sampler erhältlich - doch noch nie als vollständiges vinyl-release. kameraschwenk zum record store day 2014 und der perfekten gelegenheit, dieses verblüffende meisterwerk endlich auf verdiente art und weise zu präsentieren. die doppel-lp erscheint im klappcover, inklusive cd-version des albums.

ltd repress .... be fast ..yer boy beato is back with a run of heavy-hitting club shit. as is come to be expected, all tracks sound like theyve been put through the audial meatgrinder. maybe theyve been put through an actual meatgrinder. absolutely killer

next up on jd records is fix feat. orlando voorn & blake baxter.

label from londons e1s acid techno dj acid steve. feat. chris liberator & the geezer, acid steve and ap!

polymath james leyland kirby must surely have one of the most confounding cvs in the business: he spent years taking the piss out of the music industry with anthems rallying against the (vv)mcps, he notoriously fell out with various well known record labels for reasons you ll just have to google, goaded aphex twin with a series of tributes and channelled his love of everything from falco (rock me amadeus), chris de burgh, frankie goes to hollywood and stockport karaoke nights into a stream of increasingly bizzare 7 s back in the early noughties. but at the same time he was responsible for releasing some of the very earliest material from boards of canada (hell interface: 1997), made a ruck of frankly groundbreaking industrial electronic records, brought new beat to the worlds attention and, in 1999, made his first album as the caretaker, a project that would go on to release some of the most loved ambient/ lynchian albums of recent times.

limited edition double 12 inch picture vinyl in transparent, red coloured plastic sleeve.

it is a cold dark winter – snow is lying everywhere. simon12345 and the lazer twins are heading up north into a little wooden house in the northern parts of denmark. they will live there for the next weeks and build up a temporary studio in this secluded cottage. simon has got a handful of sketches with him. musical states of mind and conceptual games he developed over the last years. basically the idea is to develop something truly unique and powerful – although none of them knows how that will sound exactly or what will happen in particular during this time. it is not even clear who plays which instrument, who will do what…nothing is set. the only thing clear is that they have things to say, things that have been burning in them for so long now. tell me. how can (mostly) instrumental music suggest a way of life? how can you criticize without pointing at something particular? how can music transport you into place of quietness and self reflection?

stepping out of the shadows in 2007 when just sixteen years old, jokers stock has risen dramatically since. aided by him releasing defining cuts like >digidesign<, >the vision (let me breathe)< and >tron<, he now finds himself thick in the recent resurgence of british electronic music. bbc radio 1s zane lowe premiered >here come the lights< in late july on his coveted hottest record in the world radio spot. moreover joker premiered most of his new albums tracks at the glastonbury festival this past summer, just one stop during a busy summer of worldwide festival performances. with the world traveled and a deal with 4ad signed, he is finally ready to appease his waiting public and release his debut album, the vision. prior to that though, album tracks >here come the lights< featuring silas of turboweekend and >my trance girl<, are being released on a purple coloured double a-side 12 inch.

the dog is back! his new record >here comes the madness< is ready to attack the hardcore dancefloors of the planet. 3 tracks of pure mad dog style, from mainstream to the most aggressive hardcore.
schranz grooves + hardcore kick = pure energy bomb!

firstly we have the man micky slim, the head banger of bomb squad records and a man responsible for remixing the likes of calvin harris, dizzee rascal, the wideboys and jaydee. a filthy re-rub that wouldnt be out of place in an east end brothel or on the hardrive of any self confident ghetto celeb!

supported by the most important english network (galaxy fm, juice e kiss fm) and top djs: flashbrothers, funkerman, x press 2, skumfrog, tiesto, tom novy and tomy enfris.

lo key fu makes his dead famous debut with a belter of a twelve inch. funky/tech is the order of the day here with both sides featuring chopped up female vocals and live instruments alongside squelching synths!

rong music introduces a fresh new artists to the label - mr. chin. originally from new york, now based in sunny southern california, chin is a world renowned disco dealer to many a high end disc jockey. from heavy hitting disco breaks to body and soul type music, his first outing has a little something for everyone in the shop. this release contains a cheeky jungle brothers sample. this a very limited release, so pick it up quick before its gone!

the tracks are already gracing the decks of the likes of jeff mills, laurent garnier, carl craig, richie hawtin, and claude young among many others. lawrence and lenny burden, announce the release of their new single, >i need release<€,b/w >here comes the push<, on their own reborn label, 430 west records. collaborating once again with ann saunderson (the vocalist on their hit single >blackwater<, 2002), and mc p.gruv (from their >the theory of everything< album, 2004), the brothers have produced a dance floor heavy double sided single. >i need release< blends anna s angelic vocals with the burden s signature rough and tumble production style, while >here comes the push< takes a percussion driven ride off the edge, with p.gruv as your guide. this project leads to the release of octave one s first studio album in four years, >summers on jupiter<€,(september 2008), also on 430 west records.

fred everything and jt donaldson turn on the heat for some deep, funky, upbeat dance floor appeal

incl great pacou remix !! new fresh stuff from oscar mulero

special vinyl edition here. classic tracks taken from the album back in the box compiled and mixed by louie vega

this is the 3rd release on ashley beedles out hear audio imprint. mr. beedle and friends have whipped up a tasty three tracker of psychedelic disco and tech-jazz very much in his black science orchestra vein

schöner die flächen nie klingen, die glocken nie schlagen ! nobler techno mit geist und seele

wunderschöne klangstrukturen & subtil geschlagene percussions erschaffen genug intensität, um auf den floor ein knistern zu erzeugen. für uns, die britische variante von den frühen hemmann & kaden releases !! supported by richie hawtin, magda, villalobos, anja schneider, luciano, steve bug, troy pierce, craig richards and many many more

slamming updated big room electro house remake of eurhythmics classic

cool house track based on this huge guitar riff by brian eno who released this song on his 1990 released homonymus album

raving breaks for the trance crowd too

ultraphat remixes by shazz & tommy marcus, djtal…big tune

finest balearic summer house hit !!! big tune !!

cd, 16 page booklet,second album from wolfgang tillmans, artwork designed and photographed by the artist

ltd coloured vinyl

140g black vinyl, 5mm spine, 2 x printed inner sleeves

red coloured vinyl

here is our 14th issue, one of the most special. a creation born from the very heart of the rave. made by ravers for ravers, dedicated to all of us who live in the rave.

reissue

wat ik dacht toen ik lag (zea the dub remix album) rmxs by andy moore-the ex,desmond denker,phanton

narrative film music and sound design for robert wiene’s psychological thriller from 1920, composed by karl bartos. limited edition double vinyl box with dvd and booklet included.

narrative film music and sound design for robert wiene’s psychological thriller from 1920, composed by karl bartos.

repress - ive never met rod modell (deepchord) in person, but we have met through music. he found an obscure cassette of chi music (from 86), sent it to astral industries and paved the way for the release (30 years later) of the original recordings in 2016. since then, weve exchanged ideas and good music. i sent rod a preview of the kallikatsou recordings - he really liked it - and here came the idea for a remix of lanterns. i started working on some random, lo-fi samples from youtube, using audacity, perhaps the simplest way of producing loops and samples. it’s the only computer based system that feels like the tape recorders i used to work with. i sent the first sketches to rod on facebook, but they ended up in the wrong inbox. i forgot about them, but months later he came back saying he loved them. i decided to go back to working on them, maintaining the lo-fi approach. i began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic old speaker effects, delays and loops. i used a few field recordings, voices and samples from my early ambient cassettes, and they matched. ario from astral industries got involved and the experiment turned into a plan a vinyl release - red lantern at the kallkatsou.

oberhit als limited picture vinyl edition. be fast. 3 cool mixes different to the diki2101 here with the solomun´s renaissance remix