double ten inch pack edition of the debut release from love interest, a newly minted label from the juno records enclave. minneapolis based electroboogie crooner nyteowl has been handed the honour of the debut release with the prince-leaning >love of mine<, and this edition features remixes from both brassica and astro chicken founder hyboid. given the nature of their output, both are perfectly placed to tease out the nuances of a 80s referencing electronic soul track and brassica in particular excels, extracting gleeful new levels of texture out of the synth sounds with a truly twisted remix. hyboid adopts an outer galactic electro poise reminiscent of his finest output on astro chicken, and if vocals arent your thing, check the b-side of each ten inch slab for instrumental mixes.

bokhari records is a vinyl only label. bokhari has been inspired by mo wax of old, and firecracker of present where care was/is also taken on packaging and design. each release will feature a different illustrator / artist for the design. musically we will aim to stick loosely within the realms of house and techno, but often with our own slant on it, and as the first release shows, in this case will include some afro percussion and a touch of acid. bokhari 001 only 300 copies will be pressed. artwork for release 001 is by the excellent illustrator andy potts (former head of design at abbey road studios), and every single vinyl will be signed and numbered. remix comes from the ever consistent mark e, who has taken the shrunken head bassline and made a 10 minute druggy, chuggy, loopy, creepy monster (and anything else you want with a ‘y’ at the end!)

bodi bill - what remixes (apparat & thomalla) in 2011, there was no way to get around bodi bill - and it will continue in 2012. right on time for summer, the band releases two exciting remixes of their hit-single what on their own label krakatau. luminary apparat and young talent thomalla have chosen the smoothest and breeziest track of the album to rework it with verve and experimentiveness. the tracks differ considerably, and yet there are parallels between both artists: they share a vision, an affinity for progressiveness and audible enthusiasm in each track. apparat - who released his very successful album the devils walk in 2011 - breathes autumnal coolness and depth into this summery number.the result is thrilling, unexpected and spine-tingling. thomalla also rejects construction kit primetime-techno and shows his remarkable talent in two very unlike versions of what. with his overwhelming desire to experiment and discover, he created tracks to dance to, that move beyond the typical minimum radius. this record gathers pop and electronic avant-garde: the record-label and artists wanted to fathom the boundaries of rhythmics and harmony - and they clearly succeeded. here, two exceptional musicians show their vision of electronic dance music, enthralling, fascinating and exciting!

white vinyl with a white label in a white sleeve. limited edition. each copy comes with a different sticker on the sleeve. ginormous bliss was originally written and produced by +verb and released on car crash set. this is the previously unreleased coco bryce remix.

the rebirth of cool m=minimal is pleased to release a masterpiece of the early 21st century on vinyl. till the old worlds blown up and a new one is created is an outstanding work of reductionism and minimalism. martin brandlmyar ( radian / trapist / kapitalband 1 ), werner dafeldecker ( polwechsel, david sylvian, autistic daughters) and christian fennesz ( touch / mego / thrill jockey ) on this record created a new kind of cool jazz coupled with a big portion of new york school ( cage, feldman, brown und wolff). its hard to describe the music with words. this work reveals his secrets only after listening to it a couple of times. it grows with each time you listen to it. in this work, silence and noise are never used as an end in itself. as equal parameters they stand in the composition that also has space for some tonal >flower<. our recommended listening time is – round about midnight.

on >work that shit party<, a fingers inc. style rhythm buttresses a two-note riff, a crackling male voice filtering in from the ether. a pinging keyboard zips around before that two-note flicker expands and contracts, warps and wheedles. but around halfway in, a female vocal refrain of >gonna work it out< breaks fat lacerations into pinholes, blaring keyboards seeping in through the gaps and crevices. then, as with >d117<, it is the congealing of all these disparate elements: a work it out from fischerspooners lizzy yoder sashaying with the two-note riff, the keyboards bouncing off the ceiling, and flaring hi-hats fraying the surface played by pat mahoney (lcd soundsystem). each portion is given its due, only to make the ensuing combination that much more enthralling.

daniel savio is one of the originators of the skweee genre, and actually the one who first coined the term skweee to describe the process of squeezing each and every sound used in his tunes from one single synth. it goes whithout saying that myor is very proud to present this 7 inch by the master of his trade. assecs denied is about as close as youll get to a banger within this freakazoid genre: compelling drum works, catchy synth bleeps and some obscured vocal snippets. on make it personal señor savio treads a slower and more modest pace. still skweee though, just a bit more relaxed and even slightly melancholi

>parallel series 3<, comes from two well respected reference points in the international scene: bas mooy and chris finke. their sound identities compare and compliment, contrast and challenge each other, creating a wordless dialogue.

a concept taken from an old book of charles darwin,&#8232,where he theorized the existence of a brain in plant roots, in order to feature a stylistic evolution from ambient to techno. a free way of thinking without schemes, as we move into territory that we love, in the boundless fields of electronic music. vinyls are limited and numbered with stencil artwork printed on the cover made to create a unique piece of each copy.

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.

next frequenza limited vinyl release comes from the collaboration of 2 of our favorite italian house producers,alex gori and simone burrini!2 tracks for each artist per side,a couple of sweet and deep groovers from gori and one deep melodic tune plus a disco inspired bomb from burrini.support from:maceo plex,slam,luciano,oliver moldan,tonio,eric tarlouf,matt handy,andi durrant.

played and supported by chris liebing, speedy j, samuli kemppi, alan fitzpatrick, giorgio gigli, par grindvik, dvs1, jonas kopp, markus suckut, truncate, pfirter, lucy, developer and more. informa004 is by friends of the label ness (prologue, synewave) and rasmus hedlund (resopal schallware, mono records) who have collaborated to make two extraordinary tracks for us. punto kokous and verso pohjois which have a mixed italian and finnish translation of meeting point and direction north. both tracks are focused on deep atmospheric techno, with dark haunting atmospheres. everything informa records stands for. their concept for the release was simply to exchange sounds and influence with each other and in doing so they created something very special. also on the release we have a momentous remix from edit select (electric deluxe, stroboscopic artefacts) and a deep brooding remix by label boss deepbass.

this release represent in a sense the spirit of what we are. we started to think about it around 3 years ago, and is good to say that everything is gone positive. all the artists involved are connect from the same empathy and love, and things happened in the most natural way. collecting all the infos about mrs. endresen and mr. wesseltoft and looking at ninca and bruno biography, and of course with andrea and hubble always is our minds, we can affirm one more time the power of this intense feeling that keep us close to each other.

last copies left... funky smokin trax hit the wax on amsterdams finest remote area imprint. the latest on remote area two brand new debutans, makcim & managemend. makcim roots lay in the south part of the netherlands, eindhoven, where he is part of the minimal eindhoven crew, who are responsible of many crazy illegal parties in the area. two years ago makcim moved to amsterdam to become more involved with the amsterdam underground scene. makcim and managemend aka roel van otterdijk met each other. managemend has a background of true funk music. as a child he listend to the meters, jimi hendrix, weather report, all from his fathers record collection. so with the history of funk, makcim & managemend hit the studio

in his biography, arjuna schiks is described as a producer with an ability to bring the human out of the machine, unleashing our emotions. after listening to doha , we were affected in the same way. simply put, his music makes us feel good. melodic accents and danceable rhythms blend in purposeful unison, and it is with the doha ep that arjuna will join wir. he has appeared on gem records, manual music, traum, and trapez, with original eps, and has recently graced a number of labels with remixes, leaving his signature on each ep. his production output is impressive, and like most greats, his sound continues to grow and develop with each studio session. arjuna resides in amsterdam, where he has developed a distinct and solid sound, and a loyal fan base. he performs live close to every weekend all over holland. we invited arjuna to come and perform as the special guest at our treibstoff 14.5 year anniversary party for his first ever performance on german soil. his set was received with smiling faces and hands in the air, coming from the brimming dance floor of colognes gewölbe, a warm welcome to say the least. we had the pleasure of spending some time together after the event, and his character is just like his music. he is a cheerful and passionate person with a bright sense of humor and we are elated to welcome him to wir. keep your ears open, for there is more to come..

phillipe quenum, cadenza co-founder and long-time dj & producer emerges on serialism records armed with a soulful, four-track ep just in time for spring. widely known for co-producing the 2003 hit, orange mistake, as well as a myriad of other first-rate outputs, this gifted producer needs no introduction. quenums another day ep is right at home on serialism, a label that’s known for its consistent and classic dance-floor orientated releases from the likes of frank haag, sierra sam and jin choi. laden with emotive, ascending synths, abyssal atmospheres and dubby basslines, this record is the true mark of a seasoned producer. from the percussive and texturized arrangement of another day to the chicago inspired oscillating goodness of my furious thing, to the late night deep vibes of everyday people to the nu-jazz flecked digital only electric prayer, quenum knows how to evoke emotion on the dancefloor. each track is the perfect backdrop for the onset of the spring / summer season, all four cuts melodic and deep, infused with elements of chicago house, and touches of both soul and jazz. this timeless release further affirms quenum’s rightful place as one of the top producers in the game.

if you like the sound of cheap analog synthesizers from the mid 80s, drum machines and strangely pitched human voices this might be the record for you. a small warning about the quite melodic and poppy arrangement, it is not minimal, nor pure drones. sorry. estelle ep has nothing to do with the car Škoda estelle, even though some instruments used on the songs were produced during the same years. estelle ep is more or less a result of the new kranglan broadcast hardware studio environment. the plan was simple: to get rid of the machines that were not being used and to make the rest communicate with each other. this resulted in some very fine jams where realtime feelings and spontaneous ideas were converted into music. each track is its own moment in time.

o jays road manager, don king prison chauffeur, window washer, house painter, ink spot, domino, producer, engineer, label owner, guitorgan technician, and one-time steward of a coveted jet magazine delivery route, lou ragland is cleveland s eastside success story. though suffocated by lake eries nitrate rich waters and the burning oil from a cuyahoga river fire, between 1967-1977 lou ragland produced the most thoughtful, hopeful, and downright soulful work to come out of the forest city. bookended by his dynamic albums hot chocolate and understand each other, i travel alone gathers period singles, collaborations, and an unreleased live album cut in 1973, revealing a cleveland genius in a musical microcosm of fearless and confident creation.

ayoze chico & ollie mendez aka sonogama met each other at the beginning of the 90s thanks to the same interest and enthusiasm for house music. with some more material to be released soon, these two will be very soon ones to watch!

the majestys pleasure label returns after an extended break with their fourth issue of disco-centric edits and its clear the time out of the spotlight has left this mystery bunch of dusty fingered tweakers fully refreshed. whilst previous volumes have dipped toes in funk filled and philly string led waters, majestys pleasure vol 4 focuses fully on music from the post-disco /proto-house period of the 1980s and sounds very much like a beautiful swimmers dj set condensed into just 12 inches of vinyl. the concerted diggers out there will be consulting their sample notes for the source material on each of these (space palace has the most obvious hook) whilst those whove simply been enjoying output from the intermittent eros label will love both sides here

after a two-year break, detroit producer and wayward star-child jimmy edgar debuts on scubas hotflush recordings armed with an album full of futuristic sleaze. known for his unique take on jacking house and electro funk, he has recently been splitting his time between the us and berlin, exploring transcendental meditation and the boundaries of the non-physical. this offering is an extension of that journey, bringing eleven tracks of erotic robo-pop to the table. titled majenta, this lp is a departure from his past sound, marking a shift in his own ever-expanding consciousness, as well as another exciting chapter of his musical career. each track is an aural manifesto, giving well-deserved nods to his varied musical influences.

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

nice price deal !!! manchesters mindset records celebrates its tenth release, giving a debut 12 inch to rising young producer stickman to continue a strong tradition of breaking new talent to the world. with a well respected and much loved back catalogue providing a solid foundation to build upon, mindset again eschew the more conventional option of relying upon big names to sell records. debut releases on the label for xxxy, narcossist (now kowton), hatti vatti and label owner indigo himself have all propelled each artist to their respective standings today and mindset 010 looks set to do the same for stickman.

hush arbors and arbouretum have each been exploring for years now the intersection of progressive folk and psychedelic rock, albeit filtered through their own distinct sounds. it was only a matter of time before their paths would cross. keith wood and dave heumann met at a show in baltimore and discovered their mutual appreciation for each others music. the two bands planned a joint european tour, and recorded aureola to further showcase and celebrate their complimentary sounds.

shhhh006 will be released on 12 inch vinyl including cd. the vinyl is strictly limited to 190 sales units with each of the records coming with a colored banner-sticker! includes remixes by mathias schaffhäuser, bob humid (aka robert edwin), bluff and matthew adams. at least knowing vinyl is kept alive.

an air of mystery surrounds the artist responsible for steyoyoyokes third release, titled >shadows<. the anonymous artist, given the name soul button, takes the helms for the labels may release, and as signs of summer emerge in berlin, a three track ep comes to soak up the heat. an energetic and driving release equally fitting in a restless dance-floor or sun drenched terrace. soul button is a new artist from steyoyoke records, and we are excited to announce the artists first release on the label. with each track bringing new flavour to the ep, you may find it hard to pick a favourite.

with negenuntwintig 3 companions will bring wonderful detroitish heralds of spring into the ostwind house. josh, e3 and ataneus, each of them in their very own way, are spreading so much warmth and energy, that even those who are deeply in love with winter will reach for their sound.. let the spring begin!

at circus company we are proud of all the performers we have nurtured over the years, from the rapid success stories to the slow-burning talents. each one has displayed their own unique studio acrobatics and musical magic from their first appearance in our big top, but even more rewarding is the chance to watch them blossom from performance to performance. if there is one artist in our family that displays this concept the best, it is the quiet russian, oleg poliakov

march sees the formidable hypercolour deliver its most surprising output yet, an ep from none other than groove armada. tom findlay and andy cato need little introduction as groove armada. chart smashes, huge live tours and being part of the worldwide electronic music history aside, the duo have never lost touch with their acid house roots and have continued to be devoted to record buying, djing and the much maligned promo trawl. tom and andy have been avid followers of the label it seemed, since its inception. it was through label head jamie, meeting the guys back in 2010 at space in ibiza, and then continued communication via hypercolour promos, that led to an out-of-the-blue email requesting an informal hook up in east london and, within just a few days, a release was scheduled. that release is the >no knock ep<, four tracks that range from 808 fuelled old school cuts to low slung, moog-bassd electronic funk. each sound is lovingly crafted but there is an analog rawness throughout and every track has the sort of tweaked, off-kilter and occasionally awkward vibe that hypercolour do so well. it just takes a bit of imagination to guess what a ga release on hypercolour should sound but failing that, just check the release out as it wont disappoint.

after the huge success of suonhos >the ghetto< 12 inch last year, we jumped at the opportunity to work together with him again. this is the first 12 inch from an ongoing project titled >the directors cuts<. five hard to find tracks each with deep funky flavour and not originally intended for the dance floor superbly reloved, rearranged and given that extra bit of suonho magic!

the restless take a remix break! with their formatik 008, format:b presents three artists- each taking on a title of their current album to knit them in their own manner. at the head the berlin buddies pan-pot, shake the a1 with a breeze of rave-charm as usual right out of their sleeve, rocking the track liquid to its climax then glazing the peak with the smooth voice of fran. on b1 dj pp accelerates. gabriel rocha is how hes called in real life, is one of the south-american stars of the scene, delivering an energetic remix of oversexed. last but not least: the winner of the remix-contest in which format:b has listened through a house-high pile of promos is tobi kramer- a young artist of the neighborhood, who has been casted showing his talent by making out of socks and sandals one more time a club-hit.

ukrainian producer komponente leads off biatch corps return to vinyl with this 4 tracker featuring a remixes by falko brocksieper and bettosun. the laid back yet propulsive >slow song< and downtempo >shambala< each get accompanied with a remix.

vinyl part 1 of 2! we like this series sooo much.. so we are happy that we can offer you the vinyl release. we want to say thank you and see you soon. first a look back, and of course, the show must go on... a wonderful 2011 year full of delights in the groove we leave behind. on the occasion of the 5zig compilation the cooking has gone positively viral. the accompanying tour stretched a lot of muscle fibers. now we aim a sweeping blow in the form of a collection as a gift, with new music for the future. we are attempting naturally through >excess of beatrhythms, to stimulate the youth to excess<. whether this excess is manifest in the head or the legs is for each to decide for himself. carefully-crafted beat-music with electronic attachments are delivered to you.

vinyl part 2 of 2! we like this series sooo much.. so we are happy that we can offer you the vinyl release. we want to say thank you and see you soon. first a look back, and of course, the show must go on... a wonderful 2011 year full of delights in the groove we leave behind. on the occasion of the 5zig compilation the cooking has gone positively viral. the accompanying tour stretched a lot of muscle fibers. now we aim a sweeping blow in the form of a collection as a gift, with new music for the future. we are attempting naturally through >excess of beatrhythms, to stimulate the youth to excess<. whether this excess is manifest in the head or the legs is for each to decide for himself. carefully-crafted beat-music with electronic attachments are delivered to you.

whats this tune? is a question djs are asked frequently, though very rarely by each other. >amame< has been floating around a very select dj circle on limited vinyl pressing for some four months, and the question has evolved to >how can i get hold of this tune?<. amame is a murk production from oscar g and ralph falcon under the guise of intruder. any murk production is a rare thing, and a record of this quality and breadth of appeal is perhaps even rarer. effortlessly straddling the often tricky to navigate border between house and techno, it features one of the most hypnotically memorable vocals of the year courtesy of jei. already being championed by the likes of kerri chandler, dennis ferrer, seth troxler and even ricardo villalobos has ensured that all those loitering around the booths of dc10s closing party and fabrics birthday were enquiring of its story. now the story can begin to be told… for part two radio slave gets both sides of the record to render his unmistakable style and production qualities to the original parts. these versions are super heavy and intoxicating even by his standards. hand stamped white label pressing

within the context of spirals, elements from the levels take on different meaning and significance. these ancient sources of knowledge combined with scientific and genetic theory, can provide valuable tools that can help us broaden our perspective. spirals are also concerned with correct action. correct action in spiral terms is action that is uniquely suited to the individual and the situation at hand. it places an emphasis on practical tools to guide each individual to correct action for him or herself. it does not tell you what correct action is. it gives you a tool to discover that for yourself: your strategy, based upon your unique design.

the ava. family gets bigger! splitted into 2 parts, the concept -köln- combines the most versatile house acts of cologne. damiano von erckert, murat tepeli, head of yore andy vaz, funkycan, ugly drums, martin beume and harry swinger aka superswinger of rush hour. each of them combine one thing: cologne and from now on -ava.-. here we are with another piece of good fresh house & techno productions from one of the most promising labels from germany! as always plugged in handmade cover!

heavy plays by sven vath! it just getting better and better...each material various artists is a gathering of the top-notch producers from argentina to australia

its a great honour for us to be able to present conrad schnitzlers last work. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

the eagerly awaited, second installment of vakulas ukrainian-based leleka imprint. four very different tracks each with his unique, trademark afro-cosmic-slavic-dub style. very special two-tone 180 gram vinyl, hand stamped and limited to 500 copies for the world. act fast!

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties.the record kicks off with collaborative recording and title track melting process, a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners.this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio the gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders. roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties. the record kicks off with collaborative recording and title track melting process a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners. this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio he gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders.roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

a good feeling starts if the first drumsounds of >feel so good< find your way from the boxes in the space. the head own style drawers belonging open in the half dozen and argue about the most correspondent blueprint. house? in any case. disco? unfailable to hear influence. electro? also not to dismiss this. dub? the father of the whole atmosphere. cosmic? also this is a part of the authoritative ingredients in the here available circle of the sounds. and the dance floor suction strengthening cow bells are anyway a tight of a track element of all last music generations! quintessence is, here two artists have poured your wide motley collection in influence in the form of a single track, have condensed and with it have interlocked at least 40 years of dancefloor history in fresh kind with each other.

huge remix action of two previous releases on the very excellent japanese life on recordings run by tearz. here we have his two original tracks islero and miura remixed by stephane signore, s.p.t, tim baker and stereo jack all in a floor-filling club techno style but each putting their own individual stamp on the track.

funckarma goes in league with onionboy (darko esser), both delivering a track of their own, and a remix of each others. funckarmas rusty w is lush electronics and heavy dubstep at the same time, effective & abstract dancefloor artillery! onionboys remix is a 100% old school electro track, solid as a rock and reminding a bit of old rude66 and satamile tracks. onionboys kokon is an electronic beauty that keeps building up.. tick layers of nostalgic synths over firm beats... magical! funckarma turn this track inside out with their typical and complex idm beat structures that can only be done by the funcken minds. another uncatagorizable shipwrec release, limited to 300 copies, full colour artwork and a download code to redeam all audiotracks and artwork in digital format.

from the back catalogue of the label, we lovingly remastered several of our favourite tracks from our vast selection of quality authentic house music. the artists involved on this release have all made huge contributions to the genre, each of whom have enjoyed commercial success from the music they create, but still choose to make quality underground house. these dance floor bombs were first released between 1997 – 2001, please enjoy!

warm, sparse, subtle pulsating ambient/ambient house album.
what is behind >human too<? its the debut album by thomas bachner – the hidden mind running playtracks records, releasing his debut album. first audio studies recognise the order of the tracks: in the end, the ten stories, each embedded in the right place, shape the album like a well-written childrens book of sound. its the first glimpse into the depths of the playtracks head and it feels curious and thriving at the same time. catalogue number 11, it reaches the human ear from several directions: downtempo, house, clicks&cuts, ambient and a subtle bit of techno and jazz. by filling the albums grooves they make it an audititve pleasure, both at home and while clubbing. enjoy your meal!

last year’s ‘the age of compassion’ by chicago underground house don tevo howard was one of the standout tracks for buzzin’ fly in 2011with widespread dj and media support. it joined his burgeoning body of work on other acclaimed labels such as rush hour and his own beautiful granville. now tevo returns with his follow-up for buzzin’ fly. if ‘the age of compassion’ was a simple and elegant dancefloor bump wrapped in warm analogue melancholia, then the ‘monument ep’ is its nemesis - a stark future-retro reinterpretation of the origins of house music build from the bare components of machines: raw drums, sub bass, sine waves, square waves and oscillators. and yet there is still a burnished beauty to this ep. all three tracks seems to find echoes of each other in their arrangements and brittle harmony. machine music for the modern age edged with passion and feeling, and another fresh step for its producer.

now approaching its fifth year of groundbreaking releases, med school excitedly present 2012s follow-up to the critically acclaimed new blood series. bringing together a collection of artists suited to the med school sound from the as-yet unknown to the underground hero, each track brings another interesting layer to the album.
with no less than eight tracks split across two 12 inch vinyl, this is jam packed with the finest beats and basslines.
a transfusion of med school versatility, with releases reaching outside the limits of d+b and into 2-step and dubstep. blood pressure follows up new blood 011 and takes it to a whole new level!