legendary producer tadeo on legendary ben sims label

london based rico casazza has been sliding out warm, harmonically rich techno for over 10 years now, shoring up on labels such as bonzai elemental, archipel, stock5, cartulis music, variance and more. on his latest release, which lands on sterling techno imprint murge recordings, he s channeling the spirit of detroit in a plush spread of warm and expressive synth shapes. -transmutation- is strong in its original configuration, but it s also propped up by some classy remixes from big hitters. kirk degiorgio steps up first with a tense, darkside techno workout for the peak of the night. aubrey then pings things up into a trippy, heavy-rolling workout drawn from the freakier end of the spectrum.

amniote editions hatch with 3 ovums from across the sonic spectrum.

ltd 2019 repress !! folamour comes here with a crossover 12-, exploring the whole spectrum of human emotion through his personal vision of a journey. the vinyl record starts with novalaise, sweet memory of the french country where the producer s from. the track builds itself up around a slow progression of a catchy acoustic piano loop. the listen goes on with la pierre et le sabre, in which folamour spreads his love for french 90 s house vibes, paying tribute to soul and gospel, two genres that mainly influence him. b-side starts with rue d amsterdam, an undeniably hip-hop influenced track on which folamour develops keyboards, bass and vocal samples around a rough beat, taking the listener away on an inescapable urban dream. the record ends with l Île des gauchers, bewitching song inspired by folamour s literary ravings (alexandre jardin in particular). the track progression can be compared as a book reading, rocked byan ubiquitous bassline, attending its voices until the last furrow.

vol3 of cod3 qr ... be fast

2lp in gatefold sleeve. 180gr vinyl. including download for the mixtape. 21-track album!

standard cover - no label cobver , recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades. showcasing a wide selection of new and classic records ranging from as far back as 1992 (secret knowledge - sugar daddy) and 1993 (nicole - a small entrance to a large spectrum and laurent garnier - acid eiffel) digweeds latest opus effortlessly takes us through a vast array of sounds, eras and genres from what was an incredibly special night back in march of this year.

with any new medium, the full power is only unearthed with experimentation. arts reveals to the world an exceptional diamond, netsh presents himself to the world surrounding the label with an exceptional record that aims to makes you really wonder why techno & electronic music nowadays has one simple direction. the artist expresses himself freely in the sonic spectrum and floats from one side to the other like no other. this record was built to make you wonder, question, inspire, but more than anything open your mind to something you might have heard only from very few artists in the world.

once again, hi! energy records doesn’t set any limits and keep exploring the house & garage spectrum. this third release from various emerging artists based in europe and brazil is an invitation to (re)discover this so popular style in the 90’s! also spiced up with modern house sounds, the least one can say, is that those cuts will leave no one indifferent!

“the final sickness”, originally released in 1993, is another the mover masterpiece and its ten tracks transmit a crunchy thick and cold tone. edging to a rather industrial side of the techno spectrum, the pcp-spirit is carried throughout the release. every piece plunges to the bottom of darkest depths without remorse, leaving no space for the mild-mannered music lover. an eerie blend of hefty, yet intellectual 909 beats and chewy analog synths unite this collection of gems. haunting sequences, spooky effects and tough drums create an extraordinary venture for your deepest senses! if you’ve been into productions by the mover and planet core productions, you may just experience the pinnacle of his intensity with the final sickness. it can’t get more pcp than that!

the mix is a general-purpose model for scratch and back-cueing - provides great performance and durability. it has a good quality spherical stylus, a solid cantilever, and serves general purposes well. - it offers both reasonable output, high sound quality and a good tracking ability for virtually any style of music. - with transparent sound across the spectrum and excellent handling ability, the mix represents one of the longest running values in dj cartridges.

hand marked limited edition of 300 copies on multi-colour marbled vinyl. every vinyl comes in its own unique colour, touching on a spectrum of either red, yellow, blue or green. handmade and silk-screened cover.

elad (aka elad magdasi) debuts the rainbow special spot series with a diverse meditation on drum machine mania. opening the full spectrum of fundamental techno, the elad ep uses undulating colour and light to highlight techno’s capacity for pure revelry.

spooky electro

go a wide spectrum of techno and electro music..yahh

planet rhythm continues the various artists series with a versatile 4-tracker containing tracks by planet rhythm regulars and a relative newcomer to the scene. the a-side features a deep groover by yan cook as well as an atmposheric track by promising act alpi. the b-side is home to two tracks that lean more toward the harder and more repetitive part of the label’s broad spectrum.

limited edition of 500 copies on transparent & black splattered double vinyl, housed in a gatefold sleeve.
deru aka benjamin wynn is an emmy award winning american composer and music producer. deru’s last record, 1979, dealt with individual human emotions. his new project, torn in two, zooms out and deals with human existence as a whole. it finds feelings of frustration, dissociation and anger, but from a high vantage that affords perspective and allows the project to include acceptance, beauty and tranquility. torn in two is set for release on october 19th via friends of friends (anenon, shlohmo, perera elsewhere). the music lives in evolving landscapes of violence and beauty, with compositions that shape-shift, flutter, and decimate one s sense of time and place. the album is a collection of microtonal pieces where the pitches were derived from acoustic instruments, and processed woodwind and brass recordings. both represented new directions for wynn, and the results are pieces that are more dynamic and full-spectrum than his previous body of work. they explode into walls of distortion and recede into quiet acoustics.

klint is the first release on trule, a label operated by al wootton aka deadboy to release straight up dance floor club tracks from across the spectrum.

the spanish techno imprint celebrates the release of their first long lenght with this compilation featuring tracks by some of the most prominent underground techno artists among some new talents including works from: christian wünsch, datura dilema, developer, dinamite, kalter ende, stanislav tolkachev, unkle fon and vertical spectrum. the sound palette focuses on danceable numbers, but also include some broken beats and industrial touches showcasing the diversity of their catalogue.

det ar grymt i norr is a compilation of exclusive tracks by artists reflecting the contemporary swedish underground electronic music scene: alvar, celldod, dissocio modus trans, hjarnkultur, agent side grinder, kinder aus asbest, aemit and yabibo hazurfa (special scandinavian letters not included). the title of the compilation, swedish for it s grim up north describes the atmosphere perfectly - in swedish, grymt also means cool. the gloomy cover was designed by erik soderberg. subtitled swedish synthetic darkness, the music on the album is intense, hard and cold at first listen but boiling with emotions underneath the surface. expect industrial, ebm, coldwave, acid and everything on the spectrum between electro and ambient. thank you for the music.

heading from his own true rotary recordings (co-run with ena cosovic), be as one and recently showing appearance twice on bror records sub-label lilies - joel alter presents a diverse three track ep on bror records with “bror07” under his techno alias jor-el.

hailing from the rhythm plate multiverse, pressed for time is one of the many outposts carrying the work of matlock s finest house music protagonists. reaching beyond the regular roster of goshawk, yse and the full-blown plate, this latest transmission calls on deep cover uk house crew brs, also known as british rhythm services, who step up with some crucial workouts for sophisticated dancefloors. the quartet of ben vecara, rob evans, steve wilson & dom thompson have a sizable legacy behind them, not least from the early 00s when they were regularly rolling out releases for the likes of 20:20 vision, cyclo and friends & families. after a quiet patch their return is marked out by a broad spectrum of deep house delights locked onto the kind of shuffled grooves that rhythm plate heads should be more than happy with, and plenty of loose, live-sounding keys to boot.

johnny island is back on planet rhythm. this release contains three acidic techno cuts and a track that leans more towards the percussive side of the spectrum.

next up in this ongoing split-ep series are two equally talented producers from different ends of the spectrum, both sharing their unique viewpoints on that special dreamspace of self-awareness and how the way there actually sounds like! following his explosive figure-ep just this recent summer, juxta position now reveals his more sublime side on these two technoid journeys. keeping it raw and beautiful, the analogue lover lets his synths engage in dialogue, floating through murky realms and simply getting lost in the groove. a new face for figure and definitely one to watch is pablo mateo. taking a likewise subtle yet distinctly more grounded approach, his tunes unfold slowly and each tell their entirely own storyline. tomo is an extraordinary specimen of how a track grows past its confines, into something genuinely touching and can eventually open up that space inside and what lies beyond!

full spectrum double 12” from garies - eight tracks running from bittersweet beatdown-ish bits to slow-burn electro to second wave-inspired techno, injected with funk, melody and an mpc-mindset. garies = new jackson (all city, hivern) + lumigraph (mpr, opal tapes). full colour cover. mastered by thomas p heckmann. cut at schnittstelle. pressed at mpo. artwork by mel keane.

heart to hearts 12th record comes to us by way of berlin with westcoast goddess. following up his heavily favorited -springtime forever released earlier this year on sweden’s tasteful house imprint omena records. the goddess will resonate well with house heads with love for the east coast house sound. packed with punchy drum beats and full spectrum instrumentation, these tunes are designed to lift ones soul and turn any frown upside down.

numa crew and killa s army join forces on this banger that will represent the first release of the brand new label numa recordings. the first release of numa recordings is all about a mediterranean and jamaican alliance, an explosive blend of grime and reggae vibes.&#8232, killa s army is a crew from london formed by killa p, irah and long range, one of the most powerful trios in the contemporary uk grime scene, their own original style is distinguished by a -heavy- jamaican dancehall & reggae influence. the italian collective numa crew has developed their unique sound over the years, ranging from dubstep to jungle, through a limitless exploration of the different styles in the wide spectrum of genres in the uk underground scene. in the production of -we nuh tek talk- lies the essence of this musical journey. the main theme of the tune is the legendary motive of courtney melody s ‘ninja mi ninja chorus, adapted to a modern day grime beat. backing the title track is the we nuh tek riddim version by numa crew, the beat and the bassline are simple and heavy at the same time. it will be fire in the dance

late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong influence from the music of detroit and chicago. obscure australian imprint offworld records reactivates after a 21-year hiatus to issue the still tomorrow ep by producer tim jackiw as a label follow-up to the rare science of sound vol 1 touted as one of the best deep techno 12inch singles of the 1990s, reissued in 2016 on the recondite label and now highly sought after by collectors worldwide. a series of archival dat and tape recordings produced in tim’s adelaide-based home studio during the same mid-90’s period as science of sound and the recent memory feedback release on slow life berlin, this 6-track extended play 12inch covers a broad spectrum of electronic sounds including late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong infl uence from the music of detroit and chicago.

lp + download. as prodigies of the new wave of belgian jazz, mdciii effortlessly marry the virtuosity and free spirit of jazz to influences from the other end of the musical spectrum: from tribal rhythms and roots to far out electronics.

so here it is vol 6, with 6 trax, yes 6 trax, hows that for value for money. track 1 , kicks off the e.p with a monkey infused acid rolla from the he-men ,aptly named rolla, really deep acid rolling track for you head nodders out there , then track 2 comes courtesy of new family member bufo bufo, who already boasts releases on ritual poison and egd, his track is a real four/four breakbeat extravaganza, moves along lovely with breaks and bleeps, very excited about this track and a very please to have him in the tdo family. djpc returns with track 3, his track called danger man, and believe this is dangerous, proper old school sounding warehouse rave with wicked pianos and baselines .good to have him back. then flip over and boom side b, hits ya with dawl track party till the a.m , great advice and a great track from dawl, back to his proper full on rave breaks and bleeps to kick off side b the way only he can. then track 2 we welcome another new member to the tdo family, although he has mastered several e.p s and digi trax for us , this is the first track craig bratley has ever made for us, over the moon to have this man on board - craig has earned a solid reputation from a series of curiously erratic releases, releasing records across the spectrum of electronic music on labels such as futureboogie, suara, throne of blood, bird scarer, tsuba, instruments of rapture, claremont 56, leng, to rack and ruin and is it balearic and as well as his own magic feet imprint. the recent discovery of a box of old dat tapes in a house move has allowed craig to revisit some of his earlier attempts at making music in the 90 s. the re-sampling and editing one of these tracks has provided the basis for craig s contribution to tone dropout volume 6, back from the dat . from the dat really is a hats off tip to the rave generation, thank you craig proper got this right for our label. then finally track 6 , is bonus track , tones breaks part 2, a full on pow in ya face rave banger, a little feature we will be doing now on e.p s a nod to the legendary bones breaks of cours

limited to 300 copies. comes in a deluxe tip on sleeve. on her debut ep, brussels-based multi-instrumentalist esinam gives us an entrancing insight into her eclectic world of jazztronica. blending traditional and modern instruments with her soulful voice, the acoustic sounds of the instruments are allowed to evolve and take on new dimensions, opening up a kaleidoscopic spectrum of sound and colour.

jamie jones joins forces with new york’s david berrie for an electrifying two track release on hot creations. doctor zouk is the result of a friendship spanning many years, and is set to be unleashed this autumn. title track doctor zouk is a bumpy, chuggy roller with a prominent percussive break and heady tribal undertone. future society uses thumping drum pads over a growling bassline with unmistakable high hats weaved together over futuristic synths. jamie jones is one of the industry’s most in demand and recognised djs. he heads up one of ibiza’s most treasured parties, paradise at dc10, and now takes it to all corners of the globe. his revered hot creations imprint has put out more than one hundred releases as well as playing a major part in launching the careers of patrick topping, richy ahmed and detlef. spending his formative years in new york, sneaking into the city’s diverse and flamboyant nightclubs and heavily influenced by a broad spectrum of genres, it wasn’t long before david berrie took to the turntables. he released on jones’ hottrax label last year and has had a number of releases on nervous and monique sp é ciale. he commands regular slots at bpm festival as well as at the paradise nights.

13th hour records presents its second offering on wax: a three track v/a exploring the murkiest depths of the house spectrum.
tbilisi stalwart hamasuki opens up the a-side with his synth-heavy, vocal-laden track “you as ronnie,” a cosmic trance-tinged epic sure to move the spellbound late-nightfloor. following in the a2 slot is up-and- coming bristolian derijk with “the realm,” a true deep house belter nodding heavily to the piano anthems of the early 90’s – heavy hitting kicks and meltingly melodic keys abound. and last but very much not least is brooklyn local m. vaughan, taking the b-side all to himself with “jupiter ballad,” a layered masterpiece of haunting vocals, fluttering percussion and muddy basslines.

vox populi field works vol.ii is the second part of a broader project entitled ‘field works’, in which the label travels to different locations in the world in order to collect sounds, eventually creating an archive of some of the finest and humblest musical traditions. inspired by academic methods proper to ethnomusicology and ethnography, this project’s aim is to showcase the diversity of our human cultural heritage, which is threatened by accelerated globalization and homogenization of the worldwide musical spectrum.
this record is the result of a twenty-day trip to japan. led by anthropologist and label founder fred scharf and his vox populi records crew, this is the second instalment on the ‘field works’ series. this 12’’ vinyl release is a collection of field recordings, jam sessions, studio recordings, street soundscapes, religious rituals, fighting championships and wedding ceremonies, all of which were remixed and reinterpreted by japan blues, tim karbon, hiroaki oba & shizka (aka inoue shirabe), delivering tracks whose core represents a wide array of traditional japanese sounds.

over the last decade andre lodemann, a regular in the worldwide underground dancescene has released on many prolific labels incl. freerange, room with a view, dftd and innervisions. come 2018 lodemann is now releasing his album the deeper you go on his own label best works records. he started working on it in 2012, taking his time for his emotional artistic approach with a lot of attention to detail. the album successfully walks the imaginary spectrum of deep house, tech house and techno also taking dives into other waters. where his previous longplayer fragments was a compilation of past works, the deeper you go is his first artist album containing everything a listener would want to hear both in a club and at home. you can feel that the tracks where created out of the same mold. theres a mood, a common thread and a story through the works.the album is dark in a subtle way and yet has that positive vibe and aggressiveness to it. the deeper you go is mostly instrumental with two features by the british singer and songwriter huw costin, bandleader of torn sail.

alma negra are back on heist! after their much applauded 2017 release with that great soulphiction remix, theyve been rather busy taking over the scene. they started their new label alma negra records where they released 3 eps in quick succession, with new as well as older material that showcases their tropical roots and keen ear for clubby reworks. they launched their live show, doing gigs across europe with a highlight at one of londons more intimate live venues: the jazz cafe. their latest outing making their release count a total of 4 in only 8 months was on marcel vogel’s lumberjacks in hell and explored the more live / rework side of their project. now theyre back on heist with 3 new tracks, supported by an awanto 3 remix. conversation is a track we wanted to put out on heist badly, simply because it’s a beast of a track. it sits somewhere between a live african drum track, percussive techno and moody midwest electronics, with pads and strings coming in and out of play while a relentless kick drum keeps the energy on a haunting level. this track is alma negra at their filthiest, and it feels like they’ve taken a next step from last years dark and heavy luanda dub, bringing it from an intimate dreamy stage straight into the main room. this is the place shows a different side of the house spectrum with the alma’s love for dreamy deep house. the track flows up and down, with soothing rhodes chords, arpeggios and mumbling vocals setting a summery mood thats perfect for your warm up or daytime party. meanwhile, their third original track from the heart goes even deeper and navigates around a smart vocal loop topped with strings, bleeps, claps and rimshots that just keeps going.

for their third release keepsakes and jaded nineties raver’s haven imprint are welcoming young irish rising rave upstart tommy holohan to the label for his debut vinyl release - “skull crushing techniques”. making his name through his residency at the techno & cans club night at dublin’s legendary party spot hanger, holohan also showed off his production ability through his dance hit “subaru impreza” and his recent ep on civil disobedience, earning him support and tips from some of the biggest djs from across the spectrum, from mall grab to dax j.

with an arsenal of releases on labels like ndatl, ppu, black catalogue, 2mr, and harsh riddims, atlanta artist stefan ringer presents the first release on his own imprint fwm entertainment. this contribution contains a fluid spectrum of sounds . “southside-, is a soulful, sexy summer house cut. “great beat” follows up in a similar vein, jazz inspired, introspective, and upbeat. while “wanna be bad” is a freaky skating rink inspired track. “got me 123&#8243,, is a hypnotic 2 step groove, and rounding it out is “fr shawty” a slowed vocal stepper.

an introduction to zru vogue’s world. a percussive no wave, minimal and funky electro. oscillating between psychdelic rock and modern postpunk. “assembly for body movements” regroups tracks composed in 1981, 1984 and 2011. m.e.a tends to develop an interest to music that never seen light, through the most large electronica spectrum. here’s mea-0002.

bang! superfiction recordings is back with label bosses italoboyz and blind minded joining forces once again, + 2 sublime remixes by superhot mexican new kid sakro, and legendary house music french maestro dj w!ld. this record, once again, offers a wide spectrum of superfiction’s music taste, encapsulating minimal house - tech sound - deep grooves, all blended in a fresh and modern way. vinyl only.

berlin based electronic mainstay marquis hawkes has announced details of his second lp the marquis of hawkes. the album will be the producers second lp for us, following his critically acclaimed debut social housing for the label, which was released in 2016. entitled the marquis of hawkes, the new album adheres to a specific sound palette whilst still displaying eclecticism across its eight tracks. opening with the beat-less droning ambience of beton theme, the album takes in a variety of themes from across the house music spectrum, from the deep and dubby meditation of instrument of thought to the body jerking rhythms and retro bass stabs of tough love, the introspective mood of the matrix, to the soulful new jersey styled house grooves with a contemporary twist of sunset building through the optimistic joyousness of ‘hope in our hearts before closing with lidells heartfelt and passionate emotional overload on we should be free. first emerging in 2012, after being sought out by glasgow label dixon avenue basement jams, and having previously been heavily involved with the free festival sound-system culture, the london born artists iconic sound has taken shape with the influence of music from cities like chicago, detroit and new york alongside the uks underground house scene. with both depth and clarity of vision, marquis hawkes second album for houndstooth expertly hones a shining hybrid of classic slamming house and grittily soulful optimism, making for a career-defining piece of work.

the second edition in our compilation series focused on regional producers quietly flourishing between the cracks of an increasingly complex online musical landscape. a shade under 30 minutes, the release features artists from malaysia, singapore, the philippines and indonesia, covering a diverse musical spectrum traversing hazy house, tropical electronica, fringe club and classical piano through to esoteric ambient.

keeping up the pace rolling nicely into our third release of 2018 we welcome onto etg yet more italian techno precision, this time from francesco profeti and pietro franchini aka hertz collision. responsible for a myriad of very stand out tracks such as “lost” and “all going” they have been remixed by the likes of kwartz and appeared on labels such as frozen border and dynamic reflection.
it’s been a pleasure putting the release together with the guys, receiving tracks and agreeing on artwork. as with every etg this release shows the full spectrum of their talent and their own individual take on techno. as ever it’s double a side. also special mention to programma 101 who features on track aa3.

after a couple of sparking, floor-oriented releases by uk luminary henry wu and head honcho pablo valentino, mcde recordings continues its explorations of dance music spectrum with a brand new offering, right on time for the summer. . now batting is nomadic beatsmith hugo lx, who develops a new chapter in his multi-faceted discography with this 5 track opus, ranging from classic house to disco flavored jams, detouring through the ambiant and jazz fields, always with a certain eastern vibe to it. with great help from his regular contributors on bass, keys and horns, he delivers a soundscape that aims to be vibrant, powerful, yet sensual and most of all, prove to be timeless

the third realm of consciousness compilation on tale of us afterlife recordings is the label s most complete statement so far. the full spectrum of the label is on display here, as they continue to push the envelope with a high-quality and diverse selection of artists.

dj glow introduces his populist alter ego with his first release on trust since his 2007 pulsinger collab. four fiery, dense electro cuts to feed your paranoia.

a project 18 months in the making, marcel fengler presents a imf10, a three part compilation series detailing the past, present and future of his label index marcel fengler. part 3 focuses on the tougher end of the techno spectrum and features marcel fengler’s first original production in two years, a rare offering from sebastian kramer (aka redshape), a prized luke slater re-work of thomas hessler, while belgian shapeshifter peter van hoesen crafts a powerful production to add to the pot. familiar to fans of the label from his excellent imf09, avion makes a return alongside emerging columbian talent gotshell.

nternational nippiness from all corners of the globe. featuring prime time bobbers from: deep88, dawn again, rnr, mr fiel and l*j himself. illustrations from the mighty rubber hedgehogs.