second outing on the label for berlins anno stamm (nee anstam). a relentless three tracker kicking off with the acid stylings of noone else to the relentless shakings of charge it to my account and closing it out by taking it down a notch with the lush calling of sirens

tectonic label boss pinch returns to home territory with his latest tales from the darkside. hard, uncompromising beats, sculpted for twisted dancefloors. lead track ‘screamer’ sees recent collaborator and grime-legend, riko dan, pick up the mic to voice pinch’s industrial garage style rhythm, true to terror-form. complementing the darkside sonics, riko’s savage delivery threatens from the offset, with no let-up, no sign of weakness. not for the faint hearted. flip for ‘no justice’, seeing pinch on solo production duties providing a sub-heavy pounding rhythm, twisting an almost ragga style beat in dark dub territory. police sirens wail around calamitous thunder and atmospherics before the beat pounds in. second drop brings warped basslines to the forefront, pushing things further down the rabbit hole. ‘screamer’ has been played on bbc radio 1 on the benji b show, also featured on mary-anne hobbs’ 6 music show. dj support from the likes of mumdance, loefah & many more.

van bonn presents on his new ep pluto dedicated techno music with a dubby edge. every tune of the ep points and reflects a different situation of the night. the eponymous opener pluto delivers a powerful groove full of drive, massive chords and sirens to thrill the air. twisted elements spice the dubby elements that melt into a massive break. 2650 pleases with a forward driving groove and modulated chord stabs. the massive bass goes hand in hand with the overall positive vibe created by subtle shifts of the harmony to round off an evolving tune that points on the dancefloor. the two heroes brendon moeller and eric cloutier remixed van bonn s original mixes. it needs to be said that it is amazing to welcome these two artists on this ep with their fantastic reshapes. brendon moeller remixed pluto and presents a stripped down, groovy and dubby affair that fathoms the wideness and depths of the original mix. brendon moeller s remix proves again that less is sometimes more. techno dub at its best. eric cloutier s remix of 2650 rounds off the ep with a gentle and deep driving dub house vibe. it is presented in the stripped down eric cloutier sound . full of details and little changes does eric cloutier s remix tickle your eardrum that makes you long for the next neverending open air session. but don t forget to go home.

once again krill music takes command of the shuttle towards another sonic dimension, a complicated journey to the limits of sound where mesmerising melodies act like the songs of sirens, through obscure and dense jungle foliage where the sunlight is rare and the night reigns. so with seat-belts fastened, onto the latest release...

watch your step and follow up closely: jascha hagen is ahead to take us back on the railroad tracks to a different time. from beam to beam and foot by foot this soundtrack of long gone adventures paints vivid memories in modern colors. jascha knows his craft and how to combine past and present like few others. the result is a lovely luettje two-track ep with a distinct atmosphere driven by lush beats.
since every treasure needs its chest they ship on a limited 7 inch with a special laser-carved sleeve. the sirens would be pleased.

imagine bringing together two distinct but complementary musical talents, already established as composers and producers in their own right, one male with years as a performer on the festival and club circuit behind him, and one female. a rising star with a sirens voice, a maverick committed to live performance. imagine their astonishing sound: an intoxicating concoction of driving rhythms, lush synths, psychedelic effects and instantly memorable hooks drenched in a dark atmosphere of melancholy and brooding beauty.

ostgut ton turns zehn with label compilation and thirty new tracks

prägnante stimmakrobatik mit retro-charme, gewürzt durch schwergewichtige gastauftritte.

siren sind darshan jesrani (metro area, startree) und dennis kane (disques sinthomme, ghost town). sirens erste ernsten recording sessions fingen im winter 2013 an, aber die anfänge ihrer zusammenarbeit reichen weiter zurück bis zu ihren gemeinsamen residencies im berühmten new yorker hot-spot apt und anderen parties, die sie organisierten. events mit namen wie camille 3000, adult section und strobe lodge wurden liebevoll gestaltet, mit gewagt romantischen grafiken und einem prägnanten spezifischen statement, dass kultiviertheit und sünde stets zusammen gehören konnte und immer sollte. sirens erste maxi * gauntlet* ist ein unbändiger und satter song, der alles von heavy disco, über westafrikanische gitarren, soundtracks und filmmusik, bis adrian belew mit einbezieht. veröffenlicht auf compost im herbst 2014, wurde sie sowohl von top-djs, als auch von der presse gefeiert. ihre zweite single * a/way* mit mr. reed bildet nun einen stolzen und kühnen kontrast zur ersten 12 inch. ein sonniger, luftiger trip, ein triumphsong für einen ungehemmten, selbstbewussten lebensstil. geerdet durch eine markante aber eingängige bassline, die an norman whitfield erinnert, und verziert mit bläser-parts, die einen hauch von burt bacharach mitbringen, wird der song von einem zügellosen, fröhlichen gitarren-groove angetrieben, der den spirit vom aufgeweckten rock & roll der späten 60s & 70s in sich birgt. die sich erhebende, klagende stimme von mr. reed schnürt alles zu einem glorreichen, bittersüßen paket, welches direkt für das herz bestimmt ist.

throw is the 1st track here, which manages to loop a refrain and bass that candy staton anthem, all the while sounding like a forgotten moodymann mpc jam. vocals, skipping snares, a bouncing tambourine & one of the finest bassline ever written (by someone else) compell you to dance. need your love is a heads down sample house jam. it’s looping vocal, super tight drums, woozy chord stabs and sirens make it feel like the result of a studio session between a 90’s dubbed out louie vega & man-like switch (before he went feral).

emotional response open the secret circuit archives to some of eddie ruschas contemporaries from the city of angels for a fine exercise in how to do a remix 12inch. first up is suzanne kraft, aka diego herrera who forms one half of blase along with ruscha in his hands the crazy afro-stylings of afrobotics are pulled towards the dancefloor, adding percussion and sirens, forging the originals vibes in to a ethno-beat club jam that is all about that heads down moment. next up the samps turns shockers into a warped mesh of psychedelic dance, whilst superior elevations tom noble adds some killer boogie vibes to underdogs. finally sun araw man cameron stallones appears under rare alter-ego aristrocrat p. child to re-edit roll in superb fashion

following 2013s ubiquitous smash untitled and last years heavyweight erotic discourse remixes, paul woolford returns to the hotflush fold with a double-headed cerberus, orbit/ mdma. flexing signature versatility, woolford goes from heads-down to hands-in-the-air in the flip of a record: a dance floor locked in to the twisted sirens of acid rave (orbit) experiences a sudden belly rush as it collectively comes up to piano breakdowns and female chant (mdma). towering and physical, the record epitomises paul woolford’s enduring popularity.

cool new material from from kimmo rapatti - this is his second release on skudge white and it is another killer! *little elephant* was previous released on a various compilation cd on kims own dum records in 1995 so we are very honored to be able to finally release it for the first time on vinyl!

riding high on the back on the successful debut outing of dos palos in november 2014 which saw critical acclaim and support from a whole heap of righteous music aficionados. dos palos have been reworked and remixed by seahawks, neil diablo and and in-house label musical lynchpin, b.j.smith. this 12 inch package on luxurious 180 gram vinyl, and spined 3mm proper sleeves is one for the wax collectors in us all.

after releasing with chris moss acid on shipwreck in 2014, drvg cvltvre is now back with a full ep of his own on dutch label cos_mos. since 2009, vincent koreman a.k.a. drvg cvltvre has been churning out his own acid, no wave and experimental house on labels like viewlexx and permanent vacation and now kicks off the new year in style with three more inventive offerings. new earth army is a slow, heavyweight and coarse track with rattling chords, angry percussion and elastic drums that manages to be physical and tough yet groovy and playful at the same time. we have become the filth of the universe is a big, fat, heavy wedge of slow motion techno with monstrous drums and wild acid lines all spraying about wildly for the duration. it’s a warehouse sized track that will reduce the ‘floor to a writhing mess and finally possessed is a sci-fi riddled track with lots of spacey synths, filtered analogue lines and paranoid sirens all making for a turbulent brew of dark and otherworldly energy. once again here drvg cvltvre proves he has a raw sound all his own.

entirely off the safe path, nonconformity and badass sounds are merging for snork #72 to send the ultimate sos for genuine techno. snork enterprises meets remute out in left field with three tracks not only to save our souls, also to save our sound of raw, underground techno. in a distorted space of sound, eclectic morse-codes come floating while persistent base lines keep the machines running. sirens sound and tortured steel is building up a sphere of vibrating noise spreading all over the hull and sustainedly screaming for sos. soaring beats forecast the last burst of strength. a freak wave of forceful sounds is rearing up. scared minds are facing the darkness of endless depth, still longing for the last beam of moonlight. yet, the all-embracing wall of infinity is merciless closing the entire surface. in an ambience of distortion, finally everlasting silence is drawing through the dark deepness devouring every vivid glance. from the distance down below there remains one inward echo - the ultimate sos.

brownswood recordings and deep medi are proud to announce the release of swindles *walters call ep*.
with the title track *walters call*, swindle dives straight in at the deep end with sirens and footwork inspired drums, gradually building themes of energetic brass brilliance into the mix. seamlessly produced, this sets the ep off to a blazing start, introducing the influences of early 20th century chaotic jazz, which run throughout.

roberto bosco has selected in recent months kinys music, to better prepare his first 12 inch, consisting of four tracks, named *damaged memory*. the track *unknown* (a1) leads off the dance of the release on last drop records imprint. it is a proper exploration in an unknown sonic territory to most of the people, and also a difficult element to make out for those who are novice to the visionary component in the musical poetic of kiny. the track starts with rounds of recurring sirens, almost deafening, framed by dark and ghostly noises. something not easily identifiable, ambiguous and unknown, as the title itself says, is perceptible in its sound. all this helps to shape a bad presage that fades away into the mystery.

limited 2018 repress
stop…press…an extraordinary radio slave donation for running back! the man like matt edwards took care of a matter near to his and our heart: an ep dedicated to the crafty dj duke, his infamous power music label empire and those massive sounds dat ruled di sound factory nation. one side holds a modern track in an old fashioned style of lovin (quote freely adapted from courtney melody): think rs >tantakatan< straightened out. >thats all the record do? yeah, bitch, thats all the record do.< special thanks go to omar-s for clarifying these matters once and for all. already huge with big room boys Âme, natty dread josh wink and a few others. surprise, surprise! flip for a portrait of a young and restless todd terry circa 92 slipping on his bathroom rug while listening to some x-102. dirt mcgirt! those 3 people out there who still buy audio plastic might be delighted to find out that they get a special bunch of bonus tracks: super heavy efx sirens, street noise and soothing rain sounds. can you dig it?

following on from the release of innershades no stopping ep on creme organization last summer, the dutch label revisits the a side cut nina with two remixers in tow. those remixers are bristols bass pioneer kowton and the inimitable production duo of tuff city kids. unterton and delsin duo gerd janson & phillip lauer aka tuff city kids turn in a bulky, piano laced and acid riddled remix of nina that is a pure party starter. idle hands and hessle audio man kowton reworks nina into something run through with plenty of sirens, raw, crunchy drum loops and rolling percussive lines. its stormy and tumultuous and is full of frosty textures. these are two abrasive tracks designed for maximum impact on the dancefloor.

in june 2013, above & beyond performed some of their best-loved songs acoustically with a 12-piece band, across three sold out shows at londons legendary porchester hall. the response from fans was overwhelming and led to two sold-out nights at the greek theater in los angeles in october, described by billboard magazine as one of the finest and more memorable shows in dance music history.
on this special and limited press double vinyl edition, *acoustic* is available on high quality 150 gram vinyl and comes presented in beautiful full colour artwork - including gatefold packaging and printed inner sleeves.

stargazer is brandi ifgrays second solo album. it was recorded in nyc summer 1998 and was produced by jimi tenor. maurice fulton was playing on several songs. prior to the album release he remixed 3 of the album songs on puu-14.

a 4-track package traversing house and techno. first up jour de fete, a reference to the black and white 1940s french comedy – perhaps a clue to mr georget… one things for sure this is toe-tapping house. taking its time to perfectly build up the progression towards smooth outbursts of wailing sirens. 6eme etape is another fine example of get-up-and-dance house, theres plenty of driving drum kick and jazzy key chords, nicely pulled back and interrupted, to drop back in again with a renewed energy. poil de renard on the other hand immediately marks out its territory among the german minimal and micro house space. strong, syncopated beats laced with chopped up whispers and unknown reverberations, this is tough! the 103 mix softens up the edges, a subtle underlying synth providing the mellowness – essentially your morning-after dub version.

15th edition of kitsune maison, a compilation jam-packed with interesting fresh faces, irresistible choruses and inspired melodies

3rd release on nocturbulous records, 1991 rave gener8tor ep is a collaboration with minimum syndicat and a tribute to the golden age of early 90 s rave parties, hoovers, stabs, subbass, tb 303, sirens, detroit pianos and other crazy sounds are back

without your love is the long awaited debut lp from ooooo. the lp further develops - in sometimes very unexpected ways - the sounds ooooo has become known for through previous releases with tri angle records. the lp will be the first release from ooooos own label nihjgt feelings.

for the second part, frankfurts losoul (playhouse,logistic) takes the downbeat dub-techno-jazz of renatos underpool and turns it into an anthemic deep house number thats 12 minutes long and 20.000 leagues under the sea, yet full of bounce. finally, berlin-based brit ed davenport (counterchange) takes anymore and gives it an entirely different edge, a naval onslaught of crashing, jacking breakbeats, while sonar frequencies gently circle outward like the sirens call, rounding out the funkoholic remixes voyage.

daniel dexters reputation as party starter extraordinaire keeps on growing a result of his punishing touring schedule and consistently exceptional output of some of europes top electronic labels.

macchina nera an mysterious alpine character already gave a guest appearance at pam 15.5 besides the label boss anette party. now it is his turn to rev up. and you just hold his debut ep in your hand.
here the super chef mixes up what came under his nose in the last decades. house tunes, a sirens voice that even would have made good old sylvester jealous together with an ass moving groove that bring every epic-o-meter to explosion. the essence unveils the pure sou of this exceptional talent. full of love turned it all pastamusik co-workers to little creatures floating through the office on hand made hearts. macchina nera is a well known old stager in his hometown who represents the munich lifestyle and joy as (almost) no other. but – this is only the beginning. s o o n we wll be back to release a of full album of this gem-artist as well as a number of remixes suitable for all (s) ex positions. remember his name!

big tracks alert! - the third release from the vinyl only bokhari label with two new artists appearing on a hand screen printed ltd edition 10&#8243,,,,,,,. igor jadranin brings you a heavy dose of percussive, groove-laden house music, packed with tension, swirling sirens, and melodic synth stabs. the ‘for just one thing’ vocal refrain burrows it’s way into your head, before morphing into an inspired neo-soul breakdown. on the flip glitchell moore’s skadarlija is an infectious slice of warm, intergalactic deep house. a lost, echo-laden vocal glides in and out of the track, whilst hypnotic keys and a lingering bassline give proceedings a lush, trippy feel. not a million miles from the nostalgia tinged future boogie of a certain space dimension controller, perfect music for the twilight hours.

wer schon das vergnügen hatte the brew uk auf der bühne zu erleben, weiß weshalb der ruf nach einem livealbum immer lauter wurde. die atemberaubende und energiegeladene show der drei britrocker aus grimsby sorgt nicht nur bei der band selbst, sondern auch bei ihren konzertbesuchern für schweißtreibende ekstase. live treten the brew uk von anfang das gaspedal bis zum anschlag durch und halten dieses bis zur letzten sekunde gedrückt. zu dieser emotionsgeladenen dynamik gesellt sich die charismatische bühnenpräsenz der drei briten, die mit viel herzblut und authentizität dargeboten wird.
nun kommt das album >live in europe< des englischen rock-trios endlich auf den markt. das 180 gramm doppel-vinyl transportiert die unbändige live-energie eines the brew uk konzertes in die heimischen vier wände.

diva is a project which explores the outer regions of technos psyche - combining the trippy sensuality of chris & cosey with the brutalist analogue aesthetic of the likes of robert hood or liasons dangereuses. inspired by the vocal histrionics of strobe lit sirens such as loleatta holloway and jocelyn brown, diva calls on the protean roots of basement club music. lead track >paris stabbing< is a stunning excursion into motor city madness, abstracted disco vocals clash with a broken digi-arpeggio and hooverish bass break down, whilst the flip side >but i ve never< imposes a detuned synth siren over an industrial bass sequence and sp1200 piano stabs to eerie effect. also included is the >paris stabbing (beats)< which pares down the original, adding detuned melodic percussion into a minimalist after hours tool.

away from the hypnotic mayhem of the floating roofscapes, we see fractured images cycling faster. just as clouds follow the wind, airy soundscapes track the low-end groundwork with grainy artifacts bursting in amongst the thick. lost in this surrounding ambience, the b side carves its way with a resonant materiality where shattering hi-hats pull you out of a hypnotic semi-dormant state. (b2) enters a sound voyage, an intimate balance between gloomy atmospheres, dark sirens and repeated upcoming unidentified melodies, that play against the ceaseless motion of the hi-hat motive.

the wealth of artists involved for bedrock 14 is truly amazing. this 2012 label compilation captures the essence of why electronic dance music is such an exciting prospect right now by showcasing amazing underground talent, both established and new.
i m really happy with the 21 tracks i have selected for this latest bedrock compilation. with a mixture of bedrock favourites and fresh new producers this album shows that bedrock is always committed to finding the best electronic music out there. - john digweed

nice price deal !!! prime numbers welcomes newcomer nick sinna for release number 13 on the imprint. hailing from manchester and long time friend of label boss trusme, nick has been best known for his deep, melodic dj sets. showcasing his hypnotic style, as well as a broad spectrum of influences, this 4 track ep is a heavy hitter from start to finish. jumping into it with a nod to the past, >voyager< will have you traversing down a boundless wormhole with its acidy groove. big room sirens and lumbering snaps drive through the eps b side on >kick the habit<. on record two, nick shows us his softer side with blissed out 9 am anthem >momentary<, while >real time< completes the ep on a dark and entrancing note.

what a big remix package with interpretations from cascandy, mollono.bass, skeet and rene bourgeois... nothing more to say!

shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

the german band the audience was founded in 2003 in nürnberg and released their first album >celluloid< on the cult independent-label hazelwood in 2007. soon after the five-piece was signed by one of the biggest german booking agencies fkp-scorpio, which sent them on tour throughout europe where they proofed to be one of germanys most incredible and exciting live acts. their current album >hearts< was recorded in a big music hall over the period of one year. the aim was to catch both energy and emotions of an authentic live-on-stage situation. the recordings document the audiences most intense, dynamic and sophisticated moments, without losing their very own feeling for catchy melodies.

the two monkey guys are very happy to present their first longplayer. after a successful year 2011 and a massive output they want to show the world whats also going on in their mind. happy body music is not only for the dancefloor. of course youll find some techy, housy floorkillers on the lp but also tracks from the deeper techno side and a little sorted stuff from the monkey roots... hip hop and big beat! so please come in, lean back, take a coffee and have a listen to the colourful monkeyworld

luciano s cadenza imprint welcome fresh blood into their reputable fold of producers for the stunning debut cadenza ep from davide benedetti. italian davide, better known as davidino, has been making unforgettable impressions over recent years with his spell binding and peak time music, cadenza now proudly introduce davide benedetti and the >through the years< ep. kick starting with hearty kicks and menacing sirens, >can t do this< reeks of euphoria from the offset as tenaciously strung hats slam, cymbal crashes shimmer and tempos accelerates beyond bounds. flooding the dance floor with sheer force, davide plays with the core structure of classic house and techno music in >can t do this< as he builds and breaks for the ultimate fist punching opener. on the flipside, >through the years< presents >moody elise< with a dark and sultry bass line bellowing through the lower end firmly into our memories. chopping the track s structure with immaculate precision, moments of sophisticated brass break as spitting drums bind the groove once more. as always, davide injects his contagious energy into the ep with stomping, modern house music on >moody elise< as it begs for late night tales and debaucherous behaviour.

soniculture, the lisbon-based label, proudly presents billy dalessandros 5th album entitled cracktime. this project forges a new generation of production style and sound design for billy as he cocks the shotgun of his latest experiment in electronic debauchery. cracktime sonically defines those innocent and naughty moments that each of us exhibit, in our own way, that helps to fulfill our lives with all those insane memories we carry with us back to the grave. thirteen tracks round out this ring match in a dub-infused, 303- injected, chicago-style bassd-out fight that lasts just about an hour. so sit back (or jack back) to the show, and remember...that if religion is the opium of the masses, music definitely gives us our daily crack.

kris wadsworth is an integral part of detroits new wave, and with its time he wears his citys heart on his sleeve, delving into the electronic music legacy of his home town and showcasing the range of his own talent. the epic 10-minute title track >its time< is secret journey through the citys pulsing underground. it begins with a primal techno kick that rings out from afar, distorted by distance and brimming with a sense of anticipation. a gravelly male voice demands to know what time it is, declaring that >its time for that dirty shit, that dope shit, that detroit shit<, and the beat then kicks in, gritty and purposeful. the track then does a surprising about-face, abandoning the fist-pumping techno for just high hats and vocals, and transforming into a new phase that nods to detroits other great legacy: electro. grimy electro breaks and wiry melodies are spun before evolving again into deep house, with a see-saw duet of pads, and double-time hand claps. kris own >move dat ass remix< of his track >det sound< takes the dubby 2010 original, and reworks it as a ferocious bass and drums workout with dizzy vocal arrangements and blasting sirens.

rising up to take his place as king of the underground, dj w!ld, one of the key residents at circo loco, delivers a killer ep for adult only thats bursting with raw layers of funk and pure jacking beats and perfectly captures the infectious sound he is renowned for. title track >lost on 14th< evolves from the raw bass beat through chugging percussive grooves and the clipped funk guitar riff. enter the provocative rhetoric of kris b, with old school house organ, and the ghetto, freaky vibe is complete. jamie jones brings his hot future funk to the b-side remix of >lost on 14th< by wrapping the manipulated >nasty girl< vocal around the central moody bassline whilst lending his signature oscillating synths and upping the sex appeal. launching into a wail of sirens, its clear that >born to be black< is about to get rowdy. a true club weapon, its all-encompassing bass and kick drum and firey female voice is enough to wreak havoc on any dancefloor

>how come< is the second single to come from the acclaimed third album >king of the waves< from little barrie, delivered as a limited edition heavy weight 7 inch single. with a video shot in paris and featuring mareva galanter, full service to radio and live dates across europe >how come< is building on the initial success of >surf hell< - theme tune to the new channel 4 series >sirens< – to make little barrie one of the hottest acts around at the moment.

supported by tornado wallace (delusions of grandeur), pete herbert (reverso 68/dance disorder)... when jay shepheard launched retrofit in early 2010, deep house with a splash of disco was on the menu. six releases later and the quality of music hasnt faltered once. jays own work has always been the main focus on all five releases but for retrofit 6, rudys midnight machine, (who is in fact robin lee of faze action) takes to the stage alongside an appearance from shepheard (as ee_ef_ex) on remixing duties. >ecstatic love glow< kicks off the ep, diving head first into the disco and synth heavy realm that we expect from retrofit (and, for that matter, from mr lee), whose house outputs with faze action as far back as 97 speak for themselves. the intro of tip tapping hats and congas leads into a penetrating bass guitar, a riff that goes on to be cleverly mirrored by keyboards and later, by what sounds like a scratchy lakland guitar. wooden hats, sirens and a plethora of cosmic elements boogie their way around until the tracks dominant synth parades in and takes over the arrangement, striking a dramatic and smug pose at the close of each stab. the second track of >east side good living< sticks with its predecessors groove, cosmic sirens, electronic whistles and metallic drum taps yet again highlighting rudys modern disco sound

holy grail alert!! possibly the most sought after cosmic disco lp in the galaxy!!! black hole was a brazil only release with four superlong tracks, themed around heroes and movies. the 4 super killer tracks are bursting with dope space sirens, arpeggio synths and spaced out sound effects. all thrillers, no fillers, here is a chance to get the epic i feel love styled me and my superfriends track so sought after by collectors. ultra limited press, sleep and weep!!!

highly talented demarkus lewis (bluem, lowdown, moods n grooves) with a 4 tracker perfectly balanced between chicago and westcoast house - very musical with strong pounding b-lines, nice synth melodies and atmospheres but always with the certain oomph the dancefloor is craving for.

we again two flying something objects are located in the orbit, waiting for permission to land on your turntables and in the lay-by of your recordbag. this time with 13 pieces of stl deep shakin house madness, mindscratching lo-fi grooves, cranky energized synth activities, dope loops and sound effects. all pressed on a delicious double vinyl album with a limited printing of 500 covers! the music is all hardware based and sequenced. recorded in live sessions without any computer arrangements. surely the style is not for everyone and compared to others, probably seems a bit unconform, cat-headed or sometimes just different. but it s always true spiritual. an open minded artform with the sense for functionality. every track is talking to you in musical form without any barriers straight down to your feet and feeling. as in all something releases there is much sound personality and imagination inside, giving the listener a ticket to the fascinating world of beat orientated something music. get on board and enjoy the trip.

soul jazz records new compilation of the uk funky scene.
>riddim box< explores the most unique, left-field and innovative uk funky releases of the recent past with loads of killer tracks and exclusives! uk funky inhabits the space between dubstep and house mixing together elements of grime, dancehall and rnb with the percussive rhythms of nigerian afrobeat and caribbean soca to produce one of the uk’s most interesting recent musical developments.