Roberto Bosco has selected in recent months Kinys music, to better prepare his first 12 inch, consisting of four tracks, named *Damaged Memory*. The track *Unknown* (A1) leads off the dance of the release on Last Drop Records imprint. It is a proper exploration in an unknown sonic territory to most of the people, and also a difficult element to make out for those who are novice to the visionary component in the musical poetic of Kiny. The track starts with rounds of recurring sirens, almost deafening, framed by dark and ghostly noises. Something not easily identifiable, ambiguous and unknown, as the title itself says, is perceptible in its sound. All this helps to shape a bad presage that fades away into the mystery.
On the same side we find Pain Is Full (A2) that, according to the producer, was born in a moment of pain which can be overcome only by fighting. In fact, the track is characterized by a more combative and insistent tone, made up by the sound of snare and tom entering since the start and determining an atmosphere of contrast able to shake the listener until the end. Shouts of encouragement suggest an initiation rite in which there is struggle for survival.
The titletrack, Damaged Memory (B1) has more quiet register with less ghostly vocals, perceived at times, unlike the previous tracks. The sounds have a vanished effect, such as when you create a halo on a white sheet with the dust of a pencil just sharpened. You will hear a sort of democracy among the sounds held together by the voice, a metaphor of a damaged memory, as the title itself recite, that always makes the same process till the end: it commences by recalling but then forgets.
Last, is the version of the producer Iori, Damaged Memory (B2), on the same side. The Japanese remixer begins with a 4/4 architecture and well-articulated sounds, perfect for warming up the dancefloor, a jolly track which contributes to the experimental tone, but invariably mystical of the entire release.
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