two sides from our favorite early 80s lover lew kirton. its the first time the sexy soul mans two track have been 45! both solid tried and tested lp tracks, but who wants to spin lps. 15 years of doing a club every week and you end up with some secret weapons, *something special* was always a big tempo change record. everyone is tired from dancing for two hours to fast disco, modern and deepfunk and without warning you just drop this badboy in take it down a notch and let the dry riding commence, solid. on the flip is lews straight up jack of gloria gaynors *i will survive*, pure shameless anthemic dancefloor disco smasher that i have championed for years, that catchy guitar line over lews big voice never tires.

memories from the past get back to us. similar situations that come to mind, reminding rhythms that have already been marked, energetic and engaging. without a stop, establishing a strong connection to the source. we follow the path. music as nexus.

lerosa takes his unique approach on house even further. private view is exactly what its title promises: an exclusive visite into a enigmatic and fascinating world of groove and sound. its full of puzzling places and mysterious events. delicate arrangements and artful sound combinations amount to a unique record without turning to caprice or flourish. simplicity that makes sense.

ltd warehouse found !
supported by: easy changes, mikael stavöstrand, troy pierce, someone else, benjamin fehr, kane roth, matthias tanzmann, marco carola, cesare vs. disorder, michal ho, alland byallo, anthony collins time to clean the dust of your record players kids, there is a shiny new vinyl coming to town by non other than cabanne, without doubt one of the most skilled house and techno artists of our time

after being returned from his abduction by aliens from the hidden planet nibiru, dj overdose was given an alien synthesizer the haex-hrll as a thank you for all the cerebral research the aliens did on him. on returning back to earth all dj overdose had to do was finish the 6 tracks the aliens had started to work on, which became this ep. straight forward techno hop electro funk without any fancy-pants pretentious hooha. its like a black and white movie which makes you think why the hell is there colors anyway?! after completion, the only record label he could imagine being fit for such rawness would be viewlexx... and so here it is.

the fat white family need no introduction and ez-ra & lamik are one half of decius… decius is a collaboration between acid house superstars paranoid london, ez-ra & lamik and lias saoudi the vocalist from the fat white family. their first release 3 months ago *come to me villa / gay futures* was described by ivan smagghe as *the best record of 2014* and is currently still at number 4 in the clone top 10. keeping it in the family, ez-ra & lamik have reworked two of their favourite fat white family tracks, it just seemed rude not to.

kolde is a side project from a wellknown artist who wants to push anonymous, a new techno experience without limit, this release is a proposal of 3 underground techno weapons...

the fruit of b4ck6roundno1se has ripened despite the fact the the tree is in a demotivating country without sunshine in a fucking closed garden. the tree has been sprayed by a lot of jealous and hostile arseholes but its roots are strong. let this record and the whole self-made label motivation to all those, as well, always searching for excuses.

without using too many words, our aim is to continue to create the impossible. here we have the stable debut of roman poncet on arts. cardiopathy alert: robert hood and psyk on the b side!

prepare to have your brain fried! enjoy the jolt of electroshock therapy without having to step foot in a psych ward!

known as pantaleon perez prado, was the younger brother of the famous king of mambo. pantaleon, who came to europe in the 1950s, recorded several albums with unifunk. a powerful big funk band sound featuring: tullio de piscopo, mario rusca, giancarlo barigozzi, pino prestipino and others. escandalo!, as perez prado states in the brief sleeve note, is named after a new rhythm created by himself. *a rhythm you can dance to in freedom, without specific steps*. in spite of this naive launching, the opening track chicago banana is a declaration of intent, with its sly stone-esque groove. 9 out of 12 tracks are originals credited to composers of the unifunk circle, but the track list is careful to preserve prados well-established latin appeal, by including three standards such as brazil, el manisero and tequila.
the deluxe vinyl edition comes in gatefold sleeve with a cd-copy of the album included.

the label from the infamous spanish new rhythmic store has build a solid reputation and prooves it status. fresh techno for those who like their techno deep yet slamming!

a striking smooth balancing act to disclose the pure soul of techno- without to be straight techno. actually its unnecessary to define a specific genre as daniel runs decent dissolution of borders. the new daniel bortz – straight, nude, rough and heartbreaking. the bella avgvsta ep is also a homage to his hometown. reflection of his experiences and impressions which he relates with augsburg and a present to all of you libertines who love music in its purest form.

one of marc romboys biggest tracks of all times is without any doubt iceland from 2008, a homage he is paying to one of the countries hes totally in love with.

die skandinavische elektro band röyksopp veröffentlicht am 14.11.2014 ihr fünftes und letztes album *the inevitable end*. *the inevitable end* ist röyksopps bislang persönlichstes album und bereits die zweite veröffentlichung innerhalb von 6 monaten. im mai erschien bereits das von kritikern gefeierte minialbum *do it again* mit der schwedischen sängerin robyn. auf *the inevitable end* sind als gastkünstler jamie irrepressible, ryan james (man without country), die norwegische sängerin susanne sundfør und die schwedin robyn zu hören. das 180 gramm doppel-vinyl erscheint im klappcover, downloadcode für das gesamte album plus 5 bonus-tracks inklusive.

nachdem die nachfrage an den - bisher nur digital veröffentlichten - shaken-up versions so groß war, erscheinen die acht neu aufgearbeiteten the knife-klassiker nun auch als cd und lp am via rabid records. shaken-up versions präsentiert bekannte the knife songs in einem neuen klanglichen gewand. neben without you my life would be boring wurden u.a. auch pass this on oder silent shout neu bearbeitet. außerdem kündigte das legendäre geschwisterpaar ihre allerletzte tour an! auf dieser tour werden die tänzer nicht mehr nur tänzer sein, sie werden singen und instrumente spielen, die bühne wird drei ebenen haben und shannon funchess (light asylum) wird sie auf der ganzen tour begleiten. in diesem sinne: join us in our dance for some last shaking moves!
1 rotes + 1 blaues 180 gramm vinyl im klappcover, inklusive cd und booklet.

ltd 2014 repress, after one year without any release, we are backe with funky music again. dancefoor killers, vinyl only!

las finest peaking lights give bart davenport a dubby synth makeover with a california sunset flavour. after releasing his physical world album on vinyl and cd with us earlier this year, on cassette with the über everything burger records, and subsequently premiering it on pitchfork, bart davenport officially became the king of cool. surely you can t get much hipper than that? the thing is, you can. because lo and behold, we have a remix of el bartos *girl gotta way* by none other than peaking lights. on 10 inch vinyl. with a stick-on beard tucked in the sleeve. okay, no beard. but the other stuff is true. without losing any of the melancholy of the original, our la friends come up with a balearic-via-west coast affair, replacing some of the nostalgic sounding guitars with equally longing keyboards and gorgeous synth lines, invoking the sounds of ryuichi sakamotos *beauty*. score!

our mission is to move people and our satisfaction comes from enjoying ourselves through music. without music we would not be here is the mission statement of brand new barcelona-based record label yakazi records. through the label, they intend to draw from the expressive universe that flows through various melodic and rhythmic scenarios, in which good taste prevails over fads and trends.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

limited nice price action
check your system for the first release. still have request on it? normal, the first one has been licensed and played by pete tong, laidback luke, joachim garraud, steve angello, and many more. this one will have the same destiny. mixed by cutee b. grab your copy.

vinyl only release !! long live 90s house! the new 10 inch supersingle 160 by o*rs takes us back on a journey through time without suffering a loss of modern or contemporary sound. with *body talk* the berlin based female producer perel creates a future house classic featuring no less than abba lang. lang, who lives in berlin but originally comes from uganda, not only add his voice to the original track but creates a delicate hip hop rhythm while reciting – and harmonizes perfectly with perels vocals and the sound of the track. *this love*, the second track featured on the limited supersingle is a house tune which has it all: love of detail, funky grooves and extravaganza. o*rs 10inch 160 – one record, two tracks and a perfect fusion of house and hip hop.

jeroens commemorating his roots by re-releasing a selection of search records from days gone by. each has been remastered in such a way that it retains its authentic and timeless energy. pressed onto fresh vinyl, this limited series contains some of the finest search tracks ever to be put out, handpicked by jeroen himself. in light of that it might be easily forgotten that jeroen search has been creating techno since the early nineties. and that he ran one of the most influential labels around back then: >search<. between 1996 and 2001 it was home to a host of releases, many from jeroen himself. released on vinyl and without any reprints, they ve since hidden in the record collections of a select few.

black 140g double vinyl pressing with full colour sleeve. limited edition of 300. includes download code.
all nervous energy, ill-defined brilliance, detached emotion, and subdued minimalism, man is deaf is the debut album from london based electronic musician brassica. sophisticated and distinctive it distills michael anthony wrights storied musical past, capturing new wave, psych, synth music, avant garde electronics, house, and italo disco, without sounding consigned to any part of it.

kolde is a new side project from a wellknown artist who wants to try, anonymous, a new techno experience without limit, this release is a proposal of 3 underground techno weapons. supported by:marcel dettmann, chris liebing, rodhad, truncate, joseph capriat

the structure and the essence of this release, focuses on a current argument in which more and more people in this society are found to be the early protagonists, often without even realizing it. the artist wants to tell and convey through his work, a point of view towards this theme. as can be deduced from the title of the ep, the project is to express and represent a war of colors, which fight the monotony of everyday, always flat and dark.

this is potion number one. murat tepeli is known for a style of house music that is rooted in the formative years of house, without any nostalgia but absorbent of the here and now. on this ep, he showcases his love for bass and what he considers fun on the dancefloor.

my mind made of darkness, has known continuously interrupted flash taken back by the stronger, following ones. ii&#769,,,,,ve felt my limbs moving without having control. the other side of me, the most unknown to me, the most instinctive one, took place. dissimilar sounds have battered my most secret dreams, without giving them peace anymore. never existed soulsi&#769,,,,,s foot steps have obscured my silence, giving me only restlessness. eyes open again, suddenly, silence. -utopian soul-

the past two years without a jozif release have felt like an eternity at culprit headquarters. imagine the collective relief and delight, when one of the labels core artists had a veritable musical outpouring, delivering five delicious originals. too rich with originality and some of jozifs best ideas to be contained within one collection, waikiki will be released in two parts, accompanied by exciting reworks coming from some of the labels favorite artists

first release on sun cat recordings / ancient sound from outer space is by italian obscure electronic producer named healing force project, that means freedom of the soul. inspired by space jazz and experimental techno, antonio marini reconnects distant horizons until the sky falls away, sonorizing the last ancient astronaut landing on earth in five hypnotic tracks. mastered by andrea merlini and illustrated by fernanda veron, *last journey to heliopolis ep* pictures early dawns and aching nights, combining different analog and digital elements. a cosmic trip without return only makes sense if has no stops or boundaries.

unified by dubs loose sense of space and deep sub-frequencies, chllngrs unique amalgam of soul, pop, stripped-down beats, and decaying atmospheres has earned the copenhagen-based artist, steven jess borth ii, adulation from press and peers alike.

our man kardinal from france does it again and supplies us with no less than three new fat techno tracks for the peak time freak out! with his own style he has without a doubt a fine hand for great and exciting techno tunes! we love and release on vinyl!

there are few names in dance music today which need less of an introduction than masters at work. the ground-breaking project of louie vega and kenny dope, masters at work forged a reputation for genre eschewing dj sets and flawless house production throughout their extraordinary careers, while their influence and reach changed house forever.

for more than ten years soul jazz records have been exploring and documenting the sound of new orleans funk. now we turn their attention to the flipside of this musical coin - new orleans soul. these two musical forms share a lineage that begins with the citys enormous rhythm and blues explosion in the post-war 1940s and 1950s. new orleans soul incorporated the soulful vocals of the gospel church, the driving beat of rhythm and blues, as well as traces of the second-line parade bands and the latinized rhythms of the city. this album tells the story of new orleans soul and comes complete with extensive sleevenotes, exclusive photography, supreme sound quality and comes as super-heavy, super-loud limited-edition double vinyl album + download code.

indeed, everything is permissible if god does not exist, and man is consequently abandoned, for he cannot find anything to rely on - neither within nor without. first, he finds there are no excuses. for if it is true that existence precedes essence, we can never explain our actions by reference to a given and immutable human nature. in other words, there is no determinism - man is free, man is freedom. if, however, god does not exist, we will encounter no values or orders that can legitimize our conduct. thus, we have neither behind us, nor before us, in the luminous realm of values, any means of justification or excuse. we are left alone and without excuse. that is what i mean when i say that man is condemned to be free: condemned, because he did not create himself, yet nonetheless free, because once cast in to the world, he is responsible for everything he does.

solo works from the front man of legendary soul/funk outfit slave. includes rare and unreleased funky jams from the emotionally funky man who changed the sound of the genre forever.

some believe music developed as a way to bring early humans together into a close-knit community, and this collection of songs is a perfect example of that theory at work. beautiful vocals from lindsey flowers, an oklahoman ospovat met tokyo. killer sax blown in portland, oregon by noah bernstein, an exceptionally talented friend of ospovat s brother. a driving remix by pablo bolivar in barcelona, without whose generous advice this project would still be a work in progress. a mesmerizing remix by canadian label partner, fellow deadhead, and sound manipulator extraordinaire craig oldring (c_olvrin). and the words of david moufang, who speaks with conviction in *movin to the d* – *…music has a lot to do with communication … working with other people is really essential.* we couldnt agree more.

a medley deeply immersed in sterling, late night, unconscious harmony.

redinhos always been different. debuting on numbers in 2010, his bare blips ep showcased an artist with no desire to fit into the landscape of the time

kazak sees swaab return to wrong state, presenting one of his most direct and intense workouts to date, following recent releases on voltaire music, push-push, jesus was black and recovery tech. grunting bass drives along one of his typically stomping grooves, metallic atonal synths giving the track an icy cool. subtle dashes of infectious percussion increase the tracks energy, with a big atmospheric break allowing some hypnotic fx to take centre stage. it is a heady, dark ride that carries a lot of weight without ever overbearing.

walking through the sky, five years ago christian naujoks, peter m. kersten and richard von der schulenburg started a series of spontaneous recording sessions without any intention or idea. the only thing what held the group together were the immediate results hitting the three musicians straight inside their hearts. jazz as a metaphor of instrumental conversation, improvisation in the most dillettant way, science as a matter of exploring the opposite sound of what instruments were built to, these might be parts of a concept where there was none.

while industrial and ebm seem to be words buzzing around the media today, not too many artists associated with these words seem to be truly delivering. tzusing, who resides in shanghai has been a student of the game through the years, and has strived to execute his take on these sounds and does so with shining results. this four track ep is a testament to him transforming the metal beat into a sound of his own and running wild without limits. dont miss this!

morphine continue to take us there, this time iranian producer, sote, with a full album. studies in techno patterns and aesthetics from a maximalist musical perspective without employing orthodox beats.

half speed mastered 180 gram vinyl + free album download code.
caribou aka dan snaith aka daphni forms a mixture of digital pop production, hip hop inspired beats, muted house basslines and a love of shuffling garage.

side a: palace of change. written in 2011 this one is from the vaults, it came at a time when i wanted change in my music to break away from being diamond eye and move to a more upbeat and uplifting sound, while retaining my signature spiritual and thoughtful approach to music. side b: auf deutsch. an out there rhythm structure that encompasses the half time approach to techno, a contrast to the a side, this has a more lean back and shoulder movement groove, suitable for either side, but can t have light without shadow.

the cryovac machine is repaired and ready for service again. its components are tightened and aligned on course for another round of sonic manipulation. the path is always defined by the times that are endured and the moments of clarity that move production forward. cryovac is a machine that preserves a time and space into physical form. the objective is to move as one and speak in vibration of an existence that continually changes. the people of cryovac are a like-minded band of artists with strong integrity and vision for the soul of techno. their character is imprinted on the sound they make and each viewpoint is a unique direction. corbin davis inhabits a lonesome steady grind that moves without reason or reluctance shaping an environment. keith kemp is a seasoned operator versed in the sultry funk of a sophisticated pimp mind-set. annie hall has traveled the world gathering the correct frequencies to design deep and serious minimalism. a. garcia is dirty and simple, ready to turn the atmosphere to child-like warmth. these artists are the components that form a machine and also a team, focused on producing a brand that stands the test of time.

die doppel-lp erscheint als limitierte 180g pressung mit 19 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, inkl. 30x30cm kunstdruck, im gatefold mit antistatischen innentaschen.

mr assister - more commonly known as the drummer that james blake sings for - unleashes his debut double b-side release on 1-800-dinosaur, the london based label and club-night of which he is a founding member. the seismic lead track bala has received rapturous feedback from the likes of jamie xx, jd twitch, martyn, gilles peterson & pearson sound etc and was made on a laptop in mr as kitchen without much knowledge of the software he was using at the time. prior to bala he came up with the deeper, headier house workout reggae drums on the tour bus, using samples of drums from reggae songs.