this time an unique colab ep on flatlife. supersonic bass is a fresh happy feeling acid techno track which is created by sterling moss & jack wax in london, uk. the wipeouts (chris liberator, aaron liberator & sterling moss) forces of anarchy is already a huge classic in the acid techno scene! with the beautiful special artwork from damnrijt this ep is not-to-miss !! get this one - before its sold out!

the loose control band are dj spun and jonah sharp. if you know, you know. if you dont - google that shit! first in a string of killer releases on golf channel, singlehandedly spearheading the breakbeat revival while simultaneously tunnelling deep into the underground for a sublime a side house cut golf channel every time!

remastered re-issue of the 4th album by s.o.s. band, originally released in 1983. pressing on coloured 180 gram vinyl, download code included.

gold fingers is on roll! not long ago deejaykul brought the deep and jazzy house element to gold fingers. now it is time for hade to continue on the house route but take things even deeper. its not right needs very little introducing, you will be signing the lyrics straight away, it is a classic sounding as fresh and relevant in this hade version. on the flip, mobb deep ultra is all bouncing basslines and 4/4 house in perfect harmony.
attention - bad quality / distorted sounds (especially a1) - check soundfiles!

flying lotus fünftes album ist ein trip, das aehnlich wie das kernthema, der tod, von einer daseinsform zur naechsten springt, sich von einer klangdimension zur naechsten entwickelt. auf youre dead! verschmelzen klangwelten, visuelle welten, metaphysische welten, die virtuos miteinander verwoben einen vollkommen neuen stoff, ein transzendentes, bewusstseinserweiterndes plasma ergeben, das so nur in der Übergangszone oder zwischenwelt existieren kann. musikalisch orientierte sich flying lotus an den großen fusion-jazz-kollektiven der 1960er/1970er und an psychedelic-rock-lps. die anziehungskraft seiner klanglichen traumwelt ist in den letzten jahren so stark geworden, dass inzwischen auch schwergewichte aus anderen sphaeren wie kendrick lamar, snoop dogg oder jazzlegende herbie hancock davon angezogen werden. ein faszinierender, tief berührender trip.

in the late 60s early 70s many american soldiers where stationed all over germany. among those where musicians who played in several army bands like the east of underground who recorded a now sought after album after they had won the special services entertainment showband contest held in frankfurt in 1971. nobody knows which other bands participated in this contest, maybe also the soul explosion which were stationed in augsburg, upper bavaria. around the same time, a man named charles held opened a club in augsburg town called tarantel. furthermore he was running a record label of the same name on which he released a handful of 7inch singles from different, local bands, mainly not funky at all though. the soul explosions release remains the only one in the field of american soul & funk music. the band recorded a fantabulous double sider, one deep funk side with a soulful ballad on the flip which makes both hardcore funk and soul collectors happy. unfortunately there is no more information available about the band, only that they even performed live at the tarantel club.

serge gainsbourg may primarily have been known outside his native land for the heavy breathing masterpiece *je t aime (moi non plus)*, the only french song ever to top the british charts, but to those at home he stood as one of the more potent cultural figures of post-war france. discover why he is held in such high regard with this 180g double-vinyl set.

skylax welcomes f.t.g., known to house music scholars as freddy the groove, and his many friends for our next release in 2014. last year, f.t.g. and his italian partner in crime, marco riff (who also appears on this very record), pressed a very limited run of a single-sided, special throwback tribute to late 80s chicago house music. the track was aptly named ‘tribute ’89’, and it put a more dancefloor oriented twist on a track by a certain originator with the initials r.h. needless to say, it became highly sought-after incredibly quickly and fuel was further added to the fire by the repeated club play by none other than the dj idol ricardo villalobos. luckily for our followers, that original mix appears on this ep with another unreleased mix of the track and 2 originals featuring belfie and alex tea alongside f.t.g.with enough said about ‘tribute ‘89’ itself, the unreleased mix maintains the warehouse vibe with a heavy kick and bouncing bass pattern but takes it to another level with the introduction of rolling vocal cuts and a rather ravey synth line. flipping over the to b-side, we are treated with two tracks by f.t.g. and alex tea, named ‘public enemy’ and ‘bango’, with the former also seeing belfie lend a helping hand in the production. both of these originals round out the record nicely and cement it as another skylax release that is definitely not to be missed

last year accidental records released herbert complete, a 130- track boxset featuring herberts entire extensive back catalogue. it included rare and unreleased tracks from the mid 90s right up to the critically acclaimed bodily functions and scale albums. though this might have felt like the closing of the doors for matthew herberts house moniker, particularly with the ever forward-thinking producer having moved onto making music out of an exploding bomb, a shopping list, a club and even a pig, this thankfully is not the end for this side of the prolific composers output. following last months release of the 4-track ep part 6 comes the unsurprisingly titled part 7.

nsm002 is me, mosca, again. two not-house not-techno tracks, a little more raw and textured than my last 12inch but with the same emphasis on dark, sexy grooves and just enough dissonance and freakiness. the greyhounds is a dubby rolling thing with an indulgent breakdown that i wondered about scrapping. i ended up backing myself because the crowds i played it to seemed happy, and ive wanted to use those strings for eleven years now. i tried to make clinical trial for the basement clubs, dust and metal and tape. thanks for checking it out.

4 tracks of classic 1993 nervous nyc house from the mighty todd edwards as the messenger. edwards is already revered as one of the producers of his era & guide my soul is testament to this. full of soulful groove, jazz licks, tough skippy drums & edwards trademark vocal samples this release does not disappoint. remastered from dat & repressed in conjunction with nervous with love for all the house heads & garage freaks.

defendergrooverecords (dgr) presents the >electric nightmare< ep 2014. the second dgr release based on classic electro back in 1984/85 and inimitable electrodefender style. original vocoder machines and analog synthesizers back from the 80ies and not any softsynths are the soundsources for this unique eight track ep. limited to 100 copies.

both men speak a very similar language, moreover, they are in their human nature like-minded people, which may explain the successful convergence in this conception. detailed and playful dance music for the sensitive and delicate nature, with a fresh summery touch.

tekseven records. hailing from belfast n.ireland. the opening track orbit by tekseven is a trip into an off beat world of heavily laden beats, baselines, synths and sci-fi, evolving vocal lines seemingly sampled with precision from an old 50s t.v set somehow reminiscent of robert hood. the remix from uk artist binny continues along the sci-fi theme with a beautifully crafted ambient intro which turns into a thumping good retro feeling techno track! on the b-side teksevens atlas introduces us to some straight up no holds barred high quality light and shade techno that will loosen any dance floors rivets.last but not least is an excellent remix by mattias fridell verging more on the dub side of things with the deepest spacious bass that is a hallmark of his fine techno creations . all in all, a great first release from a brand new vinyl label. expect great things in the future.

spains edu imbernon continues his unwavering rise with yet another assured release, fading dawn - his second for culprit. despite his young age (edu is not yet 25), the valencia-based artist is an accomplished producer already, with recent remixes for the xx and hot natured under his belt and the likes of john digweed and maya jane coles as his champions

we release whatever the fuck we want records is insanely proud to team up with the mighty ze records (kid creole and the coconuts, was not was, lio…) for an exclusive re-edition of garcons no wave gem re-bop. the limited 12 inch vinyl includes the original song by marie et les garçons produced by john cale, its infamous re-bop electronique rework and a dancefloor-ready and ivan smagghe-approved edit by tel aviv producers red axes.

pop music rarely comes as honest and heartfelt as when delivered by molly nilsson. ltd to 500 8 track ep. having traveled around the world singing to the romantic and the doomed, nilsson found herself in the late summer of 2014 in buenos aires. inspired by the crumbling andscape and the heavy hearts that populate it, sólo paraíso is not only an ode to a specific time and space but a musical novella that meditates on youth, idealism and belonging. the soundtrack to a summer you thought you had when looking over bleached out old photo albums.

z records are back with vol 7 in the attd series: a1 yes, another killer cut on zr. zo!s gorgeous soul tune featuring eric roberson and phonte gets subtly housed up mix by dave lee. a record you will be hearing all summer at more musically inclined parties across the world. a2 jakattas house classic american dream gets a very cool bassline driven remix from andre crom & chi thanh… b1 new and unreleased…. b2 akabu feat. alex mills *everybody wants something* was an enormous tune for many in 2013 and is still getting played by big name djs in bustling nightclubs around the world. now we give you an off the chain/on point/un-believable remix from rhemi. we are not going to describe the nuances of the remix and highlight why the aforementioned big name djs like dropping the track in their sets at cool clubs/festivals/corporate events but its pretty bloody good…

intercepts is a split album between pye corner audio and not waving.

occasionally jay haze will take some time away from his productions on contexterrior to release music with other labels like leftroom and desolate, or he ll provide a mix for fabric. here, in 2014, jay haze debuts on soul clap - and brings some friends with him. these friends are signor andreoni, an italian producer that s not released a solo record since 2010 (his last was with haze) and the unknown jordy lockruf. -take a dip- is a new-school cut of retrospective italo with those moaning synths perfect for a rimini dancefloor, while the two joints with lockruf provide one clunky, slide guitar twanging disco jam and a shuffling house cut that ever so lightly verges on electro swing - but not too much!

straight out of egypt via berlin comes this excellent two-tracker from the little-known son of sun. according to the press release accompanying the whispers ep, both tracks were inspired by a week sailing a yacht around the black sea. true or not (we have our doubts), there s certainly a sun-kissed laziness - despite weighty kick-drums and hissing, detroit techno style cymbals - about the woozy, dubtribe soundsystem style deep house of a-side -moonchild-. while impressive, the real killer is -whispers-, which peppers a swinging, dance mania style hip-house groove with snaking saxophones and atmospheric, spoken word vocals. it feels like a late night adriatic anthem in the making.

listening to the sound of konfetti klub ensemble creates associations of those sparkling drops that run down the side of an ice cold drink on hot summer days. it’s a very refreshing and delicious listening experience, it’s both stimulating and soothing. if you think the formula brass players + club groove is somewhat worn-out, you will be pleasantly surprised. pomelo comes with bouncy offbeat rhythms, and when the trombone hits in there’s clearly an air of balkan sound. however, around the middle of the track it turns into a joyful freestyle session. mollono.bass puts a bit more emphasis on beats, bass and pressure in his version, in other words: even a bit more emphasis on the dance floor. rotwein und sommerverbot gives a groovy hint why konfetti klub ensemble describe their sound as live brass house – it’s extremely jazzy and casual, a live session rather than a programmed arrangement. even more so schwankel, as it vibrates effortlessly between intricate musical deepness and sheer to-the-floor euphoria. last but not least there is a track exclusively for the digital release: stranddub – beach dub. let’s put it like that: there’s a damn good party happing at this beach.

as our true fans know, every now and then we leave our comfort zone to bring something else than techno. this season, we gave dib from italy the honor to be the unusual one. three tracks, three times basic, stripped down house that does well as a tool or a track in the early or deep hours of the night. or just for those people working hard at the office and wanting some deep house during their officework. all tracks have a very old skool vibe to it and breathe true deep house: not the filtered down vocal kind, but the breed that just lets a 909, 808 shine and some rhodes or warm analogue synths do the work. the first one is rather detroitish - with a nice acid stab and some strings setting the mood, the second one is more dance floor oriented and the third version is a bit of both. does it need to be said that dimitri andreas mastered it again? and that it is available on vinyl?

needwant welcome berlin duo kim brown into the fold with the stellar batteries not included ep comprised of three shimmering, deep cuts to sink into.

were not done celebrating our 10th anniversary at the still music headquarters and weve decided to continue diggin for some treats from our vaults. after weve released the critically acclaimed kill yourself dancing! the story of sunset records inc. 1985-89, a lot of our friends were asking us for some specific 12inches to be repressed. we felt obliged to comply and here we go with three of the most significant 12inches from sunset records inc.

contrary to their antipodean name the marsupials are not australian or for that matter new zealanders. they are in fact a collective of italian producers residing next to the active volcano of mount vesuvius in the city of naples, italy.

were not done celebrating our 10th anniversary at the still music headquarters and weve decided to continue diggin for some treats from our vaults. after weve released the critically acclaimed kill yourself dancing! the story of sunset records inc. 1985-89, a lot of our friends were asking us for some specific 12inches to be repressed. we felt obliged to comply and here we go with three of the most significant 12inches from sunset records inc.lets start at the beginning with a one of the first house 12inch released in chicago in 1985 by razz aka matt warren & ralphi rosario.

were not done celebrating our 10th anniversary at the still music headquarters and weve decided to continue diggin for some treats from our vaults. after weve released the critically acclaimed kill yourself dancing! the story of sunset records inc. 1985-89, a lot of our friends were asking us for some specific 12inches to be repressed. we felt obliged to comply and here we go with three of the most significant 12inches from sunset records inc.

superb 12” reissue featuring three of trinidadian soul legend billy ocean’s greatest dancefloor tracks from the early 80s. side a features the six and half minute special disco version of ‘stay the night’ - a bass-heavy grooving funk monster with punchy horns and billy’s smooth vocals over the top. flip over for big frankie knuckles play ‘nights (feel like getting down)’, a pedigree jazz-funk cut often considered one of his finest. and last but not least is the long 12” version of the massive disco classic and studio 54 staple ‘are you ready’. with every track a guaranteed floorfiller, don’t miss this chance to own them all on one loud-pressed 12”.

keeping in line with the trademark birdsmakingmachine sound, comes the fifth release on their self-entitled label, bmm 004. with a more straight-to-the-point approach than its predecessor, the ep starts off on the dance floor, with rumbling bass lines and heavy metallic snares juggling with effects-laden delicacies on the a1s >ahora vengo<. the arrival of >ash but not arthur< on the a2 calms things down bit and takes the listener for a gentle journey through ambient pads and cleverly swinging hi hats, while on the flip, things get a little more bouncy in >oscars critical jack<, which is mostly due to the fact its main ingredient – the solid playful bass line – blends effortlessly with the higher frequency spices, keys, strings and rhythmic parts. the end credits roll down with >bonfume<, another relatively smooth yet jacking swinger that could either be used to kick it up a notch in a warm-up set or be danced to while finding yourself at an afterhour.

ex novamute records artists oly drunkman (d-r-u-n-k) and marco haas (t.raumschmiere) joined forces to deliver 4 track red vinyl ep to make you feel wild and special .t.raumschmiere. the monstertruckdriver is back on the deck and is ready to take that ship over again

anoma is proud to get things started with its maiden double sided 12-, featuring a collaboration between eccentric trooper -dr. beat- san proper and anoma records founder ohm hourani. side a : -triple x- - abstract lyrics mouthed to describe a blurry path to somewhere. accompanied by several acoustic elements, organic patterns and a healthy dose of soul. in the end, it s all about life, death & sex. side b : -she s gone- - atypical drum beat held in place by atmospheric sounds that promise to hold you tight until the wee small hours of the morning. the vocals tell a story that happened when you were not looking. this record will be enveloped by a cover sleeve that features an exquisite painting entitled -earthache- by our art director laucolo.

after releasing one of the most memorable records of the year in 2013, the roman dj returns with another amazing piece of work. the age, on the a side, is an ambient track with psychedelic rock and new age music incursions, showing once again his love for downtempo stuff. orion 314, on the b side, is a slow and straight deep techno train that will not disappear all lovers of this kind of sound.

the lone roamer is the experimental and deep side of riccardo dagostini, inspired by a dystopian world in which almost all the life forms are dead after an unspecified event. wandering alone through that devastated world is not just a physical act, it is a real personal and deep journey.

bristolian duo, forget me not, return to losing suki after 2013s the stronger ep, keeping up the pressure with their deep and raw garage house sounds on the everything but love ep. pressing on translucent, red coloured vinyl.

despite making a impression with rough-hewn techno records on taanstafl and his own tallmen imprint, brian mitchell aka tallmen.785 is a relative newcomer to the genre. arriving in berlin to continue studying jazz guitar – a craft he’d been learning in new york from legendary jazz musicians ornette coleman and lawrence d. ‘butch’ morris – it was a long night in berghain that steered him toward electronic music

the latest installment from the labels mystery man takes us out of the jungle and into the mountains, where syncopated analog rhythms dance beside electric melodies surrounding a caravan of textures and reflection. not much else needs to be said about this one except its either for you or not, if so, enjoy and elevate.

the cellar boyz *pay me* is taken from ben cenacs timeless cozmic house ep on thug records. pay me which was recorded in 1986 is the only track from the cozmic house e.p that had available parts. the stems for deeper & deeper, seems to me & who loves you were never recorded. this was due to the fact that all of bens projects through out the 90s were tracked midi only at mix down, with only the vocals being recorded to tape! thug would never have had the opportunity to release ben cenacs cozmic house 12 inch if it had not been for simoncino. simoncino did all the a&r for the record. a gift not only for thug but any fans of ben cenacs amazing productions. with that in mind, simoncino has provided 2 remixed versions of pay me, alongside a remix from close friend nicholas!

akurat wurde der jubiläumssampler bleep10 kompiliert, der diverse facetten zeitgenössischer elektronischer musik streift. mit dabei sind kompakts wolfgang voigt mit seinem gas-projekt, starke neuproduktionen von autechre, m-ziq und dabrye, sowie farbenreiche electronica von lone und machinedrum. und während oneohtrix point never dem hörer einen ambienten ruhemoment gewährt, steuern shackleton, untold und modeselektor explosives dancefloormaterial bei

constantly searching, not wishing an end, prefer a surprise, not everything planned, so you will always be in the new age of earth

cgi is proud to present the debut of 2 new duos who are experts at making their synths and sequencers sweat divine moisture. lyman-alpha forest is a new collaborative project between producers grey people (proper trax, finale sessions) and talk (deconstructure). as a duo they work to bring acid into new territories with their heavy, low-slung approach to producing melodic-and-spacious yet tight-and-focused slow-burning club-weapons. whether or not this is due to a stroke of compositional genius or if it is simply a side effect of the high levels of sizzurp found in the tap water in their hometown of nashville is irrelevant, but the effect is intoxicating all the same. travel 7 hours up i-65 and you will end up somewhere in chicago where afterburner spends long cold winter nights painting vivid synthesized tapestries as epic as the citys skyline. the duo of nicholas reed (windbreaker) and travis thatcher (voice of saturn) employ an aresnal of modular and analog gear to produce lushly cinematic tracks that chug along like classic moroder productions while simultaneously evoking the rich melodicism of kraftwerk. whether you listen to them at home in the headphones or on the dancefloor in the club, these tracks will take you on a wild ride.

i d been thinking about starting a label for a few years but it never really seemed like it could work. nowadays there is more coherence in my productions it seems like the right time. i will be releasing music from other artists as well my own stuff - underground house, techno and the rest, stuff with darkness and sexiness. hopefully it is music that will speak to (somebodys) heart as well as their feet. the first release is called no splice no playback and it is two tracks of house music. vinny (flamingo) is a basement thing, suckle (twenties) works in warehouses too. thanks for reading. -mosca

answer code request brings the berlin and berghain vibes while aaron fit siegels epic mix represents detroit to the fullest, and is sure to appeal to the heads that love his work on fxhe. acr remix already extensively roadtested by the man himself and marcel dettman. fit remix a staple end of night record in spencer parkers sets of past few months.

principal records return for their third outing with another superb ep from s & m featuring dnae! s&m is the collaborative guise of danimal swainger aka daniel swain and thatmanmonkz aka scott moncrieff, the duo launched principal records with their *in my mind* ep in 2013. here we see them return to the imprint to deliver more of their gritty house sound, again employing the vocal stylings of jamaican born vocalist dnae.
pressing on red coloured vinyl.

praymond is a french artist and long time record collector. after years of travelling and playing across europe and america, he decided to release his first ep. this record is not just an elegant dj tool but its also a really smart take on how to bring a discrete touch of acoustic in a music usually dominated by analogue sounds. 3 tracks on this ep. huguette uses a lot of acoustic elements to deliver an epic dancefloor track chamalowe slows the tempo in order to make the pattern heavier timeless memory is a tribute to dub techno with an acoustic take, touch of platon records

back for more so soon? yeah! baby is back! wilson records has fabio unleashing house legend gene hunt and not so newbie chiwax and lobster theremin veteran, stevie murphy for the fourth edition of the not a trilogy anymore split grooves series. its the perfect mix to brew an appetite for some dance floor destruction. we have mr. gene hunt taking on the a side with his twisted tracks get down and s and s. over to the b side, our cherished friend, steve murphys groove is anything but relaxed! crank up the volume and dont expect to stay glued to your seat. this one is special. no surprise when its laid out on a 180 gram vinyl. for the lovers!

in the not so distant past, a certain chicago house sound found its way to clubs worldwide. a jacking house sound made up of anything producers could get there hands on. if you had a cool alarm sound, you could throw it under a 909 and watch dancers freak out. dj rafaels new ep for on the prowl is a nod to that era. while hes not using an alarm as his tool, youll notice the in your face style in which its based upon. some of you might know rafael from his earlier miracles club releases for cutters and mexican summer. this time around rafael fauria joins friend brian foote for some on the edge jack tracks which are both packed with acid and foot stomping percussion.

new years deal - sweating it out in a basement on saturday night, teaching primary school on monday morning. better to be a part time freak than not to freak at all.

ein blick auf einen teil von bob dylans repertoire, der lange als vergessen und ignoriert galt. ein teil der einkünfte geht an die wohltätigkeitsorganisation pencils of promise.
doppel-vinyl im klappcover