found lurking in the creative laboratory known as the deadmau5 disco den of despair and inequitythis creative genius runs the gamut of beats unlike any other

few artists can lay claim to such a continuous output as bpc resident joakim ijäs, better known as kiki. for kiki, continuity also means permanently developing his musical vision - his superb second album kaiku is testament to this. the current 12 inch >cinema obscura< follows on seamlessly from us house traditions, yet also reduces them to absurdity with its atmospheric density and sonic extravagance.

the producer team solan yields an ideal division into compartments. when studio producer stefan klauck and dj denis reinhardt met in front of a mixing desk in 2007, it was an ideal combination of different experiences: the one who has produced various music styles from downbeat to electro, the other a dedicated follower of house who never wanted to hide his knack for soul and disco. the two of them soon found a common denominator.the project solan has by now crafted tracks which embrace the qualities of newer deep house productions and classical house music, that is reminiscent of a traditional u.s. sound.

from the mid-70s to the early 80s, hall & oates ruled the pop charts. with six number one singles and six platinum albums, they brought their own brand of philly soul to every city in america. their first hits came in the mid-70s with sara smile and rich girl and they were still touring and recording heavily when this album was recorded live in denver in 1979. this lp features many of their biggest hits and several songs from their >along the red ledge< and >x static< albums.
comes on 180gr virgin vinyl.

first ep with pacha summer anthems, featuring tracks by dennis ferrer, fuldner & pooley, nalin & kane and pet soul boys. remixes delivered by df, david herrero, joris voorn and edu imbernon.

it only takes one listen to jee days >like a child< – and its whirling, hypnotic rush – to recognize the know-how that has made studio whiz dennis dj mcnany a go-to source in new york citys dance music scene. over the last decade, the sound architect has become a musical jack-of-all-trades: fine tuning releases from outfits such as the rapture and turing machine, working on early output from dfa records, maintaining his own run roc label, remixing artists like panthers, ghostape and digable planets ladybug mecca, and contributing keyboards and percussion on tour with the juan maclean. in light of the already impossibly long list of credits to mcnanys name (including the numerous pseudonyms under which he has released his own music) the jee day debut 12 inch is a bit like a first listen to an artist who audiences, ironically, have already heard many times before.

premium edition ... incl 12inch vinyl and maxicd ... new fresh label bringt eine frische briese auf den floor! support von nick curly, gorge, lucy, ptoile, alex niggemann, j³rgen kirsch, emerson, micha klang, sasch bbc

on this record, you can find 4 deep house tracks with different atmosphere from artists such as alex danilov (denkbar/ compost /niveous), uncle deep (chevengur), a5 (exquisite music), 2loop (altered moods recordings). early supported by loco dice, josh wink, anthony collins, brothers vibe, ekkohaus, margaret dygas, pablo bolivar, alexkid, maik loewen, mathias mesteno and many more

2009 remastered re-issue of this 1991 released double vinyl album by kraftwerk. comes with 12 inch booklet and picture inner sleeves.

hot on the heels of his widely applauded and groundbreaking runner album, crosstown have commissioned some cutting edge producers to remix and reinterpret some of their favourite tracks from the album.

kenton slash demon is indeed one of the most promising new talents out of denmark. the two guys who are also behind the much acclaimed indie-disco band when saints go machine and have gained massive attention with their ksd act, without releasing a lot of material. why? the answer is simple: all they do is just so good. their sound is both organic and futuristic, and their obvious skills take their productions further than the typical frame and dramaturgy of club a track. still 4/4 rhythmic - but with clever and super melodic bass lines and interesting breaks. >sun< is the first release in a ksd trilogy on tartelet called >schwarzchild trilogy< inspired by the elements that form our galaxy. >the sun< 12inch features a remix from the much hyped alan abrahams aka portable / bodycode, from portugal who made added vocals, deepness and classic mr. fingers juno-6 bass line - deep and clever.

here comes the third release on the pattern repeat label. pattern repeat is a new music-project and label by kenneth christiansen, echocord & echocord colour label boss, and his partner dennis bog aka resoe, running the baum label.the pattern repeat label will only contains productions from kenneth & dennis, and the music is focused on the modern berlin techno sound today, dubstep and dub-techno. pattern repeat will also release records on other labels, so far the first one is out on echocord colour.

luv jam has the honour of being the first signing to the wph roster that survived the ongoing chaotic process of demo submissions via myspace or e-mail. it has to be said that luv jam was at the end of his wph wits after several friendly but stern denials by label boss red d. one last ditch 4am attempt proved that tenacity and patience are always rewarded, black beauty was right on the wph money and off we went.

next up on nang is a single from two djs with a self-confessed chequered history. a determinedly eclectic djing style and a friendship started behind the decks at mambo in ibiza one summer evening and continued through nights spinning together at stella polaris and roskilde in denmark and bestival in the isle of wight.

58 minutes of alienated, global sound oddities. mixed by dom thomas (b-music/finders keepers). following on from the highly acclaimed ‘miscellaneous mutant mishaps’, b-music and finders keeperslinchpin dom thomas digs deep into his library of forgotten and unloved sound oddities. blurring the lines of mixtape and original composition, this is an explosive mix of denizen funk, psyche rock and proto house, effortlesly crossing boundaries and uncharted sonic soundscapes, defying genre classification. check!

z is hitting you with 3 tracks from the debut album by akabu, dave lees pseudonym for his more electronic housey material. the debut akabu album >the phuture aint what it used to be< is due this year and is filled with deep, musical, properly underground grooves but which still posses enough energy to keep the dancefloor busy. boom clap bachelors - a collective of producers, live musicians and djs out of copenhagen / denmark. the collective was founded in 2005 it provided the outlet for future collaboration. the music spans from electronica, disco non disco to leftfield, new wave, soul and indie influcences. remix comes from the mighty motor city drum ensemble

summer is on the horizon, peeps. its time to pump up those sounds. so open your box as sexonwax returns to the source. staying true to our name, our essence. presenting special vinyl ep for your aural excitement only. first up is the massive toon of four-track goodness, paralexia. feel our groove. really, what could be sexier? despite the name there can be no misapprehension of whats going on here. the patterns of omids paralexia see fractal flurries of melody sprinkled with insane piano tinkles. these ivories are driven upwards by solid synth gold and old skool drum builds. with a whirling breakdown that feels like a waterfall crashing over your head. it all adds up to a proper prolonged derangement of the senses. so much so that the party people of miami went ballistic when it was promod by sos during their set at dj mags pool party. check the link. show us yer shimmy! cos bites without teeth is more of a builder, folks. and if the beats dont grab n shake you in their grimy grip, then the wonky bass will. claps like a funker. phases like a wrong ‘un. builds like a bastardo. its food for thought… a bonus here from sexonwaxs popular april release in the form of lilly and poppy. except this time mr o brings a vinyl dub to the table: a reliable beauty with a dramatic and yet delicate bouquet >du jour<. in fact, its almost as epic as >the epic<! so there you go, guys. paralexia is a real package. boasting more beef than argentina, more heat than technotonics and more eruptions than iceland. all of em sure-fire floor shakers with an ultra-modern/vintage sound, best served with sunshine and a smile. feeeel the difference.

big with mihalis safras, piemont, afrilounge, phonique, someone else, anthony collins, stephan bodzin!! slim, sporty and very casual- thats the way in which current number 18 on acker records sneaks into listeners ears and hereby wonderfully illustrates the much longed for beginning of the open air season in europe. other than the name justin side implies, its even two dudes from denmark who conjure up this unusual voodoo. bedded on a gently shaking groove and larded with tropical warm percussion and lots of vocals, the magic takes effect immediately but still unobtrusively. beside the original mix, the groove of the a-side includes a minimal club mix by mister mollono.bass that creates rather nightly associations in its straightforward manner. on the flipside he pulls out some other stops of his sound repertoire and calls the sunbathed result very appropriately his summer mix. last but not least the unmistakable, humorous organ sounds of rundfunk3000 represent the unique, local mecklenburg version of a mighty voodoo magic.

emptiness isnt a quality you normally associate with electronic dance music. from the crowd on the associate with electronic dance music. from the crowd on the dancefloor to the weight of the bass, its all about fullness, volume, density. reboot turns that opposition on its head with his debut album, shunyata. the title comes from buddhism and translates loosely as >emptiness.< but not just in the negative sense: it speaks also to impermanence, a state of constant flux. its a great description of reboots music, where everything is in constant and kaleidoscopic motion. and its also a fitting metaphor for the life of the frankfurt-based musician, aka frank heinrich. in just three years, since his first eps under the reboot moniker appeared on cadenza and below, hes become one of electronic musics hottest properties, releasing not only a slew of singles for labels like cocoon, love letters from oslo, ricardo villalobos >sei es drum< and underground cult fave motivbank, but also a pair of high-profile mix cds for cocoon and cécille

blipvert releases his highly anticipated ep for eat concrete records. >quantumbuster now< offers four compositions that are rich in texture, extremely dense and highly original. californian based blipvert manages to create a world of his own, a place where literally each second displays a multitude of ideas, a place also where no idea ever repeats itself. >quantumbuster now< features blipvert on electronics, guitar, vocals and drums.

and we are back for ep three. its a get together between master rick and young kyle. and its time to turn things up a notch. kyle hits it unbelievably hard with >after fall<. have you ever tried head banging to disco music? if not, now is the time, because this track will make you do just that. there is no denying. banger! on the b-side the godson eases down a little and lifts the classic >love & happiness< a capella to work it into a hypnotic groove. build it up! the third track sees kyle and rick teaming up, where kyle provides the drums and rick delivers the groove. a futuristic piece of jazz techno, 22nd century shit, that plays with your mind and demands you to move.

after a rather long break, this june will finally see the next release on orphanear records, the berlin-based label ran by pawel, who recently celebrated the release of his highly praised first full-length album on dial records. orphanear 004 introduces a stunningly talented singer and songwriter from denmark, called gry. she isnt new to the music world at all, worked previously on critically acclaimed projects with fm einheit and under various other project names such as the loverz and aeter with jacob kirkegaard. orphanear releases two remixes of her track >all comes<, that will be included on her forthcoming ep >anima<. one beautifully deep and masterfully produced remix by german wunderkind christian loeffler and a peak time stomper by adultnapper from new york. prepare to hear much more soon from this lady with the amazing voice.

urgent, throbbing rhythms, which almost imperceptibly increase into a subtle wall of sound: the tracks on todd bodines new ep develop a hypnotic character, stolen away into a dark pulsating sound field which exactly match the title of the a-side: >dark matter<. the increasingly dense electric field mixes with sparse siren sounds that create their own unique attraction. the same qualities infuse >space and stop< on the b-side, with equally unexpected musical power surges. these are tracks that will drag the dance floor abruptly from its spell in the first few seconds, while simultaneously adding a very special drive and intensity. all in all, todd bodine proves again with his new ep - the first release after his highly successful album, >forms< – his unique sense of style, gained over almost ten years of production experience.

the solid tumbling tones found on this ep are all thats needed as an introduction to these two accomplished producers latest creation. both strong forces in their own right, the pair come together once again on sweatshop to present their vision of dancefloor harmony, and mystery! sirens is the aptly titled track whose crazy vibe is encapsulated by jacking, swinging percussion, wild pitching synth stabs and a haunting soprano soloist letting loose! this needs to be experienced to be believed, but the proof will be in the dancefloor, hands in the air and minds expanded! moirae works the tension with dense filtered stabs and crisp solid state percussion, driving this deep slab of dark dance into blissful moments of release. mellow yet urgent, its a raw, purist electronic statement! joel alter also offers up a special edit which focuses the groove in a slightly more kinetic direction, with reduced, aquatic synth work and a classic club energy that makes it an ideal addition to the package.

rihanna and jeezy get remixed to the max!

one of the most eagerly anticipated and prolific producers of the moment, glimpse, releases his debut album on crosstown rebels. this is the 4 track vinyl sampler to glimpses album >runner< and it is a truly inspiring, superb album that weaves elements of jazz and soul with house and techno to create something wholly innovative and mesmerising.

after his brillant previous >cccp ep< charted & supported by names as steve bug, djulz, ewan pearson, francois k, brendon moeller, kirk degiorgio, mike denhert, giorgio gigli ... conforce strikes back on modelisme with another great release titled >black stroke ep<. a side >black stroke< original is an hymnic detroitish tune, the swingy groove and the right strings, provided from an high sensitivity. guests on this ep, the excellent kink & neville watson, worked out an old school acid house remix with a typical chicago vein as they do know to do. to complete >pretty far from here< is a superb old school house track, subtle deep funky sounds on raw beats with a sensual mood.
a must to have. modelisme again.

nice price deal !!! berlin based resopal label head mri returns with his second remix package of tracks off his album heroes. this second 12 comes with 4-to-the-floor tracks which will kick, but in a very smooth and warm way. ahmet sisman is the turkish/ german sensation who is already making international waves with his strong batch of releases, flagged by sven väth and mathias kaden as one to watch. ahmet has been on mri s radar for sometime. with a dense impact of heavy efx and speaker-rattling low-end bass, ahmet is the perfect match for mris track filthy lesson to remix too. the b side contains the original mix by mri and is simply modern house that will blow your mind.

das amerikanische song-genie pr?sentiert die wunder dieser welt.
viele worte braucht will oldham nicht als empfehlungsschreiben. mit >the wonder show of the world< legt das song-genie sein elftes studiowerk im elften jahr als bonnie prince billy vor. es ist ein album, das ganz in der tradition seiner vielen vorg?nger steht. hinter der cairo gang verbirgt sich niemand anderes als der kalifornische singer/songwriter emmett kelly, der bonnie prince billy bereits bei den alben >the letting go< und >lie down in the light< (beide 2008) zur seite stand. zehn wundersch®ne, tiefgehende und bewegende songs vom wohl produktivsten songschreiber amerikas.

fourth hideout release from the man himself, luca bacchetti. following his recent release on ovum and the successful remix on be as one, luca is back once more with an ep and two tracks ready to be the centre of attention on this summers dance floors. luca has got us used to surprises, and his vision of music without rules where everything goes - the only common denominators are his trademark sound, his touch, and his feel. nothing to take for granted here as he describes two emotional states at opposite ends of the spectrum: the sunny brightness of endless summer and the dark introspective world of what your soul sings ... endless summer is also his first solo effort on hideout, after the west side story ep collaboration with his label co-owner davide squillace

inland knights return with another killer 2 track release and have larry fives on the remix.

der ausnahmeproduzent flying lotus legt nach seinem vielbeachteten debutalbum los angeles den nachfolger vor! auf cosmogramma weitet er das spektrum der integrierten stile in richtung space-jazz aus und lädt ein zu einem kosmischen trip voller unendlicher liebe und begeisterung für musik in all ihren variationen. mit musikern wie rave coltrane, einem weiteren sprössling der coltrane-famile, dem bass-virtuosen thundercat und den gastvokalisten thom yorke (radiohead) und laura darlington (siehe debut) gelingt ihm der aufstieg zu schwindelerregenden neuen kreativen höhen. mit cosmogramma belegt flying lotus eindrucksvoll, weshalb ihn die matriarchin der globalen bass music, mary-anne hobbs, als den >hendrix seiner generation< bezeichnet.

eine metropole, zwei tonkonstellationsquellen. derart erkl?rt sich, in verknapptester k?rze, das konzept der neuen reihe bei monika enterprise. den anfang macht eine ver®ffentlichung aus der heimatstadt des labels: berlin. zwei aufregend abenteuerliche projekte teilen sich einen tontr?ger, dies wird auch in zukunft so sein. und bereits die erste folge der serie verspricht gro?artige entdeckungsreleases.

continues the lucky sales serie firmed by ego music. all their new tracks on special eps. this time new mason ft dmc & sam sparrow, angie be, ruini con mora e marchesini ft denis j axl, bt. all of them released on cdmaxi and now on vinyl for collectors & very special djs!

here comes the second release on the pattern repeat label. pattern repeat is a new music-project and label by kenneth christiansen, echocord & echocord colour label boss, and his partner dennis bøg aka resoe, running the baum label.the pattern repeat label will only contains productions from kenneth & dennis, and the music is focused on the modern berlin techno sound today, dubstep and dub-techno. pattern repeat will also release records on other labels, so far the first one is out on echocord colour. kenneth and dennis met eachother 8 years ago when they worked together in at that time famous copenhagen-record-shop >loud<, which closed 5 years ago. at that time dennis was more into broken beat, hip-hop and deep house. kenneth was already running the label echocord, and soon dennis started his label baum. the label baum is also like echocord, releasing dub-techno, and dennis started to release his own material as resoe, and builded up his studio the years after. 1 year ago we decided to try to do a new project together, working together in the studio, and now pattern repeat is born.

>chaotisch serie< kicks off with a human sound that could only be composed deep in your throat, a sound that can hardly be described in words... rough and smooth at the same time... screaming for help it seems. then suddenly metallic sounds delay and tumble in... turning into an army of steel beetles swarming the place. plunging into a sweet melody that contorts being followed by trippy delays reminding us of the opening sequence of >the hunger< with catherine deneuve and david bowie at a bauhaus concert, we know this track will be huge.

san francisco, cas surefire sound starts off the new decade with a bang and launches their brand new label with an energetic single by eprom. a fast rising west coast bass technician, dj and producer sander dennis a.k.a. eprom delivers funky, techy fourfour beats on “never.” eprom’s original mix opens with rattling hi-hats and a hushed female vocal accented by eproms patented twitchy synths. a hefty kick drops, braced by a thick, bouncy mid-range bass pattern. like recent tracks by untold or ramadanman, “never” blurs the divisions between dubstep, funky, techno and garage to form an irresistible new creation. hyped newcomer faltydl had a breakthrough year in 2009.

we have never done a project like this before where the artists choose all the remixers themselves. but for the crazy italoboyz album >bla bla bla< we found ourselves not really knowing what to do. so instead of forcing our own ideas for remixers we went back to the source and let the artists run wild on the a&r. marco and fede commissioned all the remixers themselves. the producers they chose are a very diverse bunch and the vinyl 12inch takes a sampling of the best material from two very big underground names. on the a-side das kraus duo turn it a super jackin yet also very haunting rendition of >oh mio dio.< it sounds like pitched up chicago house meets demon days. on the b-side old school master dandy jack turns in one of the oddest records ever on mothership with some unusual sound design, voices and semi-dischordant note runs. super weird for the super weird! whatever you think of this odd lot no one can deny these remixes definitely carry the indistinguishable mark of that ever so quirky duo, the italoboyz

familientreffen bei oslo! ob johnny d, christian burkhardt oder sascha dive, alle sind sie dabei und zeigen wieso dieser hype auch wirklich einer ist !! qualitativ dicker techhouse für den club

hit the streets slams in from the start with a confident kick drum, using a collection of layered percussive elements and drums (check that cowbell) to create a solid groove. seductive vocal snippets give the track a focus throughout, whilst fritter artfully introduces fresh elements until its resolution. building chords, open hi-hats and a ripping old-school melody reminiscent of warehouse 303s keep boredom at bay. bonza. ridgee didgee steadily courses through deeper realms, again with that killer percussion. here not one but a variety of freaky vocals and playful samples co-habit a densely layered habitat of groove. feral elements are backed up by a driving aboriginal bassline, relentless til a brief half-time reprise. a limited 200 white vinyls are available.

nice price deal !!! expanding on the success of forward strategy group, label boss smear has fashioned the new minimalist outfit, retail & leisure, with a new addition of the fsg corporate family. retail & leisure is in many ways the polar opposite of fsg, ditching their trademark dense, heavy techno in favour of simplicity, space and a more systematic approach to composition. side a strips right down to the bare essentials, leaving little more than an ice-cold rhythm, bleep and hiss, creating a deep mix-tool for fans of artists such as mika vainio and sleeparchive. the b side features a remix by fsgs latest recruit adrian ross. mechanical scrapes and clangs mesh with deep, pressing kicks to create a sound which is dense and impenetrable. ross is a unique entity in techno: with a genuine outsiders take on the genre, he is an exciting prospect and a great asset to the group. the final track is r&ls take on dubstep, with dry, chalky percussion, discordant siren and churning bass. snares spin, shuffle and shatter against the tracks main, oppressive rhythms. the record ends with some valuable advice on where one should position ones feet

incl mooka, denkann and neuroxyde remixes! ltd backstock action

columbian producer robert alzate a.k.a khomha, has been snapped up by us here at baroque... his seductive deep house is exactly the kind of sound we were looking for in 2010, and this first ep is perfect highlight of the deep throbbing, tech influenced house sounds that sucked is in. on the remix is incognet... denis zynchenko produced some great tracks under his incognet guise in 2009 and looks set to step it up again in 2010 - a powerfull driving slice of prog, that compliments the deeper original perfectly.

mbali remixes: jerome sydenham starts off the year with a fabulous remix of the underground classic >mbali< by motorcitysoul. sydenham makes an ambitious attempt to redefine the phrase >happy and uplifting house<. this, however, is not a gospel track. but instead is filled with lush cords and steady grooves. this is the kind of tune that really gets the party started. jero extended versions: the monster duo of dennis ferrer and jerome sydenham strike again at the core of house music. in this adrenaline fuel house epic you have sydenham on the beats and ferrer on the vocal chants. this one will be hard to resist even for techno heads.

for his first release on his own pilbus records label, subdoubt proposes us to hear his voice, somewhat tortured and hacked, saying his name that is the title of this ep. this release is also an opportunity for him to feature the famous producer remute (aka denis karimani), an artist that subdoubt loves and supports since many years, and who perfectly adapt the powerful techno theme of subdoubt original mix. this ep is the beginning of a series of quality releases and club events so keep an eye on pilbus records and its artists.

this man cant currently be stopped. following his releases through the 2nd season 2009 (>marvin” on compost, >smaul 06< & >smaul 07<) in january 2010 acid paulis >riverboat tour< came out. now, it seems he opens this years summer season with these two psychedelic thrilling tracks. even though he had been touring a lot with the notwist last year, acid pauli was pretty often an invited, musically refreshing guest in berlins minimal techno (what ever) scene. den mahlstrom rauf leaves no doubts about. great build up he does by keeping tension over five minutes to unlash finally the madness charge with a levitating reverse-ducking-compressed melody. den mahlstrom runter (a play on words of travelling on a boat and getting milled…) seems to be the return from the trip he gives on side a. it is the same track reworked. his musical drama goes faster but deeper under the cortex – but >how lucky a fate< deliverance comes at right time taking the track over to a known housy and deep realm.

mixes by jay denes, eric stamile and miguel migs!! 2004 classic

gramophonedzie delivers one of the most distinctive club bombs of the year with why dont you, used as a dancefloor weapon of choice by the likes of tony humphries, roger sanchez, dj sneak, kevin saunderson, carl cox, dennis ferrer and norman jay and gaining tremendous support on bbc radio 1. an addictive concoction of house, funk and classic swing, why dont you is set to be one of 2010s biggest crossover hits, providing the perfect feel good antidote to the january blues. in addition to the original, remixes are courtesy of bingo players, trevor loveys and greenmoney.

support: gregor tresher, alex bau, beroshima, technasia, adam beyer, the advent, chris liebing, claus bachor..... crazy denis >remute< karimani with a further step into technotic weirdness par excellence on eme! flash appears kind of calm and reduced in the beginning, but once played out loud it turns into a bass-driven soundresearch with no rules and restrictions, simply crazy! the flipside >joking about life< shows a bit more constancy and rolls away with pure energy, a perfect counterpart to >joking about death< which was released last year. versatile techno, unique sounddesign, remute at its best within only two tracks! love it or hate it!