22a017 has arrived and it sees two of london’s most celebrated underground producers enter into album territory.
comprised of ten cuts ‘brick city’ takes the listener on a journey through afro-house, funk, rare groove, boogie and broken beat to name a few. tunes like ‘brick city (4am)’ and ‘butterfly’ groove effortlessly whilst synth leads interject over tasty chords, all the while being supported by solid bass lines – these two will undoubtedly set a strong pace on the dancefloor.

continuously reimagining his sound and style, the grammy-winning artist sharam digsdeep into his bag of production tricks for his new project collecti, drawing heavily from the darker influences of techno. the album is comprised of a host of new material that he has been field testing with incredible response. -collecti is a culmination of work that represents my endeavors into a sound that has always been near and dear to my heart and central to my sets: techno. for my last album retroactive, i was fixated on all of my influences over the years, for this album, however, my focus is on the darker realms. these records are my dance floor experiments, my secret weapons, tracks that have been driving my sets and i m excited to share this body of work with everyone.- - sharam æscorpi has been tested to wild acclaim. its roaring vocal-synth riffs and heavy bass line have become one of sharam s secret peak-time tools, so much so that he s almost reluctant sharing it. mini is more subdued, channeling some maurizio influence with a long, continuously-modulating riff and tripped-out sounds. dj support: alan fitzpatrick mladen tomic sam paganini nicolas massayeff noir bart skills chris fortier

continuously reimagining his sound and style, the grammy-winning artist sharam digsdeep into his bag of production tricks for his new project collecti, drawing heavily from the darker influences of techno. the album is comprised of a host of new material that he has been field testing with incredible response. -collecti is a culmination of work that represents my endeavors into a sound that has always been near and dear to my heart and central to my sets: techno. for my last album retroactive, i was fixated on all of my influences over the years, for this album, however, my focus is on the darker realms. these records are my dance floor experiments, my secret weapons, tracks that have been driving my sets and i m excited to share this body of work with everyone.- - sharam æspaci is the closest the album gets to house territory, with a groovy bassline and scattering drum fills, while a remastered version of sharam s 2010 tour de force hemi populates this single s b-side, a spastic eight-minute epic that pits chaotic synth squeals and chopped up noise against trudging, liquified bass. dj support: alan fitzpatrick layton giordani andres campo boris sam paganini arjun vagale

its clear from the opening seconds of tu fawnings debut full length, hearts on hold, that theres something very, very different about this portland, oregon band. the two note trumpet refrain of >multiply a house< that echoes like the distant sound of a battlefield, the ghostly chanting writhing around it as though in a trance, the funereal drums that boom in the background and the harmonies emerging as the chorus unfurls: these are not the sound of your everyday indie rock act.

the drum library series, which began back in 2001, has prided itself on compiling the hardest, crunchiest and most rarefed drums from every source imaginable. we’ve held to this standard for over 15 years, providing professional producers & bedroom beat makers alike with the largest collection of quality drums available today. in short, the drum library series has become an industry standard. the ever-expanding, go-to kit for beat makers around the world. now, with the conclusion of the series at volume 15, you hold in your hands, what will be the last vinyl incarnation of the drum library series.
these drums actually constitute what would have originally been volume 4 and 5 before the masters were initially thought to have been lost in a flood that gutted the studio where, up until then, the drum library series were made. fortuitously perhaps, these last two “orphaned” volumes were discovered safe & sound in a storage unit just as vol.15 was wrapping up. we’ve compiled them both here in one special edition volume.
we hope you’ve had as much fun using the drum library series as we’ve had making them. thank you for your support over the years!

ion din dorobanti is one of the many monikers of the ubiquitous producer ion dumitrescu from bucharest. his 7” single on pingipung shows the oriental influences on bass music in his hometown. this release carries the manele, romanias wedding music which dominates contemporary pop styles since 30 years, towards new sonic realms. on the two tracks, he drag psychedelia and analog electro into the manele-sphere. the first one presents a radical afro-electro rework of alex pus&#806,,,,tiu’s “mi-e pofta&#774,,,, de tine ra&#774,,,,u”. ion din dorobant&#806,,,,i’s original production on the other side is a track pulsating on a 9/8 groove infested with synth nostalgia. all is spiced up by nicu chinezu’s on clarinet. ion dumitrescu is the co-initiator of the future nuggets label and its sub-label p-balans. they are both based in bucharest and run in heavy rotation at the pingipung office and in our dj sets. if he is not ion din dorobant&#806,,,,i he appears as australopitecus oltensis or utopus as a producer. among his productions are the brilliant debut lp by steaua de mare, the first lp of the legendary band rodion g.a together with strut records (london), the raze de soare ep and both volumes of -sounds of the unheard from romania-. these two summer anthems are part of the ongoing series of 7”-releases on pingipung. other singles recently came from ya tosiba, sven kacirek, andi otto or f.s. blummbastic.

more than less, started from seoul, south korea, came back with 4th vinyl release “folka ep”, composed by joton, owner of newrhythmic records, based in north spain, leon. he is also part of more than less records, releasing “fragment ep” with soolee remixes in 2014. it had great success and been supported by many producers like surgeon, pacou, dvs1, invite, lakker, paul mac, samuli kemppi, unam zetineb, jeroen search and many more. “folka ep” has two new tracks, called “frontier” and “sendice”. these two tracks are remixed by japanese techno hero, dj nobu, and korean techno pioneer, soolee, again. the “folka ep” represents the conjunction of asianeuropean techno, which more than less has been pursuing. “frontier” has pure anlalog synth sounds with addicted melody line, based on rough sound textures. it’s obviously for the peak time of the dance floor. “sendice” has unique grooves which joton’s trademark and adding rhythmic loops gives numerous dance feelings. “frontier”, dj nobu remixed, gives hypnotic raw sounds and exotic feelings. it has subtle rhythmic factor and people can’t help moving their body. another remixer is, more than less records owner, soolee. it is 9 minute track, consisting with full of hypnotic sounds from the first to the end.

70% deal , last copies left.... sascha braemer s first record on dirtybird was a very big success gathering support from a wide array of djs. as our very first german artist, we were very happy when he sent over this super hot follow-up ep. true to dirtybird style both tracks on the ep are thematic, but these also show some restraint, not getting too silly or gimmicky with the themes. grounded in heavy funk kick drum grooves, sascha has delivered another set of bombs for sure. the train grows from a simple solid groove to a massive whistling peak, then back to the deep rooted funk. fly flip is a play on bug sounds, bringing a more laid back vibe to the table. both of the tracks are the kind of thing that could be played in any set from techno to deep house which really says a lot for the universal appeal of sascha s solid beats. we hope you enjoy them as much as we do.

becoming something of a label mainstay, cain returns to highlife! his fourth release sirin is a big yin! it s been a secret weapon round these parts for a while now and we re finally pleased to be sharing it with you alongside the kicking kaldi and tumbi , which serves as a summer sweetener. with early support from the likes of ben ufo, jackmaster and damian lazarus (who recently opened his sonar set with tumbi) we anticipate it being a big release throughout the festival season.

a few years ago, melodies family members floating points and dj red greg got their hands on a couple of original 70s obscurities. while these standout records shone brightly in their own right, the two djs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. of these new recordings, they cut only five copies for themselves and a few dj friends of theirs. today, melodies international is very proud to bring you mel006 and mel007. fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two youÆre a melodyÆ classics werent originally meant to get official releases. but due to popular request, they are now available to play and share in very special moments at parties around the world.

port o brien is dead, long live waters. these new songs veered away from the frequently loose, punchy anthems of port o brien, and as van pierszalowski intensively pieced each one together, he sought a bigger sound – something louder than he could play on his own. so van returned to oslo, where his new journey began.

austin-based musician eliot lipp delivers “skywave”, an album lipp has been working on for the past several months. with influences from sci-fi soundtracks and 70s and 80s funk, he channels a collection of weird, high-definition, melodic beats. in these nine songs lipp feels he “might have everything i want to say in one moment.” recreating key musical moments in a current and relatable way was the goal in producing skywave and giving himself permission to take some risks as well. with a versatile approach, lipp has created opportunities to connect with some of the artists he first looked up to, playing in cities across america and abroad always returning to his hometown in the pacific northwest. collaboration plays a role in all his albums. he’s been a fan of emancipator for a years now and was beyond excited to get his “not quite awake” remix. he asked dmc champ chris karns to scratch on ‘joyride’. in addition to doing cuts, chris ended up playing live drums and layering unique vocal samples. ‘reflection’ came from a jam session with gibbz and cherub in their nashville studio. one of lipp’s biggest musical influences last year came from a group of producers from seattle that call themselves fish tank friends. most of them had a hand in the early stages of ‘spiders’. with monthly trips planned from texas back to washington, he anticipates more evenings surrounded by friends, fans, and new listeners where he brings everyone together through the touch of a button.

we are officially under exclusive rights reissuing a very special privetly pressed 45, -silver satin- by axis. originally released back in 1984, axis was a short-lived band formed in california by guitar player/vocalist byron bordeaux. back in 80s, record was never officially distributed, with only a couple of hundred 45s made, and sold exclusively at their shows. byron recorded a good deal of demo tracks, which for the next 30 years would go unreleased, all stuck on a pile of 8-track and cassette tapes. you can find one of these tracks on the flipside of this 7- - -runaway love- was completely recorded and performed by byron circa 1986. following the band s dissolution, byron continued performing, eventually ending up playing alongside the likes of bobby womack, buddy miles and the gap band. fast forward three decades later, -silver satin- is a sought after record on the collectors market that when found, goes for triple figures on ebay, discogs and the like. heavy support from jeremy underground as played live at dimensions 2016.

octo champ releases his second ep of 2017, following up on not quite there yet, which received major exposure from thump and dj mag. this upfront four-track release is a selection of dance floor ready disco and house and sits boldly apart from a lot of other music within these genres. dj support so far from dan shake and titeknots amongst others. taking inspiration from the more exotic corners of the musical spectrum the ep leads with the upbeat make heaven and its conga rhythms, vocal hooks and electronic patterns. cmi is slower and moves further into the groove whilst lacuna is the ep s funkiest cut, featuring a killer bass hook, percussion, guitar chops, claps and more vocals to carry it along. closing with a second four to the four track diametric leads with an elastic, acoustic bassline, synth pads and you ve guessed it: more vocal hooks. octo champ is one-half of dj/promoter duo rigid disco, running parties and radio shows across both london and glasgow and booking rising stars such as tom blip, fyi chris, hector plimmer and the rye wax crew. octo champ has remixed soundway s flamingods and chpln as well as contributing to the cdr x dimensions sounds 2016 project. most recently, his music was picked up by let s go swimming who released the not quite there yet ep.

-amarcord- the debut vinyl from oobe italian new-new wave producer yari malaspina. oobe stands for out of body experience. and that is the exact feeling you get when listening to these productions. electric guitar, house music and nostalgic experimentatio

eddie parker cut his northern soul anthems ‘i’m gone’ and ‘love you baby’ indetroitin the late 60s, showing there was life after pied piper for jack ashford and lorraine chandler. intense energy, grit and soul are the hallmarks of these seminal sides.

having already blessed the airwaves with their masked boiler room performance, and with releases and features seen on yume, huntley’s & palmers, permanent vacation and antho- ny napel’s probito, the promising talents of edinburgh duo hi & saberha&#776,gen continue on lo with ‘acid finger’. the five track ep showcases exactly what the pair are known for, exploring the balance of the subtle and direct natures of dance music. there is something extremely unique about their productions that breathes new life into an arguably stat- ic climate. ‘acid finger’ travels from highs to lows at a consistent and co- herent pace, starting with the sparkling, disco tinged ‘force&#769, boi&#770,te’. euphoric heights are executed through light flourish- ing synth lines, drum patters and chord stabs. ‘woodrum’ maintains the pace but switches the tone with jungle rhythms and a pounding bass. ominous belter ‘git’ with its driving kick, looped vocal sample and rolling bass. the track develops into a hopeful finish with the introduction of glittering synth movements. title track ‘acid finger’ delivers beautifully delicate percus- sive and melodic work that progressively shapes up against fleeting shrill synth lines that come to a fitting crescendo. ending the release is the melancholic atmospheres created in ‘redacted’, bringing a shift in mood and imitating a trudge through memory lane. expect to see and hear a lot more from these guys in the future..

limited numbered reissue, 45rpm half-speed remastered. pressing on triple 180 gram vinyl with etching on side f, housed in a gatefold sleeve with download code included.

500 copies limited edition! flash forward is happy to repress one of kerri chandler s most beautiful records.first come first served ! -black vinyl label boss alan russell first met kerri when alan was writing for echoes magazine and kerri was signed (by a&r man johnnie walker) to champion records in the uk. alan was interviewing dee dee brave at a hotel in west london as part of the promotion for her album on champion which was released in 1991. alan was already familiar with kerri s work such as superlover and set if off and with his productions on movin records, so asked about kerri and when told that he was also in london as part of the dee dee s tour, the two met and began talking. kerri was slightly surprised that alan knew all of his early releases and the two bonded. they met again in new york when alan was attending the nms (precursor to the wmc in miami) and stayed in touch. years later when alan had started black vinyl the two met again and alan asked if kerri would do something for his label. kerri soon delivered a dat containing these three tracks. the track my old friend was originally titled for my old friend alan , which alan shortened so it would look better on the label! the rest, as they say, is history.-

parrish smith has quietly been making a name for himself over these last years with releases on knekelhuis and contort yourself as well as with his projects volition immanent and sige bythos. we see him appear on l.i.e.s. in a strong fashion through four varied dense tracks. from slowbeat ebm to belgium klang to classic den hague crushers this ep forges its own path taking these cues and putting smith s unqiue spin on them. heavy yet still possessing groove and hypnotic rhythm, damage will ensue if used correctly. fresh stuff from this up and coming talent.

nice price deal !!! martsman fever is sweeping the world! the last free agent 12 from martsman, now that he has signed exclusively to med school. offshore is very happy to toast to his success and put out these two great tracks

dieses album enthält die schönsten auszüge von max richters soundtracks zu »waltz with bashir«, »sarahs schlüssel«, »das mädchen wadjda«, »disconnect«, »thecongress« und »testament of youth«.
180 gramm doppel-vinyl im klappcover.

another awesome techno release from our polish friends at technosoul, featuring mike parker and neil landstrumm on remix duties. you will also find the original tracks are just as as good as these 2 remixes!

monday off is a new, vinyl only imprint from brooklyn founded by mary yuzovskaya. its ethos is to showcase artists from around the world that explore techno’s hypnotic side, specifically where trippy and dark productions go deep yet dynamic. the label’s inaugural release consists of two spellbinding original tracks from new jersey-based producer chanski, and includes a dance floor burning remix from one of warsaw’s premiere rising artists, michal wolski. each of these three tracks were crafted to mesmerise listeners via their subtle flow, but are powerful and propulsive enough to make them dance!

blacksilk proudly announces its third release, the second on vinyl, reissuing a selection of tracks from dsordne, experimental electronic band active in turin during the 80’s and early 90’s. thanks to the proactive and collaborative spirit of marco milanesio, band’s founder and author of most of the songs, deserved and proper attention is finally given to three stunning original masterpieces of dusky, heavily post-punk influenced tracks veined with some sort of industrial aftertaste. these songs have been selected from a span of works, mostly autoproduced, that dsordne released in the years of activity on various labels (primarily the related hax records) or fanzines of the thriving italian underground scene of the time, which provided the perfect environment to experiment while representing the dull, grey and nihilist reality of the already post-industrial turin of the mid-80’s.

we are proud to announce our 6th release in the limited dance edition serie, this time with our very first 12- maxi single by anthony emrold phillip better known as -bro. valentino”. the side a, stay up zimbabwe is a legendary shango / orisha / calypso tune from 1979 that invaded the carnival season in trinidad and tobago, filling the lips and boots of everyone, singing and marching to its infectious chorus. bro. valentino again stunned the world with ah wo (band new revolution), a year later with a tune that championed the new mood of the islands and the new-found fame of the caribbean, no doubt spurned on by the very grenadian revolution, a year earlier. these refreshing caribbean calypso afro tunes, which have been constantly played during our dj sets, will come in a wonderful silk-screen printed cover and turquoise colored vinyl. limited to 1500 copies.

nice price deal !!! some serious disco funk heat coming all the way from the pacific northwest on this blazer from beat freeze and tj gorton. >club cabana< is a hot percussive workout that flawlessly mixes old and new school vibes, with chunky drums, a sick bassline and cool synth washes getting the dancefloor all hot and bothered. you definitely wouldnt be wrong to find this one in a dj t or prins thomas set. on the flip sfs anthony mansfield lets loose with his own remix that houses the proceedings up a bit with some cool synths and cut-up vocal samples. excellent stuff from these new-school disconauts

møzakia broke down the door for no bad days with their first release, and it is with great delight that he returns to kickstart the new sister label - no bad edits. the name has changed, but the ear for colourful and supremely dreamy tunes hasn’t. these impressive tunes are not your standard cut ’n paste extensions.
using motifs from a long-forgotten 80s new age cassette, møzakia shoots for a mellow paradise with three cuts that variously evoke finis africae’s 4th world exotica, contemporary house jams, and even the rainbow road level on mario kart 64. long may the love-in continue!

these ones keep floors moving! championing an inimitable groove, the possé present three club ready tracks on their season s greetings ep, combining the know-how of house with the energy and spontaneity of a live band set up. recorded at the legendary citisound and rec studios in sydney, the tracks on ken004 each deliver different perceptions of the up-tempo house beat they’re quickly becoming known for. the title track is probably the heaviest delivery from the label to date, highlighted by the iconic drip of the tb-303. cheeky guitar licks and 808 rhythms jump in and out of the tracks on the ep, keeping it fresh on the live tip.

the debut ep from seltron 400, aka, polish dance favourites eltron john (uncanny valley / transatlantyk) and slg (studio barnhus / step), arriving on most, following a recent appearance on catz and dogz pets recordings. stemming from a run of well-received back-to-back sets, these close friends emerge from the studio with two imaginative slices of house and contemporary electro, alongside a jackin bonus beats accompaniment. after a well-received boiler room set, the duo will promote their officialdebutin summer 2017with aproper live act.

tendts are two brothers that make -music that you can da nce to, or not-. it seems an odd phrase, but aptly explains the duality of the greek duo. the compositions of christos and fotis papadakis are both emotive and movement inducing, even though they are written and structured with disparate elements that refuse to fall into obvious patterns. they consist of palpitating beats, imaginative textures, seductive melodies and sporadic bursts of treated vocals. it s everywhere is a concept ep soundtracking tendts intergalatic encounter with the pleiadians (dimension traversing nordic aliens to the unenlightened ) at the far edge of the universe. upon their journey home they brought with them not only costumes, masks and relics of extraterrestrial civilizations, they brought with them the spirits of two great celestial beings, momongo and floflolo. fotis and christos were the reincarnation of these two and the main purpose of their return was to enlighten the people of earth about the beginning of the era of the cosmic swimmer.

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 4 is an essential overview of this most iconic of labels and some of it s more under the radar output, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from taana gardner, sparque, forrrce, inez brooks and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like tom moulton, francois k, tee scott and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

casino shanghai was a -techno-pop- band started in the mid-80s in mexico city. they released their debut and only album -film- in december of 1985. an album considered today as cult status. casino shanghai were part of a great cultural change in mexico and its music scene. the band made various controversial appearances on tv when a band without a drummer or guitarist was unheard of. all members had been in different notorious bands in the local scene. ulalume was the lead singer of the casuals (punk-new wave) and denseundergrowth (avant-garde). carlos robledo and walter schmidt were part of size (post-punk) and have been playing together for many years in decibel (experimental). humberto alvarez played with mcc (prog rock) and is currently a well-known musician and multi-instrumentist. before the band split-up they recorded two last songs in 1986, -le tombeau d edgar poe- and -l action minimal-, as part of an unreleased solo ep for ulalume. these tracks were edited in 2014 on 12&#8243,,, by mannequin records together with a remix by in aeternam vale. the music of casino shanghai was also used for the soundtrack of some mexican films. -crónicas de familia- directed by diego lópez and nominated for the ariel award for best original soundtrack in 1986, and -juana la cantinera- directed by josé loza. -film- has been restored and remastered for this new edition including all original tracks plus two bonus: -le tombeau d edgar poe (haunted version)- and -cuerpos huecos- (spanish version of -hollow bodies- available only on a promotional 7&#8243,,,). limited to 350 copies on white vinyl with a new artwork and printed inner sleeve with photos and song lyrics.

before boogie funk had a resurgence in 2012, ruckazoid was dropping rare funk albums in 2004. his demos were floating around la, but it wasn’t until 2009 that breakbot remixed ruckazoid’s original “life’s fantasy”, which was later released in 2011 as an original track titled “fantasy” on ed banger records. fantasy became a breakout hit scoring a #1 single on itunes. in 2013 when daft punk released “get lucky” featuring pharrell, funk was officially back in the mainstream. those in the know knew breakbot & ruckazoid helped rekindle the funk flame worldwide. after all, the label ed banger is headed by busy p, and busy p managed daft punk. suprinsingly, ruckazoid did not tour with breakbot, opting to stay in the studio to record more albums. amazing lover being one of these albums, with love game becoming the lead track.

sfsb recordings welcome mr hot mood to the stable for our second release, following his previous releases on tugboat edits, editorial, masterworks, deep sense an whiskey pickle records. side a s lets get it and lost soul head toward the deeper side of mexico s finest, with -let s get it- looping itself into an underground frenzy before releasing the crowd into a classic 1970s chant and them throwing them over to a killer organ hook, a must for 4am. -lost soul- takes you even deeper in to the realms of 70 s soul, bringing it into the 21 century with its beefed up lick - i wanna hold on, and let my love grow strong-, reminiscent of the original mark e working that helped start the movement. side b ôthe g groove- proves to be another early set summer anthem, completely heads down whenever it gets played, while -keep on dancing- does exactly what it says on the tin. the hardest track of the ep is left till last, with its -keep on dancing- call to arms for the dance floor reinforced by a destructible sax loop, it should be called martini, anytime anyplace anywhere. these tracks definitely reflect the sounds of south beach, produced with love by hotmood, curated by south beach recycling. dj support: session victim, sleazy beats, art of tones, dave allison, 80s child, disco tech, black loops,78 edits, homero espinoza, martin hayes, dj moar, coeo, osmose

a few years ago, melodies family members floating points and dj red greg got their hands on a couple of original 70s obscurities. while these standout records shone brightly in their own right, the two djs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. of these new recordings, they cut only five copies for themselves and a few dj friends of theirs. today, melodies international is very proud to bring you mel006 and mel007. fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two æyouÆre a melodyÆ classics werenÆt originally meant to get official releases. but due to popular request, they are now available to play and share in very special moments at parties around the world. mel6 arrives as a 7-inch, with the original version and the edit on the flip. first released in 1979 as a three-minute up-tempo library recording, ôdisco baby-, one of 10 tracks off a record available to license for film, radio, television and other media, held some hidden magic that would only get uncovered almost four decades later. informed by years of combined dancefloor experience, floating points and red greg have slightly tweaked the original material, realising that played in the right context, it can become a true disco anthem.

12inch whitelabel, limited to 200 hand stamped and numbered copies. following their 3rd compilation nurned.03 the nurn-up, through my speakers brings 3 of these tracks to wax, including the sought after execute by radar bird, which artists like dbrigde, om unit and many more have been heavily playing for the last 2 years and making dance floors going awe all over the world. in addition to that the sampler features a production from nght drps titled timebomb dub, another proof of his talent to craft deep, bassline heavy dubstep cuts with a dready twist and furthermore deep medi affiliate bukez finezts with ladies and cash an ice-cold banger to make you go nuts and spray 16 bars. last but not least this 12inch gets completed with the ignorant juke banger 160bpm, recorded and mixed to a 2track at a hazy afternoon in 2016 by sarah farina, walter vinyl, soulmind and radar bird during a session at redbullstudios berlin and successfully tested afterwards by rainbowbass queen sarah farina during her world tour.

klanken are two belgian brothers. klanken by name klanken by nature. ævier is motorik. highway engine sounds over rumbling bass. ævijf kicks. lfo gone benelux. these two tracks are the sound of new beat reinvented from its belgian home. metallic machine sound for dancefloors and heads. sleeve design by ill studio, paris.

ltd 2017 repress, yo people, it has been a while but these things take time. since our one release last year gave you enough booty shaking until this spring, now is the rite time to drop our 8th release to get them butts shaking again. the a-side is like that dish you always order at your favorite restaurant because it simply never fails. just like it, this track during peak time hours is satisfaction guaranteed. the flipside, aa1, hands you your ass on a platter. this track belongs in any house set to be taken seriously. aa2 is the real reason behind the reasoning. novices and experts need look no further. word. vinyl only

after the success of the labels first two releases, of paradise welcome baltra into the inner circle for number three, a 2xlp reissue of his no regrets album. originally released in february 2016 as a limited edition cassette on the artists own 96 and forever label, this is the first time any of these tracks have been made available on vinyl. no regrets captures the deep, raw emotion of the big city, taking the preconceived ideas of underground electronic music and lovingly twisting them into something new.

miltiadis merentitis is one of the greatest exponents of the underground greek scene. after several releases on nous, echovolt and synapsis joins freebeat with “epitome of things ep”. miltiades explores here driest territories without forgetting his characteristic paths and chords. but the burden, in these delicate but rude compositions, is shouldered by the rhythmic sequences and the percussion elements. every kick, snare and hi-hat are carefully placed to transport you to another world. to take you to the unconventional and rare world of miltiades.

grandioser northern soul-sampler, der 16 perlen von hochkarätern wie nina simone, joe simon, bobby adams und grover mitchell vereint und dazu superbe tunes von ricky rezell, bertha tillman, george allen, mary johnson und eddie banks with the five dreamers erstmals seit original-release wieder auf vinyl verfügbar macht. ein schmuckstück für soul/r&b-vinylsammler!

new york meets brighton as both label and artist step out on wax for the first time. this is a new, exciting realm for homage, but they surely know they re onto a winner with the feel good disco edit tones of tech support. there are classics embedded into these fine jams, with -feel it- coming on particularly summery in its laid back disco funk stylings. -inside out- is slightly more looped up, but no less uplifting, while -clarity- heads into a more woozy, filtered groove that feels inspired by the likes of theo parrish s ugly edits. by way of contrast -sugar- is a much more electronic affair that kicks with purpose while simultaneously reaching for the stars.

soul jazz records’ new space, energy and light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla d-i-y cassette-era electronic artists, spanning in total over a near 30-year time frame. all of these artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future, but also of looking inwards to the soul and of creating music in harmony with the natural world.
comes as a heavyweight triple vinyl album plus download code. artwork includes some of the earliest photography of the plieades star cluster dating from the 1880s.

nice price deal !!! the sound of these 4 tracks bruits into space entrobically. a perfect liason of japanese phonetics & occidental vibrations. a soundtrack for a movie that was never made !! / played by dave clarke…limited backstock

next up, we return to what we do best introducing a brand new project to get excited about. norwegian pandreas delivers some of that melodic goodness just in time for summer. with early support from jackmaster and prins thomas, you can expect to hear these at a festival near you.

next release on craig richard’s tuppence imprint comes from howie b, craig richards and shaun ryder. old boys features shaun ryder unique vocal styling’s over howie and craig’s infectious crisp production. on the flip, howie and craig venture into more sonically eclectic territories. please note these are limited 7” only releases.

the ep entitled vinkelvolten showcases bauri’s form of techno on a platform that, as promised, will diversify and show consistency. this ep takes us on a journey built around gorgeous sounds and crisp abstract beats to a place calmness and peace. originally part of bauri’s 2nd album that never got released due to the slow down in the idm scene, these tracks have matured like a fine wine for 12 years, and now are on a 12” released by b12.
finished in glorious green and grey marble vinyl with exclusive full colour artwork by the wonderful catherine prendergast aka cellar door.

manchester producer anz self-titled debut comes at the crest of two years scenewide hype around her breathless brand of uk club music. also the maiden release from local club night-cum-label chow down, the record is as much informed by anz time as the nights most in-demand resident dj as by her instincts in the studio.these are tracks shaped by a good few encounters with manchester s roiling 2 a.m. crowds. this isn t to suggest a uniform sound anz ear for interplay brings her many influences together in sprawling constellations of style. jolting to life on the bassline- and funky-referencing steel percussion romp panrico, the record then slows to a half-time 808 lurch on clanger. the flip sees loa flex dense polyrhythms and coarse sublow bass before fencin brings it home in a final flourish of crystalline synthwork