custom 12 inch vinyl with hand-stamped labels, limited first pressing.
la producer gb and a race of angels, two mysterious figures in the west coast music scene, join forces as they bring to us their self-titled project, the steoples.
this 4-track ep is a beautiful hybrid of electronic and soul brilliantly put together in a most unique way. lush analog synths and syncopated rhythms animate this offering throughout, while the vocals embody an infectious feel that will have you singing all day.
each jacket has been individually and uniquely hand-sprayed by dame (msk). as every jacket is different, yours will not be exactly like the ones pictured. instead, yours will be totally one of a kind.

the new night light records release is brimming with 4 killer techno tracks from the likes of mladen tomic, sinisa tamamovic, paride saraceni and dani sbert. blossoming tech beats, and robust bass lines, these four dance-floor tracks will provide the vibes you need for your parties! massive support from richie hawtin, dubfire, adam beyer, umek, paco osuna, kaiserdisco, monika kruse, mark knight, dj chus, joseph capriati, cristian varela, sian, yousef, bart skils and many more.

bastard jazz is proud to present the debut ep from brussels based production duo eric p & luigi aka monkeyrobot. coming to light through their work as 74 miles away (melting pot music) and tall black guy, who selected their standout >basement infusion< track to be on his tempo dreams compilation album (released in june on bastard jazz), and alliance between the label and m.r. seemed natural.
here on their self titled 12 inch, monkeyrobot deliver four diverse tracks that showcase their skills behind the boards, the keys, with a keen ear for the dancefloor. kicking things off, >brick stomach< is a synth-heavy four-to-the-floor 120 bpm joint that comes off like a floating points visit back in time to 1980s detroit with its rolling snares, arpeggiating synth bassline and cloudy pads. next up, >northern light< filters shimmering space disco vibes through big, thumping instrumental hip-hop drums and moody analog bass. on the flip, >rose gris< takes things in a funkier direction at 100bpm with its syncopated drums, irresistible lead, squelching bassline and all manner of synthesizer explorations. rounding off the ep is >last days<, which still manages to inject a funky 80s analog sound into its melancholy downtempo vibes.

please do buy this record, sit down, focus on what is right there in your hands, turn to your loved one, breathe deeply, enjoy the light in the room, savor your food perhaps, and simply appreciate all that is happening in this particular moment.levitate in awe as you enter the land of light, a new work by jonny nash and kyle martin.

the cheapers are berlin djs ruede hagelstein and franzen texas. both are resident djs at watergate club, and call upon you records their home label. our friends contribution to the bar25 discography has been cooking for a long time, and now, finally, is ready to meet the light of the musical world. the title track, too late, is a cooperation with berlin djane and singer meggy, who has already seen success this year with re.you & rampa. the original is a soulful deep house track thats been freshened up with a tech-housy remix by smash tv. vinyl only, the cheapers have also added a particularly special track which features some dark sampling that the two artists refer to as gothic house

early sähkö / seico corp inspired goodness from new project, shadows. limited 1st edition on clear vinyl feat. insert & poly sleeve. avian moves on from the last two highly successful releases by londons mpia3 with a new project from undercover operatives, shadows. taking cues from early sähkö or seico corp records and putting a modern twist on it, shadows first ep for avian features two bruised & scorched original productions as well as a reinterpretation by new yorks mike parker who takes distorted images and reconstructs it in his own typically restrained but super effective style.

it has been four long years since glissando released the critically acclaimed >with our arms wide open we march towards the burning sea< and the duo finally return this november with a new record >the world without us<. the new material bares glissandos trademark of ethereal voices and tip-toing piano melodies but the overall sound is richer and more expansive. epic swells of strings and guitars sore above the drones and field recordings to create an intense yet fragile noise. this lp is a highly limited deluxe package of just 300 copies, including code for free mp3 download of the full album.

the black madonna hits home taping hard with her first release on the label >alright this morning<. coming from the middle of nowhere, but now based in the attic of a house in chicago that used to be the home of over 50 dance labels, she likes her music to do the talking and admires the anonymity and musical militancy of acts like underground resistance. having being brought up working in the music industry as an apprentice doing this, that and everything and helping to run labels, she actually refused to let anyone hear her work for years with masters gathering dust and never seeing the light of day. until now when, after the encouragement of a producer friend to get her stuff out there and a chance find by home taping of a few tracks online one day, she has now found a place where she feels at home. the first of a string of releases on home taping sees the jubilant and heavily chicago-influenced >alright this morning< released along with a remix by one of her favourite new producers, nicholas from italy. the rest is history and up to you ...

luca c & brigante are beginning to need no introduction as their heady balearic mix of sounds continue to resonate from the beach to the club. together, they have dropped bombs such as >different morals< feat. ali love and the robert owens fronted >tomorrow can wait<. luca c is also one half of infinity ink, whose >infinity< has been one of the summers biggest records, and a new addition to hot natured alongside jamie jones, ali love and lee foss. sebi aka brigante has remixed the new single from ali love, about to drop on no.19. aligning with the ancient mayan prophecy that the end of the world is due december 21st 2012, luca c & brigantes new single >flash of light< featuring dance music icon roisin murphy is a call to love like there is no tomorrow. embedded in heavy reverb and stripped back to slow steady drums, the mood rises as roisins crystalline vocals fall into rhythm and weightlessness builds with the bassline hook, pearly high-pitched strings and a burst of harmonic percussion.

sunwalkers is the b-side project of rks, thats what happens when the power of the beats meets the light of the synths. a raw mix of miscellaneous pad and analogue drums that start with a tribute, a detroit reminding track, 303 acid bass and a blaze of sweet melodies, like the old school way says. the ride goes on with 2, an easy dancing jam, the piano chords run into an unceasing clap for a massive dirty floor killer. on the b-side terrence parker puts his groovy piano style on a brilliant remix of the light, seven minutes of pure detroit parkers energy with a dreamy heartbreaker bridge.

following up on the success of patrice scotts orbital bliss ep, sistrum moves further into the exploration of modern electronic music with the 2nd installment of the aphotic segments series. as always, quality is the key and deep vibes are the order of the day.

2014 repress !! we think we do not have to introduce sven weisemann, but for all of you who are not familiar with his work... sven has released on top labels such as delsin, smallfish, echocord, liebe detail and maybe the label he is mostly associated with is mojuba records, which is based in berlin. his release for telrae starts with elapse a track so detached from everything and at the same time so earthly, it gains that mystic touch some trax radiate. it is again a timeless track on telrae what we think is a quality we strive for. light sway seems harder at first but turns out to be more melodic and light than elapse and so the title fits it just right!

twelve years ago tresor records released terrence dixons debut album >from the far future< - a personal homage to the art and ancestry of techno, culminating in a discursive and dream-like course through the genres many tomes, complete with subtle nods to key protagonists such as kraftwerk, derrick may and juan atkins. a luminescent and ethereal catalogue of tracks awash with shimmery synths and taught rhythmical programming - that still holds true today, >from the far future< made for a stunning first full length that cemented dixons already proven credentials from his population one work and utensil records foundations. after a string of stylistically rich releases - including another album, >train of thought<, this time for cologne-based label yore records - the detroit native returns to tresor records with >from the far future pt.2< - an ambitious, scopey and deeply personal sequel.

two stunning slices of mercurial and heartfelt british techno from two outstanding northern producers that cuts across the m62 corridor like a night drive into oblivion. a 10inch black hit of space, lovingly designed for the dark, sweaty basements of provincial, post industrial towns and the cold light of day in the car park of knutsford services.

the nippon express is a series of two releases by wellknown artists from japan. release one comes from imugem orihasam (sistrum recordings, new kanada, steadfast) with a harder interpretation of acidic dub techno.

nice price deal !!! 10 inch limited edion, hand stamped, vinyl only , limited to 200 copies

transparent blue vinyl pressing.

cazumas yume is a delicately balanced trip, from a broke, raw groove towards the light. striving upwards all the way, higher through beautifully orchestrated pads, strings and chants. if you flip the record, you will find envie by mr raoul k. if you know raouls sound, you would probably find this one to be on the clubbier tip. bulding from a groove of raouls patented percussive arrangement comes an electronic sandstorm, from tiny stabs through a full on and freaked out break where the mighty beat is totally lost. and then back at it! this is really one of those tracks that you cant help yourself from playing whenever control is lost on the dancefloor, a gateway to the crowds inner animal.

>the fall of the empire< is a tough and unyielding release that continues both pfirter and mindtrip s run of form. >the fall of the empire is imminent< is raw, powerful and tightly wound. it holds an almost familiar sound, something that brings memories of techno from years gone by, but with the added depth, intricacy and attention to details that juan pablo pfirter lends to all his productions. markus suckut remixes on mt-02 and brings his stripped sound to his rework of >multiverse<. keeping things simplistic and functional, markus finds the groove, toying with bass throughout the track and letting the loop run for near seven minutes, gently tweaking fx and eq in the light-handed and tender manner he become known for.

though >the duke< is a tribute album, it is also very much a joe jackson album, consistent with his long-standing sense of musical adventure.
>i revere duke ellington, but i didnt want this to be a reverent album,< joe jackson says of >the duke<, his new tribute to american jazz giant ellington.

celebrating a landmark tenth release, biscuit factory records brings two absolute stompers. the a side is creature, a laxx and farkas collaboration. on the flip laxx and soap dodgers team up with hi rolla. creature is a 4x4 combo with a smooth hypnotic vocal that drops into a heavy bassed, techy roller. the biscuit factory is set to full speed on this one with industrial synths and weighty stabs crashing over the raw upfront bassline. hi roller is a dance floor club smasher. dark robotic basslines and pure weight make this a perfect flip to creature. the low sub bassline and hard punchy drums combine with light melodies in the breakdown to make a track that turns speakers inside out and shreds clubs to pieces. creature and hi rolla have been a staple in walshs sets over the last few months, destroying raves across europe. huge support also coming from n type on his weekly rinse fm wheel and deal records show, hatcha (kiss fm, sin city recs) and skream and benga (bbc radio 1).

after the club tropicana sounds of bang the bomb its time to roll the sleeves up and get down to the business end of this trip. touching down on planet subturanus in search of the real underground shit light sound dark do not disappoint digging deep into its core and excavating strange alien like sonics which had previously been lying dormant.

having both previously released on phuture shock musik, garage experimentalists roof light and lostlojic return to share the honours on a split single set for release on the bristol label. always one to maintain an eclectic approach in his work, surrey resident roof light returns to his forward-thinking best, offering up >pearl< - a sultry number, where jerky beats intertwine with fragmentations of female vox that saunter through swathes of synth pads, glitchy blips, and warm dubby bass. on the flip lostlojic continues the regular theme of passion in his music, bouncing back with >so much<, another r&b inflected dancefloor gem, incorporating a saccharine vocal hook over a bed of lush rhodes chords. soulful as ever, and riding a 4/4 rhythmn just beyond the familiar 140bpm region, this tune premieres a departure from the typically cold, brooding style that the ukraine based producer is known for, to something more suited for the warm summer nights.

if you havent heard the name versa floating about recently, where on earth have you been? this talented young producer has been making some seriously deep, soulful music that has been supported by some of the biggest names around. versa has recently remixed a biome record >swan< out on smokin sessions that has is sure to be a hit record, as well as being deep heads focused artist, to name just a few reasons this boys name is flying around soooooo much. he is one to watch for sure! here are 3 tracks that show case versas more techno, dubby productions that are just masterfully engineered.

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

this lust und freude release by rodrigo polder aka re- light from santiago de chile is a jazzy-house style ep perfect for the summer season ready to spread the joy and make the sun shine brighter.

unreleased egyptian jazz: 2x45s set in a unique hand-printed fold-open pyramid! four sides of previously-unreleased ethnic mythic mystic jazz from the legendary egyptian drummer! before the re-release of his album with the cairo jazz band recently, the name salah ragab was best known to jazz fans and record collectors by way of another lp that was recorded with sun ra in the early 70s. his album >prism music unit< with the cairo jazz band was released in egypt with another by the cairo free jazz ensemble, but perhaps only salah himself knew of the other songs he had recorded at the time, but didnt make it onto these lps. the tapes lurking for decades in an old trunk, its taken until now for them to see the light of day, and we present them here as four amazing pieces of egyptian jazz on 2 seven inch singles. entombed within a hand-printed, hand-made pyramid shaped box, this is the first time in 40 years that these recordings will have come to light. ladies and gentlemen, behold the splendor that is salah ragab and the cairo jazz band!

nach touren rund um den globus kehrten eleanore und jason zurück in ihr abgedunkeltes studio und arbeiteten an dem hypnotisierendem nachfolger zu ihrem beeindruckenden debüt. >red night< wirkt wie eine meditation über trennung und wiederfindung, über fast verloren gegangene liebe und die lang nacht zu ihr zurück. der thith sound vermählt furchtlos minimalismus und abstraktion mit grossartigen melodien. eindringliche stringarrangements werden von treibenden rhythmen und eleanores faszinierender stimme überrannt. >red night< ist ein trip durch die schwarze grossstadtnacht, in der zeit sich dehnt, geschwindigkeit bricht, und gitarren in donner und herzklopfen eintauchen, bei immer intensiver werdenden vocals, je länger die nacht dauert. nach jüngsten auftritten mit odd future und kid cudi, mit den yeah yeah yeahs, james murphy und squarepusher werden thith jetzt auch bei uns ihr neues album ausgiebig live präsentieren!

positive merge (aka andrey lanovoy) is talented ukrainian techno producer, inspired by a minimal fine sounds with light effects of minimal techno and crazy dark bass with groovy loops of european techno, founds his style in music.

smith & mudd are back in fine style on claremont 56, following up their excellent lp with this great double header! >sauna love< is the lead track, an uptempo, string laden boogie house affair with great vibes, bass, strings and punchy percussion all rolling along into the sunshine. on side-b >the surveyor< is a great piece of otherworldly electronic music, coming on like some weird cough medicine induced dream. the bass pulses along with mystery dialogue, light key flourishes and an intent that is delivered about 5 minutes in when the kick drops and the whole thing shifts into a latenight, alt disco bomb.

das indie rock-quartett the plea stammt aus dem kleinen irischen dorf ballyliffin, und nachdem sie im letzten jahr die ep >nothin but trouble< veröffentlichten, erscheint nun ihr debütalbum auf planet function. produziert und abgemischt wurde >the dreamers stadium< von chris potter, der unter anderem auch the verves >urban hymns< oder i am kloot produziert hat. the plea überzeugen mit druckvollen, hymnischen songs voller hingabe und dringlichkeit.

soon-to-be-stadium rock ... it could be played to fireworks on the pyramid stage at glastonbury. (q magazine)

the prism is an aluminum cube, small enough to fit in your palm. it was designed by nicolas jaar as a new medium for releasing music. the first release - csa001 - features twelve (mostly) unreleased songs from jaar and other clown & sunset collaborators. the prism is a piece of art in and of itself, its contents beg to be shared. twin headphone outlets encourage connections to the object and between the two listeners. the prism tries to restore physicality to the listening experience. the medium and the method are as important as the music itself. the prism makes you consider how the music is being heard, the way the object feels in your hands, and its potential to foster intimacy between listeners. when the prism is unplugged, a beam of light passes through the empty center, revealing a void. someone is missing.

foul & sunk, the swiss-german house-imprint based in freiburg and zurich, rings the bells for round 4 with the eriswil ep by jagged, a spunky release that blushes your cheeks like a strong sip of bernese apple brandy. and bern is the code word that sheds light on the origin of jagged: behind the name hide three veterans of the swiss house music scene - the djs and producers benfay, jay sanders and zukie173, who emerge from the vicinity of the now discontinued freestyle label a few among others, whose founder was zukie173. as jagged, they are releasing house music built upon hard-hitting drums, sinister bass lines and soul-drenched instrumentation for over four years by now. they debuted on quintessentials with hello kool nice in 2008, and didnt lose their gritty energy since then. now, theyre back on foul & sunk with eriswil, a deep rolling, dark monster that also gets a remix-treatment by the abstract eye

here we have the third and final installment of session victims haunted house of house lp sampler. soul clap declared it beautifully diverse - best dog in ages! dop, james teej, catz n dogz and tornado wallace said superb, inspiring, fantastic and bloody ripping respectively. enjoy part three, full of deep, sample-heavy house and leftfield beats

2012 is the time for john lord fonda to come back to the light, starting with a huge techno ep >bang the fire!<, including two original tracks bang and >heaven s on fire< both with a minimal techno imprint. this new release is the first extract from his forthcoming album, scheduled for 2012.
>bang< open the tracklisting, a classic john lord fonda track, energetic like always as even if he takes time, he drives us in the end in huge orgasmic breaks, quite intensive…,. then we continue with a kazyo (from teenage bad girl) remix that delivers a dancefloor epileptic killer version. electric rescue is fascinated by the energy of techno music, so he did a very minimal but powerful version.

for the boxer jubilee, we have organised a top-class heavyweight fight: martin eyerer, head of kling klong, and florian meindl, chief of flash recordings, have entered into the boxing ring for a two-round title fight: in the first round, >the rush< — supported by tactical advice given by the trainer — is a fast and merciless series of left jabs followed by sappy, powerful uppercuts and hooks that leave the opponent completely unprotected. gong after a short break, the referees gives the command box, and the showdown starts again: >slow groover< is as light-footed as muhammad ali at his best: always on its toes, full of grace, and with surprising and powerful left-right punch combinations that often end up in a clinch. and with resounding applause, a technically ambitious two-round fight is over, and there are no losers, only winners. so, raise your fist, get your boxing belt on, and meet you on the dance floor…

ramona still gets plenty of mileage from massimiliano pagliaras wonderful and critically-acclaimed album focus for infinity. thus you will find the second 12 inch of top-quality remix action right here: from acid romantics to reggae house. this time removed from all links to producers from frankfurt, but injected with international rollercoaster sounds.

with their feet firmly positioned on dutch soil, the heads and hearts of dam swindle are nonetheless rooted deep into the soul of the motor city, and this ep of finely crafted grooves on jimmy posters and huxleys fledgling saints & sonnets imprint is as brilliant a reflection of their obsession as you could expect. >the wrap around< combines a killer vocal hook with a silky line, but its the bassline that marks it out, coming in with a thudding bassline that twists itself into all manner of unfiltered goodness at the halfway point. >pain tomorrow< meanwhile prefers to let its skipping percussion do the talking with a bumping chord led groove that would put mcde to shame. the ep is rounded off with a killer remix of the title track from deleusions of grandeurs pattern select, turning in a sparse reworking which transforms the light original into a throbbing piece of basement house.

nice price deal !!! the record opens with “origins”, and we hit the ground running with an obese bass-line dipping through a sparse rhythm .this is a deeply touching jack-attack, infused with stripped-down, cold-wave hysterics and touched by that very distinct meschi charm. science-fiction synth-lines smash through a rugged beat, wailing at you with such force that you can’t help but take notice.

nice price deal !!! finish copy promos housed in a reverse board sleeve. ep#2 is here, swiftly following on from ep1 which is pretty much sold out, here we have arguably goldffinchs most sought after material originally brought to light via loefahs rinsefm shows and subsequently garnering support from boddika, mary anne hobbs, 2562, jackmaster, benji b and more. these boys are on fire right now and in our eyes have pretty much nailed it in terms of the now-sound! act quickly on this one!

second release on this promising french label.advanced industrial techno as we like it!inspired by an anticipated post-apocalyptic future,polar inertia formed their duo in 2010,they swiftly pointed themselves in the direction of an extremely contrasted music, both heavy and delicate. evoking a sci-fi end-of-the-world countdown scenario, the two artists of polar inertia decided to move aside,and make way for an imaginative and poetic world based on the words of a mysterious narrator. this is the first episode of polar inertia,and our second release on dement3d records.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

more stunning beats from the man (?) like rrose... comes on black wax in printed inside and out sandwell jacket. in stark contrast to his recent work >the merchant of salt<, rrose takes us way, way deeper with this brilliant new 3 tracker. perfect warm-up / cool down material on offer here - bound to go down well after his (?) recent and very well received live set at berlins berghain.

the second single from francis harris debut full length, leland contains three remixes of pharoah in the morning,one of the highlight tracks on the album featuring the phenomenal vocal talents of danish singer gry who performs here in here native tongue. two entirely distinctive remixes come courtesy of labelmate black light smoke and the other is by nsi.,who should need no introduction.pharoah in the morning remixes will be out on limited edition vinyl from scissor and thread soon.look for leland in february 2012.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label. now, joris remix will be made available through rejecteds limited edition of 500 12 inch vinyl copies.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

first available only on decks.de!!
-all it takes- ist die lang erwartete dritte single von marquez ill auf voltage musique. das warten hat sich gelohnt, denn dafür konnte er mit ?bright light bright light? einen der momentan angesagtesten sänger londons gewinnen. mit einer prise house und