born kenny dixon jr., moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the motor city. dj-kicks will be dixonÕs first ever official multi-artist dj mix. across 75 minutes and 30 tracks, moodymann creates a libidinous, blues-drenched mood that takes in heart-breaking soul, gorgeous hip-hop and love-fuelled house. in addition to cuts from his own creative circle, the mix features 11 exclusive moodymann edits.

schneeweiss v: a collaboration of neighbours. over the years, oliver koletzki has continuously cited berlin as a point of reference and, more importantly, a source of inspiration. two of his albums gro§stadtmŠrchen and gro§stadtmŠrchen 2 have been a direct ode to the capital.

med school presents creative potential drum & bass! flawless impressively blends elements of liquid d&b, jungle, half-step, hip-hop and more ragged rhythms

nice price deal !!! hd+ is a data dvd, documenting uwe schmidt s aka atomtm s visual aesthetics for the first time. the conceptual engagement with and the critical yet diverting examination of pop music that s always delivered with a twinkle in the eye is a central topic of the musician s diverse creative work and cer- tainly included in this visual presentation of it. together with the second remix ep riding the void to be released this summer, hd+ marks the provisional completion of atomtm s hd cycle

it takes time for a series of seperate ideas to evolve into a fully concepteptualized album if it wants to have a place in history for ali and basti schwarz, better known as tiefschwarz. since 1998 the duo, as both djs and producers, have perfected the art of dominating the moments only experienced on a dance floor, deeply immersed in sound. their music is unique as it is creative.

opfer is a new project by dutch artist ian martin and belgian artist sebastien crusener and monument is their first album. ian martin needs no introduction to fans of adventurous electronic music. his versatile style allowed him to release on illustrious labels such as bunker, abstract forms or further records. sebastien crusener has provided all source material in form of field recordings for their project and ian modelled a abstract, minimal and dark ambient album that showcases a bleakness and almost disturbing coldness but yet makes you feel safely encapsulated in a world of comfort and strange beauty. additionally sebastien has kindly provided some wonderful poetry that gives you more insight into the world of opfer. dark ambient at its best. 150 manufactured hand numbered cds in slim line dvd case. the first 100 copies include a limited sheet with poetry by sebastien crusene

dvd + cd in digipak dvd size case

system fork was designed around the principle of itamae, where ever detail was described and thought about before any work in the studio was done. this process took two years before a set of rules and principles were fully realised for the creative process in the studio.

kink spent years of backwards-engineering the sounds of detroit, chicago and early warp. tweaking whatever software was available, he learned all the sideways possibilities of hacking into the sonics of analog classics with the beauty of digital degradation: alias noise, bit crush, noisy fft grains - his one-of-a-kind results electrified dance floors all over the world ever since. now, all the elements of kinks live sets have been bundled like a laser beam in his debut album

schneeweiss iii: a collaboration of neighbours. over the years, oliver koletzki has continuously cited berlin as a point of reference and, more importantly, a source of inspiration. two of his albums - gro§stadtmaerchen and gro§stadtmaerchen 2 - have been a direct ode to the capital. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heat. this is where he started out when he first moved to the city, and this is where he lives now.

nowadays house music has become a global phenomenon. almost all songs/tracks from the 80s and 90s have been recycled and sampled. harley&muscle from milan are the spearhead of the international deep house scene and who is supposed to know better how it all started at the end of the eighties. soulstar proudly presents the fourth edition of the house classics compilation. also on *house classics iv* harley&muscle present the who-is-who of the house music world and deliver 26 titles the wrote house music history.

counting almost three years in the game now, demand records have set themselves a mammoth task. to continually release music that cuts through the mounting levels of hype that surround the drum and bass scene of 2013 while retaining an edge of experimental innovativeness is no easy feat. luckily, by pushing the task onto the greatest talents of the deep, dark and creative side of the scene, the label have achieved exactly what they set out to do. drum & bass on demand 2 is a collection of darkly intelligent beats from some of the labels biggest stars, as well as some incredible new talents.

soniclab is a creative electronic laboratory. the main goal is to present new projects and ideas of exploration in electronic music and visual art, in creative atmospheres, without limitations, feeding itself from experimentation and innovation.

3cds with 60 tracks , incl the source ft. candi staton, david morales, k-klass, black box, nightcrawlers , mk, basement jaxx, afro medusa and many many more

incl. timewriter !!

nearly three years after the release of his debut album lucky shiner, gold panda returns with his second album half of where you live, to be released on ghostly international and his own notown label (uk). the album is the product of a period spent touring the world multiple times around, absorbing influences and probing potential new avenues of creative exploration.

cd digipack 2 panels, 16pages booklet!comelades world is atypical and his inspirations come from many different sources, from contemporary music to the cramps, and make him one of the most creative and original artists of our times

the kindred minds of simon huxtable (aural imbalance) and rhys davies joined forces to create out of platos cave, a haven for their earthy creative output. distilled ambience and ethereal vocals resonate in harmony capturing an otherworldly spirit of the greater good.

ts the culmination of what has been a roller coaster debut year: the eponymous debut album by the phenomenal vienna duo hvob is a lesson in how versatile, intelligent and creative electronic music can be.

walking a strange line between the asylum and the dancefloor, welcome bob chance. yes, this is an album like no other. but then again bob chance isnt like anyone else. put together in 1980, >it s broken< represents bobs creative juices flowing and then possibly overflowing all over the place.

what is this? we actually dont know but it is new and wonderful! as one of the most successful artists in contemporary techno music hendrik weber aka pantha du prince presents his new studio project together with workshops stephan abry: ursprung. after several studio sessions in the cold and charming winter of the swiss alps, abry and weber were driven deeper and deeper into some microcosm of sound to almost cut the edge to the myth. influenced by krautrock, the ambient music of harold budd and early brian eno, avantgarde, and the minimalistic guitar sound of durutti collumn the ursprung project cant resist to make the guitar a main source. coming together with highly futuristic sounds as we know from the researches of pantha du prince. a truly unconventional structure of slowly growing beats hold this universe which came from the cold mountains together. it is not the first time the protagonists behind ursprung worked together. they met some ten years ago in hamburg as the photographer and musician stephan abry worked on his workshop project together with the artist kai althoff. hendrik weber was involved in the band stella and both released on hamburgs legendary ladomat 2000 label. a frequent conversation, exchange of music and some sessions made them work on pantha du prince works. mostly recorded in that white out background of the alps it was clear from the beginning- a unique project will come one day. now ursprung is here and lets us forget time and memory. stephan abry and hendrik weber wonder what is this? we actually dont know at all but it is new and wonderful!

dieser ravige hardcore-style dominierte die 90er jahre und brachte stars wie westbam, marusha, charly lownoise & mental theo u.v.a. hervor! diese sagenhafte 3cd praesentiert nun 100 wahre klassiker des genres, von grossen clubhits bis zu den besten raritaeten - tight gemixt von dem hollaendischen urgestein dj buzz fuzz! eine zeitlose compilation, nicht nur fuer die raver der ersten stunde! sneakers & shorthose an und ab geht die party! 3 cds mit 100 tracks zum top-preis!

little pianist is the stunning debut album of japanese duo bocca grande. formed by music producer kousuke ishida aka trio and piano teacher yuka kobayashi, bocca grande music gives an high value to the classic piano mixed with the electronic vibes. their beautiful single procedere, that anticipated the release of the album, shows magically their concept, a magnificent and emotional record, above any trend ! trio started to compose at sixteen years old. his sound reflects the deepness experienced in his life and that we find in the japanese culture and his dj style is influenced by the old school, from the deep side of chicago house to the detroit techno etc. their productions have been already released on labels like mathematics (chicago), four roses (germany), black vinyl (uk), nice and smooth (canada) and futic silver (tokyo). the tunes have been getting huge responses since played out by motor city drum ensemble during his guest slot at tim sweeneys legendary beats in space into the radio show in new york. an incredible album from start to finish. blending the majestic piano work with electronica, house, downbeat, dub and a cinematic vibe in a creative and innovative way, little pianist is one of those records that warrant to be listened to in their entirety... repeatedly!

21 upfron dubstep tracks, mixed by d1

the album is just a few seconds under an hour long, consists of seventeen tracks and covers every style from wonky reggae through pop-funk, street spitting, straight up hip hop, sung ballads and epic death-disco. it deepens much of what mr manuva has already achieved over a glorious decade of innovation, but also throws in enough new ideas and adventures to last most creative artists a lifetime. we think it is his very best work since run come save me. we re wondering (whisper it) whether it might be his best album ever.

phat nicolas masseyeff album !!! great support from laurent garnier, stephan bodzin, dj hell, nick warren, max cooper, samuel l session, agoria, oxia, karotte, gregor tresher and monika kruse among others.

after what seems like a thousand years of blood, sweat, tears, and a lot more blood, your zombified disc disciples at finders kreepers unveil one of their most essential collections yet. this musical mausoleum of malformed freak funk and dreadful discothŹque pop has been resurrected from the maligned cinematic subculture of bombays bloodthirsty horror film industry and witnesses the cognoscenti of the bollywood pop scene at their most creative, destructive and experimentally effective. tip!

raise the curtain once more on a very special orchestral performance. how could highgrade records better celebrate its 100th release than with twelve tracks from the highgrade disharmonic orchestra? the creative combo featuring both label bosses tom clark and todd bodine, alongside philip bader, daniel dreier and dale, began over a year ago with the intention of celebrating the tenth birthday of the berlin label. and the resulting gift: a musical experiment. the five artists have bundled their creativity together into a symphony unparalleled in the techno scene. every performance is like a jam session: all five laptops are interconnected, so each of the artists has the opportunity to react to the others and modify each track as desired. thus, new arrangements are created and constantly re-interpreted. drum machines and synthesizers are also in play, to further stretch the improvisational possibilities. no wonder then, that the 100th release follows in this creative vein. the highgrade disharmonic orchestra, with multilayer, kiddnaps us away into vastly different musical worlds: from deep influences and custom recorded vocals to an array of technoid sounds and effects. then back to groovy, swinging beats reminiscent of a balmy summer evening on the beach. therefore the record is something of a rollercoaster ride, where we never know what might be waiting behind the next curve. typically highgrade

2011 release. their first new album in more than three years, hysterical marks a major milestone in the continuing evolution of clap your hands say yeah. born out of an intensely collaborative process in which songs were constructed, dismantled, and then rebuilt anew, the album finds the band their most confident and creative, expertly expanding upon its already distinctive sound. from the chrome-plated licks of maniac and the title track to the sheets of eddying synths and emotive motorik pulsebeats of into your alien arms and ketamine and ecstasy, the band delivers up sonically provocative pop music that is simultaneously jubilant, mesmeric, and altogether infectious. hysterical reveals clap your hands say yeah to be a wholly developed band in full command of their unique artistic gifts. this long play version pressed on 180 gram vinyl also includes a download card.

thirty years after they released their first four track ep black roots singles output is finally showcased on -black roots - the reggae singles anthology-. released on september 5th, by bristol archive records in collaboration with nubian records this 16 track album spans the bands creative peak of the 1980s.

dicke dj mixe hat die green & blue 2011 zu bieten etwas dubbig von raresh und etwas housig von sascha dive

drawing from a rich sonic palette, man without country splice glacial guitar ripples with an eerie synth pulse to create music both complex and all embracing. their debut ep kicks off with king complex, taken from forthcoming album foe and indicative of mwcs ability to morph their source material into anthems when you least expect it, the tracks tinkling keyboard led intro exploding into a euphoric dancefloor chorus. the melody belies a darker sentiment behind the lyrics on king complex -you are a true parasite / and youre the bane of my life- ryan concedes that -they are personal and bitter-. this contrast between melody and lyric is a common theme across their debut long player. the six track ep features a further 3 tracks from foe Ð inflammable heart, ebb & flow and iceberg plus the sei a remix of king complex. xi is exclusive to this ep.

berlin-based djs and composers ricardo villalobos and max loderbauer - two of the best-known names in contemporary electronica - share their admiration for music on ecm in a unique double-album of specially-created >sound-structures<. their project >re: ecm< will bring the labels music to a new listenership. it is certain to be one of the most talked-about albums of the season. using original ecm recordings as a starting point, villalobos and loderbauer create new music that bridges several worlds, including ecms world of space-conscious improvisation and composition and the worlds of ambient electronics and minimal techno. source materials on >re: ecmÓ include recordings of christian wallumr¿d, alexander knaifel, louis sclavis, john abercrombie, bennie maupin, arvo pŠrt, wolfert brederode, paul giger and more - looped, sampled, remixed and reworked in evocative new treatments. pleased with the duos creative response to his productions manfred eicher gave them carte blanche to carry on experimenting with the ecm titles of their choice. eicher subsequently supervised the mastering of >re: ecm< in munich, completing a unique sonic experience.

the source material is varied and wide: 70s and 80s classics & tints from human league, rusty egan and space. cutting edge indy from hot chip, moshi moshis james yuill. underground house, disco and techno from baxendale, hiem, arj snoek and chelonis r jones. not forgetting jks take on some great songs by pocket and bozzwell. all threaded together in perfect tapestry. yes justus, you certainly are a master.

filterwolf is an acclaimed producer, dj and live act from munich, whose infectious production talents, electric live shows and groundbreaking debut album on london based process recordings released in 2010 have all led to the creation of his stunning new masterpiece: night patterns . his work was remixed by some of the finest artists around the globe such as portable, tigerskin, niederflur and hrdvsion. the consistency of the quality of his musical output was compared by journalists with no less a figure than carl craig. his productions have constantly earned praise and gained many fans for their driving beats, elegant, warm and cheerful synths and blossoming, journey-like arrangements. filterwolf received strong support from zombie nation, john acquaviva, spektre, ivan smagghe, groove armada, slam, dirt crew and coldcut. he was featured on tsugi compilation volume 18 along with gui boratt o, tiga and juan mclean and on huw stephens best new music evening show on bbc radio 1. across his new album, he explores the exciting, timeless space between house, techno, electro and beyond. throughout, he constantly maintains a melodic and emotive core, creating a mesmerizing body of work structured and presented in a highly creative way. the album was mastered by eelke kleijn, prolific producer (manual music, global underground) and mastering engineer from rotterdam, who among others has mastered the works of dubfire and applescal. deep, swinging, handclapping grooves and furious saxophone lines of the opening track color of spring , with their subtle, uplifting, intelligent beauty, signal that this is a master artist at work. as the mood moves towards the deep, pounding intensity of deep data , it s easy to become lost in the swirling music as filterwolf plays with emotion buttons, exploring the depths and whole spectrum of the dance and electronica, rese arching possibilities, forging ahead into the future.

boundary-pushing, thrilling, unique: psychedelic horseshit blaze with a vitality reminiscent of fatcat alumni animal collective and black dice in those bands early, wildly creative incipience. laced marks a forward stylistic shift for the band, delivering a coherent set of bustling, hookladen, melted outsider pop songs. keeping a step ahead of the lo-fi scene they christened -shitgaze-, theyve drawn on a broad range of influences instead of the xeroxed anorexia of many of their peers, have ruffled feathers by critically speaking out, and carved out caustic, humorous social commentary.

3 cd deluxe edition

an album of classics. but not as you know them. hands on armada is something different. something refreshingly new and creative, as it points out the art of remixing. and not just that. it also points out the expertise of german mastermind alex m.o.r.p.h..

ten is the magic number with berlin imprint fumakilla! 2010 marks its tenth anniversary, and to celebrate, label owner woody has compiled ten new, exclusive tracks from the roster, including felipe venegas, livio & roby, valenzuela & casarano, leix & ronro, larsson, alejandro vivanco, danny fiddo, autotune and of course woody himself. over the past ten years, the fumakilla team has been weaving 1s and 0s into intricate patterns, establishing itself as a source for sexy and pumpin club tracks with a sophisticated, artful blend.

man/machine: viennas elektro guzzi challenge the meaning of >live< in electronic music. bored of laptop sets? with a >classic< setup of guitar, bass and drums elektro guzzi quantize themselves to an unheard level of discipline, tightness and danceability. no computers, no pre-recorded loops, no solos. probably the first time techno is really played live. as sequential as they may sound, they couldnt be more analogue. but however traditional they may look as a band, they certainly do not sound like one. the quest for the ultimate live presentation of techno has come to an end. produced by patrick pulsinger (hercules & love affair, m-plant, cheap), the album is a masterstroke resulting in great dancefloor movers, state of the art analogue recordings and a prime showcase of elektro guzzis incredible creative capabilities. played live with no overdubs, this record breaks down the demarcation line separating man and machine. everything in techno has been done? you aint heard nothing yet. !!! elektro guzzi live at s—nar (barcelona), berghain (berlin), fabric (london), trouw (amsterdam), spring festival (graz), flex (vienna), rote sonne (munich), mellow festival (sofia) and maaaany more

with her new album, dust, ellen removes the sense of remoteness entirely. a warm immediacy takes centre stage in place of distanced artistic abstraction. as such, what is perhaps ellens most personal album takes the form of a complete spectrum of her creative output to date, a cross-section in time which also looks ahead to previously untrodden paths... the world according to ellen!

raw remixes and edits by kenny dope and the undercover brother

hailing from miami, dynas has been a creative force within the south florida music community. >the apartment< boasts production from dj jazzy jeff, dj spinna, dilla and features the guest vocals legendary rapper slick rick on the track >family jewels<.

being taken with the creative spirit of the city and the musicality of the region, ian simmonds has decided on an honorable isubmersioni in a new creative adventure with fresh inspiration. parallel he started the live-jazz-poetry band >wise in time< with the requisite tour, as well as vinyl releases on musikkrause.

lee jones lived in london until 2002, where he was producing and remixing as the successful downtempo/ nu-jazz artist hefner. after following his heart to berlin, he was inspired by the music and clubs to move into a new production style over the past 6 years. most recently hes become known as the main creative force behind mymy, whose debut album Ôsongs for the gentle on playhouse made waves across the globe. since 2007 hes released his beautiful solo works on aus music and just, whilst also collaborating with berlin local hero daniel dreier on releases for upon you and releasing new mymy material on berlins illustrious ostgut ton imprint. having recently returned from the us and japan performing live dates with nick hšppner as mymy, he also has a busy djing schedule around europe and continues to promote the popular monthly clubnight at watergate Ômymy and friends

three years after his groundbreaking album >the meaning< (playhouse, 2004) thomas melchior presents his new longplayer >no disco future<. skills and experiences thomas gained throughout the years are innumerous. to mention just a few: along with tim hutton he formed the duos vulva and yoni who were releasing on aphex twins label rephlex, on the us-label reflective, and for german electronica pioneers source records. with his mate peter ford he forms the duos sunpeople and soul capsule (and various others). the new album sounds less microhousy and more homogeneous. slightly spherical soundscapes perfectly unite with discreet vocals building very harmonical structures..