phillipe quenum, cadenza co-founder and long-time dj & producer emerges on serialism records armed with a soulful, four-track ep just in time for spring. widely known for co-producing the 2003 hit, orange mistake, as well as a myriad of other first-rate outputs, this gifted producer needs no introduction. quenums another day ep is right at home on serialism, a label that’s known for its consistent and classic dance-floor orientated releases from the likes of frank haag, sierra sam and jin choi. laden with emotive, ascending synths, abyssal atmospheres and dubby basslines, this record is the true mark of a seasoned producer. from the percussive and texturized arrangement of another day to the chicago inspired oscillating goodness of my furious thing, to the late night deep vibes of everyday people to the nu-jazz flecked digital only electric prayer, quenum knows how to evoke emotion on the dancefloor. each track is the perfect backdrop for the onset of the spring / summer season, all four cuts melodic and deep, infused with elements of chicago house, and touches of both soul and jazz. this timeless release further affirms quenum’s rightful place as one of the top producers in the game.

hot on the heels of midlands placement ep, aus returns with a remix 12inch featuring lone & motor city drum ensemble. both producers deliver deep, melodic reinterpretations of the originals, with lone accentuating midlands signature sound (whilst flawlessly incorporating his own neon tinged atmospherics) and mcde dubbing out the original, pushing it into throbbing raw cuts territory. both producers are at the top of their game. lone is dominating 2012 with a residency at manchester hot-spot hoya:hoya, a full length dropping in may via r&s that will surely occupy the top of many year end lists, and remixes for radiohead, tensnake & underworld already under his belt. jazz enthusiast motor city drum ensembles sample-based raw cuts series made him a household name within the deep house scene and last years dj-kicks mix set him apart from the pack with its on point mixing and musical diversity. his notable november 2011 boiler room set is considered one of the finest, and is just another example of why mcde has been, and will remain to be, a musical force to be reckoned with. next up on aus will be an ep from bicep & friends with a remix from panoramabar resident steffi.

2012 marks the spot for the return of the most applauded, the most respected and simply the loudest bass music record label in the world, valve recordings. captained by two of the most revered producers in the game, dillinja and k-aze (lemonde’s all-new multi-genre production project pseudonym), the valve has set a course for global domination once more as they get ready a whole host of beats from the full spectrum of electronic music. d&b, dubstep, grime, garage, house, footwork … its a new era for valve recordings, be warned, bars will be raised!

after several years expanding hemlocks roster, untold returns to the label with his own brand new cache of shape-shifting, sonic mastery. this is his first release on hemlock since the seminal >gonna work out fine ep< changed the game in 2009, part one of a triple ep set, >change in a dynamic environment< is the sound of a boy brought up on jungle pirates, once again smudging the edges of house/techno/bass/ oh whatever … just listen.

long time tsuba artist okain makes a welcome return to the label with the oclock ep. the original and no string dub show a deeper side to okain centering around classic house strings and bassline. tsuba has a great reputaion for truly killer remixes and gerd (clone / royal oak) lives up to that and then some! the huge bassline and hypnotic melodies show why after many years in the game. 2012 is definitely the year of gerd

edits may be dead, but just when your elitist attitude comes to a head and you think you re on top of your game, there will always be someone deeper, faster and still motivated enough to rekindle your digging desires. where blackdisco volume 10 saw the return of lovefingers and nitedog, volume xi pushes forward into new territory (and with a new aesthetic) by welcoming a group of three deep diggers who shun musical trends and their inherent fakers. dea, albion & spacelex combine their vinyl-mining efforts to unearth some real diamonds from the rough. deas cut malaka is a floater with a funky sailboat vibe, while his complimentary cut taubat takes the tired jungle disco vibe to new level with its triumphant synth-led chorus, an absolute stunner that could be extended for 20 minutes. on the flip, albion spoons water over the coals, steaming up the joint with an uptempo percussion bomb as if santana had a disco secret, and spacelex rides us out with a sexy rock groove complete with mysterious male voiceover, almost as if someone lowered the volume to whisper in your ear.

die trompetenkraehe leitet ja bekanntlicherweise jedes jahr den frühling ein. aus diesem grund witmen nun die herren dole&kom dem schuechtenem fruehbrueter ein staendchen auf ackerdub !!!rundfunk3000 schliessen sich dieser huldigung an und remixten auch eine lobeshymde auf den fruehling und dem seltenem getier

vinyl only! synths glittering through the night are pierced by metallic percussion and crushed by bass frequencies from a deep abyss! many times have ricardo esposito and micheal nadjé demonstrated their tight dj skills all over europe and now these two brothers have stepped up their game yet again to craft two tracks in a most simple and efficient way that only early chi house is capable of. claps, toms and tambourines rushing fiercely through arped hooks bring back that 87 feeling! the flip transports us back to the present day in the form of two remixes, but wont betray the a-sides spirit. for b1 john spring trades arpeggios for chords and introduces a thump you will surely be able to feel on the floor. kyle, on the other hand, hooks up his analog gear and pulls out synth lines that will get everyone on the dance floor dizzy – but only until the bass line crushes their chests.

limited 1st edition in lp style sleeve!! great original cuts - regis remix carries on where >in a syrian tongue< left off with increased club appeal... dominick fernow arrives on blackest ever black as vatican shadow. two tracks remastered from the the debut vs cassette on hospital productions, byzantine private cia, and a powerful regis remix of another early cut, >church of all images<. in the words of hospital: >militant religious industrial. music for assassins on the world-scale board game upon which it isnt clear who is winning or what side you are on.<

from universal rejection, the northern cell of resistance that gave us last years acid bomb >le coq< by arab league, comes disappearer.
operating from the suburbs outside of stockholm, disappearer has not entered the techno game to find out how its gonna be played. on >now you see me, now you dont< he dictates right away. with its deadly linear pulse and rising and falling oscillators, >now you see me, now you dont< is a steady-handed techno shocktreatment of the nervous system, exemplifying how it should be done in 2012.

this latest offering sees luciano esse offer up three brand new slices of deep techno that give an insight into the musical world of this superb producer. from the spacious opener the foul through the darkly hypnotic the laziest man and on to the edgy and percussive black stick there is nothing but quality from beginning to end. another sterling release from a truly exciting label and a producer at the top of his game.

profound audio is back at it with a smashing new 12inch from monstar - and its one of many to come from this quickly rising talent. following up his devastating debut single, put ya hands up, monstar constructs two bangers of epic proportions. both harder & bastard have been inflicting massive damage in the dance and are currently receiving heavy club & radio support from some of the top taste-makers in the game. leading off the single, monstar delivers an anthem of a track that does exactly what it says on the tin. harder encompasses xxx female vocals, heavy-hitting drums and roller coaster-style, fluctuating basslines with enough sub to have your brain shaking inside your skull - what more could you ask for? a peak-time, dancefloor destroyer thats guaranteed to send the crowd into a frenzy! on the flip, he shows no mercy once again with bastard, a full-force, tearout dubstep number that will undoubtedly shred your bassbins into pieces. battering drums roll over ferocious, wobbling bassline combinations that fire at you in hyper-speed, leaving you no choice but to brock wild! this one is absolutely rough!

massive stuff! early praise and support from: thomas schumacher, martin landsky, john tejada, jimpster, ben watt, anthony collins, varoslav and dave aju among others. deep, dank and dusty is the name of the game for bad animals second vinyl release. san franciscos safeword (marc smith and clint stewart) have been on a tear since forming last year in san francisco. right off the bat they ve hit a stride with releases on fine labels such as dessous, paso music and are currently remixing for the mighty mobilee. this, their debut ep on bad animal titled >west portal< weaves down more soulful yet dark avenues. deep vibes, smooth synths and silky vocals are perfectly accompanied by heavy, churning rhythms and tasteful reflections of acid house. the legendary smash tv lend their expertise to round off the ep with an acid house monster of a party jam. while still retaining the dusty soul of the original material, the berlin-based duo has brought their >midas touch< to bad animal with this golden rework.

quadrant delivers a tremendous release on the citrus imprint. sinister stringlines changing into ripping basses. of course the percussion game on this one is tight.

the always impressive bvdub drops a game changer on the symbol project. immensely likeable music as ever from brock, this time under his east of oceans guise.

second sampler from the stilleben camp, representing electro city gothenburg, sweden.

the formation tojami sessions - consisting of michel niepenberg, tom bucher and jacek darnowski hailing from frankfurt - is a new project on dessous records, yetl their members are already veterans in the game: tom and jacek have been producing together since ‘92 and are best known for their releases on the raum…musik label using the pseudonym skiebÄck. in ‘99 tom joined the crew as drum player. digging a diverse variety of house music, their first dessous 3 tracker sits perfectly within the labels sound aesthetic. >depth< is a long building journey - providing moments of deep contemplation before lifting you higher again with the injection of sheer, raw energy: a fierce kicking bassdrum, congas and a strong bassline that sneaks in through the backdoor are smoothed out by strings, warm chords and a nicely flowing rhodes solo. >fame< oozes with funk - raw, metallic rhyhtms that owe something to vintage chicago. they keep it classic with the closing track >lake st. clair< that sports a bumpy analogue bassline and shimmering keys. dessous records still riding high!

played and supported by luke slater,and, cedrik, marcel dettmann,inigo kennedy, norman nodge, dadub,conrad van orton, audio injection and more.timber-seeking and testing are the key for ang,a label engaged in a large range of electronic music.this label wants to transmit the direct action of sound on the soul.composition comes into contact with the soul and establishes the resonance.a label that cant be described simply by being ambient,but surely it is a label with music suspended between astraction and representation,a synthesis of external vision and internal contemplation.a long journey called ang this was the presentation of the concept when gianluca angelini began his digital label. the time is past and the love for electronic music, his background, and feedback from many great artists made sure that ang born vinyl. and here we are.the first vinyl ang is completely electronic music (as always has been)! the labels owner shows three tracks.in the a side,sound p.q.r. is a reminder to all that influenced the musical life of the artist.rhythmic breaks. hypnotic sounds like a battle game.tb - 303. classic vocal samples of the first series simon harris.edge of kaos is as confusing as the title describes it.fast rhythmic breaks alternate with moments of reflection, then again kaos,frenetic and abstract rhythm.the nonsense that so influenced generations of electronic music lovers.the b side is luke sinewalker.a journey through the hypnotic parts of a pure electro!this is just the beginning.we confirm for the new vinyl label a long journey called ang.

second release on this japanese label. vintage moon is inspired on sword&sworcery game for the i-phone that has a nostalgic feel. three tracks rooted in the traditions of the detroit/chicago house from the early 2000s from people such as terrence dixon, theo parrish and the likes. analogue madness!

a no-nonsense straight for the floor release, the much anticipated after dark ep from mario aureo just dropped! remix action from two of the hottest producers in the game right now, re.you and moodymanc sets this ep up for heavy rotation. first release on colourful for the up’n coming berlin producer sees two beautifully crafted tracks, each with its own intricate personality.>inside the dark< is a beat driven affair with a dirty piano lead, huge drops and a touch of native american spirit to add twist. >but tonight< shares the energy but the groove is more laden for the after hours game (that we all love so much). great disco tom action and a beautifully crafted vox hook is the spinal cord to this one. on remix duties re.you takes >inside the dark< into technoid territory with a sluggish lead, deep dark bass figures and dancing hi-hat patterns. huge one! on the flip moodymanc steps up and treat “but tonight” to a total percussive workout. an irresistible latin infused groover full of sunshine - just in time for miami!

only 1 per customer
ltd. box set: 2-fach heavyweight vinyl, cd, art-prints & lyrics, in hochwertigem roten buch-einband im samt schuber

whereas frozen flower marked his most delicate and emotive release to date, the latest ep from sei a snaps things back onto a futuristic grid of bass-driven club madness. break the pattern is a techno zap-fest featuring a killer hook, precision, laser-cut drums and a rough, rolling groove.
flux blends retro video game sounds with vocal samples, laid out against a psychedelic cha-cha rhythm. this one received early support from martyn who - fresh off his lp release - weighs in with one of his strongest and most playable remixes in recent memory, driving the 8-bit riff into a frenzy, backed by iron-clad beats bouncing atop a megaton sub.. guaranteed crowd-pleaser, this one!
with this release, sei a continues his evolution into one of the most promising talents on the uk scene, reinterpreting the best elements of modern dance music to create a unique and versatile voice.

this double a sided single sees the legendary chronic records on firing form, selecting two of the hottest tracks from brand new eps from rising brazilian stars acuna and critycal dub for a ltd edition vinyl release. chronic, part of the v recordings family has been supplying beats from the biggest d&b producers in the game since 1996. with names like dillinja, krust, lemon d, dj die and ray keith regulars in the back catalogue. in recent years they have pushed through some of the hottest new skool producers in scene like subwave, cabbie, heist, interface, and ruffstuff.

mathias bradler is a new face on micro.fon but not new to the game. under his full name, he delivers exactely the deep and dark techno sound we are looking for. a strong collection of deep, dubby and bass-driven technojourneys, based on minimalistic soundscapes and dry patterns. in on remix duties we got the infamous pawn shop people, known for their 12inch, recently released on stylerockets ltd. they added percussion and funk to the original and turned it into a essential dj-tool, which guarantees full impact on the floor.
early support by richie hawtin, dvs1, rapha dincsoy & slam

visioneers join bbe in celebrating their 15th year with this special edition 45. at a time when most labels were pressing extended play 12 vinyl, marc mac (4hero) took a chance on releasing limited edition 7 inch 45s under the guise of visioneers. right from the start these 45s became a big deal among the funk, eclectic & hip hop djs including jazzy jeff, kenny dope, dj spinna, giles peterson, nick weston, benji b and j rocc. >the world is yours<, a remake of the classic pete rock beat for nas was originally released in 2002 and >its simple< was a visioneers version of one of marcs own beats from the album >how about a game of chess?<. this limited edition pressing coincides with bbes 15th anniversary and the run up to a brand new visioneers album in spring 2012. two classics on a classic label, limited pressing with the bbe anniversary design. dont miss out!

excellent phunky house / chicago house remixes from dj sneak, dj w!ld, chris carrier, d julz... massive !!

a good thing takes its time, thats what rico henschel aka sweetncandy must have thought. after a little off-time for the producer located in bielefeld (ger) and an ample re-orientation phase, he is back now in the electronic music game with fresh sound – a sound that really hits your ears and brain, which makes us even happier to present sweetncandys debut single >feel something, say something< on our deep circus label. besides >feel something, say something<, the record contains two more tracks: >dew drop motel< & >you and you<, both bringing you lots of deepness, groove and funk just like the title-track. enjoy

brand new on dub police is a fresh new plate from kgb who hails from tallinn, estonia. a relative newcomer to the dub police camp but definitely one for the future. meat (ep) is the name and beefy bass is the game.

from the unlikely bass music hotspot of austin, texas, the mighty vvv returns to fortified audio with his strongest material yet in the form of his – and the labels – debut album. if you slept on the projects ep we released in 2010, nows the time to get acquainted with the dynamic progressive garage thats garnered praise from the likes of martyn and oneman. while still giving nods to the classic sounds of ghost, early tempa and vintage dem-2 productions, across the sea updates these formats with deep and futuristic synth work, subtle but weighty basslines and precision rhythms that mark vvv out as one of the most formidable producers working in the crowded field of bass music. this time around its not only the future sounds of london that are present, but also the ghosts of classic chicago house, richard d james-esque electronica and an ethereal contemporary soul sound. across the sea showcases the strongest work to date from a guy we consider to be one of the best in the game

boogie boutique have only had one year in the game, and in that time they have smashed the charts with their releases. to celebrate their first birthday, they have dipped their toes into the glorious world of vinyl with this double 12 inch with seven of the labels finest tracks to date plus one exclusive. make no mistake, this release is big!

norm talley tackles techno. yes, you heard that right… in spite of 3 tracks on the original transmissions that fell a little closer to what the heads would expect from a very reliable source, it was that first one that everyone begged for more of. we must agree that those 3 minutes were just a little of a tease, so here is the full 9-minute extended cut of “man on the moon” that all of you asked for, and what a trip it is! certainly funky broken-beat techno is a new look for norm, but it’s pretty obvious in all 9 of the minutes here that this is a man from detroit making the music he knows best. there’s a groove and a touch here that speaks of soul and experience… although you may find this one in the crates of some of the new school techno elite, it’s safe to say they couldn’t have made it the way norm talley did. even if you remember part one you may be surprised where he takes it, but we’re even more pleased to say that “earth 2 moon” beats it at its own game. this one made our necks snap and heads turn the very first time.

after few months of research the rks duo is now ready for a new sound experience.
back in the day is the way and the house funky producers based in berlin are trying to do it compromiseless. >sunny moments< is a complete deep house raw track, the sweet voice that comes from the past works in a loveliness drum machine game with a synth that runs like the detroit school teaches!
>the dancer from san francisco< is a short funk gem that hits the brain and makes you move your feets, the samples play well, like the rks production wants!
>there was summer< is a detroit minded track, the pad play into an hypnotic synth game, a flight into space, a complete hi-tech experience.

sie trägt das herz auf der zunge und tanzt als gebe es kein morgen: musik ist für aerea negrot nicht nur kunst, sie ist auch die luft die sie zum leben braucht. die autobiographischen songs ihres debütalbums >arabxilla< gewähren einen tiefen einblick in ihr seelenleben und vermeiden es sich einem konkreten musikalischen genre zu verschreiben. mal bildet techno, dann house und im nächsten moment elektronik das fundament für ihre augenzwinkernd ernsten lieder. als direkte referenzen nennt die venezuelanerin gern klaus nomi, yma sumac und maria callas. jenseits des gesangs gibt es nur zwei produzenten die sie über alles verehrt: titonton duvante und ricardo villalobos. letzterer steuert nun einen remix zu ihrer neusten 12inch auskopplung bei. wie immer gibt er sich bei seiner variante des tracks >miss you< minimal, bassgewaltig und episch. vierzehn minuten rhythmus aus dem bauch heraus, so wie nur er ihn arrangieren kann. auch der berliner philip bader schätzt es minimal und verwandelt den track >its lover, love in eine charmant hüpfende house-sensation, deren sonnige magie einen ganze wochenenden lang in atem halten kann. näher dran am original und nicht minder originell spielt kiki mit >its lover, love<. aereas stimme wird hier sehnsüchtig über einen houserhythmus geloopt und verhext das ohr mit einem intensiven stimmen-dschungel. würde der name witch-house nicht längst anderweitig vergeben sein, kiki dürfte als sein erfinder gelten.

the two dubstep pioneers at the top of their game. the deadly concision, the rhythmic punch and dramatic timing, the spry, side-to-side detailing of a cavernous stage, the crisp-biscuit vocal sampling and middle eastern percussion — together, their sound signatures are not so much totalled as squared. truly an album, the music is multi-levelled — dark as anything at times, but engrossingly varied and emotionally shaded, always on the move.

5 years of systematic box (5x12 inch) + luna remixed (6x12) as a special bundle package

the second in the sold out series combines the powers of three of the hottest producers in the disco game right now. heading up the field is toomy disco with a monster of a track. deep, hypnotic and swirling >into the flashlights< hits you right in the chest, a certified dancefloor bomb, make no mistake. on the flip, remixer and producer de jour mario basanov reworks a lesser know stevie wonder track into a towering disco gem! soaring pads elevate the track to dizzy heights before its dropped back down into the groove to great effect. finally sean roman pulls apart, loops up and glues back together a boogie banger in the vein of tiger & woods. all in all a damn useful 12 inch

the classic music company by luke solomon & derrick carter continue to play the game under their own conditions. as a label it never died it just retreated for a while in order to come back stronger. all hail the king because the king is back. long live classic!

*** vinyl only*** !!!
we have here three exclusive joints of pure fyre from altered natives, the ey4e4eye label boss and producer extraordinaire delivers three tracks on the first instalment of his eye4eye white label series, showcasing up front productions from altered natives and the eye4eye family. with his tenement yard vol 2 album droppin in october, we have here three upfront dubs from altered natives that were recently aired on mary anne hobbs xfm show. native shows hes a man on top of his production game right now with 3 choice cuts, pushing the bass/house/techno music boundaries with love switch off, restaurant killing and wanted you. this is strictly a white label pressing and these tracks will not be available digitally so get it while you can.

hold on tight cause here comes a game changer, jen & ed edj 001 delivers a first for the couple best known as dj jus-ed and jenifa mayanja. the two producers team up to deliver a rousing two tracker that cuts right to the chase. the a side features >dark matter< from jen which is a high speed baleraic dancefloor smasher with an old school tribal feel. >slammer< by ed grabs the dancers by the hoofs and never lets go with its addictive chants and stabs throughout the groove. this release may be considered controversial for some but for jen & ed its just another day at the office. edj recordings is a sub label of uunderground quality / bu-mako recordings

rejected look to round out the summer and call in the autumn with a track that has been igniting floors all season for label chiefs edwin oosterwal and joris voorn. >mike loves the horn< also sees a rejected debut for two artists who individually have rapidly risen to the top of their game.

after successful releases on imprints like 8bit and brise, colognes own dualton & wollion team up again to deliver a banging, new york-house influenced 2-track ep on yellow tail. >the gap< and >the ledge< are packed with warm housegrooves, deep basslines and energetic strings. the skaters amongst you should know, where the tracks got their names from. on the remix-boards we got greek wonderboy alex celler (cecille). he gives >the gap< a more percussive twist, which makes his remix essential for every tech-house dj in the game.

manuel tur returns to delusions following his recent classic most of this moment on freerange and proceeds to throw another whacking great curveball for those who have think theyve got his game sussed. its quite safe to say the last year or so manuel has continued to push and redifne himself as a producer, refusing to stick to one sound or repeat himself which has resulted in some amazing releases aswell as some fruitful collaborations. recent remixes for permanent vacation, diynamic and dixons philomena label all display his deeper, left-of-centre and more techno-edged sound. here on delusions we have the (bi) polar opposite in the form of the foolin ep. the title track is a beautiful slice of soul-drenched house which goes for a classic sound with simple horn chords, rolling bass and incessant claps spicing up the groove. a simple vocal refrain is spun in like a dj drops an accapella and once heard this will be stuck in your head for days. a firm fireside favourite with all of us here at dog. theres also an instrumental version of foolin for those with vocalitis. flipping over we have the traveller which sees manuel head down slightly more familiar territory with a heavy, lo-slung groove providing the backdrop for some axelrod-style strings and horns, live bass and floating vocal adlibs. a subtley haunting soundtrack feel pervedes as the arrangement developes but the relentless driving beats make sure this track never strays far from the dancefloor.

9volt-musik celebrates 5years and the 25th release with the second mischbatterie compilation. not only known 9volt faces like dinamoe, lado and kork & bates are a part of it. we say welcome to the new member evensloped, a project of lars gustav and paul.groove. 4 tracks with the typical spirit of 9volt-musik.

zzt is zombie nation and tiga. they are not friends. this is no game. to date, they have claimed responsibility for >lower states of consciousness<, >the worm<, and >zzafrika<. their album - partys over earth - is forthcoming. you have grown spoiled by your culture of information. this is all you get.

abba war eine schwedische popgruppe und eine der weltweit populärsten musikgruppen ihrer zeit. mit fast 400 millionen1 verkauften tonträgern gehört abba zu den erfolgreichsten bands der musikgeschichte.die band formierte sich 1972. ihren internationalen durchbruch schaffte sie 1974 mit dem sieg ihres titels waterloo beim eurovision song contest im englischen seebad brighton. charakteristisch für die gruppe waren die zu dieser zeit ausgefallenen bunt-poppigen kostüme, die die musiker während ihrer auftritte und in den musikvideos trugen.

classic disco cuts

hot on the heels of the brilliant in trust we space ep, redshape delivers two more top quality techno tracks on his own label present. son of a... brings back the freestyle craziness of the masked one, which we know of tracks like dog day. going wobbly acid bassline in the redshape-way! kracken s game is more of a synthy slow builder - setting a densed atmosphere. great timeless release and as all present releases only available in limited quantities!

evil activities returns and delivers a massive collaboration together with endymion on the legendary neophyte records label. result is the track >broken< featuring dutch rap legend e-life. >broken< is a track with anthem-like depth and features an extensive chorus. expect melodies which could only be devised by these acts completed by a powerfull bassline to top it off. the flipside features >changed the game<, an energetic banger guaranteed to fill all dancefloors.

2011 is shaping up to be quite some year for d&b’s most famous imprint, metalheadz. after a clutch of releases from the frighteningly talented new generation of ‘headz artists, this latest 12” sees goldie’s legendary label welcome back one of its original and most defining artists, j majik, alongside his production partner of the last eight years, wickaman.j majik is one of the most important jungle/d&b artists of all time, with a discography that spans an astonishing 17 years and takes in almost every style and sound in the genre’s history. from early, groundbreaking jungle productions such as ‘your sound’ and ‘apache’, through house-inspired anthems such as ‘love is not a game’ and ‘solarise’, to the floor-flattening new school jump up of ‘dubplate killaz’ and the euphoric, vocal-led ‘crazy world’ – j majik is an artist who really has done it all.