javier & luis garayalde aka kyodai are back on local talk with their third release since the debut *breaking* back in 2012. as always we are thrilled to present new tracks from the duo whose been integral in establishing local talk. the pace is set with the first track *konbanwa*, showcasing the duos phenomenal skills in creating something both classic and modern by fusing a tight and driving groove, tension building chords and a bumpy bass hook to great effect. believe us when we say it has been an absolute highlight in our dj-sets thru out the summer. on *so special* the brothers go back to their roots and create a track that has got both the sound and feel of their previous tracks *breaking* and *the scene* - in other words, another big track from kyodai!

on tross debut album 16:11 released on hoga nord rekords you hear influences from the city and the woods, the sea and space - inner and outer. tross deintellectualizes the jazz whilst taking clubmusic back to its roots. the kraut machine is motoring on some tracks, while others are more clearly driven by dreamy melodies than by a monotonous beat. feel the pleasures of participating in a playful context of mind expanding tracks put together to please the escapistic side of your soul!

from the roots of old-school detroit, he speak with the language of techno which is reflected in the current european industrial and urban scenery with dark, tribal, deep sounds. since 2009, tommaso marasma has produced releases for labels like intellighenzia electronica, darkhouse music, sinthetics records, jumbo trax who have received excellent feedback from international artists including djrush, juan atkins, robert hood, scan7, ben sims, pet duo, djbold, mark williams

incl david duriez & nacho marco remixes

tribal psychedelic meets roots dub style. 2014 urban tribal vibes!. mystic tribe follows up on his debut ep meditation stick ep on sd records which surpriced many and this is is brand new project on his own mystica tribe records hailing from tokyo delivering some deep, tribal and spiritual music that goes beyond age or space

david k is the parisian-turned-berliner producer who has been a prominent artist within the underground house scene since the late 90s, having first joined forces with dan ghenacia of apollonia when releasing his bestseller * boul de nerf* on freak n chic. a fruitful career in production led to music on labels like cocoon, visionquest, supplement facts and bpitch control, while his new album * out of range * is just about to drop. ten years in the making and signed to tiefschwarzs souvenir, david proves his music is still as relevant today as ever. as one of the main artists on freak n chic, david k seemed a natural fit for apollonia to approach...* david is an old friend and talented produced who we have known from the beginning back in paris. of course we wanted to see what he could do for the new label, as you know by now we apollonia are always referring back to our roots. a 2-track package, * middle-aged romance* is characterised by its bell melody and hard-hitting bassline, an electric story moving between ethereal wonder and an intense workout. * drop the beat* perfectly demonstrates the classic chicago house style david k and apollonia first enjoyed together all those years ago, but adding a very modern, textured touch. coming 2014, apollonia invite premiesku to the label � the combination of livio & roby and their pal george g � and also the newest addition to the lola ed roster.

detroit young gun rawaat finally steps up with his debut vinyl release for lobster theremin. having carefully honed an inimitable sound that caresses the left-facing corners of house, techno, ambient and beats, this marks the start of what promises to be a very special year for the mid west talent. rawaats own diy tape imprint, crisis urbana, simultaneously provided the breeding ground and outlet for ideas and a collective mentallity that is beginning to define a new wave of detroit producers, and listening to their discography it is immediately clear where those tape-saturated, cut-and-paste jams found their roots.

vinyl re-release des mr. scruff-klassikers *keep it unreal* aus dem jahr 1999 - kommt als 180 gramm 2x12 inch lp + mp3!

myna music started almost over 14 years ago on vinyl and after a break from the vinyl its now going back to its roots and releasing vinyl again due to popular demand from da sunlounge & myna music fans.

that man, craig mcnamara aka last magpie, is proving a popular choice round here at hypercolour/losing suki hq. with various eps and remixes for both our labels, it s also rubbed off on some of our artists too, with the likes of maya jane coles being a big supporter (getting a last magpie re-rub of her everything track on her new label i/am/me). his always on point blend of genres, from bumpin garage kissed house to hardcore bass monsters mark him out as a very versatile producer, and on the she won t let ep, the magpie once again spreads his wings over four cuts.

having emerged from a crop of disco flavoured releases and vocal led remixes a couple of years ago, ashley casselle and asadinho decided to embark upon creating a series of stripped down housey techno dj tools to be used as experimental moments within their own podcasts and dj sets. this degree of honesty, and a desire to hark back to the roots of the music that drew them together in the first place, resulted in the sublime and bouncy *ceefox*. grainy 70s b-movie strings atop an addictive bassline equals a subtle yet huge club moment wherever it is played. we here at murge decided to entice these charming deejays to put out this deep and groovesome tune with us. two remixes come courtesy of new kingpin on the block jordan peak, who takes things into a more stomping club arena, and the beautifully glictchy ambience of julien miers headphone friendly interpretation.

dissonant starts off this season 2014 in ibiza with talented spanish producer medu. this new ep meets the dissonant vision of adventurous and sensuous electronic music. medu�s minimal roots immerse us into wild energetic drums and organic details. shi-sei adventure into loose breakbeat flows with its central drum sample, constantly weaving textures and percussion in and out of the groove for a nerve-tingling trip. bronq has a more free-spirited drums approach,a more steady tech-house beat, with a bit of atmospheric sounds turns surprisingly this tune into futuristic carnival experience.

back to the roots of uk techno starting from.. colombia! all the great feelings of the 90s style, no frills, just proper banging techno and your desperate attempt to survive on the dancefloor. an absolute retro flavoured gem!

with bla blas existence of 5 years we are very proud to be back at our roots, where we began, with vinyl.bla bla vinyls will be released with the best track of the past releases therefore bla bla down 1 and 2 will be combined into one release.

das aufeinandertreffen der zwei großen deejays aus dem jahre 1984 wurde als vinyl neu aufgelegt. mit dem gütesiegel channel one, roots radics und henry junjo lawes hatten beide kuenstler die gelegenheit auf jeweils fuenf tracks und schwergewichtigen riddims (prison oval rock, lecturer , fever, stars, rougher yet)ihre fähigkeiten nachhaltig zu demonstrieren!

well cut records is the new label project from danny ward, known mainly for his releases and productions as moodymanc, dubble d and as part of 2020soundsystem. the label aims to be a showcase for various production projects and collaborations from danny and to live up to its moniker by releasing records that will appeal to the more discerning record buyer and dj by staying true to the roots and aesthetics of house music whilst exploring its many shades and colours! this debut release perfectly captures the well cut approach, pairing two moodymanc productions on the a side with an equal amount of collaborations between ward and newcomer lenny middles

>i am ok<, reads the title of the new album by the berlin-based producer, dj and label-owner oliver koletzki. the heading0s ambiguity is, of course, deliberate: theres a deeper meaning hidden behind the humorous facade that is chrisse kunsts hand-drawn cover, which depicts an unadorned thirteen-year-old oliver sporting nerd glasses and a striped jumper: i am oliver koletzki, raw and authentic. because musically, on his fifth studio album, oliver koletzki looks towards the unaffected freshness of back in the day, and thus, consciously returns to his roots.

tenax recordings are preparing to tread a new and fresh path. the florence based label team of alex neri, marco baroni and federico grazzini are looking to explore their roots with a new series of vinyls, produced with the instruments and hardware that have fuelled their creative electronic journey

enzino is back with the 5th release. 4 tracks in between house and neo disco. tracks made for the dancefloor. in japan they go crazy with this bombs! limited vinyl only release. no repress!

they say that to know where you are going, you must know where you come from. in 2008 akkachar founded the rwina label, naming it after the word for never-ending chaos in the tamazight dialect of his north african ancestors. over the next five years he let the chaos unfold, building the label into an unpredictable yet reliable power house of dance and electronic music. today he turns to his roots for his own debut release, a three-track ep inspired by and dedicated to the amazigh (or berber) culture found in moroccos rif mountains.

on its first release, orioni makes its debut on 12inch with four tracks made in argentina. with jonas kopp, luis ruiz, mental resonance, and matt saderlan. this ep comes packed with four dancefloor weapons: jonas kopp with >mandelbrot<, contributes with a massive pounding rhythm full of atmospheres, with his classic groove based on solid kicks and hypnotic vibes, jonas presents full drum action around the percussion and sequences. for the a2 >triplets< is a track with a catchy 303 bass-line and roland drums programmed by luis ruiz. its acid classic signature comes with the task of bringing back that old school techno sound , whose roots had got lost in time. in the other side, mental resonance: >birth of omega century< has that fresh detroit techno style, and is ready to energize dance-floors with the groove of the 909 and hypnotic synthesizers. at least but not last, matt saderlan with >kids dist days<, destructive, corrosive and distorted letal weapon for acid lovers. no need to check your volume leds, yes, it is that banging. orioni has begun!

an album of musical pieces that visit the roots of reggae and dub music with the distinct fluxion production

late night running is a rotterdam-based multidisciplinary initiative that is created out of sympathy for those who are willing to run hard for their beliefs. when one is sucked through the barriers of time, where days become nights and vice versa, we like to speak of late night running. the first physical effort out of the lnr camp comes in the form of a nicely designed 12inch by the likes of 25 places. this duo has its roots in the working class city of rotterdam, but also lived elsewhere for some time, working long nights in the advert industry. theyve been based in berlin for several months in 2012, where the x9 ideas were first create

the pursuit of the vinyl revolution continues as bonzai stay true to their roots and deliver yet another fine slice of wax. eyepatched volume 4 follows on from its predecessors with four supreme cuts filled with all the delights of deep fuelled house.

dachshund was born and raised in geneva, switzerland. he got his first introduction to music in the 90 s, playing guitar in reggae bands. that was the beginning of his long lasting love story with dub music. he produced his own dub music in the following years, at the same time learning about every piece of studio equipment. with his roots in dub music, dachshund first experimented with electronic music in 1997, producing his own jungle and drum n bass tracks. his music turned more into house and techhouse and was released on several imprints while playing live sets all over the world. we give him a warm welcome to the 8bit family!

das album von 1984 ist wieder erhätlich! mit dem schwergewichtigen rhythm & sound der roots radics im channel one studio und dem mix von sylvan morris im harry j studio gilt dieser longplayer als einer seiner besten

body music: an extended edit of an utterly genius chicago classic.
slight disorder: edit of talking heads *pull up the roots* with an extended break. sure to make the temperature raise on any avant garde retro house party.

relating back to the etui records roots of monomood, abstract animal presents the remixes of absolute control that originally appeared on etuiltd 003. who can be more suitable for transforming the heavy chord sounds of the original into a forward pushing floor behemoth than 50 weapons multi talented sound artist benjamin damage? in addition to that monomood took a re-edit of his own track and put a even more dark and industrial feel on it. to close the circle etui records mastermind and dresdens very own insect o. converts the originals four to floor rhythm to a broken beat machine funk monster.

from the two individually revered artists seuil and le loup, comes the debut lp under their collaborative dj/producing alias hold youth. a collection of dance-orientated tracks, designed to make the body move, de la club explores the origins of hold youth�s fundamental influences to their modern day stance.a lp in two parts, the first vinyl is almost a retrospective of primarily state-side club sounds, but also of the pair�s early musical staples. paying homage to old skool production, the inspiration drawn from the detroit greats like moodymann and andres is clear on the funked-out, jazzy vibes of street my baby or the smooth flowing les enfants du soleil. hold youths love affair with head-bobbing hip hop also makes an appearance on the intro and outro, sampling the one and only j dilla, perfectly combined with their own personal beat-boxing. not forgetting their french 90s roots, kool & the boug oozes that warmth defined so well by pepe bradock and trankilou� a club track which has the power of subtlety to submerge the dancefloor that one level deeper. part two looks to the example of german minimal and micro house and brings us up to date with the sounds fresh from hold youth�s record bag today. be it the weird and murky territory of dodge this, or the eerie, glitchy world of black dog, their modern vision of de la club is darker and sturdier in its stature. but it is the ability to weave seamlessly between the lps two halves, two ideals, which truly characterises the hold youth ethos and their signature djing style.

french producer david k is ready to announce his debut album, out of range, an off-the-radar mixture of romantic melodies on drugs, rocking beats a la parisienne, and sounds to turn you on, released on tiefschwarzs ever reliable imprint, souvenir.

a collective of three minds re-developing the concept behind the underground music industry.
*sometimes when you wanna change something, you gotta start from the roots and the best way in this field is represented by analogue technologies ,the same used by the masters back in the day.*
epic experimental techno, mixture between analog machines turntables and computers. first pressing limited to 300 copies.

ltd 2014 repress !!
debut release from an edinburgh based producer on his own self funded and manufactured label. is001 is already on heavy rotation from the likes of linkwood, fudge fingas, deep space orchestra and jus ed whos been playing it on his underground quality radio show. the a side nocturnal wave draws on different forms of dance music and attempting to fuse them into one unique sound. roots in the sky is a piece of bass heavy house music in an omar s meets mr fingers vibe. hot!

nice price deal !!! quenum is an extraordinary individual. a professional breakdancer that was raised in africa, he found love in london in the 80s through mastering the art of djing to early electronic music and broke into the spotlight as acess58 in the 90s before forming the cadenza label with luciano in 2003.
his debut album *face to face* is deliriously deep and melancholic, rhythmically complex and gives a fragile new voice to techno. across the eleven original tracks, phillippe quenum exudes a graceful temperance creating tracks that flutter and take flight (indulge in synth voices of *children of the sun*) as well as rattle the bass bins (sample the raw energy of *basic solution* and delicate power of *ritual*). both sparse and insightful (*my people*) as well as intricate and anthemic (*never loose my soul*), quenums delivery is always quirky and slightly surprising and *face to face* is a curious analysis into this honest musical soul.

after having phenomenal success from her album *home*, quantize recordings proudly presents the 45 version of the title track which has been leaving worldwide audience enthralled since debuting on the recent album. originally from the broadway music *the wiz*, *home* has been totally recreated & reproduced for tracys quantize album debut, and is available now on limited edition 7 inch vinyl. the aa side is a remake of the starpoint classic from 1982 *bring your sweet loving back*, capturing perfectly tracys classic r&b roots & styling.

produziert von dave sitek von tv on the radio, ist die platte von einem sound gepraegt, der einen blick back to the roots wagt, ohne dabei retro zu klingen. ein sound, der blasinstrumente und orgel mit elektronik kombiniert und trotz all der klassischen soul- und funk-einfluesse nur fuer heute gemacht ist.
das doppel-vinyl erscheint im klappcover, inklusive download-code.

twilight will represent the sound of delano smith today, with an eye to the future, yet strong connections to his roots. this album is dedicated to the true vinyl lovers and supporters that have followed delano over the years. this project will be released as vinyl version only. the lp will be spread over 3 x 12 records and will include 11 new and exclusive tracks in a beautiful sleeve designed by sushitech home designer kerry roper.

all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. each lp includes a 12-page booklet with excerpts from darrin huss diary, unpublished photos of psyche with dwayne, and an essay by darrin reflecting on psyche s past and the goettel legacy as well as lyrics. this collection is a glimpse at the early canadian industrial scene and the roots of skinny puppy. go take a walk in the past with an ear for the future you just might learn something.

ein album im sinne klassischer songwritertraditionen. natürlich angereichert mit anleihen an ihre detail-versessene und floor-berauschende aneignung von house, aber überdeutlich zu einem in sich geschlossenen sound-kapitel verdichtet. es ist ein album, das neben der kooperation mit bostons e-funk wizard tanner ross auf zwei stücken vor allem in zusammenarbeit mit dem englischen sänger und musiker chris james entstand. james, der unter anderem auch mit seiner band stateless auf ninja tune und !k7 veröffentlicht, hat einen wesentlichen anteil an der strahlkraft dieses albums. seine wärmende stimme und seine intuitive entwicklung von gesangsarrangements fruchteten augenblicklich mit den vorstellungen der berliner produzenten und so erarbeiteten sie letztendlich elf gemeinsame stücke ...

blunted astronaut returns to its roots with an upcoming series of 7-inch drops out in the next few months. ghettosocks *everyday apocalypse* b/w *i ll be your dog* is the latest addition to its ever-expanding catalogue of vinyl releases. this translucent 7 inch, produced by dynamic duo the process (jonny cuba and ollie teeba (soundsci/the herbaliser), is bound to be another ba sure shot. rapid-fire flows, clever rhymes, cinematic production... it is all there to keep your head boppin for days. guest appearances by canadas timbuktu and muneshine add weight to this already heavy release.

home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep upfront released on vinyl-only terms and produced exclusively on analogue equipment. ogers re-tracing of his roots pays dividends too, and whats most striking about the labels debut outing, the simply-titled home invasion 02 ep, is how very different it sounds to vintage real tone planes. gone are the whimsical, celestial deep house hues so favoured by the latter, and in there place is a series of cuts that expertly toe the line between house and techno without resorting to generic soundscapes

mondo 002, inside out sleeve, 180g vinyl. mastercut by lupo at calyx the name mondo has its roots in >mondo movies<, an italian movie genre born in the 60s. mondo movies are characterized by documentary like content that addresses several topics from around the world (mondo)

the name sabota comes from the infamous area in nelson bc, where kids congregate late at night to smoke weed, hook up and watch the sun come up. both max ulis and robbie slade (of humans) both have (if somewhat indirect) roots in the area, making it a fitting concept for their collaboration. with the release of next time on discobelle, sabota immediately caught the attention of journalists and fans alike, and before any kind of formal release they have played sxsw, sled island in calgary, vancouver international jazz festival with nosaj thing, and symbiosis gathering. the two full-time music collaborators have been making ethereal goodness.

continuing with our successful series of collected works, offspin is proud to present another mind blowing set of dance inducing tracks, full on house beats and ready to be dropped on any discerning dancefloor around the globe.

too early to go home, too late to stay still...the award winning future disco series sets the tone for 2014 with a limited red coloured vinyl sampler taken from their seventh compilation til the lights come up. in this installment the future disco team highlight their pick of the years freshest talent to feature on their rare and sought after releases.

yoruba records is honored to bring to you the incomparable lady alma. coming from the roots of that philly soul sound, quickly became synonymous with house music. her powerful voice and empowering lyrics lifts generations to fully understand self worth and self love. osunlade is a force within the foundation of house music. born at the intersection of funk, jazz, blues and rock n roll, he injected new sounds into house with his pristine production and respect for the harmonizing roots of all music. these two dynamic souls join forces in an explosiven song, its house music

french brothers baptiste & pierre colleu have been making music together since they were children. they spent a chunk of their childhood in africa, which they say has inspired their work in the studio. that influence is submerged fairly deep on dolphin kid, the title track for these two eps. theres an undercurrent of eerie soulfulness and woody percussion accents running through this oddly alluring cosmic-house seducer, but its roots are more balearic than afrobeat.

french brothers baptiste & pierre colleu have been making music together since they were children. they spent a chunk of their childhood in africa, which they say has inspired their work in the studio. that influence is submerged fairly deep on dolphin kid, the title track for these two eps. theres an undercurrent of eerie soulfulness and woody percussion accents running through this oddly alluring cosmic-house seducer, but its roots are more balearic than afrobeat.

small bodies ep by easy changes is going to be the first release of arma label in 2014. hungarian producer laurine frost -whose name in advanced moscow line-ups quite naturally correlates with easy changes - did the remix of the title track. fresh and forceful techno flow makes the seventh release distinct among labels latest production. at the same time its connection to the roots is very strong. artists preserved and revitalized that pure underground attitude of early arma deeds its reputation as a club was built on

nachpressung des album-klassikers von 1984! produziert von prince jammy mit der hi-times band und deren bandleader earl chinna smith im channel one studio, am mischpult saß als toningenieur soldgie hamilton. mit half pints größten hits: mr landlord, puchie lou, you lick me first, one big ghetto.half pint (buergerlich lindon roberts) wurde in 1983 schlagartig bekannt, als er den song winsome veroeffentlichte, der von den rolling stones als too rude gecovert wurde.