emanating from japan, and discovered by erid d (of rub n tug fame) these re-edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience ! as they get closer to the final release in the alphabet themed series, we are treated to a xmas special ! holy disco baubles i hear you say, can it be true ? firm dj harvey favourites which have been held back for a special occasion, crack open the port, drape yourself in tinsel and get down.

double 12 inch, one black & one white vinyl + download card.
>stereotype< the second single from bristol industrial dub pioneer mark stewarts recent album the politics of envy gets reworked by a host of guest producers. hyper dub duo hype williams unravel stereotype into a fiercely breath taking dub-spectacle, unfolding three-quarters of the way through into a sky-bound grand finale. fred venturas italoconnection remix radiates with a cosmic-coated, sugary burst of popular 80s synth and as expected plenty of italo spark & flair. daniel b of front 242 pulls the originals fuse, and rewires it into what you would kinda imagine a 31st century electronica frankenstein would sound like. renowned techno figure perc gets angst and intense with a heavy, mechanical but beautifully crafted remix destined for the most no-nonsense of floors. chicago native chrissy murderbot channels the same high impact baltimore sound that you will find in machinedrum and schlachthofbronx productions, carrying us out guns blazing with ballistic footwork drum beat firing. finally, mark stewarts dub version of the song and a taster from his upcoming >exorcism of envy< lp to be released later in the autumn.

for our second record, we would like to introduce you to fonos, after quality releases on labels like workbench, doeasy & agarics imprint weare he joins goldmin music

it has been a memorable year for the luv shack. release after release, props after props, watching the guys build on a solid foundations and take it up a notch each time. if you listen to their first release (again), and then this new release, you will see just how far they have travelled in such a small time frame. and yes, it started with a couple of mini compilations and eps to see what the reaction would be. the reaction was good, actually no, the reaction was great, the right jocks took to the guys and the early eps and hence since, the luv shack posse have been locked up in a studio ever since. they have been productive, and more to the point, excelling in that production. it is going to be a brilliant 2013.

the tale of the mythic pentaki mountain has been engraved on a two-sided circular piece of wax. the north face of the peak is steep, abrasive, and has been the subject of many legends in the region. it is said that whoever would manage to climb it would find a plateau, leading to a place called >the single source of truth<.

the >just for fun< ep starts with the title track just4fun, which in fact breathes fun and doesnt take itself too seriously. the funky and highly infectious keys and the butt shaking groove will remind you of a track that moodymann never made, but wishes he had. next comes unlimited01 with a joyful piano melody that would fit right into a french disco with a funkier version of alain delon behind the decks. still, the rhodes chords, the slow sexy groove, the vocal hooks will get you moving in no time. thang then goes into a more detroit beatdown direction with its deep chords and smooth pads. it creates a mellow atmosphere with an almost relaxed summer feeling. this is what a funky pimp would listen to on a night car drive. the ep ends with spiritual almost tribal rhythms. inspiration would be a nice soundtrack to a 70s orgy orchestrated by a groovy guru, surrounded by a magical circle of mystical dancers. over the top? sure, but the track would certainly get this party going.

on the a side is the vocal version of ywfla. breach wanted this track on vinyl so thought he would release this exclusive version in a very limited fashion. on the flip is a tasty remix from up and coming citizen who delivers perfectly with this dancefloor ready re shape of the original.

minor rain is bringing the heat. this smoothly progressing clubtrack with a heavy impact is staggering and everything you would expect from a psych syndrome release. the new era is here. not the typical sound but a refreshing style within the labels genre. the b side is somewhat more mellow but still has that scorching bass. get rinsing!

repitch returns with a strong 3-tracker ep from the high-acclaimed british duo and, enhanced by a remix that comes from semantica s boss svreca. the release starts with a catchy techno track that got its strength in an endearing melody and a reassuring breath-alike sound that bring us positive vibes. in the a2, svreca puts the a1 track into a black tunnel. claustrophobic atmospheres, blind and disorienting sounds with a circular attitude that you ll not see the end. on the flip, the b1 would be the pick for those who want to destroy a dancefloor. straight and distorted beats are followed by sinister whistles, pressing and complex hi-hats layers culminating in a punishing melody.

after having blessed the world with >soarex< released on our sublabel irr (international records recordings), including a remix by ada, we would now like to welcome von spar to areal. and this time, the remix comes from no other than techno legend john tejada. with >jon voight<, the hamburg-based artists have created another epic masterpiece in line with their earlier electronic tracks: great emotions, melodies you will never forget... in other words: a track that will send something of a shiver down your spine. tejada, of austrian decent now living in the united states, shows full respect for the original version and comes up with a remix that has proven immensely effective on the dancefloor. it so effective that we still find ourselves awestruck in the studio. well, in the meantime, we have to admit that we went out to one or two parties, but only to find ourselves back in the studio again, still awestruck.

the son of a prominent nicaraguan politician, alfonso noel lovo was a choice target for the sandinista rebels who hijacked his homeward flight from miami in december of 1971, ultimately putting several rounds through the talented musicians torso and hand. after several years, and as many surgeries, he would break new ground on this psychedelic swirl of latin jazz and pan-american funk with his musical partner, percussionist jose chepito areas of santana fame. long unavailable, la gigantona has lived its forty years lost in the grooves of a single acetate. imagine a nicaraguan take on herbie hancocks afro-jazz masterpiece mwandishi with some of the most penetrating, left-field guitar youve never heard.

slowly building, soul-soothing, and disco-fuelled house with a nod to both the great masters from chicago and the new electronic breed. lisbon producer and lux resident ramboiage likes to take it slow to take things further. >del fuego< kicks off modestly with a simple beat and some light percussion, creating and eerie mood. but then some tasty, disco-fuelled heavy house kicks in, and the tune starts to roll unstoppable, riding on a horn hook. funky like a train, as the mighty equals would say. spanish om records darling al velilla steps up the pace a little bit and lets the original float over some tasty discohouse beats and eighties-flavoured synths.

unlucky for some but not it seems you or us, dot013 comes comprised of a hat trick of deep and sultry, some would say rnb flavoured slow jams, made for those sexier evenings when you feel the urge to want to nod your head, wine your body and give those hips something of a work out as opposed to just pointing haphazardly to the sky whilst hopping between legs and occasionally pulling your best ooooh listen to that bass line face. though those evenings clearly have their place as well.

nao katafuchi is a new york based japanese artist. living in lower manhattan for more that 20 years, nao has made an internationally interesting mini album lost somewhere between the future and the past. all of the music was made using a semi modern groovebox, guitar, and voice. this musical combination created a new wave cyberpop atmosphere that would not be out of place in a bar in liquid sky, blade runner, or total recall. trashy japanese retro-future pop out of new york city!

this twentieth 3024 release is by my friend trevino. i am particularly proud to put this out because it was trevino (aka marcus intalex), who signed my very first tracks and gave me my break back in 2005 (a 12 inch called get down on his label revolve:r). in the last two years he has started taking his techno more seriously, writing new tracks at a very fast pace. i am glad people are taking notice of his music cos he is the real deal and it was tough picking tracks for this release cos he is making so many! ultimately we chose four that would clearly showcase marcus different sides and styles. so, seven years after my >get down<, i am proudly presenting the mighty trevino with his >tactical manoeuvre ep<.

if live gives you lemons, cut them, scratch them and put them in a beat. for that special flavor take blus soothing flow to sugar it up, add exiles cuts to give it some spice and make sure to replace sour with refreshing. blu is back, happy to pour you some lemonade and his hommage to the one and only guru is straight boom bap with a scratched hook by his partner in crime exile, over a raw production by beat make jake.
limited edition 7 inch. 400 numbered copies, hand screen printed. andy warhol would be proud.

tone control music proudly introduces our new signing thatmanmonkz. this debut ep, the man explores detroit inspired deep house with jazz, disco and soul influences apparent throughout. several tracks feature vocalist and multi-instrumentalist, pete simpson (sunburst band) while title track, the man takes a heavier sampler/drum machine based route for darker tastes. ross orton (arctic monkeys/m.i.a.) helps out on mix duties to complete this steel city showcase.

total control dislocate expectations with this inaugural home loan records 12 inch. not the charged up paranoid vox/guitar/drums combo that we have become accustomed to through their visceral live shows - instead men with machines producing pensive proto-tech experiments and tense industrial wave. includes the original version of carpet rash which was re-recorded in full band mode for henge beat, and two previously unreleased immersive rhythm tracks formed through collaboration between guitarist mikey young and drummer james vinciguerra. vinciguerra would fire deranged beats down the hole while young would jam over them, watching waves in a trance from his perch at phillip island. on the flip we find two reconstructions from home loan manager michael ozone. carpet rash receives the club re-contextualisation with ozone fully utilising its penetrating synth hook, while new age hop climbs the arabic scale.

if the black monolith tycho magnetic anomaly one from stanley kubricks classic 2001 felt like partying, he would be throwing his rocks in the air to the vibes from barnt, even without having arms or legs. it is probably because is this what they were born for? is not the first time the dj, producer and co-founder of magazine (barnt, not the monolith) orchestrates his profound knowledge of true cosmic sound design in the most convincing manner.

a beautiful fusion of deep & spacious, trippy & relentless you can clearly hear jun akimoto. this is something that would get lost in the wave of digital releases that we swim in, thesedays. so forthefirst time anywhere, we are proud to present the first of the maison detre vinyl series just you ep. for those tracks that absolutely need tobe on vinyl.

hidden recordings presents the perfect soundtrack for the chilly, darker days of october. the month conjures thoughts of halloween and with it scenes of eerie, grim, and shadowy landscapes. it is the perfect time to showcase the latest addition to the hidden recordings family, american techno producer memnok who has become widely known for his ethereal sound full of heady grooves and self-reflective moments. on his debut his range includes spooky and gritty cinematic strains that would make alfred hitchcock proud. the pair of tracks each have a stand-out remix by techno fast risers – ascion who has worked in the past with labels such as drumcode, kiddaz, synewave, sleaze, and prosthetic pressings, and daegon who has graced releases from labels such as frucht, der hut, android musiq and silent steps.

eddie flashin fowlkes has always fancied himself as the forgotten producer of the detroit militia, a point which he explicitly points to on the title of this new release for the detroit wax imprint. >unsung hero< is, interestingly enough, quite noticeably un-detroit sounding, rolling on a killer funky 2-step groove and breezy keys which would slot in nicely against the mellower end of uk garage. on the flip >we need more< takes a stripped approach to house with some strange and submerged vocals from don q and restrained organ stabs, leaving it to the steadfast, bongo-laden groove to do most of the work. unsung hero indeed!

italian duo macromism has lately been making waves in the scene with their latest releases and they land now on be as one together with their long time friend dj kool dek, who already appeared on the labels tools for school vol.3 with take the rhythm ep the trio push things forward and show their versatility in the production room. the a-side hosts 2 cuts of proper groovy tech-house as you would expected from this collaboration. the b-side goes instead deeper and shows a side of the trio that yet was to explore. a 4 tracks ep that will surely find space in many djs bags.

the layabouts are anything but. 2012 marks leigh darlow and alex paschalis 10th year together and they have never been so in form or demand. their cast iron reputation for quality deep soulful house – house music forged with feeling and real purpose – continues, impressively, to grow.
rhythm master darlow and guitarist cum orchestrator paschali first met in 2001– in home city london – off the back of various projects in the same studio space. in time, their mutual love of expressive house music would lead to cult licks feelin right and the way i feel, sizzling material for kenny dope gonzalez and hot-to-trot remixes of dj spinna, da lata, dj spen and robert owens, and soulsearcher.

the close of the disco-era was far from the end of patrick adams career. in the 1980s he would lend his creative genius to such notable acts as salt n pepa, keith sweat and carol lynn townes. in the 1990s he helmed recordings by eric b. & rakim, paul lekakis and morris day. but the focus here is on the years he spent with peter brown and p&p. years where he was at his creative zenith as an arranger, composer, and performer. this is patrick adams >best of p&p records<.

nice price deal !!! borngräber & strüvers latest album represents a unique selection of chamber music compositions created in the period of 2000 through 2012. this denotes a new facet in the musical cosmos of the berliner duo, combining influences in the range of minimal music, classic and baroque, as well as the art of improvisation and pop culture. clouds can be considered as an album for fans of richard skelton, the caretaker and christian naujoks, but its distinctive work manages to reach a far wider audience. the album begins with the piece wellen (waves) for soprano and strings. the music is arranged and composed in a sort of wavy-shape, as the title suggests. it is a piece in the purest form of minimalism: without an end, without a beginning. the following track mobile pays homage to richard strauss don quixote, as musical parts and constantly changing atmospheres reconcile to create a sense of movement and mobility. last but not least, secret bells represents an instant composition as charles mingus would say, combining piano works and field recordings. clouds 1-3 were written for a virtual chamber orchestra and join together to give the album its leading name. these >clouds< differentiate themselves trough stylistic influences, ranging from classical to the latest in music.
includes code for free mp3 download of this release.

rugged/troubles is a double a that lives up to its name in every way. if we wrote cliched press releases we would say the release >does what it says on the tin< but getdarker dont deal in hackneyed, meaningless sayings, we deal in undiluted, speaker-banging platters. and they dont bang much harder than this pair of purist party-starters. troubles follows. in more ways than one.

full album from the astonishingly talented juju & jordash. this time crossing their more psych side (golf channel recordings) with their proto everything electronics. how many more tricks do they have up their sleeves? killer! tip!

founded in 1996, adam beyers drumcode has become synonymous with all that is exciting about techno. having completed a landmark year in 2011 with the labels 15 year anniversary celebrations that included a 12-date club tour and a 28-track various artist compilation, drumcode gets back to the future in 2012 with a busy schedule of releases. followers of the label will recognize lost of familiar names within the schedule with projects confirmed from adam beyer & joseph capriati, ben sims, alan fitzpatrick, kaiserdisco, slam, jay lumen & gary beck, sam paganini and nicole moudaber. having notched up 15 years of service within techno, most followers of the scene would say they know what to expect from drumcode. nononsense, dancefloor orientated techno that has managed to steer a path through the maze of genre hopping trends that to create a sound of their own

cazumas yume is a delicately balanced trip, from a broke, raw groove towards the light. striving upwards all the way, higher through beautifully orchestrated pads, strings and chants. if you flip the record, you will find envie by mr raoul k. if you know raouls sound, you would probably find this one to be on the clubbier tip. bulding from a groove of raouls patented percussive arrangement comes an electronic sandstorm, from tiny stabs through a full on and freaked out break where the mighty beat is totally lost. and then back at it! this is really one of those tracks that you cant help yourself from playing whenever control is lost on the dancefloor, a gateway to the crowds inner animal.

whilst most of us would associate the productions of butch with his effortlessly flowing, melodic and uplifting style, perfect music for the summer floors and terraces.... of late, the turkish born producer has been channeling back into his tougher and dare we say it, more butch techno sounds. having bathed us in the gorgeous tones of previous hits such as >papillon< and >eyes wide open<, butchs latest work for quartz music sees him expanding further on his recent chemically inspired cecille release >lsd 25<, by serving up a large helping of acid on, >303<. sinister and deadly, the creeping corrosive cut is perfect soundtrack for those dark strobe lit moments. >soul leaves body< sees on the polar opposite side of our trip as the blissed out beats of the tabla and strains of the sitar sweep us away an ethereal bed of sound.

with releases as rare as a week of sunshine in london, and a profile that makes burial look press hungry, it is with great pleasure we give you joes first tracks of 2012. two wickedly sleazy and satisfyingly peculiar tunes that as you would expect, completely defy categorisation.
mb - a loopy, sleazy, slo-mo roller with the slinkiest guitar lick riding a big-boned bassline. as with all of joes tunes, a little = a lot.
studio power on - the sounds of 94 jungle smashed to bits, thrown around a studio and taped back together for 2012.

fresh off the back of his debut ep for phantasy which won support from the likes of the chemical brothers, tiga, damian lazarus, andrew weatherall, gesaffelstien, jackmaster, smd, heidi and many more, phantasy proudly presents paul woolfords special request remix of taste. a thundering rough and ready approach to the original track, twisting it into something which would resemble kraftwerk had they spent their formative years overdosing on jungle.

t.c. matic were a belgian rock band formed in the early 80s by arno hintjens and jean marie aerts (who would go on to produce albums by urban dance squad and absynthe minded). they played a mix of new wave, blues, funk, hard rock, avant garde and even some french chansons. their eclectic mix and experimental approach to music would have a great impact on belgian bands such as deus and zita swoon. their eponymous album t.c. matic from 1981 has their biggest hit >o la la la< on it, a song that can still rock the dance floors today.
it is a good thing music on vinyl is making this album available on audiophile 180 gram vinyl again!

kindisch would like to welcome hamid to the family

new swedish label from >dont recordings< artist, boner m. limited pressing. classy mid-90s style techno, antsinplot takes you on a ride without compromise into the realms of techno. harsh sounds and stuttered riffs unfold over super-kicking beats. this is real raw techno with the punkest of attitudes and of the ilk that would have sat (un)comfortably on seminal techno labels such as subhead, dj hyperactives contact, tim taylors missile or indeed any label that released hard techno built for dark strobe-lit warehouses during the 90s. this is the techno that rocks underground bunkers in berlin, london, sao paulo and all around the world but remains untarnished by commercial interference... alive with attitude and real analogue fuzz, antsinplot 001 is co-produced by boner m whose monster record zoidar released last year on dont recordings, found its way into the box of ben sims amongst other leading techno tastemakers.

122 bpm is the story of how a father and his son changed chicagos dance music scene in the 1980s and went on to take the world by storm, leaving an impression that will last forever with just a couple of 12 inch releases the world would soon know as house music. nemiah mitchell jr. and vince lawrence couldnt have known what their contribution to house music would become. their story provides the missing chicago link between soul, disco, new wave and then house, between the radio and club djs and their audience, between the old generation and the new generation. this is the story of the first house records ever made - long before trax or dj international were even dreamt of. the compilation includes numerous unreleased tracks and beyond hard to find house tracks made in chicago in the early to late eighties from the catalogues of mitchbal records and chicago connection records

chicago house legend mike dunn goes into the vaults to deliver a series of his own personal dj edits moving across jazz, funk, soul and disco. the series focusses on jamz that inspired the early chicago house scene (tracks that you would hear at the music box or warehouse) and edited to perfection by mike dunn for maximum effect on the dance-floor. already supported by terry hunter, kenny dope & jazzy jeff, to name a few. limited. hand stamped 12 inch.

freeze dried is the brand new label from the one and only grant nelson, with this new venture focusing on a deeper shade of beats... although refusing to be pigeon-holed, the labels brief is kept quite simple, fitting between a fusion of disco & deep house, the music quality is as you would expect the very highest quality! the opening release is a perfect snapshot of this, with the infectious nu-disco flavour of >time ties< kicking off the package, on the flip >not that same< goes a little deeper in the mix, with a melodic yet uplifting hook that has already been getting some serious exposure out in the ibiza sunshine.
plenty of high profile dj support has surrounded this release: giom, richard earnshaw, miguel migs, graeme park, soulmagic, tedd patterson, danny j lewis, kiko navarro, charles spencer, roog (hardsoul), ricky morrison, gavin mills (copyright), deepcitysoul, scott wozniak, dj jask, martin ikin (soul purpose), cj macintosh, random soul, andy ward, shane d, gilbert le funk, danism, dj mfr

public information present austin cesear, here with his first ever release. an lp shaped on the west coast of america ... a bay area backdrop. welcome to cruise forever.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. with the second release on local talks reissue sub label, 1nce again we bring back one of our personal underground favourites from the golden age of house music (the early 90s). back in 1994 mateo & matos released an ep on black label records entitled raw elements, which included an amazing cut called >maw basics<. its one of those raw 90s house jams that got the house bump but without the pump, its rough and funky but still deep if you know what we mean? no cheese in sight! together with the original track (now fully re-mastered) we also asked gerd (4lux, ny stomp) to make a remix that would stay true to the original but still bring it to the next level. the result is absolutely amazing and we are pretty confident that this baby will deliver knock out punches every time it blasts through a massive sound system in a proper club.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by,kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by, kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by, kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

big tune alert! these white label hand stamped promos will be worth their weight in gold for any self respecting dj planning on staying ahead of the curve over the coming months. the man of the moment huxley (hypercolour / 2020 / cecille) adds a new remix to this package. peak time party gear, as the title would suggest only 250 hand stamped copies in existence.

the wait is over. the outside agency and ophidian unite on the 20th genosha release to collectively blow minds, expand vocabularies and sow the seeds of confusion. we could describe the tracks to you, but that would spoil all the fun and/or disappointment. if you have ever asked yourself what would happen if these three got together and made a whole ep, then the answer to your question is available for you to purchase right here. boom.

the second full-length album is a true reflection of the complexity and simplicity that have come to represent the artist. effortlessly weaving entirely new sub-genres, while daring to convey its fragility she assembles the marcy all-stars, a loose collective term that encompasses her longtime muses, friends, and co-conspirers. the term comes from the marcy hotel in williamsburg, new york - an underground nightclub-come-creative-space and wolf + lamb label studios that gave nicolas jaar his first gig, inspired a multitude of collaborations and reshaped the sound of house music as we know it. available on cd, lp with a special limited edition lenticular cover of the accompanying led sculpture designed by deniz kurtel and brought on the way we live u.s. tour. vital sales points: - second full-length artist album for turkish-born artist - mobile led installation was constructed for the tour, artwork is special multi-frame lenticular - extensive global promo + tour

fina records is therefore proud to present the riker ep - a three track cosmic delight from the man himself. title track >riker< is a warm, emotive, progressive number, interspersed with glockenspiel lines that would make lil louie vega jealous. in stark contrast, >geo< is a spacious, punchy, deep kicker of a house track layered with ghostly dropping baselines and shimmering echos. a futuristic deep house shoulder shaker for the terrace. on the <riker remix<, purveyor of new vibrations and rising star elphino (somethinksounds) delivers a driving house track, chopping up the vocals, and firmly stamping his own imprint across the basslines into an up-tempo designated dance floor record

greetings and thank you all for your support of our last release the mystic re-issue by norm talley. today i would like to introduce the first release from our second offshoot label tmr essentials! this label will focus on our new deeper releases. out the gate we would like to present: euphonic moods ep by brett dancer. the first release from our head honcho since 2006, and nothing but deepness on this slice of vinyl. v2 forces the boundaries of tech and house as it builds to climax, atmospheric bliss with this! space is simply rhythmatic integration, beats and chords, driving bass, get ready to move. the lost is very reminiscing of the early 90s groove with a millennium twist, bouncing bass melodic chords, call and response vocals, end result classic!