we are pleased to announce the debut release of a young producer from the uk, bnjmn. his adventurous electronic sound is one we haven t heard in a while, and excited us on first listen. while on one hand his music has a traditional sound (early 90s uk), bnjmn does create a world of his own due to the versatility in his productions. it is this versatility that creates an exciting hybrid sound, therefore pushing the envelope and making it sound very current, future even

the 4th downbeat release is by darand land. a talented producer who in the beginning of the century, released several jewels on deep4life. now, after years of introspection, he presents 5 deep house tracks with warm and smooth synth lines where it can be guessed his self-confessed predilection for larry heard and wayne gardiner. music with soul for dancing with eyes closed.

originally heard on a c90 mixtape from the mid 90s, unearthed 15 years later, recorded from a demo played on the andy kershaw show on radio 1 in 1996! what followed was an epic quest to find the artist and the original masters and all roads led to west london, summer 2010............. musa k hails from sierra leone but is now based in west london and his tracks paint a landscape of brutality and horror on the guinea coast, set to a soundtrack that is pure funk. these two remarkable previously unreleased tracks fuse and deconstruct, hip hop, afrobeat, techno, p-funk and dub. a truly unique voice and lyrical style musa fits no stereotype. an edition of 200, 12inch black vinyl remastered from original mastertapes.

a message from claude vonstroke: >sascha braemer has got the funk! i first heard him on the amazing thrill on kindisch which i charted in my top 3 tracks of 2008. after that i heard the even more amazing heinrichs and hirtenfeller album dark orbit, (my favorite album of 2009) on highgrade. i usually like to break new dirtybird artists but this time i had to go find this guy and beg him to make us something. sascha has got that tech-funk, caveman quality that is so elusive and hard for me to find as an a&r. and on this record you will hear why i went and found him. this is an absolute beast! both tracks are tried and tested club killers. truthfully, i cannot think of a better dance-floor record on dirtybird this year<

thomas fehlmann is integral to kompakt and the labels history. his solo releases and collaborative work with alex patterson as the orb have been some of the kompakts most revered and cherished tunes. following the success of his 2010 full length gute luft (a collection of re-edited versions from his score to the hit documentary 24hr berlin), we start 2011 off with titan one / dfm. on october 16, 2010 thomas fehlmann performed in montreal, canada at the historic molson coors brewery building together with members of the montreal symphony orchestra (osm). together they sought to recreate a version of gustav mahlers classic symphony no. 1 (titan). kompakt is proud to now offer a new recording inspired by that epic concert of symphonic and electronic with a new recording inspired from that performance – renamed as titan one. the hum of cellos and strings conjoin fehlmanns electronics – held together by the sublime, unobtrusive thump of a bass drum. titan one flows with a beauty and edacity that is rarely heard in both classical and electronic music form. the b-side features a new recording inspired from the second piece of the performance - a new version of thomas fehlmanns du fehlst mir from his 2006 kompakt full length visions of blah. reanimated as dfm, the piece again conjoins the different musical worlds in a way we have never heard to such a high standard. a much more upbeat affair than to titan one (of course) bass and keyboards mingle with the symphony the playfulness of the original song rolls throughout dfm. whether as palais schaumberg, the orb, or 3mb (to name only a few alias). fehlmann may have 3 decades of professional recordings under his belt but he continues to prove to the world as being one of the most fascinating and creatively open musicians in his field. this release clearly proves his story is far from over.

crazy p return to 2020vision with their first new material since the stop space return album. the mts series is a chance for jim & chris to get back to basics and produce some club tracks for their in demand dj sets, before they reconvene with the rest of the band for their next album. already making waves with both of their soloexcursions (ron basejam and hot toddy), they team up here for two perfect examples of their trademark disco and house vibes. crazy p are quite rightly held in great esteem from some of the hippest names around, wolf & lamb, jamie jones and tensnake to name three. they have been ploughing their own deep disco furrow for many years waiting for fashion to catch them up, and now can take the plaudits for being figureheads of this uk scene. my love is a superb raw house cut, thats custom built for sweaty basement sessions, influenced by classic us house. make me wanna takes a moreunk riffs and diva vocals. both of superb examples of the amazing crazy p sound and have had unanimous glowing feedback from the few people lucky enough to have heard them so far

shakarchi & straneus are faik and daniel, two bffs from gothenburg who are making some of the most catchy, emotional and well crafted dance music we have heard in a long time. both had been involved in music for a while when they started working together at their hometowns top tapas joint, manana. in between washing dishes and serving patatas bravas, the boys would burst out short tracks and sound experiments in the makeshift studio they had set up inside mananas cloakroom. this led to a debut 12 inch on malmo based geography recordings and now comes their five track ep >dodskallar och korallrev<: studio barnhus second release, the best swedish house record since jesper dahlbacks >what is the time mr. templar?<, something we are immensely proud of being able to release.

selected advent deal - 7th sign is proud to announce a very special release. formerly of the g-strings label out of chicago (first heard in 1990), this is truly a classic rarity that now takes pride of place in the 7th sign catalogue. this newly re-mastered issue features all the original tracks, including the classic title cut with its haunting strings and kraftwerk-esque mechanical groove. all the tracks have a very deep minimal arrangement and production and each stands up against todays modern backdrop. this is a real gem and a great time capsule of chicago house from back in the day. this release offers a rare opportunity to own a rare record that has assumed classic status and price.

some of you outhere has might already heard from the two young talented guys from london named home park. sam fussell and rob glassett with their next record after releases for labels like bliq, consisting of two older tunes on the a side (incl. what a day) and two new tunes on the b side.

sven is back! it seems like ages ago since we heard some fresh music from the always-reliable mr. weisemann on mojuba. still having his acclaimed tunes like vibe, lets swing, cabana fever and kiss of abana resounding in our ears, are we ready for something new? yes we are! and hear he comes, delivering two kick ass tunes in best mojuba style, but he put also some impressions from his sole exception project for essays music, his old styrax jams as well as his famous xine lp inside. listen closely and you will feel it

finally, juli holz is back on stil vor talent. the whispery and enchanting voice of the blonde singer and producer can now be heard again on two new tracks on stil vor talent + oliver koletzki rmx. while her topics are still clearly defined, circling around music, love and life in the big city, her music has become more house-orientated and is even mingling with straight pop music.

i dont think i know, or heard of, anyone who share the same obsession in searching obscure disco records like kool dj dust (real name daniel savio). call him at any given time and he is in some flee market or second hand shop on the look-out for records. he even got an apartment just for his collection.
we talked about the idea of re-releasing >un-googable< music, old stuff that is not only very hard to find, but also so good that re-issueing it is an actual cultural necessity. dust tossed around with a few ideas and finally these three songs made the cut. we are very happy with them!
we hope you are too. we are also happy that we have the support on this release from so many djs. some of them being rune lindbaek, in flagranti, tim sweeney, horse meat disco, 6th borough project, parlour, dj rocca, bonar bradberry, parlour, hugo capablanca, cousin cole et al.

pional takes things in stride. and we like that. despite the enthusiastic response towards >a moot point<, his debut on our label, he has kept it low. locked in his studio, with his mic and his machines, recording non-stop but being extremely picky about what he chooses to release. thats why we are a tremendously thrilled about introducing you to >we have been waiting for you<, a song that has been blowing us away since the first time we heard it.

jeremy duffy (duffstep) brings us back to the deep, the spacey, the atmospheric, the groove. imagine blockheads, fly los, fingathings, mount kimbies and von ds sound, slightly reduce the beat to the soulful side, add synths and mid/heavy weighted bass and your almost there. as well as releasing music on his own label, join the dots, duffstep sent a copy of his demos to electric minds and after hearing >close< we immediately got in touch to sign the single. the track is one of the most powerful productions were heard this year and proved its worth when we heard it played as part of duffsteps av show on cargos huge system. big beats with a huge bass line, close is a powerful track that crosses the border of house and dubstep. to compliment the track we commissioned hreno & the mole to provide their take with a stripped back house version. in addition yam who also steps up for remix duties providing a killer boogie track. touching dub step , house and boogie the 12inch provides 3 sounds from the different corners of todays dance music scene.

>i keep asking myself where they take all that brilliant music from. its just as if somebody had poked a bees nest and then it all burst out. i feel deeply connected to the pampa style…< (terry hogann, the musical mistress, 10/2010). as was to be expected, pampa is steadily developing into a platform for cross-border electronic dance music. each pampa release sounds different from the previous and still pampa remains a conclusive musical planet. this is all the more surprising in the case of pampa005, which features two completely different artists: side a: nathan fake - xmas rush having reportedly recorded his track >xmas rush< in his london studio during a jam session, nathan fake (border community, traum, saw) has turned in a total brainfuck. its mercylessly exaggerated, psychedelic, inexorable, and at the same time sweet and heart-warming. a very rare mixture. unique in its consistency, we havent heard anything like it since the 90s. its so nice and overwhelming to have your ears exercised the right way again. evergreen… side aa: dj koze pays tribute to michael smith - >mi cyaan believe it< in the meantime, dj koze has moved on to completely different spheres. once again, he astonishes his public with an extremely danceable version of michael smiths >mi cyaan believe it<. having originally started off as a digital error, and recorded within a single night, this tune recalls the ruthlessness, rawness and revolutionary energy of public enemy

matteo milleri steps up with barraca music to deliver a super diverse 4 track ep of stunning original quality. half member of previous barraca music release artists, tale of us, a lot more of matteo will be seen and heard in the next few months and years to come

mzo bullets track >casablanca< has become a sought after underground classic over the last 18 months, so when it landed here as part of our township funk compilation album we thought we would do it justice and give it a full vinyl release. as our friends hot city were jumping around to it when they heard it, we decided to let them loose on the remix. already picking up plays from benji b over at radio 1 plus dj support from the likes of diplo, kissy sellout, doorly and andy george.

out now, the second e.p. from the axe gabba murda mob, this time on pacemaker records. two awesome tracks full of technical tricks and skills like you have never heard before at an awesome superior sound quality. top quality release!

the 12th release on uzuri sees contributions from turin, chicago , amsterdam & dublin. the opener sees morphine & kinda souls ksoul teaming up with new production partner muteoscillattor. >take 1< kicks things off in fine fashion, proper rough, raw and intense jacking house that is completed by the heavy heavy bassline. brilliant!
chicago skyway returns to uzuri with >resolution m<. nodding to the likes of larry heard, armando and virgo, the chitown resident puts his analog machines to work & delivers an elegant & funky number.
the bside kicks off with juju & jordashs >killing raul with acid<, an epic, tension laden full on acidic outing from the amsterdam duo, fresh from their ace tattoos island ep on philpot.
the ep is finished off with a track from dublins slowburn. they debut with >meteor<, a deep as you like slow burner. lovely kicks, languid keys. a promising start from ireland!

limited single-sided white label of an exclusive theo & i.g track, >traffic<!! youll have heard this one if youve been paying attention to mr parrishs dj sets over the past year or so...tip!

the most favourite of italian producers, bottin, returns with an old project. tinpong is a collaboration between bottin and swiss singer joy freypong. these tasty masters were just gathering dust on an old hard disc in venice but when we heard them we just had to get these gems out there.
the first of the tinpong material is a cover version of a duran duran classic. set dials to 1982, >new religion< is of course one of the standout tracks from the classic >rio< album.

kelley stoltz, now a veritable godfather to the burgeoning san francisco under/over-ground (folks like thee oh sees, sonny & the sunsets, the fresh & onlys), has blazed a path since the late 90s as a home-recording guru and multi-instrumentalist. and, while stoltzs nigh-religious reverence for all things beatles, beach boys and kinks has been at the fore on recent albums below the branches, sub pop) and circular sounds, sub pop), his new album, to dreamers, blends a bit more post-punk abandon into its layered everyman pop. this new album maintains the kaleidoscopic core of sounds heard on kelleys previous records, while making inroads into new sonic terrains.

first on decks .de !!! sa007 sees perc and modern heads create the first collaborations between these two core stroboscopic artefacts artists. the result is a punishing hybrid of percs dubstep tendencies and modern heads cutting techno. a-side >mendax< is cavernous. built upon solid dub foundations, it spills over into grinding, metallic territory. if the titles to be believed it takes inspiration from the shady world of lies and deceit. the atmosphere seems to agree, theres certainly something mendacious at work here. b1 takes the eps atmosphere and adds abrasion. in >percdax< cold, hard percussion is layered over a bed of warm dub. closer >moddax< errs on the eerie. it skulks, is full of sticky bleeps and the result is unnervingly dubbed out. all three track titles share the same suffix and if this indicates that they also share one quality its that theyre best heard in the glinting shadows of a club just before day break. sa007 was craftily mastered by artefacts mastering, berlin.

for a full underground effect, these remixes will not be available digitally, this is strictly vinyl-only business, one for the heads!! the 12inch features remixes by superstars 4hero and m&ms john morales – pioneer of the remix and original producer of jocelyn brown, galaxy, five star, shalamar and all things disco fabulous! recorded in brazil, far out monster disco orchestra is led by azymuths jose roberto bertrami, arranged by arthur verocai and rios finest musicians including and a massive, hugely talented string section – its supersized disco like youve never heard before

nice price deal !!! the return of dub recordings!?! 6 track debut ep of young dutch producer astroposer! after a period of silence this was a great reason to get clone s sub label specialized in the finest electronica (since 1996) back alive! especially after learning that astroposer got heavily influenced by the early releases on dub by of eog, syndrone (aka machine drum) and funckarma which he heard from his older brother. the circle is round and little brothers grow up and before we knew the next generation arrived to take over. heavy 6 track ep with futuristic hip hop, modern beat trickery, neon commodore 64 bleepy downbeat rave tracks. support: blawan, instra:mental, a made up sound, 3voor12 radio, funckarma, machinedrum etc.

one year ago boys noize released his second album >power< and here come the last singles: the double a-side trooper / nott plus remixes by robert hood, paul chambers, shadow dancer, phon.o and strip steve. listen to trooper and you immediately feel part of a movie - a dark, powerful tech strenght, big drum sounds and the scary voice machine system is something you haven’t heard before, for sure! boys noize had the big honor of getting a remix by techno-godfather robert hood.

shake has proven himself time and time again to be one of the most original and creative producers in electronic music today. unafraid to take risks in his productions or as he calls them his failed experiments, shake has created three killer tracks for fit sound that can be called anything but failed. trackin is a bangin disco influenced house track that will smoke the dance floor. drummer downstairs is a beat track in typical shake style that mutates into something completely different and unlike anything we have heard before. frayed shows another side of shake, it is equal parts deep, melodic and dubby.

tribute to larry heard, placed over a stripped down dubstep template on the flip, we present an exclusive remix by prolific dub-techno don quantec (styrax / echochord) who doesnÒt disappoint with a subaquatic groove of enormous proportions. quantec aka sven scheinhammer is a prolific and highly respected producer from berlin who has been releasing high quality house and techno tracks since the mid-90Òs on an array of well respected labels including echocord, styrax leaves, millions of moments and meanwhile. his sub-aquatic grooves span the music of detroit and berlin, referencing the classic sound of basic channel and catching the ears of the main players in various sub genres currently flirting with the crossover sounds of dub techno. quantecs remix of mrs fingers has already received fantastic praise and club support from the likes of 2562, headhunter and brackles, as well as radio play on radio 1, rinse fm and xfm.

without a doubt >golden dusk< is the best track we have heard so far this year. a very rare combination of deep techno and dancefloor hysteria! limited pressing on golden marbled vinyl.

leonel castillo is undoubtedly argentinas most gifted producer. while his releases remain extremely rare, his daily creations keep adding and adding onto the thousands of tracks he produced over the past 20 years. on this very special artist ep - leonel castillo, the great engineer, sets some intricate and complex rhythmics in motion, forging el salon de los espejos into a highly feverish hotbox of a record. get this right: no other man can develop such elaborate and throbbing patterns as he does. from his lucious grooves featured on sushitech, to the stripped aesthetics as heard on illian tape or even the dubby techno textures from his record last year on greener - needless to say, leonel covers a wide and complete musical range.

monsieur guillaume berroyer — the infamous ark — recently underwent a sort of sea change in both his artistic and personal life. anyone following his career with even a passing interest knows of his long resume (collabs with pepe bradock and cabanne, dolibox, mika weill, releases on brif, karat, circus company, perlon…) and has heard tales of the studio fire and the creative energy shift and all of the stories associated with his frenzied live performances and dj gigs. great stories are fun and build mystique, but as most heads know the music more than measures up to the legend. his recent >arkpocalypse now< full-length showed a matured craftsman that is not so much waxing introspective as he is distilling his signature sound into something manageable enough to truly adapt to all of his musical tastes.

footandmouths third release is a fantastic four track ep of some stupendous edits. if youve spent any time in ibiza this summer, youre sure to have heard d-sounds great take on hall & oates. a massive dc10 anthem, this is one of the most hyped tracks of the summer. subtle in execution, massive on impact, simply stunning! a2 is a great little disco edit, cheeky and fantastically infectious. the flip features another hall & oates revision by jersey shore guido, whilst, me & my fellas deliver another hot disco edit. great four tracker with something for all the family

even if u have been hiding underground for the last while, you will have heard this being played out, and on n- typs wheel & deal records rinse fm show.

when we heard that this 12 inch was dropping and and in such limited quantity (250 copies), we had to pick it up especially as remixed by some our favourite house producers at the moment, juju & jordash, vakula, and san proper

nice price deal !!! prinzhorn dance school announce their return with new single – >seed, crop, harvest.< we havent heard a thing from tobin prinz and suzi horn for three years (their debut lp was released on dfa back in 2007) but theyve been far from work-shy. they toured extensively, then came home and built their own bespoke recording studio (the red shed) – and learned how to use it. time consuming endeavors which saw them drop off the music radar. which might just explain the title of the equally charged b-side >off the radar, off the system<. in their own words: >weve been busy. just not busy making records. you have to live too. you can only write so many songs about motorway service stations and airports<. they recorded and mixed both songs themselves in the red shed, with bob weston taking on mastering duties. …prinzhorn dance school are back! and dfa could not be more proud

jamal moss presents kuba sojka, a new star rising from the mathematics imprint. with his debut ep, he brings 4 tracks of the most compelling house & tech that we have heard in a while. includes desert expedition, life choice, fullness for life & bright shadow of a star. jamal played this at our office party in july and we knew we had to rush it out. one of the best records we have heard in a long time. gonna be big!

futurist techno that needs some time to listen to, but can also surprise you with sound sensations never heard before, even after playing the track a 100 times.

mr white returns with a 3 track special. this is the follow up to the sun cant compare, the 2007 highlight - and once again this does not let you down. back with his mentor larry heard who brings the best out of the uplifting vocalist. side a - aeroplane lifts and drives on this tech-house journey. on the flip heard treats use to his deep world of house - larry at his best with mr whites twisted vocals on inside your mined. they round off the ep with you dont answer - a cross over tack of pure electronic pop simplicity.

mr white returns with a 3 track special. this is the follow up to the sun cant compare, the 2007 highlight - and once again this does not let you down. back with his mentor larry heard who brings the best out of the uplifting vocalist. side a - aeroplane lifts and drives on this tech-house journey. on the flip heard treats use to his deep world of house - larry at his best with mr whites twisted vocals on inside your mined. they round off the ep with you dont answer - a cross over tack of pure electronic pop simplicity.

john daly is delivering one killer chicago influenced house tracks after another. obviously getting inspiration from his favorite larry heard and marshall jefferson songs, turning that into those long smooth john daly tracks with soulful basslines, lush melodies, intense strings and euphoric breakdowns that take things to another level. not tracks for every moment on every dancefloor, but tools for the real house connaisseurs who understand special records for special moments and who treasure them like the crown jewels!

-could be- that you havent heard of andreas k. and sergej k. so far!?
actually the two bavarians are better known as drehwerk anyway and it
-would be- a shame, if you waste this perfect opportunity, to get to know these guys better!
with wo

at the young age of just 20 years old, ardalan from the tch dolphin crew in san jose is quickly proving himself to be a leader in the next generation of bay area house music. justin martin quickly recognized his talent when ardalan sent him a 10 minute demo.
after one listen justin thought the track was genius but needed some additional editing and arrangement work. he took on the project and the outcome was >mr. spock<. this dancefloor monster was instantly charted #1 by myself and jesse rose as soon as we heard it. it works. for real.

yore welcomes ibex to the yore family. tony ollivierra aka ibex, who is no stranger at all to the world of detroit house music, known for his outstanding releases on carl craigs >planet e< or his hot gems on 3rd ear and rushhour, returns in full effect on our 26th release. here he brings us four tracks, so deep (and yet grooving without a doubt), unique and full of class, that it still leaves us simply speechless. the music on this ep is so rich and full of musical ideaÆs, like we havent heard it since a very long time. one can tell you need history and expertise behind to drop something like this and ibex sure has what it takes. hes been releasing high quality house music since early 2000 and has been touring as a dj since the mid nineties, which all you can sense in his music. this is one of our personal favourite releases so far and we can only strongly recommend to get your copy while they last. killer ep not to be missed and already a classic today!

limited pressing especially for the subway destination lp if you havent heard about this one you have been living under a rock!one of noah ds biggest tunes to date has gotten the vip treatment. for a while now this one has smashing up the dancefloors & festivals left and right from the atlantic. a seeeriousss vip for a seeeriousss riddim. heavy play support comes from the likes of europe heads, skream, benga, joker, hijak, 16bit, trolley snatcha, doctor p, flux pavilion, 501, the others, emalkay, noah d, antiserum, 12th planet, spl, djg, broken note, n-type, seven, matt-u, akkachar, taz buckfaster, marlow, hatcha, jakes, komonazmuk & alot more!

big with ben klock, surgeon, luke slater, ben sims, len faki ,.. komisch is honoured to release the debut ep by sp-x. this upcoming producer contacted the label via myspace to send in a demo, and we were blown away when we heard it.combining lean, snappy percussion with evil bass sounds, sp-x also brings slamming, skipping beats and insane filtering to each track

the west coast series continues... after the huge hasbeens release its sumerian fleet with a amazing 5 track ep full of big dark wave inspired tracks. the perfect sound track for a movie such as irreversible. scary, haunting and dirty! do we hear some influences of the cure? liaisons dangereuses? adult? front 242? john fox? by far the most inspiring electro release we have heard in a while with its crazy industrial drive and dirty machine funk and robotic synths. btw check out that last track blech erkrankung... that track alone is worth buying this record! big.

tremsch & metlzer aka martin maier & daniel fuchs have created their own style of music which is based on new school techno house.&#8232,,it is hard to find out which kind of music exactly has influenced these artists but similar to piemont they are merely occupied by their own world of music in their heads.&#8232,,,,,we are sure they have never heard of such warp legends as >sweet exorcist still their 3 tracks carry that northern industrial flavour and combine it with funk.&#8232,,>20 toes< as well as >head games< perfectly transport this spirit, whereas -development- feels housier with samples of child vocals and cut up reverse sounds that create an semi-acoustic feeling.&#8232,,support comes through a remix by mbf core member piemont who have remixed >head games< and have created through that a fabulous rough and crazy chicago track, that holds all the experience piemont have gained through playing live.

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

what an absolute stormer, for those of you who have never heard this record, get ready to be blown away. initially out in 1992 inner citys pennies from heaven was just the most perfect house anthem, i think it was kevins tunnel mix which was the killer mix, here it has been strung out just a little by the slow to speak people. all the crucial elements are still there, amazing vocal, the most uplifting of pianos, ridiculously simple yet deadly bassline and fantastic crisp garage beats. really they dont get much better than this, watch em go on nye when you drop this. awesome!