the label of lars wickinger celebrates the number 010 of so what music.its time again for a various artist with a huge vinyl package and some friends likemadison & gaudier, marc de vole, du & ich and lars wickinger himself.played by: ramon tapia, benoît carretier, joseph capriati, someone else

2x12inch lp gatefold, blue vinyl (a), white vinyl (b), printed inner sleeve,! the duos long-awaited comeback was followed by critical acclaim and a series of live performances. while playing festivals in ibiza, georgia, denmark and the faroe islands last summer, john guldberg and tim stahl took the time to put the finishing touches on their upcoming release: uptimistic music, a double album featuring vol.1 and a second record of unreleased material.

efficient, pure bass-line techno jacker

legendary studio 1 re-release! >a series of very special minimal funky music based on very small and sneaky samples, danceable music but very much influenced by architecture and by the idea of taking minimal by the word and leaving out as much elements as possible to bring the maximum within the minimum.< – wolfgang voigt on the studio 1 series. with this re-release of two tracks from wolfgang voigts seminal studio 1 series, lisbons assemble music turns the spotlight back on to what amounts to the basic grammar of most contemporary underground house and techno. along with basic channel and the concept series, studio 1 has long been acknowledged as one of the forerunners of minimalist techno, though voigt is at pains to point out the >differences between their handwriting. rightly so, since neither mark & moritz nor hawtin prioritised the funk and fizz that jumps out of these two tracks >gelb< the determined younger brother to the more conventionally dubby (but no less groovy) >lila<. any producer who has spent long hours making minute adjustments to the interplay between the simplest of elements – kick, bass, snare, hats – should know they have been walking in voigts ever-so-well-placed footsteps. this re-release from assemble music serves as a reminder of where the music has come from

our favourite swedish house duo is back…more dirty than ever! the follow-up to the previous eps moody & trapped is nothing short of brilliant. waisted with its plucked strings is classic deep house held together by a bumpy groove, soulful vocals & slick keyboard but still maintaining the formula that defines dirtytwo and their finest work to date. talking 2 u is where dirtytwo gets deep down and gritty. chunky house chords, a meaty bassline, cut-up voice samples in full basement effect. flip over for the hard on edit of talking 2 u which goes one step further adding some acid lines and a raw basement feeling. a dub for those who seek a more raw and heavier tool. local talk is talking to you!

polymath james leyland kirby must surely have one of the most confounding cvs in the business: he spent years taking the piss out of the music industry with anthems rallying against the (vv)mcps, he notoriously fell out with various well known record labels for reasons you ll just have to google, goaded aphex twin with a series of tributes and channelled his love of everything from falco (rock me amadeus), chris de burgh, frankie goes to hollywood and stockport karaoke nights into a stream of increasingly bizzare 7 s back in the early noughties. but at the same time he was responsible for releasing some of the very earliest material from boards of canada (hell interface: 1997), made a ruck of frankly groundbreaking industrial electronic records, brought new beat to the worlds attention and, in 1999, made his first album as the caretaker, a project that would go on to release some of the most loved ambient/ lynchian albums of recent times.

manchsters wet play is back with wgfm#2. this one is a double a-side with big tracks from ste spandex and metrodome.

welcome to the world of cvnt, a world where voguing dominates, and house in all its forms, past and present, ballroom to retro, is the musical language. after a sterling debut in 2012, which included support from hannah holland (batty bass), jd twitch (optimo), bok bok (night slugs), rushmore (house of trax), severino (horse meat disco) and voguing/ballroom legend vjuan allure, cvnt (aka niall connolly) is back with a brand new four track ep on body work, statement.

killer techno once again from the vaults of dem. intense tracks made for the fl oors. never predictable. simon haydo’s sixth release on his own imprint is yet another quality ep. more to come. shrinked.

here we are, presenting mauro picottos and ricardo ferris release >the riff<.
cool but lush house beats with the right amount of techno added, merging with hypnotic synths and monster basslines that force you to dance! get crazy, get lost, forget where you are, shake your head and feel the vibe!

for his 31st release, minibar welcomes hamid into the roster. hailing from the south of france this exotic bird migrated to the cold and rainy londinium, where he refined his musical taste and skills. after a few diverse electronic adventures hamid fully embraced the philosophy of the stripped down beat. this new approach allowed him to continue expressing his romantic side with a renewed strength and character. we are happy to present you his latest coming into the club land, a deep, raw and elegant three-tracker that will instantly seduce you.

the first release on the new bodytonic label is the debut ep by white collar boy. white collar boy are a two piece electronic-garage group from dublin. mark cummins (the ginger one) and gavin white (the-not-so-ginger one) met in barcelona where their shared passion for electronic composition (and knitting) inevitably led the pair to merge their creative endeavors. *suuu / tide* comes fresh with remixes from twisted pepper resident frank b (he of chain of fools fame) and simon bird.

klamauk 005 various artists release is coming with tracks from roman rauch in collaboration with his mate philta, spontanmusik head keinzweiter, tom ellis and florence based the clover. roman rauch, well known for his releases on philpot, tenderpark or quintessentials brings us with >gino< a slow and deep housebanger with a smooth bassline that unfolds into some vibes and funky monosynth jamming for a simultaneously laid back and upbeat experience. keinzweiter – >the stomp< is a laid back discoslammer, getting richer in sound untill the break where the strings come all down and make the track to a little symphony. tom ellis created with >got your back< a big groovemonster, wobbling in deep territories and shuffled percussions. closing it out, we have the clover with their track >whitening the cell<. a live played bassline, setting the stage for some expansive background synth work in the second half with some cutted microhouse elements. limited and numbered vinyls.

extrawelt are back with a brand new 3-track ep for traum schallplatten where they have released classics like *8000*, *doch doch* or their legendary remix for minilogues leopard.

after a new trip to new york and several collaborations on their respective projects both fellows decided to work on a common project: in the cut. still inspired by mid-90s new york hip-hop, this albu is produced entirely by dj low cut. nutso is not alone behind the microphone since you will found many guest appearances like smiley the ghetto child, rasheed chappell, dirt platoon, timeless truth, nems, ft, ag da coroner and c-rayz walz. like the song *shut em down* (a tribute to public enemy) or *grand scheme*, the 10 tracks of *in the cut*, definitely boom bap, will bring you in a world where underground hip-hop sharp lyrics, mingles with the melancholy samples soul 70s.

r-zone is a new label launched by global darkness. who is involved isn t exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

dedicated to the rozelle warehouse, a decrepit building in a forgotten corner of memphis tennessee, where bassbins shook ancient dust from the walls, lives were forever altered, and one guy took way too much acid.

without a label since 1978, joe cocker signed to island records in 1981.chris blackwell (head of island) took him to the bahamas, where he recorded a 12 inch single, >sweet little woman / look what you ve done<, and continued working on a full length album: sheffield steel. the result was a successful album, which put cockers name back on the map.
music on vinyl brings this classic album back as 180 grams audiophile vinyl pressing.

in september 2010, blame one hit j57 up via twitter when he heard that the legendary nyc record store and hip-hop cultural icon fat beats was closing its doors, knowing that is where j57 worked, to tell him he was sorry to hear the sad news. they immediately clicked and linked up for a project. fast-forward to 2013 and they give you the *walk in the sun* lp.
pressing on orange-red coloured & marbled vinyl, includes code for mp3 download of the full album.

wet play dive into the record world with where good friends meet #1, a show case of artists and sounds from the infamous manchester soiree.

having dabbled with lower tempos of house and techno in recent years on his exit records imprint and convex industries, dbridges 4/4 alter ego vevit presents his debut ep for electric minds in the form of the nudge ep - where two varied cuts display his tactful use of restraint and release for club tools which, if put in the right hands, can alter the state of play on the dancefloor.

for those who know the story of the bridge wars, there is some irony found in the fact that scott la rock, representing the south bronx, was born in queens, though he did relocate to the south bronx at a very young age. after graduating high school la rock spent four years in vermont at castleton college where he earned varsity letters in basketball, but more importantly for the world of hip hop he became more and more enamored with music. on graduation he returned to new york and began working as a dj and as a social worker at the franklin armory mens shelter in the bronx. it was at the shelter that scott met kris parker and the duo formed boogie down productions. the rest, as they say, is history. roughly a year after the tragic shooting death of boogie down productions founder, dj and producer scott la rock b boy records and krs-one issued this special remix album, a man and his music (remixes from around the world). billed as a limited edition collectors classic the project was released in a limited run – briefly available in the 90s – and now after years of being unavailable reappears as a tribute to one of the genres early pioneers.

killer phunkin chicago house , incl jesse rose re-fix

during the summer of 2012 before the rains came, the captain headed for the interior and in a lost valley far from the world of men he jammed with a tribe of initiates ... the valley people. the results were channelled via ether waves to ocean moon central aka the centre of sound where seahawks guided them to vinyl in their own sweet way. echoes of fern kinney on helium, nick nicely on mogadon, kraftwerk jamming in the jungle whilst aliens land their craft ready for a cosmic lounge party. listen out for ethereal soul sounds, island funk and dream wave ... ghost vibrations from beyond the reef where they dream of sliver rivers and sleep under the stars.
pressing on translucent, purple couloured vinyl.

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

keinemusiks rampa teams up with one half of azari & iii vocal section syf (starving yet full) for the follow up the hugely popular *everything* release last year. *where did i go wrong* is rampa at his best combining amazing underground dance music with stunning vocals. on the flip the rampa club mix beefs up the percussion for the main rooms.

nearly three years after the release of his debut album lucky shiner, gold panda returns with his second album half of where you live, to be released on ghostly international and his own notown label (uk). the album is the product of a period spent touring the world multiple times around, absorbing influences and probing potential new avenues of creative exploration.
comes as dfouble 12 inch vinyl plus download code.

incl remixes by duke slammer, hey o hansen, peter presto, rss disco and tilman tausendfreund

the alias of welsh-born, california-based brian williams, lustmord first emerged as an associate of spk in the early 80s, before embarking on a solo career that has yielded such classics as heresy (1990), the place where the black stars hang (1994) and (with robert rich) stalker (1995). lustmord has also contributed to numerous hollywood films as music and sound designer, and collaborated with the likes of clock dva, chris & cosey, geir jenssen, the melvins, tool, aaron turner, monte cazazza and coils jhon balance. often seen to epitomize dark ambient, it would be more accurate to say that his work simply goes deeper, further, than conventional ambient dares, or is able, to go. half a decade in the making, the word as power is his new studio album and an exploration of ritual music without dogma.

pow! belgian duo goldffinch are back on saigon recordings, bringing things back to where they should be: the dancefloor. the duo of yoann and gilles, from brussells, belgium, launched themselves swiftly to the forefront of their chosen electronic music style with a series of unmissable dancefloor weapons on labels like jackmasters numbers, claude von strokes dirty bird, saigon, airflex labs and audio culture. four new tracks on an ep entitled the volume, guess what the first track is called ... (yes, we dont do cleverly named eps). the lead track is smashing up airwaves/dancefloors around the world to the extent that we do sincerely hope that no injuries may have occurred due to any aggro-dance moves (we are not liable). support thus far has come from the likes of paleman, loefah, mary anne hobbs, and benji b, amongst others. goldffinch/saigon fully endorse the use of peacock related imagery.

tief is well know in london and beyond as being a clubnight where it resides at corsica studios, showcasing house and techno of only the highest quality, a standard that is now to be transferred to a record label tief music releasing music that we truly love from artists who have a connection with us or what we do.

after several go-to 12s on the always reliable lets get lost series, the mysterious marvin & guy drop their first on the prowl release! first up is estacy with driving percussion and a string driven groove that keeps building with subtle drops and hits. marcos cabral takes it into deeper territory with his heavy remix, definitely pushing the bottom end for the big room where it should be heard. on the flip we have moon import, a moody rhodes driven vocal track with panning synths to get you in a daze. then some upbeat disco house with shot me - a perfect track for your next loft party.

big luck for rainer weichhold to discover such an amazing new talent from triest in italy. matt keyl convinced quickly with his sophisticated beat constructions and driving grooves full of wicked little details. monaberrys breakthrough artist scheibe was responsible for this great remix

making a clean break with the poisonous digital dubstep rhythms in his first ep, dogboy’s basement to the attic is an fearless musical odyssey where the confines of this world end in intriguing organic sounds. in a way that wishmountain or burnt friedman would, dogboy scrutinizes the boundaries between experimentation and pure dance music. using recordings made in the different rooms of his family home, the four tracks on the ep start with laying down the subtitle emotional cool yet wobbly riddim card on the table, before gradually rising the subs and the pressure into a rave like burst of pride. futuristic, organic, progressive and utterly baffling, what makes basement to the attic so successful is it is purely unique.
pressing on 180 gram vinyl, free download card included.

after his previous dancefloor corkers on lovemonk and kat records, casbah 73 returns to the fray with four more servings of deep & funky boogie-house.
casbah 73 has had a busy year, whether it is delivering intense detroit-influenced jams & twisted house originals or releasing some essential edits, stripping and rebuilding those disco & jazz bombs for dancefloor duties to great effect. his joints have been supported by names you can trust like gilles peterson, jazzanova, danny krivit or belle and sebastians chris geddes.

transparent turquoise vinyl. dev pandya drops his 149th career vinyl in the shape of the b-boy hip hop influenced drum machine. sharp breakbeats step forward, sideways and roll with female rap vocals that get the feet shuffling to drum machineÆs unique groove. rumbling subs and cuts of distorted bass hold everything bolt tight with intricate effects, stabs and vocal riffs. random twists and turns lead the mix into a vocal breakdown where the drums u-turn into a funk assault of drum and bass. the flipside core jungle highlights paradoxs early hardcore roots with vinyl-rip samples, crunchy funk breaks and raggamuffin fx delays that take you back to the birth of pandyas jungle influences. core jungle was written specifically for vinyl mastering and will not be available digitally. exclusively for the analogue crew!
support: marcus intalex, friction, dj marky, loxy, london elektricity, presha, naibu, bailey, flight, asides, amit.

vinyl only. this third release defines why this label is called times are ruff, they are back with a tasty and thirst assuaging ep. bodied with unpretentious ripe flavours of valves and distortion, enriched with a bass driven undertone with a hint of spraypaint in the morning. excelent with your pasta, riots or warehouses. keep at room temperature.

the first release from under bron recordings highlights a firm and direct feeling, like being seduced and sharing something personal with somebody new, the a side showcasing a mixture of dialogue and trust. keeping a steady house groove and pace, sounds in the grass inspires the dust from the ceiling at your local warehouse to come down to the ground again, while waiting to exhale turns to the conversationalists standing by the bar or on the outskirts of the dance floor. delroy edwards (l.i.e.s.) remix on the b-side expands the wrd horizon and brings in a different blueprint, where swirling sounds combines the track into a beautiful palette of youth and decay

amazing record! timeless grooves and super tight programming sums up med 03. simon haydo follows up the success of his previous two releases with yet another quality ep. it shall never be in a different way.

limitierte 12 inch in farbigem vinyl! where is kittin ist eine kollaboration zwischen dem items & things labelboss marc houle und der in grenoble geborenen techno-legende miss kittin, die gerade ihr neues album veröffentlicht hat. die 4-track-ep enthält mit black star einen weiteren track der beiden sowie remixe von dubfire und john foxx & the maths (ein neues projekt des ultravox-gründers john foxx).

a new selection of discoveries by heavenly sweetness crew through the worldwide web (blog, website, bandcamp, soundcloud…). for many artists, the web is the only way to spread their music, without the help of any records label. so we dig deeper in the blogosphere to find new artists.
includes poster and download code.

groove mag album charts top 5 !!
frank music proudly presents johannes alberts debut lp * hotel novalis*. emerging from the deep-down spessart woods in southern germany, he is doing his thang since the mid 90s as a charming house dj.

full pupp takes us on a trip to the darkest side of disco with 3 suspenseful takes on the lionheart brothers >the drift<. frisvold & lindbaek dont waste much time lull you in with gentle introductions but pull you right into their deepest lair where swathes of billowing, ghostly sounds and warped strings are sliced trough by gyrating rock guitars and echoing vocals truly messing with sense of reality and orientation. a psychedelic onslaught of stoner rock, italian horror soundtrack and progressive electronics which in the morten oby & prins thomas version obtains its dizzying intensity from stacking said components tightly to a towering, dense sound of wall while prins thomas diskomiks on the flip takes it sweet time of pleasurably adding up the spine tingling aural ingredients over a straighter beat, slowly tightening the screw during to course of 12 gloriously spooky minutes.

having recently relocated to london, urulu & chaos in the cbd join forces for needwants next stellar release. sharing the same musical passion and vision, yet each holding distinct style and influences, they were able to come together and deliver something really special. a combination of four deep, diverse cuts where old school meets the new school.

there once was a scene up in boston, where things werent nearly so awesome. so the kids went to cambridge where people have knowledge and there the dance music did blossom!

fuer >where we need no map< traegt otto das fello erstmals ins hamburger studio und nimmt unzaehlige sessions auf, in denen die gesten des bogens direkt den verstaerkten sound des cellos veraendern und neu formen. diese fello-sitzungen werden anschließend editiert und mit anderen einfluessen vermengt, die von skweee ueber house bis hin zum jazz reichen. der markenzeichen-sound von springintgut, diese ureigene verspieltheit, ist weiterhin vorhanden, gewinnt durch das live-prozessierte cello aber eine bisher unerreichte tiefe.

david bowie s 2013 album on 180 gram double vinyl, housed in a gatefold sleeve

the every make ep is a double-sided record, featuring 3 tracks crafted structurally for djs and emotionally for dancers. dont bother with em at home or in the car. and, if you are actually able to explode someones head on the dance floor with them, thatd be just fine. morgan alexander began building a sonic home in house music in the early nineties. having relocated in 2005 from seasonal boston to straight-sun los angeles, 2013 finds him with his fingers in as many musical pies as possible. topping them is his respected series of underground events, bottom floor, where he is featured as resident dj. the recent string of guest artists joining morgan in the booth include the likes of john tejada (palette recordings), kai alce (ndatl muzik), chris brann (wamdue project), brett dancer (track mode recordings), jordan fields (mowax), jus-ed (underground quality), boo williams (strictly jaz unit), daniel bell (7th city), recloose (planet e), mike huckaby (s y n t h), and dj sprinkles (mule musiq).

in the 9th release of greece s echovolt, simoncino meets the legendary vocalist julian jonah! the result is a shimmering house track full of emotions, reminiscent of larry heard, ten city or even electribe 101. the dub mix of where did you go pitches all of the track s elements into a different level - merely a weapon in the hands of the dj.