massive bicep remix released 2014, repress! exclusive tin man remix, shimmering neo-acid version of sisterhood s believe , previously unreleased. dj support marcel dettman sasha

lets play house co-founder, jacques renault, delivers a superb four-track ep this july in talk system, which features a couple of remixes from john barera & will martin and sisterhood

tief music mainstays sisterhood release their second ep for the label following up their hugely successful call me ishmael released back in 2013. tunnels features three original tracks showing the london based duo s versatility and maturity as producers. the ep kicks off with doublespeak , a hard-hitting peak time track, filled with arpeggiated synths and dubbed out fx. tunnels is deep and sparse, slowly building throughout its 7 minute run. bicep reconstruct the title track, morphing it into a punchy, bassline focused roller with piercing atmospheric pads. believe closes the ep, a dreamy, sample based track utilizing beautiful floating chords to great effect. dj support : axel boman, efdemin, marcel dettman, bicep, johannes volk, locked groove, ame, iron curtis, manuel fischer, xxxy, marcus worgull, will saul

tief is well know in london and beyond as being a clubnight where it resides at corsica studios, showcasing house and techno of only the highest quality, a standard that is now to be transferred to a record label tief music releasing music that we truly love from artists who have a connection with us or what we do.

different styles

repress - 2018. what the fuck is going on? hatred uprising, the resistance growing. adelphi music factory: musical brothers. javelin: a gospel piano weapon filled with love. brotherhood. sisterhood. freedom. peace.

following some ear-catching manoeuvres across releases like last year s self-released only and lagata , which gained her early fans like bjork and dev hynes (who she supported in the usa), tommy marks klein s deepest plunge yet into the “deep, dark ocean” of her musical imagination on her hyperdub debut. on tommy her vocals play with fifties-esque melodies before switching to familiar tones akin to brandy and rodney jerkins, her live voice and live piano playing filtered through hyper-glitchy and looped production with a loose, internal logic, cutting from angular atonality to pockets of skewered harmony. tommy also steps things up in conceptual terms. its eight tracks are broken down into acts that are rooted in themes of vulnerability, sisterhood and death, threading the chaotic sonics with modern operatic undertones and a shakespearean sense of tragedy. there s a lot of bluster about originality in contemporary uk music and what rises from the noise here is a creative voice who, by her very nature, plays with the construct of what pop is

glasgow-based hi & saberhaegen are on to a promise with this ripper of a release. 4 solid slammers which have featured on joy orbisons beats in space and our own boiler room upfront mix in recent months