12th release on the label by moscow based musicians vasiliy stepanov and vladislav dobrovolski. all tracks imbued with esoteric trippy vibes for all * another dimension* lovers.

und, mor elian is a relatively new name on the block, but her deft tastes have seen her share the stage with the likes of kerri chandler, mike dunn, seven davis jnr, dj qu and many more, and most recently, releasing her debut vinyl release on the excellent prime numbers label, featuring fxhes ob ignitt on remix duties. on drum vortex, mor strikes a killer release for hypercolour, enlisting two big remixes on the release from joey anderson and markus suckut. on her original mix, drum vortex rolls out a ricocheting drum workout that indeed goes through the vortex, otherworldly voices and cosmic drones sit in the middle of the mix whilst the rides and hats intensify. joey anderson has proven himself as one of the most diverse house producers out there, with offerings for dekmantel, syncrophone recordings and tanstaafl planets. joey remodels drum vortex into an old style warehouse dub, rolling congas and snares with incessant synth stabs and bending strings, making up for one serious remix from mr. anderson. another interpretation is on offer from markus suckut, whose techno prowess has shone for labels like rekids, be as one, mosaic and his own exile label (run with johannes heil)

electronic music has always had a special affiliation with space, and the sounds of the cosmos. an inherent love of all things sci-fi, galactic and otherworldy has always been a common thread, especially with techno producers, and so its always a pleasure to come into greater contact with the science of these sounds when creating new music. project alma is a new collaboration between lucianos cadenza records label and the alma sounds initiative that bridges two sets of individual passions, that of lucianos love for music, and alma astronomer antonio hales love of the universe.

jun kamoda is a producer, dj and mc from tokyo. new to the label but a friend of the party, jun came to mister sunday in nyc last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. when he returned to japan, he got to working on the music we now present to you on the clay ep. this is jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. theyve been chopping up our dance floors months we’re excited to hear them do the same to yours.

bopsides first release for 2016 comes from label owner tadd mullinix, releasing under his birth name for the first time since 2002s panes on ghostly international. this album is comprised of 3 long form experimental electro-acoustic compositions, 2 of which clock in around the 15 minute mark, and another clocking in around 9 minutes, taking you fully into the imagination of an artist who is constantly experimenting and redefining the sonic landscape. recorded on a variety of equipment and instruments, these 3 recordings capture a human side and sense of playfulness, while at the same time taking you into the heart of darkness.

daniele baldelli producer now has nothing to envy to the daniele baldelli dj. this is demonstrated by the authoritativeness of the first two 12inch of six of the series cosmic temple on mondo groove label. what strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logo cosmic. but immediately then the music takes the stage, 3 tracks in chapter 1 and 3 tracks in chapter 2, able to tell the true mood of the imaginary baldellis sound and take them to a land of wonders. chapter 3: gandarva switching from a balearic atmosphere to an interstellar space travel.in kosmaro the voice of monica giacomobono describes a sleepless night traveling delirious on the notes of the keyboard played ricky burattini (justofunk) which then

daniele baldelli producer now has nothing to envy to the daniele baldelli dj. this is demonstrated by the authoritativeness of the first two 12inch of six of the series cosmic temple on mondo groove label. what strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logo cosmic. but immediately then the music takes the stage, 3 tracks in chapter 1 and 3 tracks in -chapter 2-, able to tell the true mood of the imaginary baldellis sound and take them to a land of wonders. chapter 4: an ingredient that can not miss in baldelli cosmic project is afro-beat: joka joka, sung by congolese bale mondonga. vhanessa is a magical flight in search of distant galaxies, a tribal electro joints game a kind of rubik s cube. the kraftwerk-ian archetipo leaves us waiting for the arrival of the chapter 5 and 6 to complete this cosmic temple, to listen to and to watch the puzzle of 6 covers

here s a new remix record from aaron spectre, an american producer known for building bridges. nearly a decade after his first amen, punk vinyl was released in japan and became a worldwide underground staple, he s back refining the energetic hybrid sound further. jungle boots is four tracks of genre-unifying white label goodness, flawlessly cut to vinyl and ready to rock.

afterlife and tale of us are proud to announce “realm of consciousness”, a 10-piece compilation expanding the afterlife totality into a label. the label and events will complement each other with one aim, to bring the crowd into another dimension of music perception with enthralling production to that ignite the senses.

this is now ! birth of the ark label, 2016. featuring friends : ark, pit spector, metaboman, losoul, the mole its a 2 x 12 inch dedicated to love supreme track from john.

as matthias tanzmann s label enjoys its 16th year with more trendsetting eps and much talked about events round the world, the boss steps out with a new ep in collaboration with long time label stalwart sven tasnadi.

escapism, the berlin party series, steps over the threshold into label territory after putting on quality techno nights in the german capital for more than two and a half years. kicking off the label is the polish born and berlin-based glos, who is well known for his work on ressort imprint. on prayers three original tracks showcase his love for ambient music, as well as intelligent techno and sound design. belgian newcomer border one (wolfskuil, stockholm ltd) is in charge of remix duties, taking the slow churning groove of collapse and transforming it into dance floor focused material.

from milan, italy we happily welcome onboard to eartoground, wrong assessment.
mainly known for his work on the prolific m_rec ltd, our attention to marco’s techno came from tracks released on cleric’s label c l e r g y, very soon after a line of communication was opened and demo tracks were created.
the end result is what you have before you. a six track ep consisting of x4 originals, x1 centralised locked groove and x1 atmospheric. functional, emotive, very playable, dj friendly, dance floor techno.
alien landscapes visually back time transfixed by way of bespoke, full cover artwork.

golden parachutes is a unique, collaborative musical effort comprised of stewart walker (us/berlin) and touane (italy/berlin). following five years of collaborative live-performances and techno releases through stewart’s persona records imprint, here the duo has decided to co-mingle their influences from afrobeat and progressive jazz into a boundary-free exploration. liberated from the constraints of repetitive, pounding kick drums, they unveil a new sound of timbral fluidity built-up from live and sequenced instruments. more than just music, their innovative approach delivers 43 minutes of consummate aural landscapes that pull the listener in head first. as the title ‘into the dark grey morning’ suggests the album takes you on a sweet atmospheric journey where melodic washes of colour and light flicker illumination into the dark clouds of monochromatic noise and reverb compositions, evoking fresh beginnings in electronic music... like a light at the end of the tunnel. as level records third long-play release, ‘into the dark grey morning’ is an unexpected turn away from the labels normal tendencies. with it’s live-instrumental melodies layered over sweeping electronic backdrops the album dips deeply into progressive rock waters and surfaces with a contemporary krautrock sound, logically delivered by a label from düsseldorf, the birthplace of krautrock music.

ltd to 150 copies
the first release from erdenkinder comes from germany offenbach label founders vincenzo esposito and frankfurts b-zet who is one oft he pioneers of the electronice music scene in early 90s, when he also produced people like sven väth. his biggest hit everlasting pictures was on eye q records, which was re-released by laith al-deen in german language. meanwhile he was keyboarding for people like quincy jones and sheila e. the record has four versions on a1 the original while on a2 b-zet own interpretation of the title track. the flip starts with the well known frankfurt artist rey &kjavik (rkjvk) with his new school and old school, deeply rooted within hip-hop culture influences. b2 comes from cécille records label head marc scholl.

cockney lama infuses bumping basslines, sampled vocals, catchy chords, tight percussion and a whole lot of love. following the ethos of the label he blends the right amount of old skool vibes to sit this perfectly on the right side of the 90 s bar. no gimmicks, just pure house vibes that groove for days.

1° release from this new label/project.... the name speak him self... 4 dub-techno/house groovy deep tracks with analog acid touch... early supported by dj ralf , pirupa, easy to remeber and many others...

firescope records is the new sub label of the legendary b12 records. a label core to the uk techno scene with roots starting in the early 90’s launched by michael golding and steven rutter. firescope records is here to exist in conjunction with b12 records and with the same ethos, quality music, quality packaging, without compromise and a product that will stand the test of time. firescope will diversify somewhat, not just deep meaningful techno, but also techno with vocals, real songs with real meaning.

panea records, is a concept based on sharing their lifestyles with all who share a passion for music. and aspiration to provide talented musicians, producers and djs with valuable opportunities within this label. four spanish friends came together in berlin sharing their love of music. each of them influenced by the berlin music scene.

time has come: asymptote duo, owner of the label, makes its debut with its first ever release. sav004, behind the scene ep, is the result of a driving combination between old and new school elements, aimed at the big floor. a side, is darker and deeper, made by two acid and atmospheric techno cuts: behind the scene and chain reaction . on the b side, the traveller is a minimalistic techno trip, with millsian reminiscences. plastic city instead, with its essential sonorities, draws inspiration by the old detroit school, trying to evolve it and go well beyond. past and future create the present

adeen: beijings newest deep house record label run by jason adeen wilkins. first release is from detroit house master alton miller with a remix from dj spinna & msjones. supported by david morales & louis vega

elgian in origin, igor vicente and dka join forces to create two monster tracks for their haus boo ep on hot creations. championed by jamie jones, lee foss and richy ahmed it arrives hot on the heels of hot creations’s paradise events series announcement for ibiza 2016, this is music made for those heady nights on the dc10 terrace. on the a-side is haus boo which the guys created after being inspired by the all time classic the house master boyz and the rude boy of house house nation . taking the release into a much darker realm is shady with a seriously addictive beat, endless high-hats and relentless snares. infatuated with music from a young age, igor vicente founded the belgian wildfamily parties in which jamie jones, seth troxler, dinky and matthew styles among others have all played. some years later he formed one half of ultrasone, and has released on get physical, mobilee and hot creations multiple times. these days you can catch him playing at one of his two residencies in belgium, cafe d anvers and fuse, and founding the label state of flow. dka has his roots firmly placed in the house music scene and has taken his sounds all over europe, whilst releasing on get physical music, mobilee records and play label records to name just a few.

nonplus 035 passes the torch to finnish producer samuli kemppi who’s built a solid back catalogue over the last 15 years and in that time has also become a pioneer of electronic music in helsinki. his radio show deep space helsinki (alongside juho) developed into one of the cities most popular club nights and also into his shared record label dsh. his debut on nonplus brings us 3 slices of no nonsense deep space techno.

admaiora is proud to announce another release. no one other than arado makes his debut on our label with even if u have ep. hailing from düsseldorf, arado made his strong entrance in the music scene back in 2010 with ‘uganda express’ (with den ishu): since than hes been loco dices protégé for a long time, with several appareances on desolat, area remote and snatch! to name a few. he also had some very successful collaborations with italian marco faraone, which were released on moon harbour and etruria beat too.

melbourne label momentary records first release features 2 original deep and driving house tracks from label founder & artist, ben houghton, joined by fellow australians harvey sutherland and inkswel on remix duties.

fresh blood on robsoul and more sunshine fueled house for the summer floors from rising stars iban montoro and jazzman wax. its been a busy year for the duo, who have not only launched their own moodyhouse recordings label, but also completed and signed their debut album to mark farina’s great lakes audio imprint. an ep for kerri chandler’s madhouse records and projects in the works with barbara tucker and joi cardwell are all setting 2016 up to be a busy and bumper year for the boys from barcelona. their rock skate ep for robsoul is a perfect snapshot of the sample-heavy feel good-vibe vibe that the boys present in their own performances. four block rocking cuts that will have us grooving, grinding and rolling. so lace up and get dancing.

after the nuclear arms test that was the brain poacher black label, canary islands resident gilmer galibard returns to the lobster family via lucid, murky sub-label mörk. taking a much more languid and contemplative approach to his followup, “lost tapes” finds itself washed ashore on a waves of warm, translucent, salt-infused techno and house.

we stood on the edge of forever. one final dream into time. a silent voice in an empty room. the numbers, we never truly knew. by now, producer 3six has collated an impressive amount of releases on his own self-titled imprint, and it feels like about time he was scouted by a label like mystic & quantum, who are making strides in their development as quality issuers of fine ambient music. second & forever- comes in two parts: the a-side is mellow and soothing, the sort of music you d feel absolutely fine leaving on in the background for hours on end, while the b-side is more involved and more acoustically demanding thanks to a delicate morphing of sinewaves and pads.

you cant help but dance to this release as the energy builds with each beat leading into some badass drops bound to get the immediate attention of any dance floor. state of flow records brings you their second release from brett johnson, after the sell out success of their first release. started by igor vicente in 2013, state of flow shows no signs of slowing down. state of flow started out as a nighttime residency at fuse in brussels and has gone onto launch a vinyl only record label.

the latest signing to be revealed by london based label good years (banks, mick jenkins, lil silva). loyal are six hands and one voice formed from a shared love of disco, kate bush and kubrick. their influences inform their output - infectious rhythms and evocative lyrics create a sound that provokes cinematic imagery with each song adding texture to the aural landscape created within.

introducing a new vinyl only serie from london s midnight riot - night service #001 sees party connoisseurs south beach recycling go edits galore with a sumptuous classic production, big driving house grooves & mad filtered effects. the south beach recycling boys have a passion for digging for & chopping up disco, boogie & funk and have already dropped 3 acclaimed ep s on yam who s midnight riot label. early dj support comes from horse meat disco, danny krivit, phil asher, the revenge, terry farley & craig smith

for the third edition of kusi records two of the most promising talents from mannheim fabe and toby t teamed up. for the remix we have none other than one of the label heads of oslo records - federico molinari. written & produced by fabe & toby t. remix by federico molinari

new emmanuel top label. lost in berlin is a mechanical angry monster with multiple arms that swings around for destruction. it’s unstoppable for words, you have to accept the fact that you have been hit by a concrete wall. what i love in records is the menace inside it that builds up. the impossible energy that drags you in to this tunnel of a white dimension with grey electric colors. bipolaire: it all starts with a kick, not a simple kick but a et kick and before you know it you are struck by lightning. the subs are playing with you, simple but again with atomic temperature. the acid sound that hits you is never going to surrender his inferior temper. capture: only that words remind me of the spirit capture and it’s not easy make an equivalent of the original that is not even made with the inspiration of the mod wheel. it’s not just a wicked intro that can take you to different roads. you can decide what way you will take but be careful with what comes next.

after showcasing the debut releases from the high on wye quintet (magic mountain high, soulphiction and steevio) and monoak, the freerotation label returns with a various artists 12” featuring four more artists intrinsically linked by the annual festival. anthony child, aka surgeon, has been a regular fixture since first appearing at freerotation in 2011. his recent exploration of modular synthesis and use of the buchla music easel has found a home in the ambient yurt at the festival, and equally has manifested in album projects such as 2015’s electronic recordings from maui jungle vol 1. “unconscious fearless determination” follows on from this more experimental, less dancefloor-focused side to child’s work, while still pulsing with the techno fundamentals that quickly defined him back in the mid ‘90s. duckett hails from north wales, and has been a key part of the freerotation fabric since the beginning of the event. after some releases on mindtours, mindyourhead and sthlmaudio back in the mid-‘00s, his music has started to reach a new audience through releases on untilmyheartstops and a clutch of lauded live performances. “breaks my heart when i remember that day” captures the alien synthesis and emotional heft that singles duckett out as such a remarkable artist. steevio is the co-founder of freerotation and mindtours records, responsible for a huge swathe of techno releases reaching back to the ‘90s. as well as his releases on mindtours, he has recently appeared on untilmyheartstops and in collaboration with pev on schmorgabsord, and is set to appear on russ gabriel’s new label rivers of groove. with its expressive swells of off-kilter melody and snaking drum lines, “pendulum” continues the thread of exploration steevio has been following on his journey into experimental modular techno. tom ellis has been prolifically issuing forth material in a soul-enriched space in between house, techno and funk for more than ten years. from running the acclaimed trimsound label to releasing albums and singles on telegraph, archipel, hartchef discos and more recently ethereal sound to name but a few, tom’s recorded work and immersive live performances continue to reach out to new moods and timbres. “as a take” finds tom at his most reflective, layering on dubby effects and organic instrumentation in a truly meditative end to the ep.

makam with a taste of things to come as he flips the sound pallete for his latest 12- on dekmantel. housed in a plastic outer sleeve with postcard insert. tip! dekmantel say- we re rubbing our hands together gleefully for this one: longtime family member makam will return to dkmntl records with a full-length album later this year. guy blanken s ongoing search for new sounds, textures and rhythms has lead him to than sadet, a stunning piece of work that’s like nothing you ve heard from the the hague based producer before. we have known this ultra-talented chap for years, but it’s fair to say than sadet is his most impressive and distinctive work to date. this sampler is a sneak peek into what is about to be an absolute label highlight, a prelude to the new makam sound. riding high is a lush, isolee-esque lengthy house jam, and the blissful ambient ride backed up by tropical birds than sadet gives more insight into the new territories blanken has been digging into. you ain t heard nothin yet. -

the new label la pince records created by the parisian trio dub creators aka dj d2b / steve ko / lucho misterhands is happy to announce you in preview the exit release - mongolistic ep -. for this first ep, dj d2b deliver to us 3 unique et exclusive directed pieces house / techno with a influence minimal. along with beats & vocals of shaman inspiration, hypnotic melodies with sensual tones, -which promise you a nice trip into the clouds-.

this ep is the second part of a trilogy that neue grafik began with -pris- on the label beat x changers. the next and last ep of the series coming up on this label will be -the end of the replicant stories-. for the moment, are out :­ pris (a basic pleasure model) ­ roy (nexus 6 who killed is creator) like roy, batty said to himself: -it s not an easy thing to meet your maker-. the music on this ep is about anger, acceptation, love and complicated relationships with fathers. there is a lot of references to african roots, legends and to neue grafik s deep feelings for the city of paris.

levitar recordings is an argentinian label with the sound of classic 90s chicago house, garage, bass, jazz, funk and soul.

the anonymous entity chptr derived from undefined controlled sequences progressing into endless alienated narratives, all live recorded and captured on the eponymous label, chptr.

amotik’s 4th release on the berlin label, with 4 more driving / hypnotic tracks.

underground techno & house vinyl label from california. debut release featuring alex piccini & proudly people and a remix by nu zau.

label headman ripperton strikes back on his own tamed label with 2 new songs and a collaborative jam with his berlin favorite fellow quarion.

tensal presents tensal f-forma, the sixth installment of tensal for his label is a powerful weapon, 4 direct tracks to the dance floor, classic perfect tool and lines inspired by classic synths.

returning to leyla after inaugurating the label in summer 2015, manni dee presents counterculture. a brutal yet evocative four track ep that conveys emotive states through noise, rhythm, texture and repetition.

gouru is launching its own label, submersive, with an ep from brendon moeller aka. echologist, including a remix from french duo hbtvsk (voiski & heartbeat).in 2014, to celebrate the 4th birthday of the webzine gouru, brendon moeller and hbtvsk were invited to play at la machine du moulin rouge (paris). following a car accident on his way to the airport of new york, brendon was unable to appear and play. to make up for this unfortunate incident, gouru offered brendon the inauguration of its new label submersive, and invited heartbeat & voiski aka hbtvsk, the duo he was supposed to share the stage with, to remix one track. 2 years later, the first ep of the label gathers all 3 artists who were not able to share the decks on stage, on the same record. as brendon himself says , “all good things take time” and instead of evoking the nostalgy of a party that did not happen, the record opens the doors of the imagination and takes us to a powerful collaboration between 2 artists’ generations, thereby showing us the techno scene at its best.zur opens the ball and sets the tone of the ep, a dub and progressive rise, based on a cyclic structure, punctuated by a random reverb. tension is maintained throughout and finally leaves room to filth, whose rhythm is faster, unrestrained, yet keeps an air of suspense and unpredictability - the perfect soundtrack for an exhausting race. looking for trouble plays on a more hypnotic side. with a dark yet electrifying atmosphere, rhythms are exalted by a strident and piercing melody, evolving alongside uncontrollable sounds, throwing us straight into a cosmic trip. faithful to the spirit of the ep, the filth remix delivered by hbtvsk is a perfect exercise of style. without denaturing the original track, the remix revisits it. its’ heavy, powerful mechanism is, at the same time, accurate and sharpened. certain parts of the original track are easily recognizable, which finally get lost in the subtle gearwheel of an anthem tinted by noise.

the debut release for kalyma on connected, the brixton/berlin based label distributed by kompakt records and run by terranova and stereo mcs. a1 laydown original kalyma teams up with his friend, singer and songwriter peter stanowsky. the song was written during a relaxed and loose jamming session in late summer time at their home studio. the vocal performance is surrounded by a groovy and very percussive beat. after a long, calm intro a hypnotic bass melody kicks in together with more percussive elements in order to get up to full speed. the catchy bass combined with the repetitive vocals gets the listener in a driving, rhythmical, dreamy mood lay down was made to enable smooth transitions in the dynamic range of a diverse house dj set, without loosing energy and create a special intimate, percussive vibe

“ode to eskapism” is dedicated to all of those that use techno as a way in to escapism. to those that use techno as a mental diversion from the perceived unpleasant, boring, arduous, scary, or banal aspects of daily life. those that cannot subsist on the scanty satisfaction they can extort from reality alone. those that feel the need to dissociate from reality in order to experience it. to all of those that emerges recreated, stronger and full of life after a weekend escape into techno. the label bond is the brainchild of swedish techno dj and producer petter b. the concept of the label is “music by djs for djs”. the label focuses on releasing tracks that enable the dj, rather than the producer, to be creative. it is based on that special bond which is created every time a dj combines tracks, loops and sounds live into something new and unique.

end of dayz 009 is by the mysterious 30drop. his works are described by himself as detroit techno inspired music mixed with repetitive european techno. in this release -on the next day ep- we find on a side the terror history called -they saw it again- and the jeroen search remix that is a very danceable rhythmic techno with some cosmic stuff. the b side is for -raw- where we can listen to some space bells. here is the remix by an old friend of this label, p.e.a.r.l., bringing the track into a darker place.

middleburough lads aaron turner and tom brown make their return to 1080p as perfume advert, following up what i must say was one of the breakthrough early cassette releases of the label (tulpa, from back in 2013) with a vivid and kinetic wash of tech-house and and deeply-layered house—extremely heavy night-drive vibes and more abstracted mesmeric feelings lit with pulsating textures and their distinctly murky cosmics.