this is the second in a reissue series of dominick fernow’s early work as rainforest spiritual enslavement, casting spells from the green amulet crafts supernatural qualities (2011) tape onto vinyl for the first time and steadily closing the gap in your rse collection.
something like the soundtrack to one of ballard’s prophetic visions of sunken cities, this second rse incursion was initially released in an edition of 63 tapes in 2011 and found fernow dwelling in a dread-fuelled, paranoid headspace.
prssing on translucent green vinyl.

olim in latin can be used to indicate a time in the past or in the future. it can mean ‘once upon a time’ and ‘someday in the future’. a name and a project to try to move away from trends and genres, by taking inspiration from the past but at the same time leaving it, moving forward to shape a different and more narrative sound. the first attempt to do so is recursively: an 8 track album, opening with a sentence from bunny marrett sampled from an old documentary about st paul’s and the jamaican immigration in bristol during the 80’s. inspired by those intro words, recursively is a journey born from many years moving around, packing and unpacking suitcases, leaving villages, finding cities,leaving friends and finding more, emigrating, integrating. it’s a story about an entire generation trying to find the peace somewhere, somehow, sometimes by repeating the same steps in a loop of actions which seem to be the same but ultimately never are. it’s a soundtrack of those feelings and at the same time a message of hope to continue the journey through the faith that the meaning is the infinite journey itself. an infinite loop masterfully represented in carol rollo’s illustration. a story to be continued.

soundtrack zu aktuellen netflix-serie -black mirror-. die musik stammt von clint mansell, früher sänger der band pop will eat itself, heute gefragter komponist von film-scores. zu seinen erfolgreichen werken gehören die film-musiken zu -black swan-, -moon-, -ghost in the shell- und -the fountain-. -black mirror- gehört zu den ungewöhnlichsten serien im moment: -wenn technik eine droge ist - und es fühlt sich wie eine droge an, was genau sind dann die nebenwirkungen? dieser bereich - zwischen vergnügen und unbehagen - ist der schauplatz meiner neuen drama-serie black mirror-, sagt serien-schöpfer charlie brooker. der score ist entsprechend düster, elektronisch, atmosphärisch.

produced by david byrne and featuring 5 new songs by the talking heads legend and will bonnie prince billy oldham, pressed on double 12 inch vinyl in gatefold cover, this film soundtrack is set to become a cult classic.

sowohl der film als auch der soundtrack zu »guardians of the galaxy« sind absolut kult. und da 2017 endlich die fortsetzung des science-fiction-abenteuers von marvel in den kinos läuft, gibt es passend dazu die neue filmmusik: »guardians of the galaxy: awesome mix vol. 2«.

deluxe limited edition of 500 individually numbered copies on audiophile 180 gram yellow vinyl.
this is the original soundtrack to “profumo di donna”, a classic italian comedy film directed by dino risi, based on “il buio e il miele”, a story by giovanni arpino. when released in 1974, both risi and the leading actor vittorio gassman won important italian and french awards. the 1992 american remake, “scent of a woman”, features al pacino, chris o’donnell, philip seymour hoffman a.o.

for the third installment of the ftp series, the tracks twist into darker genre territories. the compilation opens with psygnosis, a nine minute acidic techno stormer beaming from the pineal gland of the reclusive new zealand artist matthew brown. the track starts out with a simple hook, building intensity towards a crescendo of raining acid lines and 808 hi hats which resemble unsheathing swords, twisting form into hypnotizing insanity. on the b side, draveng unleashes some comic mischief with isogamous skoliosapien, a frantic rave tune bursting out of the seams with jazzy drum hits and frantic chord stabs. it would be a good soundtrack for phantasms to dance to in a haunted place. closing out the ep is the propulsive electro missile nonstop, a track that whips into the air and spins like a jet powered boomerang. it is is the first release from the finnish cyber-phreek sansibar. expect more to come from him in the very near future

- limited to 500 copies - pressed on clear wax
with the release of the movie -saturday night fever- and the soundtrack album of the same name featuring the bee gees in 1978, discomania was sweeping across the nation. and in the midwest, nearly every n

peripheral minimal is proud to announce the imminent release of, beta evers / spatial relation , a six-track 12- e.p., that also features, heinrich mueller of dopplereffekt. the six tracks contain the coldest of minimal synth and technoid darkness, underpinned by a melancholic sentiment. this is the third release by spatial relation on peripheral minimal, and the first by beta evers.

mental groove records is thrilled and honored to announce the follow up to last year water vein ep (mg115) by asian psilocybe foundation & dj yogurt. entitled daikaku, a buddhist term for one who has achieved enlightenment. this second installment smiles on geinoh yamashirogumi akiras soundtrack. apf is an eccentric japanese musician who raised attention from the detroit. remixed by jon dixon of underground resistanceÆs timeline, apf first ep was released by once legendary producer orlando voorn (fix, game one, baruka). on the a side he achieves to capture akiraÆs spirit with his own organic and floating sound signature within a long, delicate and trippy techno number while on the flipside dj yogurt, a regular figure of tokyos nightlife who worked at cisco records, delivers two straight percussive numbers fueled with traditional japanese flavor to take the most discerning floors to a tetsuo state-of-mind. mastered by music matters mastering and cut at emil berliner studios, berlin.

der dramatische thriller der beiden safdie-brüder ist eine hypnotische odyssee durch die new yorker unterwelt, in der der protagonist verzweifelt versucht, seinen bruder aus dem gefängnis zu holen. die hauptrollen spielen robert pattinson (in seiner bislang besten performance) und jennifer jason leigh. musik und bilder gehen dabei eine symbiose von unglaublicher tiefe ein, wenn banale events zu dramen und montagen zu miniopern werden. oneohtrix point never gelingt mit dem soundtrack ein ausgesprochenes hörerlebnis, das seinen exzellenten studioalben in nichts nachsteht, und mit -the pure and the damned- featuring iggy pop einen markanten schlüsseltrack enthält.

dawn of the planet of the apes is the eighth theatrical film in the apes franchise, released in 2014. the wonderful score was composed by acclaimed soundtrack composer michael giacchino. giacchino has received numerous awards for his work, including an emmy, multiple grammys, a golden globe award, and an academy award.
first pressing of 2000 numbered copies on silverback coloured 180 gram audiophile vinyl in gatefold sleeve.

nachdem temporär die special edition des soundtracks erhältlich war (anderes coverartwork, pink gefärbtes vinyl), kehren invada nun mit dieser neuauflage zu dem ursprünglichen design des soundtracks zurück. sprich es ist auf dem cover wieder die rückenansicht von ray gosling in seiner silberfarbenen skorpion-jacke zu sehen. damit es nicht langweilig wird, ist das 140g schwere vinyl nun so gefärbt: frosted clear with multi-coloured splatter . das gatefold-cover rundet diese edition ab. -drive- gehört zu den populärsten scores der letzten jahre. die mischung aus elektronischer pop-musik (unter der leitung/produktion der chromatics) und dem elektronischem soundtrack (von cliff martinez, ex- red hot chilli peppers) geht wunderbar auf und verbindet sich treffsicher mit den suggestiven bildern des films.

music from the soundtrack of the 1986 movie “sid and nancy: love kills” with gary oldman and chloe webb. pressing on 180 gram vinyl, download code included.

scrimshire s edits are synonymous with our imprint, and every one has been of the highest quality, often hand-picking the more obscure works you never knew you loved, from some of your favourite soul voices. and as we turn 21 (release-wise) he pulls it out of the bag once again, rework chaka s string-laiden -some love- into a monstrous dance-floor destroyer, adding some serious sliced and diced funk chops to merry clayton s percussion heavy version of -keep your eye on the sparrow-, and finally, subtly and tastefully turning mcneal + niles rare slow and soulful treat, -summertime love- into a late night balearic beauty. the perfect summer soundtrack and another sure-fire dubplate winner!

soundtrack to director & writer daniela amavia’s first feature film shot in los angeles spring of 2013. starring abigail spencer, cheyenne jackson, collette wolfe, elena satine, & sonja kinski.

we re very proud to announce the release of a new series of records, between modern retro-futuristic library music and idm, inaugurated by the fabulous bill vortex! also known as poborsk for about 20 years, patrice curtillat is one of the spearheads of the idm in france. he has been released on prestigious labels such as icasea (team doyobi), central processing unit, or flogsta danshall, and he is the cofounder of the skweee label mazout, so autechre were right by choosing him as the first part in lyon during their last french tour. recognized by his peers from scandinavia to england, he is a discreet but brilliant producer of the stamp of labels like skam or warp, with in addition a typical marseilles balearic touch. in this new project he reconnects with his old loves : funk, breakdance, house oldschool ... always keeping his inimitable style made of granular grooves, and pentatonic melodies in a sunny atmosphere. his -feelgood music- is the ideal soundtrack for a science fiction series, a 4g tv report, or a motorcycle race.

soundtrack zu aktuellen netflix-serie “black mirror”. die musik stammt von clint mansell, früher sänger der band pop will eat itself, heute gefragter komponist von film-scores. zu seinen erfolgreichen werken gehören die film-musiken zu “black swan”, “moon”, “ghost in the shell” und “the fountain”. “black mirror” gehört zu den ungewöhnlichsten serien im moment: “wenn technik eine droge ist - und es fühlt sich wie eine droge an, was genau sind dann die nebenwirkungen? dieser bereich - zwischen vergnügen und unbehagen - ist der schauplatz meiner neuen drama-serie black mirror”, sagt serien-schöpfer charlie brooker. der score ist entsprechend düster, elektronisch, atmosphärisch.

sometimes you have to put out a recdord for yourself. i first heard the east of underground lp from malcom catto in the jazzman records office in around 2000, after a couple of years i managed to pick one up for $100 from a soundtrack dealer who did not know what he had. now there is a few bangers on the lp but i have always thought is was the ballads that deserve the shine, so after a chat with egon at now-again i managed to sort out putting my two favorites on 45 for that end of the night slowy. hopeflly a few of you will enjoy this one also.

cosmopolis is an electronic music release from artist fonemi. this work is inspired by the novel cosmopolis by don delillo, a book that tells of a modern odyssey along the streets of a great metropolis. the four pieces here, composition of cosmopolis, sounds as the soundtrack of an introspective journey rich in ancestral suggestions and forgotten rituals recalls over time. the undervalued atmospheres that characterise the whole work seem to be held in suspension by a percussive magma that marks the passage of the past that becomes present. cosmopolis is a fluid that carries our lost memories.
cosmopolis: a tribal and primitive dance, a propitiatory rite that has been handed down unchanged over the centuries.
fiori carnivori: what you do not expect, the flower, a symbol of delicacy and sensitivity that turns into an inexorable predator.
verso casa: the return from a long journey, the lights that illuminate the asphalt and the distant flashes of unidentified cities.
tra le rovine: an ancient song, a prayer that exorcises a universal omen.

the score to the second chapter of fargo features music by emmy nominated composer jeff russo, and the song soundtrack contains music from the pivotal moments of the limited series featuring artists like tweedy, bobby womack, fleetwood mac, the chieftains feat. bon iver a.o.
pressing on 180 gram audiophile vinyl, housed in a trifold sleeve. includes an 8-page booklet and an exclusive fargo ice scraper.

casino shanghai was a -techno-pop- band started in the mid-80s in mexico city. they released their debut and only album -film- in december of 1985. an album considered today as cult status. casino shanghai were part of a great cultural change in mexico and its music scene. the band made various controversial appearances on tv when a band without a drummer or guitarist was unheard of. all members had been in different notorious bands in the local scene. ulalume was the lead singer of the casuals (punk-new wave) and denseundergrowth (avant-garde). carlos robledo and walter schmidt were part of size (post-punk) and have been playing together for many years in decibel (experimental). humberto alvarez played with mcc (prog rock) and is currently a well-known musician and multi-instrumentist. before the band split-up they recorded two last songs in 1986, -le tombeau d edgar poe- and -l action minimal-, as part of an unreleased solo ep for ulalume. these tracks were edited in 2014 on 12&#8243,,, by mannequin records together with a remix by in aeternam vale. the music of casino shanghai was also used for the soundtrack of some mexican films. -crónicas de familia- directed by diego lópez and nominated for the ariel award for best original soundtrack in 1986, and -juana la cantinera- directed by josé loza. -film- has been restored and remastered for this new edition including all original tracks plus two bonus: -le tombeau d edgar poe (haunted version)- and -cuerpos huecos- (spanish version of -hollow bodies- available only on a promotional 7&#8243,,,). limited to 350 copies on white vinyl with a new artwork and printed inner sleeve with photos and song lyrics.

seit ihrem deb?talbum gluey porch treatments von 1987 haben die melvins einiges gewagt: musikalische konzepte erweitert, ungew¸hnliche kollaborationen riskiert, genre-grenzen stets neu definiert. aber an eines haben sie sich bis dato nicht herangetraut: das format des doppelalbums! kein wunder also, wenn buzz osborne, der kopf der melvins, hier von einem neuen ma?stab spricht. das werk wartet mit wunderbaren g§sten auf, so haben sich joey santiago (the pixies), teri gender bender (le butcherettes/crystal fairy) und anna waronker (that dog) an den aufnahmen beteiligt. ist der erste part noch alternative-rock melvin scher pr§gung, widmet sich der zweite teil weit experimentelleren klangwelten, die gleichzeitig den soundtrack zu a walk with love and death von jesse nieminen bilden.

berlin based pardon moi, consisting of james brook and thomas freudenthal, makes music that would fit perfect as a soundtrack for a ride in a ferrari gto convertible, or on a transatlantic flight on a concorde. unfortunately, vintage ferraris are ridiculously expensive and concords are taken out of flight but still the music creates an air of luxury and decadence for you to fill your lungs and air with. this 7inch release on hoga nord rekords is the first on the label but the duo have released material on nein records and vocoder electro.

for his debut album, tochigi canopy has been building the melancholic, spleen-full life s perfect soundtrack. at first listen, we already feel his obsession for details and his love for deep atmospheres, he fills our mind with images, moments, slices of nostalgia where summers last only for seconds. an absolut must-have.

für diesen soundtrack wurde der komponist nicholas britell sowohl bei den oscar-verleihungen als auch bei den golden globes nominiert. und mit der verleihung des oscars für den besten film, wurde der film auch dieses jahr in den deutschen kinos gezeigt. der film erzählt in drei kapiteln die geschichte eines jungen, homosexuellen, afroamerikanischen mannes.
zwar beauftragte regisseur barry jenks nicholas britell mit der produktion eines orchestralen scores, forderte ihn aber gleichzeitig dazu auf die produktions-technik des chopped & screwed (wie im hip hop oft genutzt) auf passagen anzuwenden, so dass ein ungewöhnliches soundbild entstand.
pressung auf blauem 180 gramm vinyl.

nice price deal !!! the sound of these 4 tracks bruits into space entrobically. a perfect liason of japanese phonetics & occidental vibrations. a soundtrack for a movie that was never made !! / played by dave clarke…limited backstock

there we go again, luettje luise el numero sixo. the soundtrack for a sunny sunday morning. between the sheets and under the blanket, stroking the belly, feeling lush and lovely. slide in your slippers and slightly sip the first coffee with a warm breeze touching you and your inner self. lokke der boss halt.

nice price deal !!! taken from the upcoming album free at last, feat the classic big spender sampler from the sweet charity original soundtrack

next generation is his debut single on rebirth records. a sublime piece of music, completely composed with the piano, a soundtrack for our life and a message: taking all the new generations across the globe closer to the art of music. no schemes, prejudices, genre classifications, labels... just music !
who better than the french genius producer pépé bradock could remix this song? he is a widely respected producer known for his versatile, singular and mesmerizing style and his releases on labels such a avatisme, classic and versatile recordings. bradock produces a trippy remix, dub version and reprise, using the piano melody in a completely original way.

music from the original soundtrack of the 1986 jim henson film “labyrinth”.

correspondant’s comprehensive fifth compilation is due to drop imminently. once again jennifer cardini’s label have recruited a seriously on-point rollcall of friends and family to contribute to its distinctive cosmic, deep, groove-laden veneer as everyone from man power to marvin & guy deliver their rule-free finest. following the first ep sampler with tracks from khidja, jonathan kusuma, marvin & guy and kempes here are four more startling future-shocks from the forthcoming collection. featuring stellar star-gliding synthetic soul from some of the label’s oldest friends such as red axes and javi redondo, kindred spirits such as fort romeau and new friends like colli alban, it’s the perfect set-up for the total knock-down that is the album. guaranteed to be soundtrack our summers, dancefloors and souls for a long time to come…

bringing his signature sound to crosstown rebels, delightfully unconventional producer sis delivers his third release on the label, the blind side. hot on the heels of his boabab album on mobilee, rodriguez jr. delivers a stunning remix on the b-side. the blind side is set to soundtrack the summer, an incredibly infectious track with its exotic and intricate drum workouts and alluring vocal cuts. on the flip, rodriguez jr. brings in deep pads, uplifting melodic keys and a storming piano lines for a whole new take on the original. taking his artistic enthusiasm from his turkish father, sis grew up in berlin surrounded by music. following a series of releases on nick curly’s cecille, ricardo villalobos who loved his track trompeta so much that he released it on his boutique label picked up the german producer sei es drum in 2008. his success of trompeta led to an avalanche of recognition, groove magazine and ‘newcomer of the year’ by raveline mag named him both ‘producer of the year’. in 2011 sis launched his own label cocolino where he released his debut three-part album dejame. olivier mateu aka rodriguez jr. grew up in the south of france and moved to paris as a young adult and soon formed the electro group the youngsters. signed by laurent garnier to f communications, the duo released two albums and a string of successful singles. focusing on a different alias, rodriguez jr. gave olivier the freedom to run with his creativity, which can be seen in his acclaimed live shows.

summer has not officially kicked in yet but antinote’s new addition to its roster will sure soundtrack perfectly its upcoming warm nights: encapsulating the teenage dream of an endless summer, 18 rays is the moniker behind which some of the labels most steady fixtures gave a try at recording music together, somewhere straight in the heart of paris 18th arrondissement.

out of nowhere, average delivers an esoteric soundtrack to exquisite label junior executive through three distinctly different cuts for your head and feet. listed as above average , haye haye is straight up disco vibes for camp fire dances under starry southern cross skies. try to sit still to this monster... on the humbly titled below average side, cold builds and builds until the mighty release finally delivers you from evil, whereas hisingen takes you on a trip to some long lost hippie island where hypnotising flutes try to persuade you to join the cult. wicked. !

nach seinem hochgelobten debütalbum elaenia von 2015 (u.a. album des jahres bei resident advisor), veröffentlichen sam shepherd und sein ensemble nun den kurzfilm und soundtrack reflections: mojave desert, bei dem sie zusammen mit regisseurin anna diaz ortuno eine audiovisuelle exploration der beeindruckenden natur unter dem endlosen wüstenhimmel unternehmen und klänge, bilder, farben und formen in atemberaubender schönheit kombinieren.

limited edition lp + 7inch + obi + silver foil + extensive 24-page liner notes booklet, 350g sleeve, black inners, authorised official original soundtrack! - the first ever official vinyl release of the soundtrack for mamoru oshii’s legendary science fiction anime film ghost in the shell (1995)

gravitational 003 features two spaced-out ambient cuts from tbilisi-based artist hanker. a must for all sci-fi soundtrack enthusiasts out there. comes with a stellar blind observatory treatment on the flip side and a printed 21x21cm artwork.

a brand new instalment in the trans afryka series, that is loosely inspired by the sounds of the black continent and devoted to club-oriented afro-house. riding the waves of success with sold out volume 1, zambon employed three talented producers to bring more goods to the table. transatlantyk regulars like dj dook and universo are joined by a newcomer tamten and together deliver a bomb of an ep! aptly titled afro acid by dj dook is exactly what it says on the sleeve - raw dj tool with squelchy samples, mantra-like vocal loop and focused vibe. think of an soundtrack to a futuristic version of apocalypse now. just the perfect peaktime beats to heat the party a little bit more. praise song by universo is built on a wandering bassline reminiscent of malian blues with tribal chants, penny whistles and various sorts of percussions on top. this beautiful groove rolls and rolls without end, like an endless summer. ukukhnaya by tamten is the most atmospheric out of the three, fusing new age midi sounds with the vibes of south african deep house.

hans zimmer’s original motion picture soundtrack for the 2001 movie “hannibal”. the vinyl release includes a download code.

the dna of purple rain can be felt throughout pop culture at large. it is a timeless body of work with an immortal resonance exemplified by smashes such as “let’s go crazy,” “when doves cry,” “darling nikki,” the title track “purple rain” and more. minted diamond by the riaa for sales exceeding 13 million, the record stands out as the sixth best-selling soundtrack album in history, moving more than 22 million copies. hailed by vanity fair as “the best soundtrack of all time,” time magazine placed it as the 15th greatest album ever. the album won two 1985 grammy awards® in the categories of “best rock vocal performance by a duo or group with vocal” and “best album of original score written for a motion picture or television special.” posthumously, it was honored as “favorite soundtrack” at the 2016 american music awards. it was also recently nominated for a 2017 billboard music award in the category of “top soundtrack/cast album.”

jax dax returns on the magic waves label with a 5-track ep of hard-edged twitched-out horror-fuelled paranoid psycho-techno for your mind, body and soul. a soundtrack to the nightmare future-world of earth in the 21st century, the rave resistance is back with a bang and kicking off here. move fast, copies are limited.

hudson mohawke liefert den soundtrack für den soeben erschienenen zweiten teil der populären computerspielserie watch dogs. obwohl eigens für das spiel geschrieben, steht die musik für sich selbst und wird alle hudson mohawke-fans begeistern. limitiertes doppel-vinyl mit download-code.

nice price deal !!! beaumont steps up for the next release on hotflush, with his >never love me ep<. the young scottish producer michael rintoul created a slice of hypnotic r&b dream pop on last years >blush reponse ep<. it was described by inimitable brighton-based blog 20jazzfunkgreats as having produced, >by a strike of genius and inspiration<, the authentic soundtrack to >a really cool z-series 80s thriller<. this time round, the vocal work on the title track is reduced to a barely intelligible processed warble, which provides the scaffolding that supports the sparse drums, synth washes and plucked melody. >uptown< begins with carpenter-esque keys of dread, but is quickly drenched in a warm shower of shimmering keys that tussles with the shuffling half-beat. the >rendez-vouz< could be on mars, cosmic winds billowing, until a snaking bassline throbs into sight, beaumonts impeccably programmed drums playing off against the tense synths. star crossd lovers indeed upon the eps closer, >verona beach<, the tidal back and forth grounding, the sound of the sun setting on a miami vice beach, but disturbed into syncopated sense.

tangerine dream hatten seit ihrer gründung ende der 1960er in westberlin einen massgeblichen einfluss auf die entwicklung der elektronischen musik und galten als einer der führenden vertreter des krautrock. in den 1980ern lieferten sie beachtliche soundtracks zu filmen wie “firestarter”, “risky business”, “near dark”, “thief” und “sorcerer” ab, ihr musikalischer einfluss auf den soundtrack der netflix-kultserie “stranger things” ist enorm. ihr neues doppelalbum “particles” ist eine mischung aus brandneuem material und reinterpretationen, darunter des titelstücks ihres albumklassikers “rubycon” (1975), liveaufnahmen u.a. des titeltracks des “white eagle” albums (1982), sowie eine eigene coverversion des “stranger things” theme.

a soundtrack for the contemporary -vinti- (defeated) with its dark and at the same time sparkling flavor of the 80s sounds between cold wave, synth pop and imaginary electronic atmospheres. this record with its horror-framed and distopic scenario (-slot machine-) reveals a content of social criticism healed through the warm and evocative indulgence of -che male c e-.

mondo is proud present the premiere vinyl release of the soundtrack to the haunting, original playstation title “silent hill”. don’t let the tone of the plucky mandolin driven opening track fool you, this is one of the most haunting soundtracks we’ve ever released. full of hair-raising, pulse-pounding, industrial cues - this soundtrack is the stuff of nightmares - which is important, since “silent hill” (and its subsequent sequels) has it’s feet planted firmly in the legacy of survival horror gaming.
black double vinyl in gatefold sleeve.

this is a collection of works from british musician gp hall, recorded between 1994 and 1999. for over four decades, guitar in hand hall encountered many styles, jazz, blues, flamenco, rock, folk, and classical improvisation. all contributed to the creation of his unique style. emerging from the british blues boom of the 1960’s, he then followed a long and winding path through various scenes and cultures. in spain, he was influenced by flamenco master manitas del plata before touring europe with liverpool band casey jones & the governors. he was commissioned three times (twice by the arts council of great britain) for original music and was immersed in the avant-garde scene of the 1970’s as an improviser, a pioneer of electric flamenco and a composer of large-scale ensemble pieces. during the 1980’s hall turned his focus to soundtrack music before reinventing himself as the solo performer he is today. with this strong foundation he branched into a tactile expression of his craft, discovering a new style which he called industrial sound sculptures. these sonic compositions are performed on electric and acoustic guitars as well as the six-string bass and are played with various techniques and implements including slides, battery fans, the psaltery bow, razors, toys, velcro and crocodile clips which are fed through sound processors to create a rich sonic environment.

for the past four years francesco leali kept busy running parachute alongside co-owners manfredi romano and thomas feriero, producing under different monikers and touring the globe as half of cw/a. finally back as clockwork, leali reveals a five track ep featuring some of his rugged music to date. a briery shift into foggier territories where leali explores layered sound-design and broken rhythms, something he had only hinted in his previous work. online entity depicts lealis hindrance with modern societys social networking obsession. in contrast to what these services were actually intended for, leali explains, they seem to have impacted a lot of people negatively, resulting in unnecessary resentments, misinformation and feelings of proximity when these tools can easily alienate you from reality. constantly worrying about how you want people to perceive you is absurd already, but for many of us this constant sharing has become the only way to achieve happiness, to be satisfied. in an era where all of this is getting out of hand its essential to remind yourself of the things that truly shape you as an individual. with online entity i aimed for feelings of release, mutating resentments into something positive - more physical. i imagined it as a soundtrack to an escape from these very situations. the release showcases this approach with five club-ready numbers filled with calculated, pounding drums and gloomy atmospheres, with only rare glimpses of hope scattered throughout. to round things up we mobilised fellow parachute affiliate ayarcana and serbian techno pro lag who both deliver two startling interpretations of escape sequence and rumination.