helder russo is the youngest of eleven, raised in lisbon in a family from the island of santiago, cabo verde. he s a prolific music producer with a couple of heavy releases on groovement recordings and as half of gatupreto on tink!. russo s music is thought out and solid, his reference list is long and diverse, citing rhythm & sound in the same context as miles davis, sade, the late great mj, boo williams, carl craig or jay dilla. the result is a soundtrack composed with care and attention, detailed and rich though still powerful and present.

limited edition of 500 hand numbered copies on 180 grams vinyl, first 200 copies are transparent / green splattered.
the label is called spettro (the word has two meanings in italian, it means “spectrum” but also “ghost”) and the releases will be split in two series : spettro library and spettro soundtrack - this is spettro library!

dalmata daniel s next up is a collaboration with the bristol-born „weirdo disco guy- antoni maiovvi and also a contribution of heinrich dressel who is an unavoidable column of rome s electronic music scene. maiovvi s pleasure model project is all about youth – replaced by blade runner-esque replicas. his first release under this moniker was „kendo dynamics- on 100% silk in 2016. it aimed for presenting a persuasive world of fiber optic paranoia and technoid effacement. dd006 is the next level of the concept and the first time on vinyl. the tracks are driven by the characteristic haggard drum machine s sound on side a with a melancholic or dark synth themes what becomes a dreamy melody in the „prism riot- on side b. the remix by heinrich dressel is a turn back directly into the darkness, but it is faster and more like a film soundtrack with his own characteristics, of course. the whole ep has a strong vintage mood and sound. it can be said that update 1.1 is definitely dystopian, coming from the future of our past.

the beat broker has been a crucial character of the sentrall story since it s inception. as one of the most consistent releasers on the label (other than its founder), his voice in sentrall s sound is unmistakable: flittering stacks of echoing synths and that undeniable low-and-slow chug. the beat broker returns with a pair of super slow burners that conjure endless summer rooftop parties in the haze of the sweltering heat. the 85bpm title track is an archetypal pacifica slow-burner — the soundtrack to your life in slow motion, when everything is right with the world, the smiles are eternal and you feel like you re in a movie montage. on the flip, get lifted with the balmy 101bpm head-nodder -new aged.- the warmth of the melody envelops you as you bounce, laughing in the waves of the pacific.

the label of the post-autonomous kindergarden from berlinÆs east cross awakes after a long beauty sleep. weÆre back behind the decks with a lineup that is carving out contemporary techno. finnish producer samuli kemppi, from helsinki, has accompanied us since the beginning of our club. musically, he stands for a minimalist, crystal-cut sound hailing from galaxies far, far away. fabrizio lapiana is a long-time friend of the house. his sounds are able to expand even the smallest dance floorsùhe sculpts spacious soundscapes and sends dancers on a deep dive into dark and melancholy travels. we are particularly excited about the presence of our resident akmÛ, who comes to us with energetic release after his first ep on connwax. he will be bringing his steadfast love of detail and sly playfulnessùelements present in all his dj-sets. with these three numbers, the ://about blank 002 has compiled the best of the mdf soundtrack. next stop after powernap: lobby and garden. rave on!

stets auf achse, immer unterwegs. den blick geradeaus, nie zuru&#776,,,,,,ck. und alles lieber heute als morgen. so fu&#776,,,,,,hlt es sich an, das moderne leben, das uns gefangen im sog der zeit und alles um uns herum im permanenten aufbruch ha&#776,,,,,,lt. es scheint so, als ko&#776,,,,,,nnte andrei antonets alias oid ein lied davon singen – oder zumindest einen track dazu produzieren. doch statt den soundtrack zur hast, erschafft der russe mit „permanent departure“ lieber einen kontemplativen gegenentwurf dazu. knapp elf minuten lang la&#776,,,,,,sst er dafu&#776,,,,,,r weitla&#776,,,,,,ufige sounds entlang der bassdrum ma&#776,,,,,,andern. gitarren, pads, hi-hats, alles kommt und geht, arrangiert mit massig gespu&#776,,,,,,r statt purem geto&#776,,,,,,se. dass antonets genau das kann, hat er bereits zuvor mit seinem projekt alexandroid oder auf labels wie pampa und sealt records bewiesen. fu&#776,,,,,,r die ru&#776,,,,,,ckseite lo&#776,,,,,,sen die drei franzosen von dop mit ihrem remix von „permanent departure“ hingegen nur ein kurzstrecken-ticket – das uns aber genauso auf einen trip wie das original schickt. auf acht minuten und eine neue route verku&#776,,,,,,rzt, steuert der dop-remix ohne große umwege geradeaus gen club und die peaktime fu&#776,,,,,,r fortgeschrittene. wenn schon abfahrt, dann bitte so. auch als digitales mini-album zusammen mit der mmr 28 und vier weiteren tracks von oid erha&#776,,,,,,ltlich.

4-lp-box-set zur ersten staffel von stranger things. limitierte edition für sammler. bevor im oktober -stranger things- in die zweite runde geht steigert das britische label invada die vorfreude mit dem ultimativen soundtrack-lp-boxset. der urspr³nglich auf zwei doppel-lps ver÷ffentlichten score ist hier in einem box set zusammengefasst. der grammy-nominierte score erfreut sich gro?er beliebtheit, welche sich nicht allein aus dem erfolg der tv-serie erklõrt. ein journalist hat die musik treffend als den ultimativen stil-mix aus john carpenter, tangerine dream, blade runner, aphex twin und cliff martinez (-drive-!) beschreiben. daher spricht der soundtrack auch f³r sich selbst stehend, fans obengenannter k³nstler an. invadas vinyl-editionen werden f³r qualitõt, ausstattung und design gefeiert. das box-set enthõlt: -neues boys on bikes front-cover-artwork. -inserts mit liner notes der the duffer brothers und der komponisten kyle dixon & michael stein - zwei gefaltete poster (ôretro montageö vol. 1 & ôboys on bikesö vol. 2) -10 character cards (5 x kids vol. 1 & 5 x adults vol. 2) - von hand gepresstes 180g farbiges (multicolored) vinyl - 425g extra-schweres gatefoldsleeve f³r beide sets - deluxe-box-set mit dem stranger-things-logo

by the time mobb deep hit with their third album – hell on earth – they were solidified street legends. coming off the critically acclaimed the infamous, havoc and prodigy hit the lab and came back with a soundtrack that is fitting to its title. havoc’s production is atmospheric, laced with his trademark drums loops and sharp pianos stabs. add prodigy’s trademark flow and it’s evident that the pairing is such an amazing match. while hell on earth is essentially a continuation of the infamous you can still hear the growth in both performers and hell on earth stands as some of their best work. the album features guest appearances by nas, raekwon, method man, and frequent collaborator big noyd.

once again, perm has turned just the right knobs to give you the perfect soundtrack for your personal journey into techno wonderland. the leipzig based wizard simply knows how to leave dancers both dizzy and beatific. when those strings in -03-viii- come together to its climax you re more than ready to embrace the night. the focus in -03-iv- is more heavy on the drum work with just the right amount of subtle tripping hazards. -03-iii- builds and builds without ever bubbling over while the mighty -03-viii- comes with a boom-tschak-electro feel to it. the artwork comes courtesy of carl-johannes schulze.

wie der film ist der soundtrack ein bastard. soul, garage und rock ergeben einen lässigen retrosound. eine abgefahrene und gedenkwürdige mischung aus rammstein, james brown, den Ärzten, den white stripes und johnny cash.

jimi hitting the soundtrack section for this one

label co-founder vercetti technicolor returns to giallo disco after the black september lp with the soundtrack to the psychedelic neon-soaked slasher short hard pill. directed by writer-director daniel freedman, vercetti technicolor s fulci meets digweed score takes you from mainetti to martinez. drugged out club hits and tense shadowed corridor atmospherics. no one is safe... not even you. art by eric a. lee.

!! soundtrack !!

it has been eleven long years since urbs dropped his last album which was called “toujours le meme film”. back then, the musician, dj and producer created the soundtrack to a fictitious film noir, which was released on kruder & dorfmeister‘s g-stone label, but after touring europe he almost completely retreated from public life. he does not consider his creativity as being his career, but rather as a part of his life which rarely is subject to concrete planning, and that is why urbs quite consciously took his time to create his latest –untitledalbum.

let’s go swimming are proud to present lgs006 “plastic pangs” by returning champ doppelate. four emo techno gems set to a blackberry picking soundtrack and spaceship rides for the snogging generation.

the original motion picture soundtrack from “atomic blonde” on black 180 gram double vinyl, housed in a gatefold sleeve.

whispered words from the ancient earth. the biosphere metaphorically battered by dusty drum machines, synth swept landscapes, industrial hooks that ring out from the barren outback. was is das? die orangen are australian-expats kris baha and dreems, and together they have crafted a genre: krautback rooted in indigenous psychedelia, resonating the vast expanses of the island of gondwanaland, turnt up by progressive cultures, and multiplied by the logic of the german mind. hear the sound of the southern sun melt genres, feel it flow downstream into a languid ocean of sound. beware the punch of the red kangaroo, a bite from the deadly taipan, the neon stare in a tree-frogs eye, and the bleached siren call of the coral reef - these wild sonic reveries ominously soundtrack the future that nature has in store.

album of the week (mixmag), album of the week (the independent), the drive soundtrack with a rocket up its arse. (dj mag) - just three of the reactions to john bs latest >light speed< album from earlier in the year, a neon-soaked journey into one of the most epic drum & bass lps of recent times.
now the title track is about to be unleashed with a package of remixes that go beyond the norm, ready to hit all corners very hard indeed. for johns most ambitious single release yet, some of the most exciting young producers from around the world have been drawn in to offer their take on the uplifting stadium anthem >light speed< featuring the vocal talents of nsg.
from the totally re-worked club house mix through to hyper-boiled drum & bass smashers and electroid dubstep, no holds have been barred and if hi-rolling drumstep is what you are after, johns even got that too. a massive dynamite release from one of electronic musics most flamboyant figureheads.

epical cinematic pop moments, sexy and electronic! on her second album, elena alice fossi, better known as the singer of the italian cult-group kirlian camera, promenades through tinsel town in high heels with her all-girl band spectra*paris. at the edge of pop, glam-rock, alternative and electro, the alluring ladies are spicing up today’s music scene with fresh energy, inviting you to a glittering homage to the glamour of the big screen. with her powerful, versatile and matchless voice, elena alice metamorphoses from innocent girl into grand diva to savage rock singer, gracefully moving through her sonic short films, ranging from spy stories to horror flicks, with distinguished pop-appeal. “license to kill” is released as a regular cd album containing a warholesque, punky bonus dvd and as a strictly limited, lavish fan-box containing a clear vinyl version of the album, a poster, a patch and a classy shape-cd-membership card including an exclusive, previously unreleased track. limited to 500 copies!!

prins thomas nimmt den -häxan- soundtrack der schwedischen psych-rocker dungen (zu lotte reinigers filmklassiker -die abenteuer des prinzen achmed-, 1926) auf einen trip durch psychedelische weiten und kreiert teils 17-minütige epen aus balearischer ambience, psychedelia, cosmic-grooves und krautrock.

utter presents rgbpm, trevor jackson s four piece audio-visual work originally commissioned for a live performance at the optronica festival in 2007, on london s imax, the biggest screen in the uk. optronica, programmed by addictive tv/cinefeel in collaboration with the british film institute, held its second festival over five consecutive days at the imax, ica and bfi southbank in march 2007. a showcase of the most exciting talent working in visual music, optronica s 2007 event was a platform for live performances, talks, screenings and workshops from the likes of fennesz, peter greenaway and ryoichi kurokawa. jackson s piece took over six months to develop and yet was performed only once. on march 14th the premier of rgbpm opened the festival in spectacular fashion, jackson performing the music live with its accompanying hd visuals generated in real time using custom-built software created especially by weirdcore. a powerful multi-sensory experience, the event remains one of the defining moments of jackson s lengthy career. the visuals consist of abstract shapes synchronised perfectly to jackson’s soundtrack. choreographed to represent musical elements within each track, they explore the relationship between melody, colour, rhythm and form. the diverse soundtrack combines magical motorik experiments, demented acidic jams, melodic subterranean techno and dark discordant electronic soundscapes. it s a timeless selection of music that holds its own to this day. a decade on from rgbpm s lone airing, utter is proud to release all four parts together for the first time as a special 12- package, mastered and cut by helmut erler at d&m and housed in a sleeve designed by jackson himself.

thats the way it is is the 40th album by elvis presley, originally released in november 1970. the album consists of eight tracks recorded in the studio in nashville at the marathon sessions in june 1970 that would also yield several singles and the elvis country album, and four tracks from his august 1970 show at the international hotel in las vegas. although it is not generally considered a soundtrack album, it accompanied the theatrical release of the documentary film of the same name.
pressing on 180 gram audiophile vinyl.

dirk gently s holistic detective agency would be jealous. private records managed to lift an amazing treasure again. this time in the basement of a jewish porn company... „desert lovers“ the unreleased minimal synth soundtrack of the eponymous porn movie from 1985. 1980’s movie soundtracks are the perfect source for unspent/fresh original vintage music. desert lovers from 1985 is the highlight of this year’s summer season. an unreleased minimal synth, ambient, drone, wave soundtrack that is in high demand already two weeks after the announcement. produced by the dudes also known as „schaltkreis wassermann“. a swiss cult psychedelic minimal synth band who were active during the early 1980’s. even lsd inventor albert hofmann visited them in their studio. comes with a foldout poster + vibrator.

after inaugurating the label with a first ep in december of 2014, innershades returns home to deliver what will be the 6th release on 9300 records. kerrebroek memories is the self made soundtrack of his childhood memories in the shared hometown of aalst (belgium). expect to hear a homage to early dutch electro with a modern twist and innershades well known trademark for dancefloor injected house tracks. rising dutch star and new bff of the belgian 9300 family betonkust polished the a1-listed darkness fades track into a melodious electro classic.

the *iron man* original motion picture soundtrack on black 180 gram vinyl.

original motion picture soundtrack from the 1995 movie “braveheart”, available on vinyl for the first time. the 180 gram double vinyl is housed in a gatefold sleeve

this is the second in a reissue series of dominick fernow’s early work as rainforest spiritual enslavement, casting spells from the green amulet crafts supernatural qualities (2011) tape onto vinyl for the first time and steadily closing the gap in your rse collection.
something like the soundtrack to one of ballard’s prophetic visions of sunken cities, this second rse incursion was initially released in an edition of 63 tapes in 2011 and found fernow dwelling in a dread-fuelled, paranoid headspace.
prssing on translucent green vinyl.

olim in latin can be used to indicate a time in the past or in the future. it can mean ‘once upon a time’ and ‘someday in the future’. a name and a project to try to move away from trends and genres, by taking inspiration from the past but at the same time leaving it, moving forward to shape a different and more narrative sound. the first attempt to do so is recursively: an 8 track album, opening with a sentence from bunny marrett sampled from an old documentary about st paul’s and the jamaican immigration in bristol during the 80’s. inspired by those intro words, recursively is a journey born from many years moving around, packing and unpacking suitcases, leaving villages, finding cities,leaving friends and finding more, emigrating, integrating. it’s a story about an entire generation trying to find the peace somewhere, somehow, sometimes by repeating the same steps in a loop of actions which seem to be the same but ultimately never are. it’s a soundtrack of those feelings and at the same time a message of hope to continue the journey through the faith that the meaning is the infinite journey itself. an infinite loop masterfully represented in carol rollo’s illustration. a story to be continued.

soundtrack zu aktuellen netflix-serie -black mirror-. die musik stammt von clint mansell, früher sänger der band pop will eat itself, heute gefragter komponist von film-scores. zu seinen erfolgreichen werken gehören die film-musiken zu -black swan-, -moon-, -ghost in the shell- und -the fountain-. -black mirror- gehört zu den ungewöhnlichsten serien im moment: -wenn technik eine droge ist - und es fühlt sich wie eine droge an, was genau sind dann die nebenwirkungen? dieser bereich - zwischen vergnügen und unbehagen - ist der schauplatz meiner neuen drama-serie black mirror-, sagt serien-schöpfer charlie brooker. der score ist entsprechend düster, elektronisch, atmosphärisch.

produced by david byrne and featuring 5 new songs by the talking heads legend and will bonnie prince billy oldham, pressed on double 12 inch vinyl in gatefold cover, this film soundtrack is set to become a cult classic.

sowohl der film als auch der soundtrack zu »guardians of the galaxy« sind absolut kult. und da 2017 endlich die fortsetzung des science-fiction-abenteuers von marvel in den kinos läuft, gibt es passend dazu die neue filmmusik: »guardians of the galaxy: awesome mix vol. 2«.

deluxe limited edition of 500 individually numbered copies on audiophile 180 gram yellow vinyl.
this is the original soundtrack to “profumo di donna”, a classic italian comedy film directed by dino risi, based on “il buio e il miele”, a story by giovanni arpino. when released in 1974, both risi and the leading actor vittorio gassman won important italian and french awards. the 1992 american remake, “scent of a woman”, features al pacino, chris o’donnell, philip seymour hoffman a.o.

for the third installment of the ftp series, the tracks twist into darker genre territories. the compilation opens with psygnosis, a nine minute acidic techno stormer beaming from the pineal gland of the reclusive new zealand artist matthew brown. the track starts out with a simple hook, building intensity towards a crescendo of raining acid lines and 808 hi hats which resemble unsheathing swords, twisting form into hypnotizing insanity. on the b side, draveng unleashes some comic mischief with isogamous skoliosapien, a frantic rave tune bursting out of the seams with jazzy drum hits and frantic chord stabs. it would be a good soundtrack for phantasms to dance to in a haunted place. closing out the ep is the propulsive electro missile nonstop, a track that whips into the air and spins like a jet powered boomerang. it is is the first release from the finnish cyber-phreek sansibar. expect more to come from him in the very near future

- limited to 500 copies - pressed on clear wax
with the release of the movie -saturday night fever- and the soundtrack album of the same name featuring the bee gees in 1978, discomania was sweeping across the nation. and in the midwest, nearly every n

peripheral minimal is proud to announce the imminent release of, beta evers / spatial relation , a six-track 12- e.p., that also features, heinrich mueller of dopplereffekt. the six tracks contain the coldest of minimal synth and technoid darkness, underpinned by a melancholic sentiment. this is the third release by spatial relation on peripheral minimal, and the first by beta evers.

mental groove records is thrilled and honored to announce the follow up to last year water vein ep (mg115) by asian psilocybe foundation & dj yogurt. entitled daikaku, a buddhist term for one who has achieved enlightenment. this second installment smiles on geinoh yamashirogumi akiras soundtrack. apf is an eccentric japanese musician who raised attention from the detroit. remixed by jon dixon of underground resistanceÆs timeline, apf first ep was released by once legendary producer orlando voorn (fix, game one, baruka). on the a side he achieves to capture akiraÆs spirit with his own organic and floating sound signature within a long, delicate and trippy techno number while on the flipside dj yogurt, a regular figure of tokyos nightlife who worked at cisco records, delivers two straight percussive numbers fueled with traditional japanese flavor to take the most discerning floors to a tetsuo state-of-mind. mastered by music matters mastering and cut at emil berliner studios, berlin.

der dramatische thriller der beiden safdie-brüder ist eine hypnotische odyssee durch die new yorker unterwelt, in der der protagonist verzweifelt versucht, seinen bruder aus dem gefängnis zu holen. die hauptrollen spielen robert pattinson (in seiner bislang besten performance) und jennifer jason leigh. musik und bilder gehen dabei eine symbiose von unglaublicher tiefe ein, wenn banale events zu dramen und montagen zu miniopern werden. oneohtrix point never gelingt mit dem soundtrack ein ausgesprochenes hörerlebnis, das seinen exzellenten studioalben in nichts nachsteht, und mit -the pure and the damned- featuring iggy pop einen markanten schlüsseltrack enthält.

dawn of the planet of the apes is the eighth theatrical film in the apes franchise, released in 2014. the wonderful score was composed by acclaimed soundtrack composer michael giacchino. giacchino has received numerous awards for his work, including an emmy, multiple grammys, a golden globe award, and an academy award.
first pressing of 2000 numbered copies on silverback coloured 180 gram audiophile vinyl in gatefold sleeve.

nachdem temporär die special edition des soundtracks erhältlich war (anderes coverartwork, pink gefärbtes vinyl), kehren invada nun mit dieser neuauflage zu dem ursprünglichen design des soundtracks zurück. sprich es ist auf dem cover wieder die rückenansicht von ray gosling in seiner silberfarbenen skorpion-jacke zu sehen. damit es nicht langweilig wird, ist das 140g schwere vinyl nun so gefärbt: frosted clear with multi-coloured splatter . das gatefold-cover rundet diese edition ab. -drive- gehört zu den populärsten scores der letzten jahre. die mischung aus elektronischer pop-musik (unter der leitung/produktion der chromatics) und dem elektronischem soundtrack (von cliff martinez, ex- red hot chilli peppers) geht wunderbar auf und verbindet sich treffsicher mit den suggestiven bildern des films.

music from the soundtrack of the 1986 movie “sid and nancy: love kills” with gary oldman and chloe webb. pressing on 180 gram vinyl, download code included.

scrimshire s edits are synonymous with our imprint, and every one has been of the highest quality, often hand-picking the more obscure works you never knew you loved, from some of your favourite soul voices. and as we turn 21 (release-wise) he pulls it out of the bag once again, rework chaka s string-laiden -some love- into a monstrous dance-floor destroyer, adding some serious sliced and diced funk chops to merry clayton s percussion heavy version of -keep your eye on the sparrow-, and finally, subtly and tastefully turning mcneal + niles rare slow and soulful treat, -summertime love- into a late night balearic beauty. the perfect summer soundtrack and another sure-fire dubplate winner!

soundtrack to director & writer daniela amavia’s first feature film shot in los angeles spring of 2013. starring abigail spencer, cheyenne jackson, collette wolfe, elena satine, & sonja kinski.

we re very proud to announce the release of a new series of records, between modern retro-futuristic library music and idm, inaugurated by the fabulous bill vortex! also known as poborsk for about 20 years, patrice curtillat is one of the spearheads of the idm in france. he has been released on prestigious labels such as icasea (team doyobi), central processing unit, or flogsta danshall, and he is the cofounder of the skweee label mazout, so autechre were right by choosing him as the first part in lyon during their last french tour. recognized by his peers from scandinavia to england, he is a discreet but brilliant producer of the stamp of labels like skam or warp, with in addition a typical marseilles balearic touch. in this new project he reconnects with his old loves : funk, breakdance, house oldschool ... always keeping his inimitable style made of granular grooves, and pentatonic melodies in a sunny atmosphere. his -feelgood music- is the ideal soundtrack for a science fiction series, a 4g tv report, or a motorcycle race.

soundtrack zu aktuellen netflix-serie “black mirror”. die musik stammt von clint mansell, früher sänger der band pop will eat itself, heute gefragter komponist von film-scores. zu seinen erfolgreichen werken gehören die film-musiken zu “black swan”, “moon”, “ghost in the shell” und “the fountain”. “black mirror” gehört zu den ungewöhnlichsten serien im moment: “wenn technik eine droge ist - und es fühlt sich wie eine droge an, was genau sind dann die nebenwirkungen? dieser bereich - zwischen vergnügen und unbehagen - ist der schauplatz meiner neuen drama-serie black mirror”, sagt serien-schöpfer charlie brooker. der score ist entsprechend düster, elektronisch, atmosphärisch.

sometimes you have to put out a recdord for yourself. i first heard the east of underground lp from malcom catto in the jazzman records office in around 2000, after a couple of years i managed to pick one up for $100 from a soundtrack dealer who did not know what he had. now there is a few bangers on the lp but i have always thought is was the ballads that deserve the shine, so after a chat with egon at now-again i managed to sort out putting my two favorites on 45 for that end of the night slowy. hopeflly a few of you will enjoy this one also.

cosmopolis is an electronic music release from artist fonemi. this work is inspired by the novel cosmopolis by don delillo, a book that tells of a modern odyssey along the streets of a great metropolis. the four pieces here, composition of cosmopolis, sounds as the soundtrack of an introspective journey rich in ancestral suggestions and forgotten rituals recalls over time. the undervalued atmospheres that characterise the whole work seem to be held in suspension by a percussive magma that marks the passage of the past that becomes present. cosmopolis is a fluid that carries our lost memories.
cosmopolis: a tribal and primitive dance, a propitiatory rite that has been handed down unchanged over the centuries.
fiori carnivori: what you do not expect, the flower, a symbol of delicacy and sensitivity that turns into an inexorable predator.
verso casa: the return from a long journey, the lights that illuminate the asphalt and the distant flashes of unidentified cities.
tra le rovine: an ancient song, a prayer that exorcises a universal omen.

the score to the second chapter of fargo features music by emmy nominated composer jeff russo, and the song soundtrack contains music from the pivotal moments of the limited series featuring artists like tweedy, bobby womack, fleetwood mac, the chieftains feat. bon iver a.o.
pressing on 180 gram audiophile vinyl, housed in a trifold sleeve. includes an 8-page booklet and an exclusive fargo ice scraper.

casino shanghai was a -techno-pop- band started in the mid-80s in mexico city. they released their debut and only album -film- in december of 1985. an album considered today as cult status. casino shanghai were part of a great cultural change in mexico and its music scene. the band made various controversial appearances on tv when a band without a drummer or guitarist was unheard of. all members had been in different notorious bands in the local scene. ulalume was the lead singer of the casuals (punk-new wave) and denseundergrowth (avant-garde). carlos robledo and walter schmidt were part of size (post-punk) and have been playing together for many years in decibel (experimental). humberto alvarez played with mcc (prog rock) and is currently a well-known musician and multi-instrumentist. before the band split-up they recorded two last songs in 1986, -le tombeau d edgar poe- and -l action minimal-, as part of an unreleased solo ep for ulalume. these tracks were edited in 2014 on 12&#8243,,, by mannequin records together with a remix by in aeternam vale. the music of casino shanghai was also used for the soundtrack of some mexican films. -crónicas de familia- directed by diego lópez and nominated for the ariel award for best original soundtrack in 1986, and -juana la cantinera- directed by josé loza. -film- has been restored and remastered for this new edition including all original tracks plus two bonus: -le tombeau d edgar poe (haunted version)- and -cuerpos huecos- (spanish version of -hollow bodies- available only on a promotional 7&#8243,,,). limited to 350 copies on white vinyl with a new artwork and printed inner sleeve with photos and song lyrics.