a collection of 14 gospel songs from the 70s, compiled by gospel guru greg belson for luaka bop.

repress in special edition smile cover.

die voices from the sun e.p. zeigt die starke musikalität und vielseitigkeit des roma-teams, das die subtile balance zwischen dancefloor und home listening-intentionen beibehält.

der griechische produzent itpdwip (lobster theremin / brokntoys) ist verantwortlich für die dritte veröffentlichung von nny records, einer mini-lp mit sieben großartigen tracks mit einem unvorhersehbaren analogen sound, der zwischen elektro und techno oszilliert.

dj dfkt alias defekto

10 year anniversary limited edition of 14kt the golden hour soundtrack.

standard edition - black 180 gram double vinyl in gatefold sleeve with download code included.

the new album from ariana grande on double vinyl, housed in a gatefold sleeve.

am 21. september erscheint das neue, vierte villagers album the art of pretending to swim. nach der zurückgenommenen, intimen atmosphäre des vorgängers darling arythmetic (2015), auf dem sich die zeitlosen singles courage und everything i am is yours befanden, verfolgt das neue album ein vielschichtigeres, facettenreicheres konzept, wie man es schon von conor o’briens debütalbum becoming a jackal (2010) und dessen nachfolger {awayland} (2013) kennt. eine gute prise soul, ein intelligenter rhythmus und ein umwerfendes spektrum akustischer details, analog wie digital, erzeugen eine hoch emotionale stimmung mit überaus eingängigen melodien. fein austariert, mit raffinierten perspektiven und songtexten, die die existentiellen Ängste und hoffnungen in einem eher hoffnungslosen, dystopischen, von technik bestimmten zeitalter umarmen, ist the art of pretending to swim das bislang wohl am opulentesten ausgestattete und beschwingteste album von villagers. das album wurde von conor o’ brien in seinem studio in dublin geschrieben, produziert, gemischt und zu großen teilen auch eingespielt.
die schwarze heavyweight lp erscheint inklusive vierseitigem booklet und mp3-downloadkarte im klappcover.

limited repress on 180 gram vinyl.

francis harris exceptional run of releases for his own labels scissors & thread and kingdoms now extends to this perfectly formed ep for hafendisko, which sees him rework some of hfn musics finest moments of the last two years. harris, the brooklynite whose feel for subtlety and space seems to infuse all his work, takes on three of the hamburg labels cannon - kicked off with kasper bjorkes cloud 9, featuring urdur. here harris deconstructs the original and reforms it into a some quite removed from its origins - shuffling drum machines bring about a kraftwerkesque feel, before beautiful tones and atmospheres reveal themselves. the track seems to develop along two paths simultaneously, somehow creating a truly affecting piece of leftfield electronica. null + voids huge dave gahan-featuring-track where i wait has been heavily remixed over the past months, but also gets the harris treatment. completely flipped form the original, this is a haunting remix with tough and funky underbelly, utilizing gahans vocals only sparingly. danish alt-pop trio ticktock have their single hatefuck refixed also, and harris zones in on the glitchy vibe and adds layers of claustrophobic depth to the production.

after being absent for a while, glance is returning with a uncompromising authentic record on footjob. it recently has become quieter around the man who used to be a founding member of running back, but for this occasion he went and dug in his archives and came back with some beautiful old tracks, just to compile them in a classic, full of groove second footjob ep. as a bonus he finishes and ends the record with two downbeat sounding songs in reminiscence of his former genre crossing alter ego siro. so this goes out to all the realkeeper, oldschooler und newcats. glance is back on the map.

millie jackson spring sides exposed as fantastic recordings of great songs, played by remarkable musicians and sung by a truly amazing singer. remixed by steve levine to bring them into the sharpest focus.

the shortest connection between the past and the future leads through the music of boston 168. drawing inspiration from both classic and contemporary approaches to the acid techno sound, early nineties rave culture and the throbbing pulse of the now, sergio pace and vincenzo ferramosca have carved out a niche for themselves which over the past four years has become a musical microcosm of its own. having released a slew of records on such labels as involve, attic, odd even and dustin zahn s enemy, the italian duo now presents its most cohesive musical statement thus far on ellen allien s bpitch. on the three tracks of »drops in heaven«, boston 168 seamlessly mold together lysergic acid lines with elements of nineties ambient techno and a rhythmic groundwork that is as thrilling as it is intricate. »cosmic tribe« translates its idea of universal togetherness into a nerve-wrecking groove punctuated by complex percussion work and a subtly building acid line, while »drops in heaven« uses a booming kick drum as base for an emotionally driven exploration of sonic textures. the psychedelic »straight to light« nods to nineties pioneers like emmanuel top, showcasing ferramosca and pace s talent for creating musical depth by ingeniously bringing together a few select elements to greater effect. these are tracks that relentlessly head towards the unknown final frontier of what techno can sound like in 2018, while not in the least neglecting the rich tradition that they draw from.

the veteran musician dj producer and sound engineer francesco cianella (light spheres-e.l.f.) proposes new roman talents on his label noise resistance records. supported by: marcus henriksson aka minilogue - d arcangelo - donato dozzy - anderson noise - francesco zappalà - marco lenzi - alexi delano - giorgio gigli - pig and dan -the gods planet - dj josko - alessio pagliaroli - future beat alliance - the zone crew - and many many more...

dysnomia reminiscent of the infamous quote there are four lights, the release kicks off with an homage to the will of resistance. from captain picard to orwell may the (referential) chain of command is not as evident as h4ls sci-fi passion, the title tracks power structure couldnt be wielded more efficiently: while stomping kick drums and subtle hi-hats build up a foreplay full of suspense, the witty melody with its warped and distorted sounds grants four lights the perfect authority. following a similar approach, fesch with its bouncy and mantra-like groove, in which synths playing a ping-pong game, completes the swinging a-side. deepa & biri, the israeli dj and producer duo from tel aviv, start the flip side with their interpretation of four lights. by using breaks and greater attention for details, the remix not only redirects the originals energy into more hypnotic realms, deepa & biri extract the melodys keys in order to create a moody and dense version. resonating from two decades of warehouse reverberation experience, disc 2 dysnomia finishes the release with an idm-drenched workout, full of uk bass knowledge, unpolished electro grooves, and swirling synth poetry. absolute freedom means absolute lawlessness.

memories — places, vacancies, allusions — are fundamental characters in mary lattimore’s evocative craft. inside her music, wordless narratives, indefinite travelogues, and braided events skew into something enchantingly new. the los angeles-based harpist recorded her breakout 2016 album, at the dam, during stops along a road trip across america, letting the serene landscapes of joshua tree and marfa, texas color her compositions. in 2017, she presented collected pieces, a tape compiling sounds from her past life in philadelphia: odes to the east coast, burning motels, and beach town convenience stores. in 2018, from a restorative station — a redwood barn, nestled in the hills above san francisco s golden gate bridge — emanates hundreds of days, her second full-length lp with ghostly international. the record sojourns between silences and speech, between microcosmic daily scenes and macrocosmic universal understandings, between being alien in promising new places and feeling torn from old native havens. it’s an expansive new chapter in lattimore’s story, and an expression of mystified gratitude. a study in how ordinary components helix together to create an extraordinary world.

uppermost will be releasing his upcoming album on march 23, 2018 with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his french signature at the core of the project. his previous hit tracks flashback and beautiful light have already generated more than 27 million combined streams across platforms, while mercedes-benz selected uppermost single disco kids to be featured in their formula one advertising campaign and starz/encore chose another of his instrumentals for their 2018 tv spot only few weeks ago. uppermost is being closely followed by international media leading to great articles from influent press channels such as djmag, vice, complex, paper magazine, and famous radios such as bbc 1 and virgin. in addition to releasing music via his own independent label uppwind records, uppermost has released music through powerful labels such as sony and ministry of sound and done official remixes for dada life, lemaitre and crystal fighters. he has also already shared french festival solidayss stage with madeon, yelle, fakear and die antwoord

celebrating toto’s 40th anniversary with this collection of remastered classics plus 3 new tracks. the double vinyl is housed in a gatefold sleeve with download code included.

white on white is an absorbingly dynamic, multi-layered album of improvisations made on the seminal ppg wave synth, inspired by the work, life and theories of the great, if forgotten, british constructivist artist marlow moss (1889-1958): a radical, gender-bending british jewish lesbian and innovator of non-figurative art who was a then-contemporary influence on piet mondrian, with whom she worked alongside from the late 1920s as part of the abstraction-creation artists association in paris, until the nazi’s forced her from mainland europe back to england, where she settled in the far west of cornwall.

arttu is back on his own imprint cyblo! 4 club tool bangers with arttu s significant touch. worth to check!

(digipak / 4 page booklet) poignant, aggressive, but yet serene sound track created by jeff mills for and then there was light - a japanese film directed by tatsushi omori based on the novel hikari by shion miura.

it s quite some years after starburst , the first record on internasjonal the japanese duo traks boys, consisting of kawasaki based producers and djs crystal and k404 did for us. but a short 7 years down the road the magic is still there. be with you and weekend lights are mesmerizing, sparkling with creativity and beauty. be with you is modern disco cut up of the finest while weekend lights is a hypnotic stringinfected warm groover that we can t get enough of. finally weekend (light) lover and friend of the house axel boman takes it all home in the biggest of ways. reduced with care and then build up again to one the neatest breaks that we heard this year.

the 2000 album from pearl jam, newly remastered from the original sources by bob ludwig. pressed on double vinyl, housed in a gatefold sleeve.

a new group strut their way down the bordello boardwalk. the chameleon outfit of yellocat, emblazoned with colour, arrive with dans la boutique and are true to their debut 12- title. a deep wardrobe of styles has been raided for this four track ep. first comes the latin funk of -mi hermano-, a lust laden duet of sweet chords and dancefloor desires, before the lounge romance of -tout a&#768,,, moi.- language is played with, spanish shimmies into french before english takes over the flip. -rivals of mars- is brash interplanetary battle. synthlines glisten against vocoder lyrics in an epic struggle between our world and theirs. the pop-scented warmth of -chasing the light- leads the 12- out, a ballad of late night excess amidst the glass and steel of the city.

the 1984 album from boney m back on vinyl with high-resolution mastering from the original source.

decks tipp!
new berlin vinyl label releases their first album sampler from their forthcoming album -nachtboutique-. influenced from disco, funk, soul, oldschool electro and house, we present to you the first vinyl of the album series. throughout the first three tracks we move from floaty house through to a disco orientated number and finish with a downbeat slowhouse jam.

debut 12” from london producer throwing shade. 2 iridescent cuts of cosmic r’n’b. pressing on white marbled vinyl.

their 5th album titled, the fifth state of consciousness, is a double lp produced in peaking lights dreamfuzz studio over the last two years. it s both a departure from the new and a return to the old with a whole new twist on the psychedelic dub-pop they ve become know for. self released...from the heart! gatefold sleeve. big tip!

sascha ciminiera is a familiar face from footjob, member of the labels own supergroup pallaspeople and also famous for his tasty bolognese sauce. with lights he created a dreamy balearic tune that found its way into gerd janson’s groove podcast. as a consequence, janson and his partner in crime phillip lauer aka tuff city kids played around with the 808 and turned it to a great dancefloor version. phonk d completed the jubilee release with a classic house rework and on top, the tuff city kids remix is added as a dub version. footjob german record label launched in 2014. run by phonk d - focussing on house music made for dancing

the 1974 stevie wonder classic back on 180 gram vinyl. housed in a gatefold sleeve.

classic tracks by mandre, deodato and brian auger!!

standard edition lp on double heavyweight vinyl with download code included.

the late 1960s / early 70s brought about a change in sound for many gospel groups. producers and label heads at abc peacock recognized that the traditional sound of gospel needed to be updated to appeal to the younger market. the groups started to incorporate elements of soul and funk with arrangements influenced by the r&b records of the time. this compilation presents 13 striking examples of this seismic shift in black music by some of the greatest groups in gospel music’s rich heritage.

limited edition of 300 copies on 10 inch vinyl.
brooklyn musician and red bull music academy alum sam posner created el niño & the southern oscillations as a meditation on the the beauty and power of the ocean. the tracks flow through timeless electronica influenced by selected ambient era aphex twin and early larry heard as well as contemporary artists like carribou and jamie xx. posner sketched the framework and palate for the project over a few years of travel, bringing the final ep together in a sea-side cabin watching waves crash against the rocky maine coast.

high-energy, rowdy, raucous, longhair mississippi glam rock. that’s the sound of easy, the week’s long-awaited followup to their breakthrough album, dear bo jackson. recorded at ardent studios in memphis, easy finds the weeks doubling down on a mix of groove, grit, and guitars. it’s swaggering and sharply-focused, shining new light on a band of brothers who, although still in their mid-20s, have already logged a decade’s worth of sweaty gigs together. easy consolidates the band’s strengths, it’s driving and direct, captured in punchy sound by producer paul ebersold. “we called it easy because every time i make music with these guys, it’s easy,” says cain, who has spent more than a third of his life as a member of the weeks. “but the other side of it is, there’s nothing easy about being in a band... we have the easiest job on the planet. but it works for us.”

cd included in the vinyl has the same tracklist. a relentless vinyl collector and a fervent connoisseur of anglo-american culture, the founding painter of the figuration libre movement (with di rosa, blanchart and boisrond) in the early 80s, robert combas has always connected his art with rock music. the two are always intertwined and fuel his inspiration. during his exhibition sans filet, robert combas made an essential encounter: the artist and video maker lucas mancione, also from the town of sete, and decided to make the leap. together, at the start of the decade, they created the band les sans pattes. notre renaissance is a dazzling discharge, a geyser of cold and searing emotions, a conscious search for a unique and extreme experience. the tension in each track is palpable, as constant as it is pregnant. this band is full of character. sometimes electronic, often a bit punk, always particularly rock n roll. raw and physical tracks, compact and heady. les sans pattes always lean towards psychedelics and repetition.

limited pressing of 500 copies on pink coloured vinyl.

the 4th installment of his anomaly project fred p explores the galaxy with 3 deep cuts. light work digs deep into the astral plane, truth told gives a view of interdimensional energies, finishing wih an upper 4th dimensional vibration, todays future.

the hamilton mixtape ist ein hochkarätiges mixtape mit sia, the roots, wiz khalifa, busta rhymes, nas u. v.m. als spin-off zum gigantisch erfolgreichen hiphop broadway musical, das vom grammy-, tony- und emmy gewinner lin-manuel miranda erschaffen wurde.
das doppel-vinyl erscheint im klappcover.

homeboy sandmans legendary sophomore lp available on vinyl for the first time!

comprised of elastic idm-inspired hardware vignettes, plastic marks the debut full-length from pascäal. each sketch captures a fleeting feeling, an ephemeral moment imprinted to the posthuman beyond.

remastered edition !! 20 track hip hop clut album by the beastie boys from 1992 ! 180gr vinyl, audiophile quality / faithfully restored