limitierte wiederveröffentlichung des 1996er albums “animal rights” als 180g schwere vinyl edition. bei erscheinen waren die moby fans irritiert, denn statt eines weiteren elektronik-albums wandte sich moby ohne vorwarnung dem alternative und punk-rock zu. in der rückschau passt dieses album jedoch perfekt in seine discographie und harmoniert mit seiner sozialisation und seinem weltbild. auf dem album covert moby mission of burmas thats when i reach for my revolver und entschließt sich nach veröffentlichung mit künstlern wie soundgarden und red hot chili peppers zu touren. auf dem cover ist moby zu sehen, nur zwei wochen alt, in den armen seines großvaters.

unofficial record store day 2016 release by wassermann (wolfgang voigt, gas, mike ink, studio 1....) ltd , max 1 per customwer

schwefelgelb is the electronic music project of sid & eddy. having carefully straddled the boundaries between techno, ebm and electro, the duo is entering 2016 with a 12” release on the new label incarnation of the berlin based fleisch collective. fleisch consists of a group of miscreants known for throwing some of the best curated dark underground dance parties in berlin, with a focus on sounds ranging from e.b.m., new beat, acid to techno. the metamorphosis of fleisch into a label could not demand a more fitting debut than schwefelgelb’s newest sonic discharge. tight programming, catchy analog synth-bass coupled with well utilized & frenetic shouted vocals echo the golden age of electronic body music. a refreshing progression of sounds moves the style forward without being afflicted with the formulaic and hollow tendencies befallen similar attempts by others acts over the years.

the second release of the orakel x-files series by christopher rau under his c-rau alias, vinyl only

dj koze pres. pampa vol. 1 - 19 exklusive tracks eigens für die erste compilation auf dem renommierten label pampa records produziert
incl download code

thilo comes back to contribute his first solo release which turns out to be a big one ! the third installment of pager records contains three outstanding, quirky, twirly and playful minimal house tunes which definitely reflect the hardworksoftdrink member’s mindset. we say „kühl ich an board zu haben thili !“ and present to you the saga of bennos t.s. ep!

tollkühne begegnungsplatte, die keine grenzen kennt.

truth be tolds third release is coming from the label owner robert himself again, his new friend, austrian native, part time he-man and the next big thing in catwalk sound design, egon elliut, and the berlin based project and collective new adventures in hifi. four very diverse tracks either for the sweaty floors or your leisure time entertainment.

for its fifth release, french indie label rave or die introduces two new acid rave tunes. in the a side chris moss acid (don’t, 030303, shipwrec) delivered a savage acid track .on the b-side the label boss umwelt will imerse you in low bottom of the warehouse with a dark mental acid track.

jelly, made by remy de feyter - glass blower artist, is the second lamp that features on the cover of this ep series. just as the former ep, the tracks listen to names of natural stones with colors similar to the colors of jelly. the tracks this time, again created by dieter vorderhake, are more techno oriented, raw edges in the sounds and a rhythmatic drive create a mysteries dark atmosphere. this ep is definitely made for the dance floor!

die vogelperspektive dubbed out the funk of every star.

der nächste (6.) streich auf beste modus, vinyl only

diego krause did it again ...

götz alsmann schenkt uns weihnachtslieder im jazzstil.

die verboten are a space rock band formed by david and stephen dewaele of soulwax, fergus fergadelic purcell and henry riton. this is the first album from die verboten, written and recorded in 2007, rediscovered and mixed in 2015. this lp consists of five tracks, dafalganger, white island, e40, nacht winkel and aquarius. it is the sound of classic german kosmiche, live drums, synths, percussion and a loose funk you only find in these kind of stretched fluid grooves. the album was produced by die verboten and recorded and mixed at deewee. artwork is by ill studio / fergadelic. die verbotens debut ep live in eivissa was released in 2009 via londons vinyl factory (now selling for over £100 on discogs) and was recorded poolside in ibiza.

der nigerianische musiker fela kuti gilt als begründer des -afrobeat-. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als vinyl-edition vor. -na poi- ist 180g schwer und mit einem download-code ausgestattet. 1971 aufgenommen, ist dieses album maßgeblich von einer reise fela kutis in die usa beeinflusst. dort traf er sich mit musikern wie the last poets, james brown und sly stone. die drei langen stücke sind von einem sich endlos wiederholenden percussion-getriebenen funk geprägt, wie man ihn in den usa von bands wie parliament und funkadelic kennt. das phantastische schlagzeug-spiel von tony allen ist dabei ebenso maßgeblich, wie die prägnanten bläser-sätze.

das 2. album der wiener band wanda auf 12 inch vinyl !

firmly at the forefront of a new wave of underground music, robert dietz truth be told records aims to pioneer innovating new sounds from artists across the spectrum. now, the second release from dietz imprint comes from the label boss himself and swiss born producer alci.

an unswervingly honest, highly personal album, darker than blue instills blue daisys personal experiences into a cinematic meditation on the clash between the forces of dark and light, yin and yang, good and evil. wrestling with inner and outer demons, blue daisy leads us on an intense downward spiral of a journey fueled by uncomfortable truths, sleepless nights, love, loss, religion, faith and doubt. unconfined to one specific genre, the record traverses brooding rock, intense rap, elements of the blues, and is imbued with a punk attitude and aesthetic throughout.
the vinyl lp includes a download code.

with the sequel just been released, adrian younge reissues part 1 of his collaboration with ghostface killah on his own linear labs label. originally released in 2013 on rzas soul temple imprint.

balbinas welt liegt versteckt, gleich hinter der realität. doch wenn man etwas unscharf hinsieht, dann kann man sie erahnen: *durch die gardine fällt das licht gerade so / ein in die wohnung, dass auf der tapete sterne tanzen*. denn die schatten des vorhangs bilden geheime zeichen an der wand, die heizungsrohre flüstern geheime botschaften und das pfeifen des teekessels summt eine melodie. die dinge haben eine seele und balbina kann sie sehen.
die vinyl lp erscheint im klappcover, inklusive cd-cversion des albums.

following markus suckut debut on the label, its now the first time on be as one for eduardo de la calle, one of the most interesting and passionate producer weve had the pleasure to work with, a master in its own craft: deep, melodic and thoughtful techno. for this release weve picked up two very special cuts from eduardo, pushing eduardos limits to the next level.

baba stiltz returns to his throne at studio barnhus, following the masterful total album released last year. this new 12inch delivers four highly exciting dance tracks straight from the house of flogsta, ready to be worn and torn by all you shameless deejays, robot-curious lovers and funky outcasts out there

jaures fulfill their prophecies with their second die orakel instalment.

arguably all but the most dedicated fans will have long forgotten most significant beat, a post industrial early 90s techno project from former clock dva man maurizio martinucci and esplendor geonetrico s saverio evangelista. this surprise vinyl compilation tells the story of their previously cd-only late 90s work, throwing in a previously unheard workout, the angular rhythms and sheffield bleeps of geometric state for good measure. for the most part, the material has aged remarkably well, and sits somewhere between the forthright madness of autechre, the spacey techno of detroit-via-frankfurt (see amy tekno) and the buzzing intensity of surgeon.

the third release on the society of silence label offers 2 new tracks from the french duo, and remixes from london based ivvvo and italian duo die roh (aka sagats and dj octopus) rounding up a perfectly crafted analog techno and raw house ep. the opening track « 8th » with abrasive percussion, fueled by atmospheric synths, followed by «first section » a crawling beat, tape sounds seeping in, surrounded with twisted synths.b side remixes by ivvvo submerges us in deep exploration, with throbbing minor melodic keys and whispers, the remix of die roh a stirring groove with analogue warmth.

after a strong first release contort yourself returns with events at the fatal party which comes over more as a description than a title, brimming with a bubbling sense of tension and fear. hamburg duo fallbeil kick things off in impressive style with a crunchy acid monster which twists and turns followed by two killer proto-techno cuts from legendary french industrial band die form from their 1985 tape hurt. here we find ourselves in a unsettling scenario with metallic voices scowling over clanging machines and guitar feedback in an unhinged way. the mysterious slugbug (l.i.e.s./russian torrent versions) starts the flip with goback, a creeping acidic beast moving unstoppably forward as a reverberating voice ripples throughout. any calm is then shattered by ibm a.k.a. jamal moss whose remix of die form hammers home a tough seven minutes of mangled synths, bubbling acid and thundering drums. a highly recommended, intense journey.

das neue album von tocotronic - natürlich auf rotem 180 gramm doppel-vinyl. kommt im klappcover

echte hits gehören auf kleine schwarze scheiben, dachte sich die kölner band die sonne und legt nach ihrem famosen debütalbum, das im august 2014 erschien, eine schöne vinylsingle vor. auf den beiden a-seiten finden sich die lieder *für alle* und *untergehen*. beide liveerprobte smasher, die sich sofort zu band- und publikumslieblingen entwickelten und deshalb so schnell wie möglich auf platte gebannt werden mussten. *für alle* überzeugt mit catchy stadionrock auf metaebene, während der krachige herzensbrecher *untergehen* mit einer satten portion feelings und einem ohrwurmigen gitarrenlick zuschlägt.

joy adegoke und wim janssens aka joy wellboy sind seit jahren unzertrennlich, ein paar in leben und kunst. ihr zweites album wedding klingt so komplett und vielfältig, wie man sich ein popalbum 2015 nur wünschen kann: songwriting trifft crooning, elektrobeat kuschelt mit chanson, es gibt minnegesang auf der tanzfläche, herzzerreißende duette und engtanzballaden für die ewigkeit.

• a fantastic 8 track various artist compilation from earwiggle !
• very limited copies for now
• expect support from blawan, truss, randomer, and...

das neue album von deichkind auf 180 gramm doppel-vinyl im klappcover

for its third release, french indie label rave or die introduces two dys-topian & dark tunes with haunting atmospheres from drvg cvltvre (viewlexx, snug life, shipwrec) & umwelt (new flesh records, rave or die, drivecom). a serious release for smoking dancefloors. now, you have a choice... rave or die!

limited nice price action , last copies left
two phat dj tools with killer grooves and pushing rhythms

red rack em is a name well known to wolf fans as he launched the first wolf white release with his deep house classic in love again. he is a master at reworking dusty grooves into peaking house bangers. that is the best way to describe this ep too. do or die is a straight up peak of the night disco jam. big sample, big bass, big track. ooh ooh ooh leans on the soulful side of his sample selections and its wonky but funky composition never fails to turn heads. the final track live at music hall is straight up deep. so, something for everyone, no messing.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats and the driving grooves

kraftwerk darf mittlerweile dem weltkulturkanon zugeschlagen werden aber darf die evolution auch zurückschlagen? mit respektvoller ironie? absoluter demut? eventuell sogar mit retrofuturistischem aberwitz? derlei ist hier versuchsweise dokumentiert.erstes wiener heimorgelorchester zollt bit für bit tribut und zerlegt die mythos-maschine in ihre einzelteile. es menschelt. es surrt, zischelt, kracht. es ist. von mathematischer schönheit. von kraftwerk.
limitierte auflage von 500 stück auf 180 gramm vinyl.

herbert grönemeyer ist in deutschland - ohne frage - der musiker, der am besten mit der deutschen sprache umgehen kann. herbert grönemeyer versteht es mit ganz wenigen worten ganze seelenzustände sowie unsere gesellschaft darzustellen. -chaos- ist auch in musikalischer hinsicht (das vergisst man schnell bei einem solchen texter) ein brillantes album in der deutschen und auch internationalen musikszene. zusätzlich wurde herbert grönemeyer auch optisch noch nie so künstlerisch in szene gesetzt wie von dem rock-fotografen anton corbijn. das vinyl in einer neuen, remastered version auf 180g!

the next ep on holic trax, limited coloured vinyl, is a collaboration from running back & desolat man robert dietz and ibiza based house talent tuccillo complete with a edit from frenchman and apollonia member, shonky.

musikalisch lässt die band ihrer kreativität freien lauf. seit mehr als 10 jahren spielen jan josef liefers, johann weiß, christian adameit, timon fenner, jens nickel und gunter papperitz zusammen und haben hunderte stunden gemeinsam auf der bühne gestanden.

produziert von olaf o.p.a.l. (u.a. the notwist) oszillieren frank spilker und konsorten in ihrer klangwelt zwischen allen mšglichen spielarten von beat, rock, soul und pop, und schaffen raum fŸr gedanken zwischen realitŠts-, stadt- oder landflucht.

zwölf jahre dispo: reissue des comeback-albums der düsseldorfer diskurs-punks, inklusive 3 bonus-tracks.

varying from the intelligent techno house sounds of ‘auburn, over the raw techno beats and chords of ‘off white, to the hypnotic bells and atmospheres of ‘lilly.

wir freuen uns die veröffentlichung eines weiteren holger czukay re-release mit tracks und remixes der platten der osten ist rot & rome remains rome verkünden zu dürfen. das 10 inch doppel vinyl erscheint im klappcover.

max 1 platte pro kunde möglich !!
pampa records is happy to announce an association with record store day, the annual global event that is celebrated with the release of special, limited-edition records through independent record stores.

umse ist back. ein gutes jahr hat er sich zeit gelassen seit seinem letzten album *wachstum*. ein jahr, welches er zu großen teilen in hallen, kellern und bars zwischen kiel und lindau verbracht hat. passend zu seiner herkunft aus dem ruhrpott wird hier für erfolg noch gearbeitet. ehrlicher, bodenständiger rap, zugleich nicht ohne raffinesse, mit ausgefuchsten wortspielen, flexiblen flows und stabilen produktionen. *kunst für sich* eben. umse eben.

die roh are the legendary dj octopus (enlightened wax/hypercolour) and the mighty sagat (boss of noho records). for the fourth release of muscle records they have hosted in the brenta studios a southern talented musician known as okee ru (enetrbt/ deependence). the fruit of their occasional encounters are 3 craggy dancefloor cuts of disco infected technoid shuffled 808 beats and quirky samples, together they have blended old-school uncouthness with modern lechery. their dissolute country fellow lucretio (restoration/machines state) has delivered a methane-fuelled remix of -non è la rai-, adding illicit 90s happiness to the original beats. a remix that could easily cross-refer to his hard-to-find tunes on warm sounds.