Joy Adegoke und Wim Janssens aka JOY WELLBOY sind seit Jahren unzertrennlich, ein Paar in Leben und Kunst. Ihr zweites Album Wedding klingt so komplett und vielfältig, wie man sich ein Popalbum 2015 nur wünschen kann: Songwriting trifft Crooning, Elektrobeat kuschelt mit Chanson, es gibt Minnegesang auf der Tanzfläche, herzzerreißende Duette und Engtanzballaden für die Ewigkeit.
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Joy Adegoke and Wim Janssens aka JOY WELLBOY have been inseparable for
years as a couple in life and art. Their second album "Wedding" sounds as
complete and varied as anyone could wish for from a pop album in 2015:
songwriting meets crooning, electro beats snuggle up with chanson, there is
a love song on the dance floor, a heartbreaking duet and slow-dance ballad
for eternity. In short: JOY WELLBOY make "Love On The Beat". Wim assumes
the role of a born-again Serge Gainsbourg and Joy plays a Jane Birkin, in
scuffed black leather jacket with a The Slits patch. One is reminded of New
Wave hits, the New German Wave, of the soundtracks of French Nouvelle Vague
cinema – and Leonard Cohen in his "First We Take Manhattan" phase.
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