mit dem vierten release auf sensual pleasure recordings kommen gleich vierverschiedene acts mit vier verschiedenen tracks, welche die gesamte bandbreitedes vinylsublabels von klang gymnastik und thokadee records zeigen.

tough new moves from newcomer boner m on the much loved dont outletalso features sought after subhead track on vinyl for the 1st time techno as it was in the 90s and early 2000s is hard to come across these days.gone are the killer intense riffs and hard beats that did the damage on dance floors the world over.well as usual,sidestepping the current fashions and delivering nothing but great quality off the wall techno music,dont recordings returns to smack the ball right out of the park with a brand new heavy techno 2 tracker cut extra loud for your pleasure.maverick techno legend subhead steps up and delivers intense rave-o-gedden of epic proportions. this ones been doing serious damage via cd and via the with vocals version on tunebox records for the last 2 years and has been the most asked about track of both subhead and label boss jerome hills sets during this time, with constant requests from djs to make it available.on the b-side dont brings you the debut release from a formidable new talent boner m whose track zoidar melds hard techno and disco together with distinct ease, but the results are far from what youd expect of these two genres colliding.less daft punk and more in your face overloaded bass funk. look out for more from this guy in the future.support techno before it becomes extinct!

a summer special? in the winter? well yes, why not? the wph summer special 2010 is the stuff of discogs legends by now, so we figured wed do this again: a split label release between we play house recordings and lany recordings with very good music.

veteran uk producer/dj paul macs debut release for art shows his remarkable versatility and meticulous production skills. odd things amount to nothing is very much a modern techno wall-shaker. it’s incessant drones and wails ride upon a wave of relentless beats. the track pauses to catch its breath after a tremendous build before once again going clattering down the rails. the flipside is the track that original caught label-owner and a&r kirk degiorgios ear - a modern take on the classic chicago/detroit hybrid sound of the late-eighties, brought up-to-date with a crisp sound

next huge kanzleramt killer! the biggest question by fellow producers always is, how does the sound-wizard get his tunes sooo crunchy and big? we wont reveal the secrets, but we are very proud to have peter horrevorts on board with 2 more unique examples to study. and boy is the dutchman busy. just in 2011 peter has releases, single-tracks and remixes appearing on: gem records, wasabi records, toolroom recordings, vibrating balance, stealth records, be real, suara, kimaks, azuli, vapour recordings, weave music, tronic and many more...

knowing looks kicked off 2011 for wncl recordings with with his much loved, hard stepping abandoned skip, backed with the acclaimed symphonic masterpiece that was last kiss at the plains hotel. jason hopfner is back again to neatly tie up a busy year at wncl hq, unveilling the classically constructed epic listen to my 45 - described by ben ufo as >lovely. gorgeous. slick. buff etc< … and who are we to disagree. just do what it says on the tin, then flip over for ghost baby - yet another fine example from hopfners rich and varied production cannon, melding super cool minimalism with party breaks. merry christmas from the cassette library!

surely with forward-looking ambitions, serbian fellow dejan milicevic drops his debut album trust and the purpose with style, non-compromisingly showing us how electronic music has no limits, only heart and soul is needed. he throws a good example how to gather different genres and styles into one great peace of art, one that certainly cant resist giving in without touching our heart.

already supported & played by deetron, joris voorn, ripperton, slam, nick holder, will saul, trevor jackson, milton jackson, anthony collins, art of tones, vidis....

first on decks.de !! the norwegian composer and producer robert solheim have been releasing quality underground music spanning from ambient to chilled electronics and techy house and techno for more than a decade. and now, after spending months fine-tuning the album > hollywood under the knife< in the dark electronica project the opiates with billie ray martin, he has finally found time to submerge himself into his other world of fine art electronics and is back with a new ep in the category, >music for your home and club entertainment <. the >syv / o portiño ep< contains two 2 trippy and techy house tracks labeled with his unique quality. both tracks taken from his forthcoming album heretics<, and the ep comes with superb remixes from john tejada (kompakt , pokerflat, palette) and dj puk (aquavit records, smiley fingers). be prepared to go deep both at home and on the dance floor.

stamped white label vinyl / turbo recordings unleashes one of the best acid techno records of the year.

peter clamat returns with two downgraded state- of-the-art slowhouse rollers straight from south- west germany. the a-side with future and dispatch shows once again the great development of peters sound into more and more deepness and originality. slow,dope and shuffling like hell.

having released his booty ep on mobilee earlier this year, ray okpara has quickly become a very popular member of the mobilee extended team. with releases in the past on labels such as oslo, get physical and especially on his own label ama recordings, he is well renowned for his signature style house groove and soulful flavour, and hes bringing his sound back to mobilee once more with his brand new ep blues me blues. coming as both an original and instrumental, blues me blues,is atmospheric and hypnotic, sprinkled with a beautiful vocal. meanwhile bounce to this will wake the dance floor out of any kind of hypnosis with its punching bass line and hip house vocal. lastly hideout is the deeper and calmer compliment, balancing out the whole ep and providing a satisfying amount of variety. enjoy!

jonny whites, white hot no.19 music imprint closes out the year with a one sided slab of vinyl featuring one of the its biggest tunes to date, >under the sheets< by maceo plex... no.19 music continues its meteoric rise with a record that has been building momentum for most of 2010. whilst the imprint has been drawing fans by the thousands with killer singles from tannerross, modern amusement and no regular play plus the awesome soul clap compilation and samplers, there have been a number of secret tracks receiving the art department road test in preparation for their release. at the top of that pile is >under the sheets< by cuban american dj/producer maceo plex!

the debut release from your mamas friend has already been making waves and with the dance press lavishing praise, backed by an impressive weight of dj support, marcin czubala s fresh new imprint has already made the brightest of starts. having taken the lead on 001, marcin now passes the baton to a duo that are currently taking the world of house music by storm, polish duo viadrina. konrad slazyk and mateusz kazula are the fresh-faced pair hailing from the banks of the river odra. having made a crushing impact with their debut release, the >better ep< earlier this year on pets recordings, viadrina have been working away tirelessly in the studio refining and polishing their sounds and skills. an endearing innocence can be heard in their music and their versatile, warm and uplifting style is immediately attractive to the ear. matching that aural lure with an impressive and mature use of bass has seen them create some of the smoothest and dare we say it, sexiest tracks of the year to date. making them a perfect addition to the your mamas friend roster. with a splash of r&b, a good slice of garage, 4/4 kick and a sprinkling of lullaby, title track >shining< is the most perfect of winter warmers. the cosy vibes continue on >luna<, with its beautiful vocal wrapped in the protective warmth of its bulbous bassline.

although relish compilation 3 marks the third compiled label round up for headmans relish recordings, it is a compilation only in form, it has been constructed out of new tracks very much in the guise of an album. in label terms it highlights the new artists that have been unearthed this year – jr seaton, andreas esu, hannalelauri, daniel avery, international, montevideo – and presents them alongside new tracks from headman. ep 1 starts on side a with hannulelauris europa, a strict reverence to europes dance legacy. then it slips on into a quick thrust 808 funk of headmans latest be loved. be loved features the vocals of belfast singer rosie blair from the band boy of girl. we then glide through the straight chicago cut of andreas esus dance in space on side b and popping nrg/italo from chmmrs collaboration with glaswegians, a strict reverence to europes dance legacy.

jackin family back on robsoul recordings

jordan peak (tsuba) on robsoul recordings !

not much is to be known about batongo, previously an active euro dance producer, released a bunch of hits in the nineties. 10 years ago, after a traumatic experience he escaped in peru and retired from the music business, during this years, on his spare time he made a lot of music, not meant for the public, just for himself. now he is still in perù, not willing to move back to europe but barely broke, he sold us the rights on his entire collection of unreleased recordings with condition of not revealing his real identity. we will unveil a series of eps ranging from obscure deep to psychedelic disco, here is the first one, el primero… as he calls it.

>zen< is dj krushs seventh album and features collaborations with black thought and ?uestlove of the roots (on different tracks, mind you), n dea davenport of the brand new heavies and zap mama, as well as unknowns from the japanese hip hop scene. the beats he creates are organic, at times defying any genre-descriptions, which is exactly how dj krush likes it.
this album from 2001 hasnt been available on vinyl for years, and is now made available to you on double 180 grams audiophile vinyl.

dies ist rollende, funky, sexy und wunderschöne sonnenuntergangs-musik! oldschool rap in einer schwül-modernen boogie art, bearbeitet und angereichert mit joashs himmlischen disco streichern. seine musik mischt dancefloor sounds und jazz-rhythmen mit orchestralen arrangements. das ergebnis ist eine tiefe und schöne klanglandschaft voller strings, komplexer drum-patterns und atmosphärischer elektronik.

the producer behind these mind-blowing slabs of heavyweight disco-funk perfection was one jp source, an exile from the geordie ibiza (that will be blackpool) and geordie mecca (erm, newcastle) now living out in the sticks in the states, far from home. the eps title, >get your bearings<, is reference to his struggles to come to terms with his new surroundings.
three tracks, all tried and tested, all disco dynamite. since he sent us these killer edits, jp source has begun to pick up interest elsewhere. he recently released an excellent ep of original material on audio parallax and has material forthcoming on edit, zzr and art star records. we reckon he has got a big future. all the more reason to >get your bearings< and dive into his bedmo disco debut…

in 2011 some berlin based recordshops try to reclaim the streets with the so called >record store day< for the first time in germany. also kann was asked for a limited vinyl to support their concern. on that specific occasion we bring a new two track ep except for the regular series. kann rsd breaks ranks with an extra beautiful edit of the awesome witchwaver sunglitters, composited by nuremburgs essay. b-side builts back the bridge to the label and gives finally >aperture< from sevensol & bender the appropriate space. the track was originally released on kann00 in 2008. for the artwork kann is pretty happy to won over famed – a chummy art collective – for doing an impressing independent work.

west - african music from the golden era. terenga beat is out of senegal. check tracks like massane cisse, tioro baye thierno simply beautiful!teranga beat is a new record label based in senegal. the aim of the label is to highlight some of the recordings made in the golden era of the senegalese, and more generally, west african music, produced from the late 60s.

a return to vr from ben sun, who delves into deeper territory on the original cut, emotive analogue synths washing over a roland drum groove and a swirling female vocal, all underpinned by a warm, rumbling bassline. the flipside features some heavyweight remix work from the prolific deep space orchestra (use of weapons, art, delusions of grandeur) and label mate tyson ballard teaming up with vincenzo (poker flat, dessous). vincenzo and ballards mix is a heavy hitting, moody take on the original, with subtle, dark strings and a growling, evolving bassline, while dso round off the release with trademark fat drums and soaring melodic synth work.

pole recordings reaches its number 10 release, a work by oscar mulero. for this record, oscar has chosen to go for a more mental and elaborate kind of techno, lowering the bpms and softening his sound.

surely with forward-looking ambitions, serbian fellow dejan milicevic drops his debut album trust and the purpose with style,non-compromisingly showing us how electronic music has no limits, only heart and soul is needed. he throws a good example how to gather different genres and styles into one great peace of art, one that certainly cant resist giving in without touching our heart.

83370 is the first transmission from ollie viero and nico serrus, a pair of french brothers who grew up in a beach town along the coast of the french provence, saint-ayg, which has since become the basis for their name: sinteg. now based in montreal, their collective output has made up the bulk of fur trade recordings signature sound - this sixth label offering is the third to feature one of the two brothers at the helm. they are fresh and prolific and, as such, they are the sound of a new generation of montreal producers. vieros version of house music is upbeat, fiercely layered with percussive latinized shuffles and necksnapping samples. meanwhile, brother mindbend is one of the labels co-founders and has been designing its style and directions since the beginning. together, sinteg is a breeding ground of propulsive dance music punctured with tiny shards of detroit funk and chicago soul, but with the brittle dryness of techno substituting in for the deepness of house.
comes on transparent dark green / smokey marbled vinyl.

we are happy to introduce a brand new act to the scene: dscrd, a young band of five alien electronic music composers from paris, france. in mountain cabins with high range microphones, in dark parisian suburbs with broken synths, and, really lost somewhere in outer space mostly of the time, dscrd have been creating their very own alchemy. this is their debut ep on dement3d records, and it is brilliantly blending techno, dub and ambient-noise with field recordings, dark atmospheres and syncopated rhythms made with poetry and dedication. >this record is a statement, and we are proud to present it as our very first release @ dement3d records.<

nice price deal !!! we are delighted to welcome echonomist on dieb audio and present this ep. on >room with a view<, echonomist shows us how well he knows the art of producing pure underground tech house music with all the beautiful chord transitions and the old school drum programming while on >stay< he delivers a functional piece of deep house music with bouncy bass lines and funky chord stabs.
on the remix duties we have dieb audio boss john dalagelis and legendary roland klinkenberg along with his new alias name zabriski. john created a groovy drum arrangement and twisted the chords resulting to an essential tech house rework of >room with a view<. roland remixed >stay< and delivered a more hypnotic and sophisticated yet chunky tech version of it. enjoy!

limited kanzleramt classics!

yeah, coming through the nyc pipeline via plan b recordings, murphy continues to materialize tunes straight from dreams into realities with a 4 track ep of acid, deep house, and ambient tunes that signifies samples from his inner music self. listen to murphys unconscious moments rising to the top of himself, straight from the underground for the underground.

alex flatners circle recordings is building another bridge to berlin and welcomes rene onze to debut on his mannheim based imprint. known already for his output on areal, his involvement and appearance in berlin calling and most notably for heating up the concerts of the paul kalkbrenner tour 2011 as the official warm up act, onze s flip a switch is an emotional, subtle melodic piece of modern dance electronica. something you will likely give a well-considered play, as its undeniable epic deepness will stand out, regardless of whether its being played on an afterhour, open air, in a warm up session or a prime time set.
remix duties go to cocoon resident skai vs. joel armstrong, kanzleramt techno legend alexander kowalski, who is adding more roughness and energy to the original vibe and last but not least deep circus label owner and blufin artist benny grauer.

remixed field recordings of a trip with the ghost train from los mochis to veracruz, mexico.

audiojack return to 2020 after a year or so setting up their imprint gruuv. the new single >get serious< shows the duo not only mature as artists but also develop and hone their sound to new house themed productions. the title track is state of the art bounce in a box with a killer vocal hook, >let the rhythm take you<, meandering around sweet insistent stabs. its been smashing terraces, rooftops and discotheques all summer and now its finally available for our select dj friends to carry on the vibes through autumn. >polka dot dress< comes spotted with a sound originally created on the classic korg m1 synth and used by mk to devastating effect in the 90s. audiojack have then sprinkled their magic dust on it and added sweeping detroit techno strings, tight drums and healthy amounts of bottom end rumble. as we look forward it is important to know your roots and audiojack show they know their house history by covering the all time classic by the backroom - definition of a track. no samples at all were used and the guys worked out and replayed all the synth parts before adding new vocals from kevin knapp. by beefing up the original we hope a new generation of djs and clubbers bust out this amazing track. it deserves to be heard again and is produced and primed for todays dancefloors.

just in time for the australian summer, sydneys indie-electronic-popettes, convaire bring the first and title tune from their highly anticipated debut ep, the new you. equal measures quiet childhood nostalgia and barefooted summer festival romance, the new you is a sparkling indication of what convaire do so exceptionally well - the art of creating synth-happy, 80s inspired, chill-sweet pop songs. inspired by the likes of talking heads, friendly fires and phoenix, convaire were first given airtime by local sydney radio heroes, fbi radio. since then, the four-turned-five piece released their first single gate track in september 10 to national airplay and gushing reviews. their exceptional reputation was vindicated whilst winning a triple j unearthed initiative, which saw the band play alongside delorean, kele (bloc party) and 2manydjs at sydneys iconic dance festival, parklife. two singles, over one hundred shows and a few tambourine shakes later future classic saw potential in john toweys vocal likening to the cures robert smith and the energy of the synth-loving slattery sisters. the new you ep is available in a 7 inch vinyl package + 5 track bonus cd, which is exciting enough to warrant a shoe shuffle and a couple of hand claps.

after his ace remix for nicolas jaar s >space is only noise< here on circus company, our man dave aju is back with an appropriate dose of in-between original music for the fall season. taken from his upcoming album project that uses vintage inherited recordings as sound sources, >all together now< is a beautifully unique track that is guaranteed to move people with its irresistible groove. indeed, the aptly titled jam brings together and bridges gaps of various kinds, from lo-fi and hi-fi to under water and outer space, with classic-flavored dynamic percussive elements, spiraling futuristic leads, and melodic synth work sprinkled with aju s distinctive voice, encouraging us to join in on the live collective claps that accent the cut. the building bass pulses and warm instrumentation stack up toward the ceiling, until a fresh breakdown spreads things out to release the pressure. amsterdam don san proper brings an equally unique and refreshing remix to the table, with a rugged take on the track complete with cool guitar licks, modular effects, and contrasting additional vocal stylings. similarly dynamic in the drum workout department but with an extra rawness, it is a fantastic complement to the original that rounds out the release perfectly.

heralding the birth of the first leleka is a limited edition, hand stamped, two-tone vinyl release from the labels owner vakula from konotop, whos name is widespread due to the success of releases on firecracker, and recently shevchenko (white labels with prints of ukrainian literary celebrities such as gogol, lesya ukrainka & shevchenko himself). these are an ideally captured ukrainian landscape of change, struggle, nature and art slightly embellished by industrial design of the 50s. and this is what the leleka label is all about, its musical concept reflects vakulas love of folk and live music, where passions and melodies play leading roles. this debut release contains six vintage tracks from vakula, almost serving as a prologue to his recent epic output. the meeting of imported soul, exploitation movies and detroit techno, with ukrainian folk melodies and soviet electronics, offers a glimpse into vakulas way of working, and gives us a taste of things to come

state of the art work on the dusty binding between house, techno, dubstep and analogue processing.
on side a: a dancefloor smasher with solid 808 beats and absorbing newyorkian piano hooks, followed by a touching acidic inner voyage into motor city sweetest reminiscences.
on side b, a proper piece of functional minimalism and a soulful uptempo excursion into the garage territories. the heat of magnetic recording, the funkyness of the machines, the driving force of the human feeling.

part iii boasts contributions from portland, oregons performance art and house music group the miracles club (following releases on cut copys cutters label and famed mexican summer), wurst vet nick chacona - here with longtime partner anthony mansfield, and neurotic drum bands ulysses. the miracles clubs >i cant help it< is a heart-wrenching, ethereal ballad set atop a rock solid, chicago house-inspired rhythm section. easily the deepest cut to emerge from the nick chacona and anthony mansfields fun-filled studio sessions, >tase the wizard< is tailor made for desert raves and smoky basement clubs alike. >soular power< sees ulysses at the top of his talents, bringing the tempo way, way down for a slow-burning balearic beast.

the wave of love & applause surrounding art of tones this year has been phenomenal & well deserved. long running stalwart of the global house scene for nearly 20 years, ludovic llorca has brought his work at the forefront with labels such as f communications & 2020 vision.
already supported & played by steve bug, jimpster, shur-i-kan, axel boman, andre lodemann, the revenge, charles webster, dj deep ...

g.h. is gary howell, longtime associate of modern love as one half of pendle coven and sometime contributor to the hate project. the ground ep features howells first material produced outside of pendle coven and takes on a much darker, more stripped down aesthetic - making use of location recordings amassed over the last decade. the title track extends over 7 minutes from a solitary bass pulse into a slow, three dimensional industrial reduction heaving with uncomfortable bass weight and a sense of nervous expectation. its like the bare, skeletal noise framework for darkest junglist hardcore stripped of its percussion - all bar a bass drum and intense shards of noise. albedo has more of a swing to it, dominated by a growling bassline and the metallic clunk of disjointed percussion at odds with the squashed funk lurking somewhere at its core. the template is extended on earth, a brilliantly discordant club variant that sounds like an r&b mastertrack exploded into 100 constituent parts and put together not entirely in the right order. it builds and collapses into itself, a stylistic oddity that at one and the same time brings to mind boards of canadas re- working of colonel abrams - trapped and the extreme frequency vortex of the raster noton lab

the onset of autumn brings this new release from is it balearic..? recordings head boys coyote. featuring the vocal and lyrical talents of gavin gordon, a madrid based singer songwriter who has previously worked with mock and toof. minamoto is the tale of a 12th century samurai beautifully laid over a heavily percussive and slightly psychedelic disco groove. for the remixes, dj steef creates a more dubbed out 4/4 bouncy synth affair. the hardway bros concoct a proper mid-tempo acid house workout fitting for all the more discerning dancefloors. the third remix from shocks is a reverb heavy breakbeat trip into the darker side of hypnotic balearic/cosmic beats. there is also a bonus track el sueno oscuro a beautifully evocative solo flamenco guitar track by gavin gordon.

though classically trained, arthur russells major contributions to the music world is in the dance genre. despite the fact that his pioneering work in the late 70s and on through the 80s was only quietly acknowledged at the time, his long-term impact is best described as formidable. russell died in 1992, but his art lives on and his influence is still felt in the world of dance music and beyond. his innovative, leftfield dance records flew way ahead of what people were used to hearing at the time, due in part to his involvement in new yorks downtown avant-garde music scene.

different recordings is very proud to release mr no debut: snake ep.
initial reactions are overwhelming with rob da bank using the title track the snake to open his bbc radio show on oct 1st or thebluewalrus blog writting >i havent been as excited about a french techno/house debut as much as what i ve just heard from mr no in a long time. fuck yes!<
with the snake, he or she and vibrant (the three tracks of this ep) mr no delivers a warm uplifting techno / electronic music full or energy.

the transition from hip hop dj to dance music producer is not always an easy one. it is a path littered with countless fitted caps, baggy jeans, and backpacks. yet throne of blood s oneauff has walked this path and emerged unscathed. originally from north carolina, this long time brooklyn resident is no stranger to tob, having released two singles with production partner eamon harkin (mister saturday night/subway series) as well as remixes for populette, corinne (on the prowl), and the neurotic drum band (wurst music co.). though oneauff (known to the government as steve raney) has also been heard a couple solo releases including a digital-only single on buzzard gulch and a remix for cubic zirconia (dont cry recordings), the heavy heady ep is his most fully realized and developed. it s also among the most gorgeous records throne of blood has ever released.

fresh from his triumphant return to detroits movement festival, where by all accounts he delivered the set of the weekend, claude young teams up with his different world co-hort takasi nakajima for their debut release on art. the original is no-nonsense but thoughtful future-tech, with plenty of analog modulations for the heads - and dance-floor thump for the party people. on the flip, the legendary ian o brien delivers a typically deep, detroit tinged remix with trademark warm bass and glistening top lines. ian planned to do one more mix-down of his remix when the huge earthquake earlier this year pretty much demolished his tokyo-based studio.

scuba is the production and dj alias of paul rose, the curator of one of the original dubstep labels, hotflush recordings, (home to mt kimbie and joy orbisons legendary hyph mngo) which released some of the most important tracks of the genres formative period and has become a leading player in the wider world of electronic music. a celebrated and influential dj, his expansion into wider musical territory led to the #25 position in resident advisors 2011 poll of the world s top 100 djs.
as you will hear on his dj-kicks mix, dubstep doesnt cover the range of music he plays. this dj kicks features 7 exclusives that will not be found anywhere else including a new scuba track - m.a.r.s.
comes with code for free digital download of these tracks.

special double 12 inch gatefold edition of ella fitzgerald and louis armstrongs finest recordings. over 75 minutes of music on heavyweight 180 gram vinyl.