chmara is an artist better known for the duet chmara winter, which created a number of releases for pets recordings. currently he is producing by himself and joining forces with otake records. *spring* has its unique position in the catalog of young label from warsaw. the vinyl is original, surprising, flourishing and simply beautiful. some herberts or dj koze inspirations can be felt, however, a solid character of these tracks gives a clear understanding that chmara has his unrepeatable unique style that can not be faked. lyrics, wonderful chmaras timbre plus accompanying female vocals give an image of surreal order. it is a beautiful, harmonious hallucination caused by nothing but music. the record also contains two remixes from slg and piotr bejnar - the owner of otake records.

san franciscos very own pagan anarchist acid rave sons dj spun and jonah sharp team up with skate punk legend ray stevens ii and liquid liquid / fist of facts sal principato for their sophomore release on golf channel. a short sharp shot to the head, its hot is a fast & vibrant piece that evokes bygone, punk, no wave, genreless days - and at a fair clip at that. the bonus beats strip it down to the skeletal for some voodoo business while the columbus hotel mix is a version that sounds like nothing else you will hear this year. industrial techno tribal goth dub vibes for 2075 and beyond!

cartoon soundtrack alike electronica with elements of jazz, funk...

the slingshots were born in august of 2008 with the idea of recalling and recovering the rhythmic patterns of funk, the warm vocal melodies of soul, the rich instrumental approach of jazz and the energy of rock, from its origins until our times, to offer a danceable rich selection of music and sounds, suitable for everybody, specially those in love with black music. seven men holding many years of experience through a wide and varied musical career form the band.

sounding quite like nothing you have heard before, the excelsiors come correct with their debut album, control this. the latest project from shane ‘sureshot’ hunt, known for his sharpshooters group, and for his highly-regarded soundbwoy reggae breaks series wherein he has liberally dropped science, sharing his in-depth knowledge of ska, rock-steady, reggae and dancehall for the instruction of the hip-hop massive, the excelsiors is the logical extension of shanes passion for classic jamaican music (and more) of the 60s through 80s.

andré wittmann’s debut album under the moniker spur was made with both the body and the mind in order to indulge in an odd but somehow familiar “dance of cultures” as the young lübeck-based bavarian calls it himself. limited white vinyl 2x12 lp in pvc cover with downloadcode included.

vol 2 of late night tuff guys soul cut series. adding his magic touch to 3 soulful classics.

es gibt nur eine queen of soul: aretha franklin. am 24. oktober beehrt die 72-jährige, deren unangefochtene regentschaft seit mehr als fünf jahrezehnten währt, das sony music-label rca records mit einem neuen studioalbum. auf *aretha franklin sings the great diva classics* interpretiert sie zehn klassische und zeitgenössische songs großer und legendärer sängerinnen wie etta james, gladys knight, adele, gloria gaynor, barbra streisand, chaka kahn & whitney houston, alicia keys, dinah washington, sinead o connor und den supremes.

at a time when the weekly flow of new albums, eps and mixtapes come to exceed the number of e-mails that pile up in our inbox, the dazzle in lokoms new double single is like the long anticipated rainfall season in a tropical country: nothing protrudes yet everything is present. totally melodic and surprisingly quiet despite its fabulous rhythmic complexity, good news from mars soothes like a perfect conversation in a sea of things left unsaid. at the same time dry, blazing and melancholic, blurred vision recalls the brooklyn duo team shadetek in their early 2000 years, when the two were still hesitating between ambient warpish glitch and grime jolts. when combined, both tracks offer a vision inspired by the union in 2014 of electronica and experimental dance: an infinity of possibilities where hope still exists. download card inside.

home of house records is glad to present you a new release produced by the old writer. three new old school style tracks that keep alive the early sound of 90s. theres nothing else to say, we leave you to the pleasure of listening.

they are back! after *saffron* and *fox* stormed the clubs last year eric duncan and dean meredith unleash another double headed monster that will detonate the dancefloor! we have nothing more to say - game over! golf channel every time!

he debut album, a genre-edgy variety of electronic music, is no different. even jumping through styles insomnia is nothing else but a colourful palette of tunes with distinct identity. limited to 250 copies, 140g black vinyl

portrait of a legend: 1951–1964 is a compilation album by american singer-songwriter sam cookethe compilation is generally considered the most complete and comprehensive collection of cooke s work. it has been included on various -best-of- lists by music publications, including rolling stone and time.

professor inc on night drive music. amazing 4 tracker with the spirit of the good old times. 4 classic tunes with raw and authentic analog vibes of professor inc. there is nothing more to say about this record. its a masterpiece! 180 gramm vinyl. shrinked.

dj support so far from: ame, ekkohaus, mr v, shur-i-kan, jason hodges

imagine dragons ist eine us-amerikanische indie-rock-band aus las vegas, nevada. sie wurde im jahre 2008 gegründet und 2012 durch die songs it s time und radioactive (titellied zu assassins creed iii) bekannt.

electro shock aims to reflect the electronic scene today in france and the rest of the world Ð, a constantly evolving scene and the ultimate soundtrack of our times and their fascination for rhythms and dancefloors. the first volume extracted the absolute best from the flowering and vital scene of 2012 from confirmed artists m83 to newcomer nina kraviz.

hollis p monroe kehrt unter seinem neuen alter ego the black 80s auf dem compost black label mit vier leidenschaftlichen deep house juwelen zurueck. schoen und edel. hollis p monroe ist fuer viele klassische songs in der deep house-szene und dem funky breaks genre verantwortlich. seit 1994 hat hollis sporadisch, aber signifikante musikalische beiträge auf hoch angesehenen labels wie ovum, defected, west end, stickman, soul candi und jive electro veroeffentlicht.

syndrome syndrome is gardlands debut full-length album. its timely release captures the fever pitch of gardlands off-kilter electronic music at the tail end of the groups first year.

better than a classic cafe del mar compilation, piano cloud offers the sweet samplings of balearic ambience mixed with the cheeky love-hangover of a disco-dance-diana instrumental.

boards of canada gehören zu den respektiertesten und einflussreichsten elektronikkünstlern nicht nur des hier und heute, sondern generell aller zeiten

the mole, philippe cam, master muzikbox and sucre sale present this new split ep with a part of the karat family. the mole already released a track on a past compilation, he is coming back with a nice built up piece, as good for djs than for home listening. philippe cam is one of the greatest french electronic music composer and there is nothing more to prove it that to listen to this new gem! master muzikbox strikes again with a powerful classic and updated house track, elegant. then the youngsters sucre sale show us whats the deal with the new generation, classy dance tune. enjoy!

with the first of many releases including not only a vinyl record full of hymns to make your booty quake and your mind think, but also a 32 page magazine, a cult membership card, a ticket to the related performance and more, la mission hopes you will join us on our quest to make the world a funnier and better place. the most important question on our human minds seems to be >why is there something instead of nothing?<, the more complete and meaningful version of >why are we here?<.

both known for giving the opportunity to french emerging talents to rise, inrocks lab and because music decided to work together in order to create a necessary take off platform highlighting those artists coming from the online and live scenes. this association aims to release every year a compilation of young artists who represent the future of the french indie-electro scene : the inrocks lab compilation.

mit fade veröffentlichen yo la tengo eines der homogensten alben ihrer geschichte. durch seinen warmen sound und die dichten kompositorischen texturen erinnert das 13. werk des us-trios vor allem an die bandklassiker i can hear the heart beating as one und and then nothing turned itself inside-out . hier wie dort dominieren fein gesponnene melodien, rhythmische schattenspiele und dezent orchestrierte noise-passagen das variationsreiche klangbild. vor allem aber geht von fade eine tiefgreifende, schwärmerische erhabenheit aus, die selbst für die band aus hoboken, new jersey, außergewöhnlich ist. aufgenommen wurde das album in chicago zusammen mit john mcentire (tortoise). durch dessen unterstützung entstanden geschliffene songs, die trotz ihres facettenreichtums ein im zusammenhang geschlossenes klangbild ergeben - vom bedachtsam tänzelnden well you better über das fiebernde stupid things und die warmen verzerrungen von paddle forward bis zum groovenden schlusssong before we run mit seinen wunderbaren streicher- und bläserarrangements.

vinyl only! limited to 100 pieces! its house! – raw and dirty with a touch of jack! mr. adalberto provides three tr-909 driven trax, produced on real hardware for real people. the dance maniac ep reflects the mood of classic underground house music with elements of 90s ghetto house from chicago! nothing more nothing less - or have you already forgotten what you have danced to?....just house!

the first vinyl sold out! we must look to the future of techno. some systems require the usual names. there is a generation out of these systems that is growing day by day. a new reality? three representatives of the techno future, a young label that everyone knows already. nothing else to say!

ltd warehouse find

das dj-duo the hood internet aus chicago, bestehend aus stv slv und abx, veroeffentlichen mit feat das erste album mit eigenkompositionen, nachdem es durch diverse mixtapes bestehend aus blends und mash-ups verschiedenster stücke von so verschiedenen kuenstlern wie whitney houston, justice, fleetwood mac, jay-z u.v.a. aus diversen genres einen hype im netz kreierte. fuer ihre eigenen kompositionen konnten sie kuenstler wie psalm one, class actress, cadence weapon, show you suck, tobaxxo (black moth super rainbow), donwill (tanya morgan) und viele andere begeistern.

the man they called brokof was a blazing star in one familys dark history. a player with a wandering heart. the band called brokof follows him into the vastness and gives it a face. they draft a map with songs. singing with beautiful solemn sadness about encounters and fleeting moments of truth. hinting at rage born from the loss that occurs when one moves in life. about what one has to gain when there is nothing expected. when hope has turned to echoes and dust.
these are pop songs purged and reduced to the core.every sound stands alone to serve the song. there are no tricks. through their naked vulnerability they find their power. the structure is stark and the messages clear.

foam fangs could be a term used to describe silks preferred take on that too-easily dismissed 70s dancefloor dementia of disco – the soft bite, love nibble, mirrorball on steady/ready perma-revolve. jesse reiner (jonas reinhardts first mister, alongside past/part-time collaborators like phil manley of trans am and damon palermo of mi ami/magic touch), who never quite had the kranky krinkle of his ohm-ambient labelmates, travels head-on, tomorrowland-style, through long-form cosmic moroder constellations of >foam fangs<. nothing frothy about it, though there is a bit of the rubbery in reiner’s bounce-about, cool, funky kraut-disco. suddenly we are beaming back to a time when the world looked forward, envisioning a 21st century decked with silver, chrome, and neoprene. it is a sonic space both transparent and shiny, the metallic ding and cold ribbon of data, scrolling through infinite space. the opener, >foam fangs<, transports us instantly into an ever-expanding universe of sound and light at once fanning out and folding in on itself. variations on that theme continue as the jonas journey oscillates through the beat-beyond.

though >the duke< is a tribute album, it is also very much a joe jackson album, consistent with his long-standing sense of musical adventure.
>i revere duke ellington, but i didnt want this to be a reverent album,< joe jackson says of >the duke<, his new tribute to american jazz giant ellington.

as the range, james hinton has released previously on astro nautico, alongside other such rhythmic alchemists as obey city (now signed to lucky me), time wharp and howse (now signed to tri angle) as well as appearing on remix duties for kuhn on the london based civil music label. outside of this moniker he released >cower<, a full length under the alias stegosaurus, on his own sqwal recordings imprint.
operating out of providence ri, james hinton fuses snapshots of global electronic music into a heady brew of deep sub bass, rattling footwork drums, juiced up junglism and dirty south rap beats. here we present the five track >disk< release, bristling with frenetic energy, complex percussion and cerebral melodies – >disk< is as suitable for the home as it is for the club and marks the latest evolution of the range sound.

>rispah<, the sophomore album by the invisible and their first for ninja tune, is >a love letter to grief< following the passing of singer dave okumus mother, is imbued with an inevitable melancholy but defined by a sense of hope. throughout, the band reveal their rich creativity and musicianship. echoes run through these songs of african music (including beautifully-woven-in samples of the singers from okumus mothers funeral), psalm tones and devotional music, in a silent way-era miles davis, hints of minimal classical composers such as steve reich and the wilder more psychedelic end of hip hop and related electronic musics.
nothing is ever included for the sake of it, no attempt is made to patronise or sell the audience short. it is a record brimming with real emotion and restless intelligence, a record to get lost in.
double 12 inch vinyl in gatefold cover, including insert and code for free mp3 download.

die klaviatur der musikalischen einflŸsse reicht bei hot chip von soul, Ÿber r&b, gospel, indie, detroit house und disco bis zu funk. der spezifische sound, dem sich die band mit dieser vielfalt verpflichtet hat, ist nach wie vor einzigartig.

recorded in london and produced by the band with mark ralph, in our heads is the bands follow up to 2010s intoxicating one life stand and their first lp for domino.
heavyweight double 12 inch vinyl, including code for free mp3 download of the full album.

nice price deal !!! after a creative break esance is answering the eternal call for high-standing, frisky, spiced-up tunes with their third release. the two soulboys from florence called minimono, consisting of tenax resident fabio della torre and ennio colaci, are very well known for their crisp and unique productions, combining uptempo- house with teasingly and varied disco and funk elements. hey you is reflecting nothing else than their wide vision of a memorable and eclectic style of music. this piece of joy is impossible to categorize and thats exactly as we like it. rollerball in the other hand, kind of speaks for itself! if you ever want to get your mood rolling, listen to this very powerful outcome of a perky bassline, some haunting percussions and a kooky build up, that really nails it down! to keep the name of esance in honour, the addition of a remix from one of the last living rockstars was inevitable. the interpretation of rollerball from dc10 resident mass prod is a vigorous weapon designed for his established territory, including hot moments, early hours and wild happenings.

sam cooke, inventor and true king of soul, recorded >mr. soul< in the same year as >night beat< (movlp163), and seems to be its more adult counterpart, with soulful ballads taking up most of the album.
and now, for the first time in over thirty years, music on vinyl is re-issuing >mr. soul< on 180 grams audiophile vinyl with remastered audio.

haze lays down his first release on sin city, this time leaving his funtcase mask in the record bag to reveal his alter ego. maestro: step into the dub war soundclash. this dark aggy half step smasher will conquer any sound system! haze aka funtcase has leaped face first into the darkside, producing nothing more than pure dread. my selecta: round 1 to maestro the conquering lion, round 2 comes harder and faster. the revenge of the sound system. you can almost hear haze & funtcase battling it out in this one. half step movements shuffle into 4×4 kicks. dancefloor killer! both tracks supported by hatcha, n-type, walsh, tubby, funtcase, trolly snatcher, dismantle and benton.

love, magic and transformation. acoustic, synthetic and mystical. experience and imagination. cinematic sparkle sounds, sensual, emotive and relaxed. listening to rain and drinking too much champagne. into the waves is all these things and more — a pop vocal record for our time.

a gorgeous suite of guitar-pop songs !!

though some only know the byrds for their covers, critics believe that they are amongst the most important and influential bands of the 1960s. their signature sound of clear harmony singing and jangling guitars combined well with the sounds of british invaders the beatles & the rolling stones, and they became the pioneers of folk rock, psychedelic rock, raga rock, and country rock.
the recording of the 1968 album >the notorious byrd brothers< in the heyday of the flower power age was nothing less than herculean, disputes over artistic direction & power struggles within the band meant that by the time recording was finished there were only two byrd-members left. the album was a labour of love, though, its more experimental and progressive than their previous works and is considered one of the best albums they made ...
re-issue on 180 grams audiophile vinyl.

meet bwana. his tunes started racking up plays and conversations commenced with new music buddies xi, submerse and djd. a variety of different 130bpm sounds were toyed with from dubstep, garage, 2 step, 808 dubstep and his very own mashes of r&b-lead garage-step. it all seemed to work. a bunch of labels got in touch and tracks were signed to mad decent and montreal based infinite machine.

he is one of the hardcore scenes biggest icons for almost twenty years. after five albums, neophyte returned to his favorite chamber to produce his first album in more than five years. a unique album: for the first time in hardcore history, an album will be released in two different parts. on monday january 16th, neophyte will present the first chapter of rechtoe rechtaan s successor: mainiak . jeroen streundings formation dropped its first ep in 1993 on rotterdam records: they released tons of tracks on the legendary label. next to these activities, neophyte came up with several aliases like bodylotion, hard creation and masters of ceremony to produce on terror traxx and forze records. in 1999 neophyte founded his own label neophyte records, which is considered to be one of the leading labels in hardcore for more than twelve years. neophyte developed himself as one of the best producers of the hardcore scene and helped new artists like evil activities and tha playah to get to the top of the hardcore olympus as well. mainiak proves why neophyte is hailed as a true leader of the hardcore scene. the first chapter of the album is packed with an arsenal of brand new material: besides a lot of solo tracks, neophyte has also collaborated with a selection of other artists such as neophyte records colleagues tha playah & the viper. mainiak s tracks have been edited for the album to keep it flowing in the best way for the listeners pleasure. the dj s and his diehard fans won t have to mourn: the album s tracks will also be available for download in full length.

together with internationally-acclaimed reggae artist, jahdan blakkamoore and established stateside lyrical beasts, armanni reign & diggadee mc - trigon & dave gee push the envelope, delivering a massive cross-over dubstep/grime influenced riddim with hip-hop appeal. dirty synths,banging 808 bass and pure nasty bars from these heavy-weight mcs all blend together seamlessly, proving this to be a powerhouse combination and nothing but pure murda!kicking off the remix duties, the man behind the original virus syndicate sound, mrk1, jumps in with an explosive rework, combining the original vocals with an infectious melody, bone-shaking basslines and heavy-rolling drums, and turning it into a head-crushing dancefloor banger.

silent dust is the project of uk duo dan blishen (originally from manchester) and andy hobbs (hailing from kent), who produced drum & bass together for years under the respective monikers zyon base and hobzee. their self-titled debut,silent dust,brings their signature d&b sound into a different light, drawing from a wide range of influences - ambient, drum & bass, garage, dub, breakbeat and soundtracks. the result is a collection of deep, bass-laden productions that sound like absolutely nothing else, filled with lush arrangements, an array of found sounds (footsteps, vinyl crackle, sellotape stretching), cinematic vocal samples and glitchy, idiosyncratic drum programming. the album travels through a wide range of emotions and sounds - from the sublime intensity of the giant (equipped with floating operatic samples and tight drum programming) and the dark atmospheric grace of marlowe, to the weighted basslines of the club-suited zero nine zero and the sheer beauty of winter song lined with strings and a reggae-tinted vocal. though its driven by experimentation, this is a d&b record at heart: even the ambient tracks were written at 160-170 bpm. their debut album was originally signed to soul:r, but was pulled at the last minute: the duo bravely opted to start their own label, none60, to release their tour de force.silent dust is a downtempo, atmospheric album that will become an instant favourite for open minds, and for those who seek something new. one of the most unique records to come out of d&b this decade.

gits album -imagination- could be described as an experimental design with roots in underground hip hop. gits musical style may be hard to pin point. his love of drums set the foundation for his sound: driving, percussion heavy productions anchored in traditional hip hop, with an experimental streak. his sound has many flavours and is not to be boxed in one label. one of the goals of this album is to fill the void that pop music has left. -imagination- will remind us that talent and emotion can still be found in music today and one not always needs a million dollar budget to make good music. if you like music that is raw, pure and speaks from the heart then you will love this project.