new small label from rotterdam by a wellknown player in the secene who wants to find its dieptepunt. this debut release comes with a versalife remix (by conforce). just like the recent field releases this wont stay in stock forever! vinyl only. limited 250 copies on clear vinyl, no re-press!

hfn music launches a new sub-label with hfndisko - an outlet for some of the groovier finds. lightbluemover is the somewhat mysterious new artist gifted with the chance to kick start this new project. and what a start it is! >girn<, featuring the equally mysterious blacklightsmoke, is an extended, wild pitch journey into the smoky, synth-voiced slow house. beautifully mad, pitching synths and a husky vocal all add up as lazy beats lift this stoner-anthem into new levels the sci-pop disco meets psychobilly fusion that is >ddisco< is a further surprise and really gives us a view into lightbluemover extravert world. meandering synths and spooky passages drift and saunter through a bouncing, tense field of analog love.

the second release on johannes volks own label exploration. >energy field< is a powerful peak time bomb, growing with each passing second! the title track >across the emptiness< comes with a wall shaking sub-bass, stormy chords and a retro-futuristic sound design. on the b side we have >isolation<, a dub infected piece of music with complex organic textures. and finally >devoted to microgravity< with its heavy drums, toms and cowbells. vinyl only!

surprise guest from russia, vakula, hops by with a forgotten collection of tunes that almost meant to be for archipels new release. after compiling, what he describes as, some of his deepest tunes, vakula launches a spatial mental trip with 5 tracks that screams deepness. certainly inspired by detroits movement, people like theo parrish or moodymann, this ep touches shorts excursions of bright, simple melodies layered over lush percussive textures that swirl gently to put the listener in a awaken meditative state.

our man francesco grant from italy returns to the mothership with four funky-as-hell tech-house tunes and sure floorfillers on his revolution ep ! he produces his own unique style of cut-ups, field recordings, sampling and packs all into nice kickin? percussions and basslines. his first two releases already made quite an impact on the scene with his still selling first great release body work and his second organic ep.

the record meanders from sunday through to wednesday with a mix of heavy grooving rhythmical percussion and playful melodies. the creation is an intimate sound, playing around with field recording and self recorded instruments. >any given sunday< sees spieltrieb insinuate an early morning club atmosphere, with a lovely distorted e-piano and commanding drops. following on are three more tracks each with their own character and charm, in all a four-track debut that sets the scene for whats yet to come.

since other heights started just one year ago, dubbed and deep sounds have always been the keywords of this modest label. after several cd releases, the first 12inch vinyl release is available. this ep provides a spectrum of styles in the shape of three tracks by szare, helix and brooks mosher. ranging from percussive to chord-driven techno, the producers reflect what other heights is all about. so far supported by field records, anthony shakir, fanon flowers, donnell knox, myles sergé, don williams, xdb, samuli kemppi and duplex

new label with mebers from berlin, dresden and hamburg .. all tracks around the techhouse field

tal m. kleins >house on the left< is the second single from his forthcoming exhaustasaurus lp. the name of the composition implies the track is left-field of house. jazz guitars lead the way for brooding pads and syncopated synths over deep beats. in short: a great moody tune!
comes on special coloured vinyl, somewhere between marbled and picture disc - a true beauty in sound & looks!

recorded in the winter/spring of 2009, first released in june 2009. at the time i called it my failed kompakt techno experiment, i started out with that minimal beat in mind but ended with something different. the title was the first thing i started with after watching some miss helen mirror on tv at the period, still love the title really. songs became longer and i discovered the delay while recording. this second record was the first one were i started settling on an sound of my own. some weeks after recording the screaming girls on the last track during their sunday afternoon youth group activity a baby fetus was found on their field with the mother being one of the girls

thomas fehlmann is integral to kompakt and the labels history. his solo releases and collaborative work with alex patterson as the orb have been some of the kompakts most revered and cherished tunes. following the success of his 2010 full length gute luft (a collection of re-edited versions from his score to the hit documentary 24hr berlin), we start 2011 off with titan one / dfm. on october 16, 2010 thomas fehlmann performed in montreal, canada at the historic molson coors brewery building together with members of the montreal symphony orchestra (osm). together they sought to recreate a version of gustav mahlers classic symphony no. 1 (titan). kompakt is proud to now offer a new recording inspired by that epic concert of symphonic and electronic with a new recording inspired from that performance – renamed as titan one. the hum of cellos and strings conjoin fehlmanns electronics – held together by the sublime, unobtrusive thump of a bass drum. titan one flows with a beauty and edacity that is rarely heard in both classical and electronic music form. the b-side features a new recording inspired from the second piece of the performance - a new version of thomas fehlmanns du fehlst mir from his 2006 kompakt full length visions of blah. reanimated as dfm, the piece again conjoins the different musical worlds in a way we have never heard to such a high standard. a much more upbeat affair than to titan one (of course) bass and keyboards mingle with the symphony the playfulness of the original song rolls throughout dfm. whether as palais schaumberg, the orb, or 3mb (to name only a few alias). fehlmann may have 3 decades of professional recordings under his belt but he continues to prove to the world as being one of the most fascinating and creatively open musicians in his field. this release clearly proves his story is far from over.

the second release on claap appeals to those who enjoy mixing long transitions and like to create moments during their dj set. sounds from the continents features two wonderfull musical collages, inspired from the favourite findings of label head gummihz in world music. loose percussion, hypnotising xylophones, guitars and singing voices take you on an introductory trip to the beautiful soundscapes of the african continent. high priest and toba lee theme also feature elements of field recordings which alex has collected throughout the years. sharpened with an extra edge for those who seek!

with his debut release on highgrade, >never end<, artist and producer andri has already proven his sense for captivating rhythms and driving beats. it is no accident that the swiss producer spent his childhood swinging the drumsticks and is now bringing his enthusiasm for those beats to the dancefloor. andri is known well beyond the borders of his native switzerland for his energetic and sweaty live performances, which always include new tracks for the floor. with his live sets he aims to encourage more than just wiggling movement – he tries to incite the party freak, to inspire a >technoid mind state< where people want to dance like crazy, all night long! as he says himself: >the people on the dancefloor should be able to experience the story of my sets and completely forget themselves.< but andri is not attempting to be a hyper intellectual sound director, and while his sets and tracks are carefully composed, they also retain a sense of humour. this is the case with his new highgrade release: >up lantis<. the three tracks - >up lantis<, >come to me< and >mr. groove< skillfully play with original samples, crackling beats and sexy basslines. they develop a very unique field of tension, punctuated with a lot of fun filled andri trademarks: this is the dictation of groove

m.in alias markus ferdinand has been busy releasing on various labels and he is still a unpredictable person. his release on desolat >sing and blow at the same time< as well as his release on robsoul have established him as a funky player in the field of minimal, who freshened up the genre with light hearted emotional tracks. trapez ltd has been in contact with him since the early days, so we are happy to welcome his debut 3 track on trapez ltd.

after numerous releases on labels like firm, crosstown rebels and trapez and 15 years of djing all over the world andré kraml debuts on 200 records. mercado de mexico is a trip to the latin american country. >mañana en el mercado en condesa< is a track with field recordings from a mexican market, which is spreading more and more to the absolutely unique andré kraml sound. >el cuclillo y el burro< is a sound journey par excellence from techno to a futuristic disco final. following the mexico concept of this ep, guadalajaras marco balcazar contributes a perfect club remix. >mercado de mexico< contains everything we await from techno these times: fresh and deep sounds, new ideas and tracks, which are eternal.

rising out of helsinkis local electro-pop-punk scene in 2007, sisters emma and mia kemppainens musical vehicle lcmdf (le corps mince de fran coise) was quickly picked up by blog gers and music fans across the globe. their incred ibly vibrant, left field pop gained them count less fans, earn ing them the top spot on the hype machine, out-ranking even kanye west.

supported by marco resmann, damian lazarus, dyed soundorom, mark henning, mr. statik, pherox, silicone soul, someone else, varoslav, vincent lemieux, butane, insideout, anthony collins, axel bartsch, cesare vs disorder, eric johnston,..... a man once asked a lion,>what do you dream about when you sleep in the field?< to which the lion replied,>when lions dream they visit another world. hearing this, the man said, >that sounds wonderful. can i go there?< the lion grinned and answered,< no, you can not, because youre already there

repress - folk-jazz composer/arranger arthur verocai was born in rio de janeiro. he has created challenging arrangements and compositions for brazilian artists jorge ben, ivan lins, leny andrade and gal costa. in 1972 verocai recorded a self-titled solo lp. it is a stunningly innovative effort. it puts verocai into a rarified field with the heavy string oriented music of charles stepney, david axelrod and frank zappa. released in a period marked by the brazilian military government, the album fared poorly. following its re-issue in 2003 the album has become a highly influential oft sampled classic (see ludacris, mf doom and little brother). the performance of this seminal 1972 record in its entirety brought the capacity luckmann crowd to a stand still. according to verocai, >he had never played the record, alive or dead!< the music has been mixed by verocai himself in rio. history turned on its head and musical justice served.

the second release of m=minimal agua is the rediscovery of a musical jewel. the first limited edition of this extraordinary album was released in 1984 in brasil.&#8232,, in the 80s in the field of minimal music nothing similar to it was released and it was long overdue to make this record accessible again.

vinyl edition (7x12inch) is limited to 1500 copies ww!!! ostgut ton releases this unique compilation of music crafted from field recordings made inside the two berlin clubs berghain and panorama bar. the concept and original recordings were made by the berlin based producer emika. over a period of two months emika created the recordings in the clubs while they were closed to the public and edited them into a library of sounds. the library was then given to all the ostgut ton artists, but also to club associates like dj pete aka substance, dinky, cassy, margaret dygas, ryan elliott and scuba using his scb alias, to make music with. this release marks the celebration of the labels five year anniversary!!

soul jazz records new compilation of the uk funky scene.
>riddim box< explores the most unique, left-field and innovative uk funky releases of the recent past with loads of killer tracks and exclusives! uk funky inhabits the space between dubstep and house mixing together elements of grime, dancehall and rnb with the percussive rhythms of nigerian afrobeat and caribbean soca to produce one of the uk’s most interesting recent musical developments.

soul jazz records new compilation of the uk funky scene.
>riddim box< explores the most unique, left-field and innovative uk funky releases of the recent past with loads of killer tracks and exclusives! uk funky inhabits the space between dubstep and house mixing together elements of grime, dancehall and rnb with the percussive rhythms of nigerian afrobeat and caribbean soca to produce one of the uks most interesting recent musical developments.

sub heavy exceptional left field house killer mini sampler - highly recommended!

ltd warehouse found! today we unleash upon the masses our second vinyl record >australia ep< by our dear friends easy changes! the duo is known for their creative minimalistic style with lots of field recordings mashed up into funky rhythms. yet again they continue to provide their unique symbiosis of rhythmical patterns with the world of mysterious sounds and dark moods. the core of their music has continued progression, like a story being told with multiple scenarios between the past, present and future life. traveling and touring has influenced the artists and gave them lots of inspiration, which keeps coming back in the beautiful form of music.

he created a minimal groover with hypnotic and nice nervouse elements called -the bling-. dennis reichs remix moves in the field of minimal-dub-techno-sound with some elements of the original, mag ivory proposes a harder way with his remix.

lukes anger back with a brand new 10 track lp !! killer tracks feat. full colour sleeve art !! keeping true to his techno sensibilities (or non-sensibilities?), live wrong and prosper is a full- length-album sized collection of lukes finest recent work along with some massive exclusive tracks, including an extra special 2010 vip re-mash of his 2 biggest tracks to date! (see: >working on the floor<). expect ultra-heavy bass juggernauts in >gross negligence> and >bruce wobbelaar<. sexy acid swing-time in >nice car< and >tombstone trax< and all out wonk-factor-10 with >worried sid< and >beebop drop< and many more percolating slammers to be discovered! fans of the trademark >lukes anger charm< will have a field day with this release, with every track dripping in fat, tasty analogue lushness! lukes previous releases have always been picked up by a plethora of across-the- board dj’s, receiving support from the likes of laurent garnier, detroit grand pubahs, kid606, jerome hill, dj warlock, dj zinc and michael forshaw to name but a few.

>lay in a shimmer< is taken from panthas recent album >black noise< which has been universally lauded as a groundbreaking, seminal album in its field.

2010er kompakt total compilation with hot tunes from dj koze, superpitcher, michael mayer, jürgen paape, jörg burger, justus köhncke u.v.m...

after two critically acclaimed home grown releases, get the curse music turns to photonz of lisboa on plage of the new age ep. going against the grain of current trends, this out of left field ep testifies to gtcms disregard for pigeonholing and unique flair for unconventional club music. after two critically acclaimed home grown releases, get the curse music turns to photonz of lisboa on plage of the new age ep. going against the grain of current trends, this out of left field ep testifies to gtcms disregard for pigeonholing and unique flair for unconventional club music.
supported by dubfire, john digweed, konrad black, ivan smagghe, stephan bodzin,oliver huntemann, dominik eulberg, adam beyer, deetron, secret cinema, darko esser, gregor tresher, ...

raw analogue productions on a limited vinyl only release. well done by the livejam rec gang

the buzz has been around for some time, but now its getting real! the recently created cologne label magazine will release its debut record >cologne tape.< until now, they have made their appearances almost hidden, but it might not be too far-fetched to refer to them as a kind of supergroup: cologne tape are ada, axel willner (the field), joerg burger (modernist, burger & voigt), philipp janzen (von spar), john stanier (battles), jens-uwe beyer (popnoname)

>vibrational studies (in echospace)< is an alternate version of album opener >in echospace< and revolves around a relentless cycle of washed-out analogue loops layered around submerged field recordings and electric currents that somehow propel the track while at the same time immersing it in one of the headiest mixes hitchell and modell have ever recorded. >symbolism in transition< finds modell deploying a deep and padded configuration with a sort of late night shuffle so beloved of move d, all squashed house vibes, sparkling melodic currents and bursts of barely- there white noise û its a gentle, beautiful thing.

urgent, throbbing rhythms, which almost imperceptibly increase into a subtle wall of sound: the tracks on todd bodines new ep develop a hypnotic character, stolen away into a dark pulsating sound field which exactly match the title of the a-side: >dark matter<. the increasingly dense electric field mixes with sparse siren sounds that create their own unique attraction. the same qualities infuse >space and stop< on the b-side, with equally unexpected musical power surges. these are tracks that will drag the dance floor abruptly from its spell in the first few seconds, while simultaneously adding a very special drive and intensity. all in all, todd bodine proves again with his new ep - the first release after his highly successful album, >forms< – his unique sense of style, gained over almost ten years of production experience.

argenis brito and los updates. two of the most left -field exponents of chilean dance music armada get together on vinyl. argenis, born in venezuela, was given a chilean club passport by luciano, pier bucci and villalobos a long time ago due to his outstanding services as a producer, singer and overall party raiser. he met los updatess boss jorge gonzalez in new york in 1994, while attending a wu tang clan show. on this brand new release they offer >valparaiso< and >don t take candy from strangers<, you can smell the delicious scent of an instant classic emanating from the deeply grooved wax

nice price deal !!! this second release from glasgows fortified recordings is a departure in sound from their first acclaimed ep by dundees loops haunt, but all the same in attitude. iranian born, texas residing garagesmith vvv uses his late night musical tests to forge and perfect his sonic output, and deploys a range of techniques not normally found in the often formulaic world of garage and dubstep. this patchwork quilt of laced beats, field recordings and intensive sample editing has made manifest a four track ep that simultaneously references the work steve gurley, todd edwards, carl craig, my bloody valentine, the cocteau twins and roy davis junior via the bastardised strains of 2-step and house practiced by the likes of ramadanman, untold and joy orbison, peppered with that magic elusive el_b swing that only the greats are able to achieve. at the same time familiar yet different (how many times have you heard that?), the four tracks on projects kick with the intensity of the best club music and invokes the cosmic spirit of classic motor city techno with an uplifting and deep soulful vibe that reveals layers of orchestrated natural sound upon repeated listens. in other words, its sexy as fuck. slated for an official release early march , one can only assume this limited 12inch will fly off the shelf much like fortified s inaugural release did

resident nick höppner returns with his third release for ostgut ton. after last years >makeover< come three new detailed excursions, plus a remix by lee jones. almost entirely constructed from field recordings taken within the walls of berghain, >brush me down< is a raw and textural jam, uncontrived and jostling with energy. jittery, shuffling and shaking, höppners love for funky, off-kilter percussion shines through as he pieces together a mysterious audio puzzle of found atmospherics, club nights and concerts otherwise committed only to memory yet now preserved and recycled. it also is a hint at what is to be expected from ostgut tons 5 years anniversary compilation this autumn.

12inch debut for whatchawannado, a new label featuring edits by djs who have graced the decks at las infamous do over party. stones throws left field psych man james pants leads things off with an excellent edit of jefferson airplanes white rabbit entitled through the rabbit hole. for the more dancefloor oriented, check the flip where (thee) mike b takes charanga 76s famous spanish version of aint no stopping us now and extends those banging disco breaks for days before finally letting it slip into the vocals.

first pack of remixes for tocotronics new album >schall & wahn<, made by dj hell, deichkind and the field! comes with mp3 download coupon.

time for the next release of the mojuba-labelboss don williams to continue his detroit-series on a.r.t.less after sven weisemanns >shove ep<. the main title >vector dance< takes a different way to approach things than its predecessors on the black and red ep! witness the funk and groove that brought us the city from the d combined with a scifi-feel which embodies the vision of techno for many of us! the second track is a soulful ride into deep glimmering field of hi-tech emotions! detroit-lovers check it out!

here comes a highgrade split ep. marcus homm and ludwig coenen share the honours on one record, and instead of competing for the glory, both producers compliment each other perfectly. markus homm, the global player, starts off as assured as ever with another great track. golden glow rolls towards a dramatic stage for hysteria. homm takes the listener in with a heavy and richly sweet narrative style. matches brings even more excitement, pushing forward with brilliantly entangled sounds that hit you more in the hips than the stomach, telling a tale of promise in the early morning hours. ludwig coenen, the man from infamous frankfurt, brings dancing into the realms of the zoo! with its not a zoo he manages to combine various sounds into a funky and functional harmony. the 2nd track mind your head breaks the standard mould and uses a broad sound palette to construct a new and unique field of maximum funk.

after the first une release (monoblock/treplec) supported by many djs like mathias kaden, chris carrier, troy pierce, laurent garnier, seth troxler, franco cinelli we are coming again with une002 by zap - >mi amigo< + inxec remix.
zap immerses us squarely in its parallel dimension, a place where stuck-up sounds and elegant percussions coexist with a martian sub bass. curious scene to expose a slightly conventional instrument in a dancing floor, the bandoneon, which chopped with a sharp knife and served with mastery, manages to transform the track into a dizzy trip and full of surrealism.
inxec achieves to transmit the feeling of no gravity based on orbiting elements, volatile basses and open field sounds. as it goes it leads us through a space trip, capable of opening a gap in any type of session, which suddenly can turn into a space odissey with dyes of psychological thriller.
support: konrad black, richie hawtin, josh wink, cesare vs disorder, adam beyer, matt star, jens zimmermann, dan drastic, alex kid, brothers vibes, pheek, alland byallo, pablo roman (bar 25), sebastian wilck (watergate), marcus (weekend), kane roth, luciano esse, jeremy p. cauldfield...

sound sources include field recordings of airport announcements, hammering on metal plates at the former kabelwerk oberspree, berlin, several sounds captured inside the large radio antenna dome at teufelsberg, berlin, dripping water at the botanical garden florence, air condition systems and turbines in las vegas, frankfurt and tokyo, walking on rocks in joshua tree national park, wind from the grand canyon, a friends answering machine, a printer, conversations via mobile phones, typing on an old macintosh keyboard and recordings from tunnel works in switzerland.

marco bernardi was an obvious choice for who got to do the first album on frustrated funk. representing his most delicate compositions ranging from freaky minimalistic electro trickery to the sweetest and intense excursions in the field of what they use to call intelligent techno . we simply picked out his best moments along the line and put it all together for this brilliant presentation. with this piece of art we show again that we don t give a shit about new styles, trends and hypes. we just want to deliver a very sweet package that you will still be playing and cherish in 15+ years from now. this deluxe double vinyl album will be sweetened with hand stamped label art, hand made screen printed sleeves and pressed on pretty pink transparent vinyl to make this package extra special. enjoy!!

twentieth release in fat cats famed split series compilations, this record combines norways alog with sunroof! member astral social club.
active since 1997 and one of norways leading exponents of experimentalelectronic music, alog is the duo of espen sommer eide and dag-are haugan, mainstays at the rune grammofon label.
alogs unique, hybrid sound has since developed through four albums that have unfurled a series of abstract yet accessible, self-contained sound worlds, each animated with their own internal logic, mixing a wide variety of bothelectronic and acoustic sources into something warm, intricate and organic.
alog embrace the freedom to flit and root in the cracks between strands of minimalism, electronica, post-rock, improv and vernacular music, merging woozy, stuttering electronica (a la oval or nobukazu takemura), with rich, shoegazey guitars, freeform improvisation, scandinavian folk, field recording and the masterful editing and soundscaping of electroacoustic composition.
astral social club is the project of prolific scottish-born neil campbell, apivotal figure on the uk post-punk underground, with a vast catalogue and numerous collaborations.
a member of both matthew bowers total and sunroof! projects, he appeared on three of the latters albums before helping to form the hugely influential and prolific (over 40 releases) leeds-based drone/psych-rock outfit vibracathedral orchestra in 1998.
campbell left vco in 2006 to go solo as astral social club, under which moniker he has released a number of albums (on labels like vhf, important, qbico, textile) and an ever-increasing stream of self-released cdrs in alimited edition series of volumes (currently up to #19).
the three tracks here were recorded by campbell, john clyde-evans, paul walsh and spider stacy.

legendary underground house producer teams up with ruoho ruotsi for classic deep house with left field techno! 40 year old spoken word by dr. ed robinson titled black rhapsody.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

ricardo jefferson is a producer and dj based in manchester, england. the four tracks on this ep demonstrate a distinctive style. the roots of his sound are in funk, disco, space rock, prog rock, but he has melded them into a sound that is more than just the sum of these elements. this is funky, bass-heavy, trippy techno for the dance floor. a1 a brutal truth. this is a big tune that builds relentlessly. the track has an inclusive, celebrational, feel which simply invites everyone to lose it on the dance floor. 124bpm. a2 persons unknown. this tune doesn t have the relentless build of a brutal truth. instead, this is a tune to drop when everyone on the dancefloor is in the zone and locked into the groove. a finely crafted trip created with multiple delays skittering around the sound field, anchored by the funky bass heavy groove. 123 bpm. b1 the egg part one. a track employing a tight kick drum of differing weights to propel the groove, overlayed with a circular keyboard motif. on the off-beat, add the processed sound of someone hitting a metal sheet, and viola! - one aggressively funky dance floor bomb! 123 bpm. b2 god of the machine. this track has a simple 4x4 kick and handclap pattern pinning down a delicious oscillating bass line, under a classic descending four chord circular chord progression. off kilter ride cymbals give the track its backbone, and fluidity. ricocheting handclap delays add dimension. sly stone would be proud of this groove. now get on the dance floor and strut your stuff! 119 bpm. the cover shows a still image from the music video a brutal truth directed by ricardo jefferson and laura lee.

the dutchman jeroen verheij aka secret cinema is now looking back on almost twenty years of experience within the field of electronic music. his first production sonar system, which has originally been released on the legendary belgian label hithouse under the alias meng syndicate in 1990 and was re-released two years later on music man, is rightly belonging to the absolute classics of rave techno and has antedated the rotterdam-detroit sound axis with providing a staccato somewhere in between a piercing snare and an acid siren.

nice price deal !!! dj jauche aka jack flash aka robin masters orchestra aka machomovers is dj since 1989 and already played throughout europe and the rest of the world. he released his music on labels like komfort, sonntag, milk & sugar rec., circuit, appeal. singer panay brookes already produced with dole & kom, medi soul, brezler & stockhouse, jay ray. longing is supported i.a. by jenn (karateklub), chris fortier (field trip), toni rios (soap), someone else (foundsound), andy kohlmann (lordag)...