mono han sind die brüder alessandro und davide, die gemeinsam ein tiefes und langjähriges verständnis für elektronische musik haben. davide ist mitbegründer von n.o.i.a, einem der ersten elektronischen live-acts italiens, der bereits 1978 mit drum machines und synthesizern auftrat und aufnahm.

big crown presents the debut album from brooklyn folk-soul trio holy hive. limited pressing on blue seafoam wave vinyl.

luxus vatra is back

2020 repress! drexciya presents grava 4. earth has finally discovered utopia. (drexciya home universe) earth scientist discovered the home planet of drexciya on 2-14-2002. within moments dr. blowfin was given the orders to initiate the seven dimensional cloaking-spheres to hide the other three planets from earths view. the star chart is authentic, you will be able to find the star by using the coordinations on the star chart. the planet drexciya can be found in the international star vault in switzerland & recorded in the astronomical compendium.

andy dragazis (blue states, the scantharies) with a new album and a new label.

strictly limite triple vinyl box set with download code included. contains the complete daedelus album triliogy with “righteous fists of harmony”, “the light brigade” and “the bittereinders”.

sebastian mullaert back on siamese with a stunning 2-tracker.

irish electronica, jazz, rock and experimental music

repress in special edition smile cover.

.. dilla dilla dilla, pure love

a compilation of tracks from 80s/90s chicago poet lydia tomkiw and musician don hedeker aka algebra suicide.

outro tempo ii: electronic and contemporary music from brazil, 1984-1996 is the second installment of music from memorys brazilian series. this volume picks up where the first outro tempo left off, shedding light on a new wave of experimentalism that emerged in brazil in the late 1980s and 1990s. the twenty tracks collected uncover another area of brazilian music that looked to the future for inspiration. this time it drifts beyond the rainforest and into the pulsating heart of brazil’s great cities, where it meets a generation of young artists eager to radically change the face of contemporary brazilian music. in outro tempo ii the avant garde and pop worlds meld in a haze of percussion and electronics. it presents another uncompromising and magnetic reinterpretation of the limits of brazilian music. outro tempo ii is compiled again by john gómez and features original artwork by alice quaresma.

travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album ‘escape hatch’ described by vice as a ‘modern masterpiece’ only hinted at the transcendent power of seahawks music. eternal beams goes ‘further’ to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunder…numinous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraaji… flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.#

limited edition of 150 copies on black double vinyl with grey screen-print on side d. includes download of mp3 and a 50 minutes art film.

following a killer acid-piano house 12inch and contributing a test pressing-certified new-disco chug to a split release with tuff city kids (both) on terre des pommes in 2014, the working elite further refine their ability to soundtrack festivities with rockman / born again. while rockman conveys an understatedly cinematic mood with repeated imitation string cycles over crisp electro foundations, born again presents a new wave / rave endurance test, summoning perspiration from dedicated day-dancers with its metronomic hammer of a beat overlaid with motivating synth-lines like marching toys. on the flip, saap and lauer (tuff city kids) provide inventive interpretations of these tunes, reshaping rockman into a stomping, flashing-lights electro jam while born again gets a delightfully multi-dimensional digi-dub treatment complete with acid-reggae breakdown over a 4/4 house beat.

elegant universe a full-length album by matthew hayes and joel trigg is a must listen for fans of the celestial jazz sound of ecm. their soft, seductive duets are incredibly inviting, in a way that seems to encompass and enliven the space around you. unsurprisingly, itd be sure to add warmth to cold winter commutes, and dull the edge of even the fiercest hangovers. the wintry downtime is a tour de force of the duos sense of restraint and the importance placed on individual sounds that swell together and drift apart with organic ease. on light through edinburgh leaves, the sounds themselves seem so three-dimensional, ringing out like ripples on a lake. its hard not to be captivated by such beautifully formed music.

there smokes and whistles in zenker’s machine jungle. the best loved and best known brothers of the techno scene are causing a multi-layered schwirbler, which is likely to destroy many dancefloor lasting for years. jelly3000 are essika and andreas damaschun. “wave a wand” is lashed forward by a powerful-impulsive arp, while synths and piano dances light-footed about it and spreads a sustained mood. kessel vale has recently caused quite a stir with two eps on tanstaafl planets and rhythm nation. “stroke” should further expand its reputation as an idiosyncratic excellent producer with a penchant for the playful. steril – that artist you may know from international deejay gigolo records, erkrankung durch musik, schamoni musik, lasergun and müller records…oldschool.

mang dynasty are the collective force of bill brewster and ray mang. both should need no introduction! together they combine to form the mighty mang dynasty, and deliver crash the box a riot of afrobeat, house and disco stylings, laced expertly with horn stabs and vocal chops, guaranteed to light up any club or festival stage. on the remixes are two exciting up and coming producers currently making waves: lord leopard offers a chunky, abstract bumping house version that s good for the floor. tee mango takes a loopy disco excursion, with squelchy synth stabs and party starting vocal.

dead rail is a soundshaping railroad soaked in fog and cough. dead rail is the breath that transforms light into smoke. smoke into brain waves and brain waves into some anamorphic sound blend. dead rail is a walk through an eyeburning beat and runs on mandibular tracks. dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic. dead rail is the suspended activity of synapses while earing is driving the other senses. dead rail is the dying frequency in your ear. dead rail is noise from within.

an introduction to zru vogue’s world. a percussive no wave, minimal and funky electro. oscillating between psychdelic rock and modern postpunk. “assembly for body movements” regroups tracks composed in 1981, 1984 and 2011. m.e.a tends to develop an interest to music that never seen light, through the most large electronica spectrum. here’s mea-0002.

limited edition of 2000 numbered copies on pink and yellow 180 gram vinyl, housed in a gatefold sleeve. groove armada’s fifth studio album “soundboy rock” is an unpredictable mix of breakbeats, trip hop and electro-driven songs. the diversity and continuity of their previous work lovebox is combined with some exciting heaviness. they offer so much diversity that every musical fan will get it’s taste of their great production skills. mc stush shares her vocals on the hooked single “get down”. the eighties pop and new wave comes together on the glorious “song 4 mutya (out of control)”. the productions sounds perfect and the vocals turn out well.
the electronic music duo andy cato and tom findlay took their first step in the music scene when they were working together in the music club groove armada. later on they released a couple of big hits, including “my friend” and “superstylin’”.

gathered, mixed and recorded with vinyls only by solune on a lightful day at bass cadet recordstore in 2016.

the next release on leading french label zone is a very special one indeed from long time friend of the label and pioneering electro figure kittin, the artist formerly known as miss kittin. her standout original comes with an equally impressive remix from truncate. a long time stalwart of the electroclash scene who has put out many seminal singles, kittin has famously collaborated with the hacker and felix da housecat and mixed up new wave and techno in arresting new ways for decades. her albums have always been hailed as hugely accomplished and the prolific and innovative frenchwoman has worked with numerous top labels. now back once more in 2018 with her first solo single in some time, she is in fine form. her offering here, ‘eacid’, is a timeless piece of deep techno with brain melting bass and twinkling yet menacing keys. her own vocals are twisted and chopped up into wordless forms that add layers of intrigue and the whole thing is brilliantly broody. a breakdown at the mid point allows you to catch your breath as her voice refracts round the airwaves, then the icy hi hats and rumbling drums and bass land again with subtly uplifting, light emitting chords rising in the background. all in all, this is one of kittin’s most special and evocative tracks of recent times. remixing is truncate, the deep techno artist who runs a label of the same name and has released his killer wares on 50weapons. his version is more wild and flailing, with the keys becoming more manic, the drums darting about all over the place and the voice becoming more paranoid and trippy.

within lok recordings’ sixth release, we introduce lokin to you. we’re coming up with something to break boundaries and strengthen the spirit of artistic freedom. -the fall- by the belgian-born berlin-based singer, songwriter and producer cook strummer - aka maxime donnet - is an evocative ode to lost love and forgotten spirituality. channeling the post-punk synth sound of his home country’s cold wave movement of the late 70s and early 80s, donnet has absorbed the sounds of his adopted home in germany, taking that all-pervasive electronic music that is all around him and morphing it into something new. the result is -the fall-. recorded in a cell located in the basement of an old stasi prison (studio k61 in berlin), it’s an album with one eye on the dancefloor, but one that works just as well when the party is over. it’s an album that blends the organic with the synthetic, mixing guitars and synths with post-dubstep flourishes and drum machines. it’s an album about something. the name of the album has been chosen in reference to first single fallen, the idea of falling in life and waking up again. it’s also about the fact that it’s not the fall that kills you. a fall can be graceful. a fall can improve a life perspective and create new paths. it can and does make you strong. the main metaphor in there is one of reincarnation. indeed, it’s the story of a soul negotiating with god to not reincarnate on earth again, but being forced to do it anyways. experience something different!

with »redsuperstructure«, robert lippok created a new foundation for his musical endeavors. now – 7 years later – this system properly comes to life on »applied autonomy«. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. »applied autonomy« orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding »applied autonomy«. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is »samtal«, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as »applied autonomy«. the artwork for »applied autonomy« has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

losouls another picture label follows on from eps in 2017 by honesty and the label boss himself with a new two tracker by japanese artist sasaki hiroaki. the yotsume label owner is based in tokyo and his sleek sounds take cues from 80s new wave and look for a soulful vibe in electronic music. 2018 has already seen him release on open recordings and now he offers up some warm house rollers for another picture. ‘eo1 is eight minutes of rubbery drums and loose, scattered percussion, tumbling toms and clicks. dreamy chords light up the background and the whole thing drives ever deeper into the night, always evolving as it goes. on the flip, ‘plain song is just as heartfelt, but icy hi hats and metal stabs are more upright, getting you on your toes and keeping you there for another eight minutes of organic, authentic deep house bliss.

gene hunt is one of the few producers from the original wave of trax records signees that still flies the flag for chicago house with as much gusto as when he started. this is his second trip out on inner shift music, and it finds the us house veteran on impeccable form. -kayla dream- is a light, airy jacker defined by amorphous synth washes that match the mellow mood of the label. -distant voyage- is a truly standout track though, dealing in crooked rhythmic structures and channelling the techno side of hunt s muse. -open up your eyes- maintains the introspective mood, but this time welcomes some soulful vocal turns into the adventurous, machine-powered landscape.

surgeons new full-length, luminosity device, takes bardo thoedol - the tibetan book of the dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories.

killer stuf on klasse wrecks sub label zodiac! frozen russian plains rich with moondust and cybo-fog lie still, a faint rumble is heard from behind the horizon and buttechno checks his pulsemeter 5000, deciding to head on whilst he still can. sonic lighting strikes the dead earth, leaving echoes that reverberate for miles around as digital feedback waves sore through the airless landscape. buttechno steadies his exxo-bike, firing the back up atomic engine before taking a deep breath and heading into the lost and forgotten city. zcapri is the seventh of 12 releases from z o d i a c 4 4. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever gone and dead.

limited edition of 300 on transparent pink 180 gram vinyl, 100 copies numbered for rsd. karen willems returns under the moniker inwolves with perhaps her most ambitious record to this date. color in the zoo is a playful album, masterfully composed, wrapped in dreamy sound waves and repetitive rhythm patterns, but the tone became somewhat lighter. it literally bridges the gap between north and south as nils gröndahl and barkin engin, among others are guests on the record. expect a colorful sound palette, with outlandish sounds, that all cohesively click together in an utterly engaging aural trip around the world.

theus mago comes from mexico city, his light is a harness of levitation escalating beyond the galactic thin air. stars collid-ing, feeding off the dust of unknown ashes risen from the earth and sand in resolve. doog offers eerie and optimistic vocals to the disconcerting yet comfortably soothing waves of theus magos ella and smokey red lights. the french duo il est villaine journey ella to the obscure and swung out dimensions, while arthur johnson brings his guitar and synth-laden attitude from the shadows to the brightest dance floor on his mix. dreams can be so weird sometimes.

4 shorelights is a collaborative ambient techno project feat. rod modell (deepchord, echospace, waveform transmission, transformations), and walter wasacz and christopher mcnamara of the detroit-based audio visual collective nospectacle. ancient lights expands the vision and the range of the shorelights aesthetic, heading into deeper territories of inner and outer space. its ambient for body and spirit, sound designed to make the human heart dance. limited copies…

after an almost instant sell out last time around, london label tone dropout return for vol. 5 of their series of 12-s. an acid washed ep drawing from the ranks of their ever growing family, each of the four tracks celebrates the timeless appeal of the silver boxed 303 after the rain by label regulars the he-men opens with the soothing patter of raindrops, a hypnotic acid line rising from the deluge to morph into a moody house ride drenched in its own outbursts of spectral sound. dawl is also back on home turf with asylum , following a repress of his sought after solo ep for pareidolia recordings. less about seeking refuge than losing your mind it motors along with steely intent, darkly funky bleeps, throbbing acid and industrial percussion embracing the twin legacies of sheffield and detroit. italian dj and producer robbenspierre launched tone dropout s digital offshoot with a full ep last year and makes his vinyl debut for the label with quarta vanitas . bubbling breakbeat house, a trancey euphoric lead and swirling ethereal vocals take you deep into the thick smoke and laser light of the 4am dance floor. in the wake of an appearance on tone dropout vol.4, corporeal face returns with another rave induced vision. trapped on one, the rushing warehouse breakbeats and bass of permo erupt into waves of acid, fractured vocals and serotonin-depleted synths adding a dark edge to the ecstasy.

fockewulf 190 was a new wave group from milan formed in 1980 by vittorio barozzi aka victor life and dario dell aere. in 1979 the duo met outside a cinema and began a lifelong collaboration of projects: diamond dogs, ice eyes, demode boulevard and fockewulf 190, named after the model jet planes dario fanatically built. musically, the duo were inspired by the human leagues reproduction and john foxxs metamatic, while they took visual cues from the new romantics visage and ultravox. with the fockewulf 190 moniker, they created their own dark blend of italo disco and new wave, and released two singles in 1984 and recorded an album?s worth of music that eventually saw the light of day in 2010.

four tracks of ny-flavoured boogie and house goodness - quality is the key word from copenhagen based music for dreams and here is another home run. willie graff splits his year between dj residencies in new york and ibiza. in this new outing with studio partner darren eboli, the influence is, as the title suggests, clearly ny-based. over only four tracks, the pair manage to craft a stunningly comprehensive exploration of the essential elements of dance music. opening track -love flight- staggers into a lush string-driven groove that recalls the glory of metro area meets wally badarou vibes. minimal yet playful, it lounges somewhere in the depths of the house tradition, calling on familiar sounds while throwing in odd details along the way (harmonicas?). it takes both skill, devotion and a sense of humor to pull this track off, making for a strong opening. -moon tan- lingers on a metallic hook that drags you into a plethora of percussion followed by a rubbery soft baseline. dubby key work would suggest this was a new wave band jamming at compass point, while the icy chill of the xylophone transports you into 80s italo territory. -second sun- pulls out the bag of boogie tricks, relying on a firm but humble baseline and smattering drum machine claps. nile rodgers-style guitar licks guide us onwards into a well-orchestrated jam that builds up and breaks down with perfect timing while dreamy chords reach for the sky. -first light- keeps the groove tight while dipping over towards more balearic temperatures. steeped in a watery atmosphere and gentle organic percussion, it focuses in on a trance-inducing arpeggio that lulls you in to the swaying badarou-style synth swirls that intercept it.

e ruscha v, who has previously released on the label under the secret circuit moniker, comes back with his first full-length under his given name. ruscha describes who are you as spanning states “from calm to ecstatic but mostly in-between these.” this description points toward the liminal atmospherics of the music, which dispose of the many hallmark genre traces that informed secret circuit’s galactic journeying. for who are you, ruscha was content to wander more intimate environments, in search of an uncharted music rippling with humble discovery. the vinyl release includesd a download code.

a new year means new musical horizons here at the bordello. curses formed his sound in the distortion and sweat of back alley dive bar bars amidst the crash of guitars and the audible gulp of beer. hints of disco and wave balance this rougher edge, smoothing down those creased lines for a style that adheres to no boundaries. -pedal to the metal and don t look back- is a perfect introduction to curses multifaceted sound. beats orbit burbling bass and brash strings in a work of dreamy hypnotics. -knife in teeth- comes from a similarly shadowy lair. dark bars are further inked by industrial percussion in a track born on the factory floor to strict ebm parents. terr takes on -pedal to the metal and don t look back- and does the original proud. bass rumbles to the tune of a guttering engine before lighter notes take hold. murky currents are cleared by bright synth blasts in this uplifting remake. the bird of paradise closes the ep with his psychedelic take on -knife in teeth.- drums take on a more sinister tone as tribal rhythms give rise to jungle imagery and the immediate threat of what might lurk behind those supposedly innocent sounds.

another brace of bangers from world unknown music, we re all really pleased with how this one turned out. big and fat and disco-ready, mastered by andy blake and lawrie curvepusher via tape. side x theo nasa lstnbrghn world unknown and theo nasa first crossed paths in andres branco s vintage designer clothes emporium, wavey garms. . we re really chuffed to be releasing theo s vinyl debut. its a pounding big room monster inspired by his first experiences of a certain berlin nightclub. theo nasa will be a big deal sometime soon, there s no doubt about that. make sure you get on this now so you can tell all your mates how you have been into him for ages. side y traynor - sunward -can i send you some tracks to listen to? id love to get some feedback from you. not an especially odd request for a dj these days. but it s a very nice surprise when literally every track in an 8 track demo package from someone who has never put any music out before is brilliant. messrs bowley and blake had real trouble deciding which one to choose for traynors debut release and eventually went to sunward. its trippy and shimmering with a ton of pump. trancey but not trance, or maybe it is. the kind of thing that lights up your night in a club and gets played again and again at home or in the car

white on white is an absorbingly dynamic, multi-layered album of improvisations made on the seminal ppg wave synth, inspired by the work, life and theories of the great, if forgotten, british constructivist artist marlow moss (1889-1958): a radical, gender-bending british jewish lesbian and innovator of non-figurative art who was a then-contemporary influence on piet mondrian, with whom she worked alongside from the late 1920s as part of the abstraction-creation artists association in paris, until the nazi’s forced her from mainland europe back to england, where she settled in the far west of cornwall.

mannequins newest project and 100th release overall: the waves of the future double lp compilation... more info soon!

eagerly anticipated new album from global u.s. superstar. his 4th studio album - a 16 song set featuring current single -filthy-.
double vinyl in gatefold sleeve with download code included.

this split lp compiles the output of two closely related bands from, as suggested by the title, the hot, humid and (at the time) socially isolated city of brisbane, australia – an unlikely location for synth-pop and new wave music during the 1980s. prod & the moonbaby were a high school duo experimenting with tape loops, cheap electronics and primitive sampling.. the result is certainly lo-fi, light-hearted and naive, but also charming and the music belies the young age of the musicians. ash in october was in many ways a logical progression of prod & the moonbaby and shared some of the same personnel, but also added some new wave influence through extra instrumentation and more serious, considered lyrics. most of these tracks have never been heard before outside a handful of self-distributed tapes and this compilation was compiled over several years by the artists in collaboration with hysteric and nick mariano (crispy nuggets).

having debuted with a fine ep by job sifre, artificial dance has returned to the source for release number two. the 12inch pays tribute to one of the most influential figures of original diy electronic music scene of holland, hanjo erkamp. during the first half of the 1980s, erkamp had a hand in some of the most experimental and forward-thinking releases on the now legendary cassette label, trumpett. famously, he was a member of two of the label’s key bands industrial outfit doxa sinistra and new wave combo ende shneafliet but during the period he also recorded a swathe of solo tracks as c.stein, most of which only saw the light of day decades later. la bombe plastique, a thrillingly spacey and futurist cut rich in proto-techno rhythms, intergalactic electronic motifs and drowsy choral vocals. for this timely reissue, the superb original version comes accompanied by a fresh re-edit created primarily for dj use.

prolific producer mathis mootz is very well known within the drum/bass and hardcore techno arenas as being one of the innovative pioneers to merge both genres with an unique approach. his contribution to the electronic music community is not limited to his explorations within only the drum and bass and hardcore genres, mathis also has various experimental projects, most noteworthy being his m2 ( squaremeter ) project with releases on mille pleateux, ant-zen and hands productions. the sound of m2 is defined as a combination of micro sound and industrial soundscapes. the panacea is no stranger to the world of techno as some may suspect, his command of the position chrome record label came from his close relationship with force inc. music works which was one of the earliest german record labels to fuel the underground techno/rave scenes in the early 90’s. since position chrome came under his guidance in 1997 it has become one of the most important labels in electronic music due to it’s integrity and an impressive release of quality music for it’s genre. more recently, he has been investigating the techno landscape with david frisch together known as new frames, their latest release on hands productions is essential for those interested in contemporary electronic music of the dark techno/industrial kind. “ above the absolute “ is a 12’’ of mercenary techno produced with expert skill. the opening track “ above the absolute 96 “ is pure sound wave balance with all the components for what is sure to light any dance floor on fire. “ most basic resolution “ is a dark, mood shifting, hard acid techno reminder of what it means to create music for warehouses, pure old school for the hardcore. “ overdrive ee “ continues in a more contemporary direction and demonstrates a mastery of percussive elements in tune with the kind of atmosphere that brings people together in the dark. the final track “ walter “ goes back into the future with a track aimed at the headstrong, an exceptional closing chapter that hits dead centre on the search of the perfect beat. an overall completely impressive work from an artist who has set no limitations for himself.

supported matthias mayer, tensnake, matthias kaden, alex niggemann

this lp + bonus cd features the entire track listing, plus 5 bonus tracks from the italia new wave lp. this album represents the musical mutation that occurred after the post-punk hangover gave way to more frigid emotional shores, in-line with the synth-wave moment that was sweeping europe and the white cliffs of albion. this scene flourished in italy between 1981-1985, and the musicians that came out of it are still revered today (particularly in the us). robotic rhythms and intuitions that, besides sharing common ground with the electronic movements that had come before, also knew how to fill up the dancefloor! featuring four previously unreleased tracks by der blaue reiter, along with tracks by modo, actor s studio and la maison, as well as the still fresh sounding contributions by true pioneers of the genre neon and naif orchestra.

die vier walsh brüder dk, ian, luke und shaun sind begeisterte surfer. für -distance between dreams- ließen sie sich bei ihrem hobby filmen und wagten sich im pazifik an einige ungewöhnlich hohe wellen heran. dabei entstanden beeindruckende aufnahmen. die brüder nutzten die wetterfront el nino, die 2016 viel unheil anrichtete, den surfern aber die höchsten wellen ihrer karriere ermöglichte. tom holkenborg aka junkie xl stand einst für big beats und technoide sounds. diese hat er nicht abgelegt, sondern seine klangpalette einfach erweitert. für den soundtrack zu -distance between dreams-, ein film, der die weite des meeres und die dynamik der natur-kräfte abbildet, passt dies ideal. so treffen weite soundscapes, die von trance und ambient geprägt sind (die manchmal durchaus an chicane erinnern), auf unerwartet heftige beats.
limitiertes türkises (turquoise surf sea foam) doppel-vinyl im klappcover.

the revolving eyes, aka cult dj duo rob n zoopsie should need no introduction to the more discerning fan of underground european disco. having recently resurrected their own moderne recordings label the duo bring their sophisticated party manoeuvres to wrong era for the first time. a five track e.p that touches on the classic sounds of chicago, electronica and wave with a distinctly european twist the belgian duo are a much welcomed addition to the family.

not much info on this one. trust your head & your heart! paraiso 89 from the short-lived group azura. this mysterious gem finally sees the light of day! crashing waves (check). sexy nylon licks (check). cheeky chimes (check). big dumb grins on the dance floor! essential breezy balearic biz! tasty mediterranean flavors. a joint on the beach w/ friends. eyes closed, head in the sky.