belgian duo raw district return to the crosstown rebels label with addicted, teaming up with the formidable aquarius heaven again for the label, this time remixed by the infamous doc martin and keinemusiks rampa. an ex reggae dancehall and hip hop singer aquarius heaven brings the colors of the caribbean to addicted. raw districts flamboyant percussions grinds the beats into a track that stretches the limitations of electronic music. rampas remix illustrates the breadth of his studio skills, as founder of a production company teile, he builds soaring synths and strumming piano to elevate the emotional aspect to addicted equipping it for the early hours of the night. doc martin has earned the respect of many over his extensive career for his timeless style that bridge many genres. his remix is a driving, dub-tastic, tribal take on the original that has been going down a storm!

repress! this compilation is his second for bbe. few can match john morales contribution to the world of the enthusiast turned remixer come producer. john morales is considered one of true legends of the mix. and his work some thirty years later continues to be cutting wedge and inspiring. although familiar with john s work - his epic mix of universal robot bands boogie anthem is the source from which bbe records got its name - no attempt had been made to summarise the pinnacle of john s work. this second release is continued history lesson in dance music. he formed with the late sergio munzibai, m+m productions whose output of over 650 mixes will be unmatched by many celebrity big name remixers of today.

keita sano is back in the house. this time our man in japan comes through with two sample-heavy stompers, fully primed for peak-time at the disco. pow! pow!

an obscure tape release discovery by red light radio founder and close friend of the label, orpheu de jong, led to music from memorys latest release. this two track 12inch highlights the work of electronic music pioneer joel graham, a san francisco based artist who self released two cassettes in 1984/85. originally recorded and performed live on pre-midi analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found in both contemporary dance music as well as in works of more established vanguard artists of the time. slowly unravelling and deeply hypnotic, joel grahams music seems to manifest a doorway to a profound new world and can be seen as a forerunner of what was to come in electronic music.

• 180 gram audiophile vinyl
• pvc protective sleeve
• featuring tracks from grandmaster melle mel & the furious five, arthur baker, afrika bambaataa & the soulsonic force + shango and many more!
beat street is an american 1984 drama film featuring new york city hip hop culture of the early 1980s, breakdancing, djing and graffiti.
there are several performances in the movie, notably from established early hip hop groups, grandmaster melle mel & the furious five, doug e. fresh, afrika bambaataa & soulsonic force and the treacherous three. as a member of the treacherous three, kool moe dee also appeared in the film.
beat street’s impact was felt internationally as well as throughout the united states. in germany, for example, beat street is credited with introducing the hip hop movement to the country.

since his first release in 2014, gardens of god has been building himself a sterling reputation that many can only dream of. this autumn sees the lithuanian dj and producer launch his own sodai imprint, with his own two track production river/ghost ep forming the debut release.river opens with a captivating force and level of intricacy that’s undeniably a gardens of god signature production. g host is highly emotive and charged, a record that unfolds with such force taking overarching white noise and horns to command the peak of the night. the creation of the sodai label arose as an outlet to release his own music at his own pace. as he explains,sodai will allow me to experiment with my sounds and create an ongoing project that gives me the freedom to style both with art and music. minidaugas lapinskis aka gardens of god has only released a handful of ep s and yet his name is often spoken with great regard among fellow artists, including the illustrious maceo plex. for over a decade gardens of god has been steadily mastering his craft and creating both film and television scores. it is only in recent years that he has decided to unveil his work and open the doors to his studio, as seen over at xlr8r

stockholm-based imprint swedish brandy productions serves up a sultry four track v/a 12 inch with deep and soulful gems. first out on the a side you get the track * legs lover*. equipped with yamaha rs-7000, moog rouge and roland juno 106, moscow based house and techno purist and producer harry light gives us an uncompromising old school deep house groover with crisp pounding beats, stuttering chords and distinct catchy hooks. harry light has previous releases on labels such as artreform, pro-tez and beef to name a few. the a side ends off with the post-disco sounding killer track “overland & sea” by london based producer and dj dan westlake aka westlake72. dan’s sound borrows liberally from the history of club and dance music, mixing and matching eras to create his own contemporary sonic palette, sighting the early and mid 80 s new york post-disco producers such as darryl payne and paul simpson in particular as key influences. on the flip side soultechnic aka deejaykul delivers the deep and classy track “addicted”. rául navarette, the man behind both aliases, has been holding it down since the late 80 s, releasing music on labels like atjazz record company, z records, peng, del, basic fingers and xtrasolar records, and remixing great artists like opolopo, the rurals, gregory del piero, kenny bobien, monday michiru, monodeluxe, diviniti and many more.

techno is the devil’s music launches with a slamming debut from north american bad man d.dan. storming, rapid-fire 90’s techno. think jeff mills trapped in the large hadron collider with a 909 and a 303 and you’re getting close.

poker flat recordings deliver another killer collaboration, this time between berlins youandme and the analog roland orchestra. the result is reflection an ep containing more than its fair share of pure dance-floor moments. the analog roland orchestra is michal matlak, the berliner whose intimate knowledge of dance musics most iconic machines has made him a much-in-demand producer and remixer. teaming up with party starters youandme as well as vocalist black soda, the title track of this release explores deep vibrations, merging 303 basslines, crisp 909 programming and a highly effective vocal. the dub tool reworks the vocals into a more spacey arrangement, adding atmosphere for djs who like to keep their sets stripped back and trippy. the hyenah remix flips the script and develops a deep afro-house inspired cut the man from the caymen islands developing an irresistible groove stretched out over seven and a half minutes. the acid mix gives an opportunity for the guys to get busy working the 303 to its full (un) natural potential, while the morning light mix locks into a cosmic vibe shimmering synths over a smooth, rolling deep house vibe

founder and a&r for life and death re-cord label. he grew up tour managing punk bands and organizing leftfield music events. now he brought his talents to the omnidisc family with this electro influ-enced polyester release.

deluxe lp w 180g, reverse board sleeve, mp3 download - jonathan fitoussi is a french composer and audio engineer working at the institut national de lãaudiovisuel ¹ ina - recorded with ems synthi aks, sequential circuits pro-one, and yc45d electric organ. - mastered by rahshad becker @ dubplates & mastering - seven aquatints (1973) artwork licensed from robert mangold

2016 repress! beautiful, dreaming dub techno/house on the new tiefenrausch label. eine neue perle im dubtechno-ozean. tiefenrausch präsentiert die welt der dub-fische und deephouse-quallen. die debut ep kommt von tiefseetaucher biodub. der hannoveraner all-round musiker kennt sich sehr gut aus in den tiefen klangwelten der musik. als drummer bei noetics und mit seinem elektronischen soloprojekt >biodub< schafft er den perfekten Übergang zwischen akustischer und elektronischer musik.

sawlin is well known for his unapologetic techno. the new code is law release shows him in a different way. in meiner mitte sounds like an emotional travel trough an insane manic mind with a lost soul.

all aboard! spacepod, a low-key, late night funkadelic house anthem from magic mountain high. presented in the classic 12inch tradition, with an original mix as well as acapella, club dub, and (courtesy of move d) remix versions, this demented ode to mindflight exhales a bit of humor over the room, but also penetrates the dome with its lush, single-lightbulb groove and insane effected vocal manifesto. this is definitely one for the end of the night squad. join us in our spaaaaaaaaaaaceship! tip!

kindred spirits boards of canada and teebs make an appearance in dreamy collaboration with odd nosdam s sisters remix ep. throughout, the producers split time between cosmic, slow burning beats and reflective soundscapes littered with intriguing textures and mind-bending samples. analogue sounds are generous and knowingly manipulated. gorgeous samples are deployed, sturdy yet emotional. cymbals explode. when the sun finally breaks through on an overcast day, sisters was very much inspired by that wonderful moment and the longing for it.

since contributing to the cocktail damore 5 years compilation, andrew cole aka luvjam has been invited few times to rock the monthly party with his deeply blissful and futuristic sounds. this is his first 12inch for the berlin imprint. the title track takes over the a side. nip to space is an abstract hypnotic slice of techno. every frequency of the 4/4 groove is stretched to the max, and it’s built to enhance the dance floor with masterful soundscaping. on the flip forest of nip is a raw tune, made by unexpected elements disappearing and re-appearing vibrantly, climaxing in a maze of fluffy acid synths. with flip to the flop the alchemist of sound design explores breakbeat of the finest uk tradition that evolves unexpectedly in a cosmically distorted afterhours delight. luv jams psychedelic perspective of sound is at its best in this ep, coupled with his unique mastery of frequency manipulation.

after his feature on oxias unity ep earlier this year, mannheims own steffen deux is finally back on 8bit with a brand new double tracker, exclusively remixed by tech house don curatero. fountain of youth ep is made for the club and will make all speakers pump: the original mix hooks with a subby rolling bass and fat drums, tightly arranged & perfectly coordinated. peachick is a laidback groove, striving from disorted fx and fading spheres - this tool is ready to fit the set almost anytime. curateros more forward fountain remix rounds the package to a timeless ep for djs and dancers alike.

“i still hang around” goes the deep haus mantra from clouded house (lobster distribution) label boss lukas lyrestam. stockholm born but currently based in london he had this to say about the record… “hang around is equal parts club-tool and introspective banger, for the moment you should be leaving but you got nowhere else to go. scandinavian masters is a solid gold thumper harkening back to the glory days of jesper parnevik.” ”on the flip-side two alternative versions give the tracks new legs. common labour alumni powel (fresh off a tour with lee burridges’ all day i dream outfit) delivers a smooth house odyssey remix while x-kalay mainstay kask goes 100% techno on a remix that takes no prisoners. make sure to keep an eye on the estonian upstart as he debuts on common labour in 2017 with an ep of his very own.” hang around ep is a vinyl only release, limited to 250 copies worldwide.

adesse versions coming on toy tonics! after some heavy releases on numbers, local talk, make love in public spaces and his own white-label imprint, kevin gorman brings us four new raw, heavydriving, superfunky cut-and-paste- house tracks. killers! adesse versions started as a re-edit project while kevin lived in vietnam. it grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (check his boiler room). gilles peterson, derrick may and larry heard are fans. adesse versions is all about paying tribute to his musical idols and creating timeless music. through rough sampling and raw emotion and as a dj and collector. he is an artist that has toured the world many times over. exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. to hear this in action, check out the monthly adesse versions show on rinse fm.

for our milestone 50th release we felt we needed to do something special, so with that in mind we present the return of red axes to correspondant. way back in 2013 we were a new label, and they were a new face on the scene. their hit record camino de dreyfus helped propel both the label and the artist in to the established figures that both are today. avalon combines everything thats good about the axes, with their signature new wave sound taking in the tropics, but skewed through a middle eastern kaleidoscope. sequencia astronomical is familiar territory to many red axes releases, but takes everything either deeper, darker, or weirder than theyve previously ventured, showing the huge growth in their confidence in the intervening 3 years since their last correspondant ep. to round off the package correspondant also presents an as yet unavailable instrumental version of camino de dreyfus

reflections is the spectral sound debut of nautiluss, the primary project from torontos graham bertie. his career began, as many do, with practicing mixing records in his bedroom before cutting his teeth in warehouse raves in montreal. after many collaborations and heavy touring early in his career, bertie has chosen to stay in more than go out, leading to a new direction in his music. dont let this lead you to believe hes a slouch in the live department.

keeping up their regular and on point release schedule, french outlet d3 elements now looks to a dj and producer from the southside of chicago. ellery cowles has been making unique house sounds since the mid 1990s as well as being a respected dj who is revered across the states. his music has come solo as well as in collaboration with the legendary likes of ron maney, roy davis jr and brian harden and cowles has released on labels like dafunk, hybrid and hizou deep rooted music.

general ludd are back with sunset yellow, their third ep for us in as many years. this one picks up where “are you losing my hearing?” left off with three more doses of heady drum breaks and spacey synth lines that have been psyching out our dance floor in new york for quite some time now with no negative side effects.

bristol is a tight knit place and there has always been a healthy culture of collaboration in the city, lmye (lend me your ears) are the latet in that tradition. two friends who met, and for a period recorded above the idle hands shop on stokes croft. they made their debut on funkineven’s apron label earlier in 2016 with the ‘cali 76’. here they keep things closer to home with a release on idle hands.
‘manhattan’ is as indebted to ’70s us funk as it is to ’90s uk garage. a house tune that has turned heads on the various mixes it has found itself on over the last year.
over on the flip shanti celeste turns in a brilliant remix, one of her best we think.

2016 reissue
some straight up banging mid 90 s gear from drew sky under his skyman alias. one for the dm freaks and collectors alike. direct, dancefloor damaging acid in the shape of -focus- bristles alongside the hyper disco cut-up of -peace of mind-, strictly for the heads! flip the record over to check the insane sax samples in -skoba dee- for maximum confusion in the dance! massive record, pure power all the way through and an essential weapon for the record bag! fully, legit reissue done with the permission and assistance of dance mania records and mr. parris mitchell, chicago usa.

three freude am tanzen releases from douglas greed for one special price:
- fat051: hurt & love ep
- fat062: masked up and messed up
- fat069: spark / noisy ep ft. mooryc

adult contemporary have always focused on meticulous production and manufacturing throughout the catalog history. this time no different in that regard, but the approach seems to have crossed over to the visual aspect of their ninth release, a glorious offering introducing artist invisibleland, as well as, a dazzling cover illustration synchronizing the entire package. the headlining lead track is astonishing itself. -six months of no rain- is a way of life in l.a. come every september which is when this multi-dimensional masterpiece lands.

so kam die postmoderne über uns und machte aus vormals ehrbaren kulturschaffenden werksarbeiter, denen alle schrauben abhanden gekommen schienen, im besten fall. mit minimaler eigenleistung (nimmt man die unbeabsichtigten fehler in der produktion mal aus), aber bei maximaler entgleisung entstand ein gänzlich neuer berufszweig. der grundsolide werksarbeiter, mit gema anmeldung im griff und guten draht zu seinem steuerberater. um die quietschfidelen arpeggio terroristen soll es heute mal nicht gehen. unsere protagonisten dieser geschichte sind andere. wahnwitzige, soziophobiker, menschen mit gebrochenen lebensläufen statt joghurt im rucksack, emsig agierende mitstreiter mit tupperdose in der tasche für die frühstückspause, willens den kampf der letzten kulturoffensive zu ende zu bringen, samplen, pitchen, alles zerhacken und zu undefinierbaren fetzen von funk wieder zusammensetzen. ausgeglichen vom duft der natur ankommend den fortschritt definieren wollen und den strom in die maschinen juckeln. Ästheten der fehler waren geboren. losgelöst vom fließband. hart & tief wird geackert geschwitzt, gebimmelt, der filter aufgedreht, der schmutz schaufelweise rangekarrt, bis die stufe der erlösung erreicht wird oder eben halt auch nicht. das leben ist nun mal kein einziger orgasmus und der funk entsteht in den pausen wie die befriedigung der gier und der besitz des moments, weil das leben ist doch nur ein wimpernschlag und wir immer nur einen abgrund entfernt von weltekel oder erlösung.

californiabased producer damon bell could not find a more suitable home for his new 12inch than croatian label burek. its his first one since blues for the libyan lp released in 2015. for deepblak, and it sounds as if the time off was well spent. two words that perfectly describe this record are rich and colourful, and the description is equally applicable to all three cuts. stand by me is a synthheavy piece built around the interplay between tracks rougher sounds and big lush pads. on the flipside, life is slightly faster and more direct, with a wonderful guitar part that circles around the main theme throughout the most of the track. similarly mannered, but slightly more intense transatlantic journey? we been here! is the last piece and features an infectious groove with lead synth piercing through layers of delicate arpeggios playing in the background. all in all, it feels good to have damon in the team. we hope youll enjoy this record

debut ep by a milanese based produced under the alias dj phlowgod. athens based echovolt records start 2016 fresh and in style, extending their blooming catalog with mantha ep, the debut of north milanese based produced dj phlowgod. expect 6 stripped-down tracks that go from raw kickdrums to more moody melody patterns. always with that modern touch!

incl. 8 pages booklet picture!cd jewel case with 8 pages booklet, pictures , notes in anticipation of the 35th anniversary next year one of electronic musics most influential recordings, the legendary e2-e4, from 12.12.1981 does get an official rerelease by manuel gšttsching on his own label mg.art. carefully overseen by the master himself

lp 180 g vinyl remastered by göttsching, long deleted vinyl reissue. remastered by manuel göttsching and released on his own label mg art. inventions for electric guitar is manuel göttschings first solo album, recorded: july-august 1974. the album was written and performed entirely by göttsching on electric guitar, hence the title. manuel played his guitar and used a 4 track teac a3340, revox a77 for echoes, wahwah pedal, volume pedal, schaller rotosound and hawaiian steel bar.

release no 31 finds kat records on a european tour with 3 reworks based on 80s belgium, italy & germany disco & new wave with man of the moment moscow producer phil gerus (futureboogie, sonar kollektiv) taking centre stage.

2lp+download ! in my room proudly presents fixion, the fourth full-length offering from anders trentemoller. with fixion, anders has crafted a logical successor to 2013s lost - a record that in many ways managed to truly capture the visceral live experience of trentemoeller as a full-band. in much the same manner that lost built on from the somber cinematic classic that was into the great wide yonder, fixion has embraced the danish artists trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.

following the avonmore remix ep, bryan ferry now collaborates with leo zero, ray mang, leftside wobble and justin robertson to release the new ‘avonmore’ (dub) ep. pressed on 180g heavyweight vinyl and housed in a screen-printed sleeve, this record is an edition of 500. the dub ep contains a broad pallete of sounds, scenes and genres which are traversed along the course of this four track vinyl. kicking off in style with a version of ‘loop di li’. leo zero’s take is sun-kissed and breezy, with trilling riffs and sweeping synths. uk disco-don, ray mang then offers a more pumping, groove driven effort that wraps ferry’s unique vocals up in a neo-balearic cool. flip over to the b side two listen to two fascinating versions of ‘driving me wild’, both hosting that lush 80s nostalgia. mastered on the emi 1400 and pressed to 180g heavyweight vinyl, avonmore dubs features both a bespoke screen printed thick card outer sleeve and a bespoke inner sleeve.

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe.

debut release for ra journalist dan petry using the moniker ged. the dry river ep is an accomplished first outing that fans of drexciya, dave clarke and objekt should investigate. ged s sound is rooted in detroit electro, early rave, 90s warp sensibilities and the gorgeous electronica palettes of manchester s skam label, most notable on early boards of canada and bola s work. that is to say kicking drums, dark brooding undercurrents and delicious soundscapes. definitely worth checking.

at 21 years old, mathis ruffing has already managed to craft a signature sound, elegant and mature with a focus on melody and texture. rewardingly diverse, the ep touches on several genres and influences, ranging from cosmic to earthy dancefloor cuts, acid, grime, proper electro, idm and ambient. the common thread on this record is the search for balance between heartfelt melodies on one hand and on the other a form of immediacy, raw and almost industrial. ruffing has no trouble finding this balance and adding five terrific tracks to the banlieue catalogue.

remastered & reissued , original released 1981 , goth rock at it best

next up for church is berlin via manchester based james booth.

jasss debuts on mannequin records for the death of the machines series with a killer 3 track mix of ebm/industrial & wave on this heavy 12inch. perfect for the most abrasive dancefloors. mastered by rude 66. highly recommended!

after succes releases on labels such as tsuba, slow down, sleazy beats, rose records, and much more, german luvless is ready with a strong release on danish label deso records - you should is a strong deep house track, with a beautiful hookline, that will make troubles everywhere is will be played. on the remix, we got the mannequins back on deso - this remix is supported by jimpster to name one, deep house when it is best. limited solid white vinyl. this ep is supported by names like: mike w (kolour recordings) lo shea (phonica) nacjtbraker (dirt crew) jimpster (freerange) onsulada (yoruba) and much more! get your deep head on!

das label bbrwd entspringt einer kooperation zwischen den künstlern ta-ku (nz), repeat pattern (jp) und dem label jakarta records (de). der label-compilation -brrwd love vol.1- folgt nun auf dem ersten solo release des labels der japanische künstler -yagi- mit seiner -bellwoods- ep. in tokyo ist er seit vielen jahren ein teil der vitalen beat-szene und dort kreuzten sich auch die wege von ta-ku, repeat pattern & yagi. die ep entstand hauptsächlich in toronto, kanada und bewegt sich zwischen experimentellen ambient- klängen und hiphop beats.

first album release from italian house instigator enrico mantini which is going to set another mark in his discography. 8 of mantini’s best tracks from years 2012 - 2014 personally chosen by the artist and splitted on this 180 gram double different coloured vinyl release. debut one from mantini’s very own label down da mountains.

the revised brotherhood recorded their one and only 45rpm single tragedy b/w those things in 1971. the band was founded by organist john hurd who was taught music many days a week by roger troutman. the band released a full length album shortly after the 45 but it did not take long and they split up. thanks to john hurd all of you get the chance to enjoy these songs on 45rpm single, more than 40 years after its initial release.

standard edition without the sleeve ... inspired by his time at the volcano extravaganza festival on the sicilian island of stromboli, daniele baldelli has created three new cosmic tracks. including an epic remix of 1970s. a founding father of the cosmic disco sound, italian dj daniele baldelli rose to prominence with his mixture of european electronica, synth pop (often played at slower speeds), equaliser effects, and ethnic folk music. baldelli’s use of african and brazilian material helps distinguish his style from italo disco, which permeated the clubs of northern italy during the 1970s. baldelli dj’d the night away at last years festival and releases the ep on the vinyl factory in time for the 2016 celebrations

minim records gathers a quartet of bumpin sleek sounds from around the globe for the anticipated 002 va. “stardub” finds romanian producer mano andrei layering ethereal, muted pads over some raw percussives, tight driving kick and body moving bassline, while montreal gearhead pheek’s “glad i say” mates tech house bounce and sine-wave wubs to a creaky, industrial sonic palette. uk trackslinger tijn pictures the “cosmos” bursting with angular breakbeats and 4/4 subs, as the talented ukranian producer/dj and tvir label boss komponente tweaks percussive tones, punches the kick, and adds a coating of sonic grit on the brain-bending “amigdala”.

rtct.records joins the hustle - for our first release we managed to convince german house legend leo woelfel to provide a package of four stellar house originals for this 12”. the whole thing is rounded up by a brilliant remix from not me, our hero from barcelona, who brings in even more excellent sample work.
our precious vinyl comes with a certified seal of freshness, so rip it open and enjoy limitless playtime with maximum flavour and watch out for the easter eggs we’ve planted for you...
no fillers - just hits!