the first release on red curls is by new york band bottoms, “my body” is a noisy acid punk house affair complete with live drums and a haunting original vocal by the band’s lead singer jake dibeler. on the flipside the original track also comes reworked in a slamming version by kassem mosse, who also contributed two more playful edits to complete the package. free download codes included.

bristol raggatek crew invite inetrnation sexy producers to joins and produce this compilation of crazy tunes... bad taste and total werid ska jungle core in a very punk squatt world !

the nine-piece uk-based reggae unit enjoyed a measure of success in the latter half of the 70s. here s the debut album book of revelation from 1978, re-issued in the original artwork and 180 gram heavy weight vinyl, all re-mastered music and additonal leaflet with liner notes. the longplayer was recorded and mixed by the legendary mark angelo lusardi who worked also with dennis bovell, creation rebel, prince far i, public image limited, and who developed later an outboard eq / filtering device called the mutator, used by numerous recording artists including massive attack, radiohead and daft punk.

the first release on confused machines pays respect for some of their homeland collaborators/heroes in a form of remixes. side a present two remixes by the models. the first one for the cult ex jerusalemite trio mouth and foot, a slow and mellow / romantic house tune (in hebrew), while the second remix is a dark shoegazy atmosphere with harsh 808 treat for singer songwriter bela taar. the flip side holds an essential edit for late 80 s post punk female duo mafatal, mule driver turned the original cut into a dance floor hit using tribal poly-rhythmic drumming with merciless driven bassline.

poker flat recordings offers up another mouthwatering collaboration in the form of this ep by mennie and julien sandre. mennie hails from italy, and had fast been gaining a serious reputation on the underground, both as a resident at club 999 in his home country and as a talented up and coming producer. teaming up here with the frenchman julien sandre, this is an international project that will hit home with djs and house lovers globally. the night riots ep kicks off with partitions, which sees the boys in sparkling form - twisting and teasing a sick groove out of fairly simple sources.arth j follows a similar path the devil is in the detail, and mennie and sandre get down to some serious beat science, punctuated with some subtle chords and vocal stabs in the process. in a pixel world’ reveals the pair’s love of classic chicago vibes distilled though french touch, bringing in a super funky groove filtered though various effects and processes, and paying homage to the timeless sounds of early daft punk. ‘no more closes out the ep with a yet another weapon - a ray of house sunshine that skips along on a fidgety beat offset by filtered strings and chopped up vocal stabs. its got summer written all over it.

here s a new remix record from aaron spectre, an american producer known for building bridges. nearly a decade after his first amen, punk vinyl was released in japan and became a worldwide underground staple, he s back refining the energetic hybrid sound further. jungle boots is four tracks of genre-unifying white label goodness, flawlessly cut to vinyl and ready to rock.

(incl. dl card & sticker collection) the tenth anniversary of the subs is the perfect moment to look back at their heritage with a decade of dance, a best-of-album containing 18 previously released tracks and one new single

nach 2 legendären alben auf trevor jacksons output recordings mitte der 00er jahre und dem vinyl-only album many colours 2015 veröffentlicht der französische produzent marc nguyen tan aka colder nun zwei longplayer gleichzeitig. beide bestehen aus brandneuem material sowie überarbeiteten, unveröffentlichten songs der output-jahre und bestechen mit ihrer eiskalten, atmosphärischen melange aus cold wave, krautrock und post-punk, irgendwo zwischen chromatics, lcd soundsystem, liars und the horrors, mit einflüssen von neu! und can. goodbye ist mit seinen zackigen, synthetisierten gitarren und dynamischer elektronik ein groovegeladenes werk, während the rain mit eisigem ambiente und new wave-expressionismus experimenteller ausfällt.

nach zwei legendären alben auf trevor jacksons output recordings mitte der 00 er jahre und dem vinyl-only album many colours (2015) veröffentlicht der französische produzent marc nguyen tan aka colder nun zwei longplayer gleichzeitig. beide bestehen aus brandneuem material sowie überarbeiteten, unveröffentlichten songs der output-jahre und bestechen mit ihrer eiskalten, atmosphärischen melange aus cold wave, krautrock und post-punk, irgendwo zwischen chromatics, lcd soundsystem, liars und the horrors, mit einflüssen von neu! und can. goodbye ist mit seinen zackigen, synthetisierten gitarren und dynamischer elektronik ein groovegeladenes werk, während the rain mit eisigem ambiente und new wave-expressionismus experimenteller ausfällt.

1999…after the global supremacy of oasis and blur, the world is looking for some musical freshness. some artists such as daft punk and air have already contributed to globally popularise what the english called the “french touch”, a new term that refers to a large musical french movement. the first album of cassius is one of the key pieces of this growing genre, and demonstrates once again the variety of the trend. indeed, after have cooperated for a long time with mc solaar, one of france’s 90’s best rappers, the hip-hop influence of both cassius members had to have an impact on their personal concept, and it did seduce a lot of listeners hungry for new musical flavours: more than 250 000 units sold worldwide and numerous unconditional fans…before the release of their new album ibifornia coming out this summer, we’re taking you back to basics with a new release of cassius’ first album, for the ones who didn’t have the opportunity to hear it, or for those who only have the cd, and would like to get themselves the vinyl edition !

guitarist rolando bruno hails from buenos aires and got his start playing a raw brand of garage and punk with his band los peyotes. a few years back he took a step into the not-so-distant world of afro-peruvian psicodelico that s had a recent renaissance throughout south america. what made his early forays into a more tropical branch of fuzz so unique was his accompanying band-or lack thereof. armed with an electric guitar and self-produced and recorded backing tracks, rolando bruno and his orquesta midi jet-setted across europe and japan as a mad scientist one-man band, laying down a relentless style of chicha classica gone loopy that earned him several tours and a full-length album with the swiss imprint, voodoo rhythm. originally recorded in 2011 and now remastered and presented by names you can trust on vinyl for the first time, these two tracks are a glimpse into rolandos prolific electric madness and a lysergic-laced pointer towards things to come from the talented six-stringer.

london based punk duo black volume are not easy to classify. their delirious industrial post punk sounds at times like proto house and at times becomes some sort of mutant electro. their b series sound is made of a conglomerate of filthy percussions, unexpected samples and something with the appearance of melody, with a weirdly addictive result. black rubber is james brown wearing black leather at 40ºc (in the shade) while suffering a mental breakdown. excentric melodies sliding down rhythmic dislexia. negative return blooms from an improvised beat with no traceable sequence, on top of which we find rubbery synth lines, creamy interferences and mysterious sampling, everything sounds like melting from old vhs footage with the future we enter a romantic dystopia. sensual and passionate but equally crunchy, it rises up through cheap calculator arpeggios, pitched vocals and obsessive bass lines. streetfight evoques a desolate landscape, devastated and radioactive. distant echoes from an extinguished human race that left behind only majestic rusty ruins.

hot on the heels of kess kill s launch featuring cute heels, rivet proudly presents kess02 by xaõ seffcheque. while kess01 was in no way a compromise, it was still a very intentional symbiosis between the distilled essence of kess kill and contemporary electronic music. on kess02 we go straight to the core of the kess kill sound and aesthetic with three breathtaking songs by xaõ seffcheque. a contemporary of liaisons dangereuses and d.a.f., düsseldorf based artist xaõ produced some extremely singular music in the late 1970s and early 1980s, which makes for a very proud first reissue for kess kill. this is music so unparalleled that making comparisons is completely redundant. think jacked up post-punk with manic rhythmic tendencies and you’re halfway there. qu est-ce qu il fait chaud!

the first r&b rec record is born from the encounter of two artists in the gloomy baltimore of the beginning of the millennium, after years in which their artistic roads proceeded in a very much parallel manner, without ever physically crossing paths, driven by their passion for analog instrumentation and the desire to find and create new rhythmics and sounds. it is in 2013 the two decide to join their forces to create their own personal vision of techno music and dance music in general. resulting in a hot and scratchy vinyl that combines dark, percussion sounds well known from detoit techno, with the sought after rhythmic of breakbeat and drum and base, of the british nineties. also packed with influences of acid-house, this record incorporates features of the so influential 80 s punk era, finally sinking it s roots in the psychedelic currents of the 70 s. the result is a brand new genre which is difficult, if not impossible to define. a unique way of defining dance music, in all its aspects, which is identified under the name of spaceship surgery techno.

the third album from gold panda as 12 inch vinyl release with download code included.

alexander ridha, besser bekannt als boys noize, meldet sich mit mayday zurück. auf seinem bislang dynamischsten werk führt ridha alles, was ihn geprägt hat, so konsequent zusammen wie noch nie.mayday verbindet die energie und den geist des punk mit der kraft des modernen techno und der frühen tage des rave, und transportiert die unschuld einer vergangenen Ära in die jetztzeit, ohne jemals anachronistisch oder nostalgisch zu klingen. kollaborationen mit polica, hudson mohawke, benga, remy banks, spank rock und so manchem geheimen gast (es lohnt sich die liner notes zu lesen) erweitern das spektrum.ich versuche mich immer selbst zu überraschen, als produzent und dj. etwas neues zu schaffen, etwas, was ungewiss ist, das hat für mich den grössten reiz sagt ridha. mayday steht repräsentativ für eine generation, der genre-grenzen nicht mehr viel bedeuten. musik ist spannend, wenn sie gut ist. und das gilt auch für mayday

correspondant return with their fourth annual label compilation. in this, the year of their fifth anniversary, they invite you on a night drive which takes you deeper in to the darkness. label owner jennifer cardini has invited a cavalcade of correspondant’s core family (man power, red axes, javi redondo, doll kraut), closest collaborators (axel boman boruisade), and newest friends (chida, yovav, dollkraut, kiwi, jonathan kusuma, autarkic) to show the world that correspondant has a synthetic heart of punk which pumps glacial disco through its frozen veins.

correspondant return with their fourth annual label compilation. in this, the year of their fifth anniversary, they invite you on a night drive which takes you deeper in to the darkness. label owner jennifer cardini has invited a cavalcade of correspondants core family (man power, red axes, javi redondo, doll kraut), closest collaborators (axel boman boruisade), and newest friends (chida, yovav, dollkraut, kiwi, jonathan kusuma, autarkic) to show the world that correspondant has a synthetic heart of punk which pumps glacial disco through its frozen veins.

weißes 180g vinyl im gatefold-cover mit bedrucktem innersleeve, limitiert auf 500 stück!
fünfzehn songs von drei der erfolgreichsten wiener neustädter bands der frühen 80er jahre (x-beliebig, dämmerattacke und bates) werden ausschließlich von ehemaligen musikern dieser bands neu interpretiert. das vehikel für diese neuaufnahmen nennt sich bezeichnenderweise totgeglaubt. kann man den spirit von punk und new wave wieder beleben? den neongrellen zeitgeist jener tage mit dem dunklen schlund der gegenwart verbinden? ewig seine jugend verschwenden? man höre, fühle, urteile selbst. totgeglaubt, so unser urteil, ist quicklebendig. und hat viel zu sagen, ohne sagen zu erzählen.

introducing broken dreams, a new series of white label releases on rotterdam based pinkman label. first up is metropolis, who returns with four wave, electro and body music hybrids. a quartet of tracks that draw on lapien s diverse catalogue, this is undoubtedly some of his darkest music to date. acid, new beat and post-punk influences bubble and churn throughout. crisp beats crash, strings lament, vocals sigh and synth stabs squirm for an ep that refuses to conform to norms. a hoarse and harsh cry to open a new pinkman chapter.

the music world waits a decade for more music from marc nguyen tan aka colder - and then along come two albums at once. as colder, marc released two acclaimed, cult darkwave, post-punk albums on trevor jacksons taste-making output recordings in the mid 00s (again in 03 and heat in 05).

hailing from Århus, denmark second largest city, zaks feels closely connected to the rock, punk and experimental scene blooming in his hometown. the same diy esthetics can be found throughout his own, idiosyncratic take on electronic music that, apart from being highly distinctive, is best to be described as incredibly versatile. central s sterling dekmantel records debut is spread out into a montage over four sides of vinyl - dkmntl034 & dkmntl035. on the first part of the mini-series, zaks deviates between the deepest, vocal tinged house of keep love on me , via breezy breakbeats ( this is hand ), to the lush ambient-jam longest way between two point .

hailing from Århus, denmark second largest city, zaks feels closely connected to the rock, punk and experimental scene blooming in his hometown. the same diy esthetics can be found throughout his own, idiosyncratic take on electronic music that, apart from being highly distinctive, is best to be described as incredibly versatile. central s sterling dekmantel records debut is spread out into a montage over four sides of vinyl - dkmntl034 & dkmntl035. on the second ep, the innocuous playfulness of tubelife , the soulful and brooding detour king’ and the jazzy undertones of politcal dance are colorfully-plumed dance tracks drawing on jazz-soul and deep house knitted together with impressive precession.

reviously unreleased schizo post-punk/moogy folk score to 1983 british tv scouse-ploitation drama one summer (remember billy and icky?) from the vault of kate bush, serge gainsbourg and david bowie’s best-kept secret session man alan parker. inducing abject fear in protective parents and a street smart swagger amongst clued-up youths, this adaptation of a coming of age pastoral thriller by a reluctant willy russell broke new boundaries pinpointing a cultural teenage void between post punk activism and the acid house years while arguably giving thatcherite telly addicts a tiny kick up the arse. scored by legendary kpm/de wolfe library musician alan parker, this score retains a genre defying personality, pinpointing the stylistic essence of the era while successfully switching from barren rumble fish funk, pastoral moog noodlings, pentangular folk, 80’s post-punk rhythms with hints of dubby

limitierte wiederveröffentlichung des 1996er albums “animal rights” als 180g schwere vinyl edition. bei erscheinen waren die moby fans irritiert, denn statt eines weiteren elektronik-albums wandte sich moby ohne vorwarnung dem alternative und punk-rock zu. in der rückschau passt dieses album jedoch perfekt in seine discographie und harmoniert mit seiner sozialisation und seinem weltbild. auf dem album covert moby mission of burmas thats when i reach for my revolver und entschließt sich nach veröffentlichung mit künstlern wie soundgarden und red hot chili peppers zu touren. auf dem cover ist moby zu sehen, nur zwei wochen alt, in den armen seines großvaters.

new three track ep by los angeles producer silent servant. these will fly ...tip! known for his previous work with techno outfit sandwell district, juan mendez, since the dissolve of the group has tapped into his formative new wave/post punk and early electronic influences effectively applying them to his recent productions to create an engaging amalgamation of modern dance music. across this ep the sounds of bleep, ebm, and even minimal synth are all present...from deep floor movers to jagged edged 150 bpm skankers, mendez through these last years has been responsible for opening up minds on the floor and this ep proves to be a testament of such.

limited vinyl lp in gatefold sleeve with album-cd included.
on the cover of their new album malamore, their first album for because music, lionel and marie limiñanas are back in black, and looking ineffably cool, standing next to a classic silver fifties trailer, shot at a beach festival in the french town of paulilles by the spanish border, just 30 minutes drive from the duo’s home town of perpignan. they’d been playing a dj set, “only with 45 rpm vinyl - sixties punk, italian pop, movie soundtracks and seventies rock tracks,” they recall. “the picture syncs well to the colour of malamore, like the artwork of a movie soundtrack. the lettering on the cover is significant too.

last harbour return with paler cities, a 7inch vinyl release for gizeh records which marks the follow-up to 2015 s raw and brooding caul album. maintaining the high standards set by caul, these two new tracks are a more direct version of last harbour s signature form, leaning towards a more stripped back, less textured post-punk sound.

so far the most -punk- release in the borft catalog. this is the meeting between johan sturesson (kord) and petter svensson (nebula). while petter has his background as a punkrocker johan has some years of experience in the electronic vein this meeting result in a ebm/punk/techno ep dirtier than ever. lim ed 300x handstamped + sticker.

(vinyl part 1 of 2) slum jazz punk and full moon is the return by opsb (one piece session band) in two separate singles, remixes by tokyo black star and righteous (tadashi yabe of ufo & dj quietstorm).

vent is receiving another dose from enfant terrible cindy, and it’s just like the relief of the hair of the dog that bit you. relentless and distorted, cindy weaves hypnotic spells of repetition, reminiscent of basement hardcore, punk and no-wave influences. seldom has one heard such artistry using solely a 909 hihat. to round the package of, rebekah adds her take on the aesthetic and holds nothing back.

on its sophomore release, raar s bold mission of unbridled techno with a punk-rock ethos is continued in tracks from label co-founder maelstrom and newest family member, specialivery. opium wars sets a seething tone, deftly holding a line of tension as machines moan and shriek. focused yet dissonant, the discomfort continues to build without resolution, playing the edge but never grasping hold . diameter of recess starts under the skin in maelstrom s typified controlled chaos. as it grows, the track becomes both an aching roar and a needle-sharp, frenzied insistence, a feral yearning and a frustrated surrender. swiss italian carlo bernasconi is a man of many aliases, the most ferocious of which is specialivery. having eagerly taken up the challenge to push further than the original demos sent, dust detector subsystem is a demonstration of this, cumulating in -an extremely rare, compulsive mental movement- presented in both teeth-bared, club-optimized and more pensive beatless versions. it is with great pride and pleasure that we present the evolution of raar. it is our greatest hope that this work inspires and liberates its listeners. released on 12inch via the vinyl factory

michele mininnis hyper martino ep is a strange adventure in sound, the finest example of music noir and engaging story of audio science fiction. michele hails from south italy and counts everything from post-punk, krautrock to new wave, house and disco amongst his influences. hes been a dj for years but only in 2014 has released his debut tupolev love ep on glasgows optimo trax. he immediately found himself in the spotlight of discerning djs and music collectors alike. after a few months he released another highly acclaimed ep entitled endless ceremony on belgian label curle. and now, after a short hiatus he returns with his latest hyper martino ep radiating oblique and unpredictable sounds. remixes come courtesy of tel aviv’s hit-assembly-line red axes who yet again deliver a bloody good remix, and of a reckless new age traveller, industrial-yoga-trance guru and australian multi culturist dreems.le temps perdu is a new label founded by lemmy caution, a man of mistery, a fan of steal mustangs, robot poetry and otherworldly sounds, well know across the outlands and operating from alphaville. the vinyl release includes a download code.

the rattler proxy present the prelude to their upcoming album, three new tracks produced by thomas bullock. *follow* is a ten-minute acid storm brewing with distorted vocals and jangling art rock guitar - it was previewed by tim sweeney on his beats in space radio show and voted one of the best tracks of 2015. *ex cop* is an edgy three minute punk stomper with sharp guitars and an incessant driving beat. *mother goose*, like *follow*, showcases more of the bands techno influences with thundering drums and twangy synths emanating from the deep.

lo-fi hardcore rave from moscow death disco vs psychotic art punk electro by le chocolat noir!

this first compilation from copenhagen label pattern abuse is an eclectic collection of some of denmark’s finest artists from all around the musical spectrum. quirky electronica, retro techno, future garage, post punk and more: at first glance the nine tracks on this relase seem an odd blend. but played together, a common thread of dark and dusty sound appears, showcasing pattern abuse as a label that is sure to deliver unexpected and high quality sounds.

eclectic san francisco duo have transmitted series of moody electronic compositions that draw from cerebral post-punk gigs & sweaty dance floors. barcelona based lokier adds commanding bass & spotlight on vocal, steady forward motion is hypnotic in effect.

warehouse find!!! a 100 copies white label test pressing with industrial cyber punk techno tracks rooted in the good old unit moebius tradition and pressed at the now defunct space wars industries pressing plant of guy tavares aka dj schmerzlabor! no nonsense dancefloor material from da goblinn, on this bunker relelated release that never got released because the box with the records got lost in 2013... only a handful went on sale on clone.nl and never got restocked or distributed untill now (only 1 person on discogs got it in his collection!) single sided with nice space wars edging on the flip side! last copies ever...

red axes ist das projekt der beiden produzenten und djs dori sadovnik und niv arzi aus tel aviv. in den letzten 12 monaten hatten die beiden einen fulminaten aufstieg mit releases auf labels wie multi culti, crosstown rebels, hivern discs, sowie auf ihrem neu gegründeten eigenen label garzen. kein wunder, dass die beiden mittlerweile zu den gefragtesten remixern und weltweit vielgebuchten djs gehören. da beide früher in bands, unter anderem in der new wave / post punk band red cotton, gespielt hatten, ist der einsatz von richtigen live instrumenten allgegenwärtig. hinzu mischen sich orientalische einflüsse, sowie elemente des techno, um die grenzen zwischen songs und reduzierten tracks aufzubrechen. die ep sun my sweet sun ist ihre erste veröffentlichung auf permanent vacation - passend dazu haben sie ihren sound um ein paar tropische elemente erweitert, perkussive und sonnengetränkte club musik für die lange nächte im freien

a industrial callous, caustic and fervently cruel ep. contort yourself has once again gathered the best and boldest from past and present for its fourth ep. to begin with we have the grimacing visage of volition immanent, an intense live act made up of parrish smith and mark van de maat (knekelhuis). behind rawkish distortion, splintered beats and acrid bars screams a boiled anger, a track spitting on the divides of punk and electronics. nastiness is taken up a notch as noise ne er-do-wells zombies under stress take over. static is bent and doubled across thick chords and collapsed clap in the 1986 -maan zal zijn before the raw and raging battery of in onze tijd. l.i.e.s. regular svengalisghost grapples with maan zal zijn, channelling the originals rage into a mechanical monster. the 12inch is bookended with bite as mark forshaw (tabernacle/berceuse heroique) closes with the tortured and torrential thump of submission.

repress ... it s been a busy 3 years since danny berman aka red rack em released on his own bergerac imprint. since then he s toured relentlessly, released a whole album of live music based disco/punk funk for sonar kollektiv as hot coins, managed to completely update his biggest track in love again to make it a hit the second time around plus released spaced out, wonky party smashers on wolf music, phonica, city fly and telefonplan. while all this was going on bergerac was largely on ice but now berman is turning his energy back to the label with a vengeance.
dj support: dixon, ame, hunee, dam swindle, jimpster, inkswel, medlar, mad mats, doc daneeka, kito jempere, ron basejam ...

optimos prolific dj/producer/label boss jd twitch aka keith mcivor has curated a compilation of early 80s synth, industrial and cold wave classics and undiscovered gems in collaboration with the vinyl factory, following the cease & desist diy! (cult classics from the post-punk era 1978-82) compilation on his own optimo music label, and youth stand up!, a collaborative recording project featuring young musicians from glasgow, ghana and belize on his autonomous africa imprint.

the italian serves up 4 tracks of analogue proto-techno. the style can be defined as techno of an esoteric nature with elements from 90’s warehouse material mixed with vhs horror movie aesthetics. moans, groans, whips and desire can be felt throughout the record with a lustful theme running throughout. violet poison s trademark post-punk aesthetic and industrialism are in fine form for 007 with shades of rhythmic noise, experimental dark ambient and power electronics. full printed sleeves.

for this new “edits” issue, we are introducing rutes from london, a great digger and dj we met in 2014 at camp cosmic (sweden). he proposed us a bunch of really great cuts, and we’ve chosen those five to make a very special record. from exotic esoteric dance, to sleazy new wave, on to brutal minimal synth weapon, dubby horny post punk, climaxing on the most lovely musical nugget. we love this record so much, hope you will enjoy it as much as we do.

legendary french producer mr. oizo aka quentin dupieux returns with hand in the fire, a four-track ep featuring brash, heavy-hitting productions and a charli xcx guest appearance - out today via ed banger / because music / big beat records. the new ep largely follows in the steps of mr. oizos acclaimed 2014 lp the church. the title track shows off mr. oizos pop production chops, mixing a compelling vocal performance from british pop-smash songwriter charli xcx, complete with an incredibly catchy hook, with a punk-inspired composition that transitions more towards trap by the end of the song.

crash course in science are a post punk band that formed in 1979 in philadelphia. the band members, dale feliciello, mallory yago and michael zodorozny, met while attending art school, where they began to experiment with crude electronics and off-beat lyrics. ccis avoided conventional instrumentation by using toy instruments and kitchen appliances to augment the distorted guitar, drums and synthesized beats.

kirkis ist ein proto-punk/jazz-funk-künstler aus melbourne, der auch schon auf eglo records veröffentlichte und aus dem umfeld der hiatus kaiyote crew stammt. mndsgn ist ein umtriebier beattüftler, der zuletzt bei stones throw/leaving veröffentlichte. cold crush startete als remix von mndsgns kikhabits von seinem kultklassiker breatharian tape, der jedoch kaum noch als remix durchging. mndsgn setzt einen drauf und liefert nun im gegenzug einen remix eines gescheiterten remixes für die b-seite dieser limitierten 7 inch. das vinyl erscheint inklusive downloadcode.

this is the new 2016 edition of soul jazz records’ long out of print first new york noise collection, dance music from the new york underground 1978-82. this new 2016 edition features classic new york post-punk, punk funk and no wave tracks from arthur russell/dinosaur l, james white and the contortions, the theoretical girls, mars, konk, material, bush tetras, lizzy mercier descloux as well as new tracks by alan vega (suicide), chain gang and implog.
heavyweight double album + free download code, comes complete with inners containing exclusive photography and extensive historical and contextual sleevenotes.

recorded live as part of doug aitkens station to station. manufactured on the vinyl factory press. hand-crafted, mixed media artwork by abaeke studio(abaeke, vincent humeau, tilly thompson, alex lunn and emma berit smit). mixed media used: ink pads and woodglue mixed with sand. music produced by justin stanley