deluxe collectors edition box set!

come end of may, dancefloors will be overdosing on awesome music. legendary dirty man housemeister will blow out his third mother-l fucking-p >music is awesome< for the wicked, and rave will reign again. but you can’t just stick your face out into this kind of quality noize - it would mini-melt right off, see!? so housemeister took instant classic electro anthem title track >music is awesome< to some players and friends and said >look boys, i m putting out a smaller dose upfront so nobody will die on the dancefloor, now who s gonna help me save some lives?< everybody was in on this ep effort, of course.

act re act: daaaaark is the typical expression used to define act re act. uplfting synths, spastic latin percussion, and a pummeling 808 bring some light for the harder moments.
ms. minnie: kitty ms. minnie, age 39, was caught saturday evening sneaking a 909 into the club and having her way with the hi-hats. she ripped it up in honor of larry heard before being forcefully removed by security. the whereabouts of said 909 are unknown.
the origin: a minimal bit of italo kit shoved through the hatch of a nasa shuttle (it was recorded in houston, tx after-all) and sent around several moons of several planets. what was discovered is only now being made available for public consumption.

sampler 1 of 2 from in flagrantis new album. predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic. succeeding 2006s wronger than anyone else and 2009s brash & vulgar, in flagrantis sasa crnobrnja and alex gloor have left behind their vintage porn-chic sensibilities and instead turn to yesterdays trashed goods for inspiration. >flea markets and recycling parts of our production are really at the center of this album,< said the now london-based crnobrnja. >i like things to be old and run-down,< added alex gloor, who still resides in basel. >so i let myself be inspired by one of my favorite places to spend time: 1970s- 80s new york city.< among four killer tracks, >prelude to chaos< reminisces the days where the finest of 69-cent wines glistened in the gutters outside the arcade.

what is there to be said about ruben & ra except these two have been lovers of boogie, disco & funk and have been keen record store diggers for too many years to count. with edits, reworks & original productions coming out of their ears, ruben & ra have decided to set up the retrospective label as an output for their tracks. watch this space for more info, updates & free downloads. the first release on their new imprint: retrospective is a good indication of things to come. 3 killer edits that are hitting the radar of chris duckenfield & dimitri from paris to name a few ... with a killer groove like newer shooz, plus a nu disco number for the heads in the form of dreman and finally a floorfiller like play my song there is something for everyone out there. the future is bright for this baby & his cat!

initial support comes in from pig & dan, paco osuna, tim xavier, richie hawtin, m.a.n.d.y, nic fanciulli, mauro picotto, slam, john digweed, chris fortier and omid/16b! the title to this ep >reminisce< gives us some idea as to feeling of these three tracks, as j alexander pays tribute to some of the late 80s and early 90s sounds that influenced him in his early days. however that said, his talents at blending the old and new together make this much more than a retro sounding ep!

following the phenomenal >separat/izolat< single by cosmin trg, 50 weapons proudly presents rising new uk talents benjamin damage and doc daneeka with 2 stunning collaboration works, merging classic techno and house influences with uk bass elements.
>creeper/infamous< yet again shows modeselektors 50 weapons label from a new and different perspective. thanks to the fresh and addictive house flavor of benjamin damage & doc daneeka we are convinced we indeed can not avoid the overused and cliche word hit. there we said it, now you decide for yourself!

black coloured vinyl edition of deadmau5s recent album. 11 track with full electrohouse madness. big bang ...

if it is about contemporary house music, there is no way of avoiding the northern djs & producers. first and foremost with roberto rodriguez aka manolo, who has shaped his personal funk infected old-school vibe over the last years and helped the house revive without forgetting from where it came from. his future beat investigators strictly followed the detroit heritage and his acid kings membership gave us lust for the roland tb 303 again. the bermuda project came back to cosmic again and had more than an impact on the nu disco styles. it is his pertinent mix of soulful, funky & functional dancefloor and his his effective productions who convinced the tastemakers worldwide and prepared his ground for top notch releases on labels like compost, 2020vision, freerange or delusions of grandeur and remixes for acts like yoko ono, tigerstripes, jay shepheard, the timewriter, marmion, crazy p, bellringers or vanessa daou. now the time has come for his own platform called serenades, featuring the manolesque ep - for those who like it deep, down & funky!

what needs to be said about move d? overused, though the veteran tag is, david moufang has been producing excellent music for many, many years. yet, the last few have seen him receive particular acclaim, especially for his more house-flavoured work - buoyed by his increased reputation as a dj... already played by ricardo villalobos

the power of youth is being felt all around the world right now, as dictators fall and governments wobble in the face of youngsters fighting against apparently dark futures. here, shifting peaks harnesses some of that energy for a split 12 inch double header from two of the most promising young producers around. two young producers, 4 tracks, a world to win. keep the fires burning brother and sisters!

clinton said it best, jerry j is the hook master! mastered from a cassette mixdown of the legendary session with maurice ortiz, alive wilton, members of rick james band, roy ayers band, >spider-man< robinson, engineered by jess osborne. jerry had been holding on to the tape for years, it was the only master that survived since that 1980 night, he recorded it when he was only 19! expect some tape noise, this is a demo jam

get ready for raul mezcolanza! the crazy funky man from spain slamming his funky tribal techno. the vibe is right and patterns boss decides to bring raul upfront and present his first album project! raul took the opportunity with both hands and delivered a master selection of the funkiest grooves and gave it the only title that suits him best: got the groove! to warm you all up for the doublepack vinyl following later this year, have your way round the clubs with the grooving sampler! raul at his best, nuff said!

ultra limited coloured vinyl edition of deadmau5s recent album. 11 track with full electrohouse madness. big bang ...

alba with their first full 12 inch release. the triumvirate of roland sebastian faber, keen k and label owner michael künzer is a team that has been delivering the goods on labels such as clone, das drehmoment and viewlexx. this first alba release, created from three different cities, by three guys contains three tracks! three is the magic number, delasoul once said! strong 12 inch that comes on heavy weight 180gr vinyl, great artwork and a limited run that will be gone as fast as the pervious aube releases. a true gem!

adam beyer said: amazing ep!! we all know that samuel l session is a legend by now..what we didnt know is that when he meets up with the infamous material label we have a stomper release. feeds: wally lopez: full support another amazing release at material! adam beyer: amazing ep! full support! gregor tresher: quality! will play it!

roman iv is roman flügel. surely, you dont need us to sing you the praise of his various styles. under his roman iv moniker, he always pursued his more contemplative dance floor side. la paloma is exactly that kind of perpetual and lulling marathon jam that recollects his testament tracks (check playhouse and ladomat for further listening) and needs to be followed all the way through. having said that, sa caleta looks for a more immediate hit. with a rigid punch and some greasy layers, you get romans take on the current or recurrent slow motion disco craze. straightened out and cut right to the chase. finally, lucy rolls over again, starts where la paloma ended and makes its way up to a subliminal hookline. for all you digi kids: look for the bonus beat mix tool supreme called 123 bpm. roman iv president

supported by marco resmann, damian lazarus, dyed soundorom, mark henning, mr. statik, pherox, silicone soul, someone else, varoslav, vincent lemieux, butane, insideout, anthony collins, axel bartsch, cesare vs disorder, eric johnston,..... a man once asked a lion,>what do you dream about when you sleep in the field?< to which the lion replied,>when lions dream they visit another world. hearing this, the man said, >that sounds wonderful. can i go there?< the lion grinned and answered,< no, you can not, because youre already there

dimitri kneppers (1967) music career reads like an encyclopedia. a house encyclopedia. after 23 years of spinning records you could call this dj a true veteran. known for his enormous sensitivity, true feeling and mixing skills he gives you the sense you are the voyeur of an intimate act between two lovers. the music and the man. but nobody ever felt and looked so comfortable behind the decks as dj dimitri, for he brings the crowd at ease like don juan would do with women. when ecstasy is no longer just a word, but a true magical moment as the crowd, the surroundings and the music all come together in one hypnotizing state of happiness. this man knows -or should we say feels- what he is doing, not only behind the decks but also when producing. in september 2007 dimitri said goodbye to his headphones to work on a farm with mentally handicapped people. fortunately for his fans the break wasnt premanent in the middle of last year he installed a studio in his home, then this past june he returned to the decks - now he makes his planet e debut with a stunning track already tearing up dancefloors. included is the first of two remixes by carl craig. a second ep with remixes by orlando voorn and carl craig will appear in early 2011

a1. >everybody techno< - this is typical of gideons dance floor techno style, thick beats with a marching bass-line. from the first beat we are guided through a tough no-holds-barred trip into an unforgiving world of the darker sides of techno music. a retrospective vocal with a sinister laugh completes this evil peak-time track.
a2. >flight to right now< - this minimal track snaps along with a very basic beat and synth combo. the synth rises as the track progresses to keep dance floors moving. there is a wonderfully simple aspect to this track that gets under the skin and allows people to really connect with it.
b1. >recession tool< (vocal mix) - recession tool is a chunky tech house track with a wonderfully chewed up vocal and ever-present reverse snares. the track pumps forward until a nice rising breakdown lifts to complete with more vocals and intricate drum loops.
b2. >rico< - rico is a long progressive track with a slow builds and a warped lead line. the least aggressive track on the ep and possibly the least expressive. that said, it still ticks along seamlessly with a perfectly crafted warble and smart drums.

limited edition repress of this 2004 album by hot chip.

yes people, like dillinja once said, its time to get grimey! at the end of september, the man, the myth, the legend, mr terror danjah blesses rwina with the reinforced ep. a storming 3 tracker of top class grime for the connoisseurs, the ep is fully equipped with lazershifting bass-terrorism and high-end sonic manipulation.the lead track,reinforced,switches from sweet but dark r&b vibes to classic acid-esque rave touches, guaranteeing a proper reaction on the floor. peanut punch, a collaboration with regular sparring-partner d.o.k., sprinkles neon highlights over a minimal, bass-led beat, while the ep finishes up with stomp test - 4 to the floor club music designed to kill any dance. rwina & terror danjah - a perfect fit.

brand new spanish techno release for the serious techno crowd. featuring two original tracks by: jose pouj and asagaoaudio and on top of that a wicked remix by superstar oscar mulero!

tolga fidan presents >rezil<, the latest one in the vakant limited series! whoever said >we need more cowbell<, will be more than happy to dig this tune. a little unusual in arrangement and sound for mr. fidan, rezil goes perfectly with the valt format.

until now duffstep has hidden in the seedy undergrowth of london always in disguise, clandestine and covert, ever plotting his imminent escape. this bid for freedom then, is called >getting to sirius<. sirius is the brightest star in the night sky, in ancient greek times sirius was said to mark the beginning of summer, where women became aroused and men became weak. duffsteps debut album >getting to sirius< is a blend of dub influenced, down tempo beats winding through layers of melody, synths and vocals softening the blow and giving a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you dont have to wait long before a nice big bass-line knocks you down on your arse again.

jakob korn, break sl, thomas froehlich, cuthead on the first release of this ambitious new label from dresden. with its foundations firmly rooted in house and open to all styles such as techno, disco and dubstep. its a small community of friends and producers, djs that meet each other the old fashioned way, the local record store fat fenders. the first release is a true house-affair. thomas froehlichs >get us< is a mysterious and breathtaking opener with beautifully plucked strings and a summerish feel. jacob korn with the surprise track on this record that combines intricate soundscapes built on an uplifting groove. this guy is on a roll! on the b-side breaks-prankster cuthead unleashes an unusual deep house study entitled >unacceptable moustache styles< before the record concludes gracefully with break sls late night jam >low light<. we ve said it before... the next generation has arrived!

incl luna city express remix! played by luciano, matthias tanzmann, nick curly, mathias kaden, 2000 and one. since releasing on labels like souvenir, desolat, off and international freakshow, he is well known and dj s like ricardo villalobos, richard hawtin, luciano and loco dice to name a few, appreciate his tracks during their sets. we are very thrilled to have markus ferdinand aka m.in releasing on baalsaal records.

new yorks finest release a limited edition version of invisible light through boysnoize records on 16th august. the single will be available on vinyl . the single will include additional mixes by stuart price, boys noize and siriusmo. invisible light has already become a scissor sisters classic with radio djs and club djs alike. mixmag made the song one of their essential tracks while nme said it is >a six-minute hit of pure dancefloor ecstacy<.

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

marbert rocel veröffentlichen nun ihr wunderbares zweites album auch auf vinyl. das ständig land auf, land ab tourende trio aus erfurt kombiniert minimal house, electronica, jazz und elegante pop-musik in einer absolut souveränen weise.
inklusive poster und mp3 download-code.

munich funk & boogie superhero florian keller delivers part 3 of his >party-keller< series with more funky gems & nuggets for all the disco-heads out there!

not much really needs to be said about a new release on mahogani music, especially since it involves contributions from some of detroits greats, including kenny dixon jr, anthony shakir, carl craig, and last but not least, the main man sherard ingram aka stingray. its a single lp which contains 12 tracks. a couple of shorter skits, but most pretty much full tracks. time to state the obvious.. !!attention!!!: this release contains some clicks , maybe not good enough for high fidelity fans... sound is raw and analog!!!

like a guided missile comes here a splintering speedcore record from the depths of canada. relentless beats & pristine production this record delivers agro culture in its purest form. 8(!) tracks from short controlled 1 minute bursts to serious party bangers this is one of the best tni records to date! who said canadians cannot make great quality speedcore!? up yours biatches!

luv jam has the honour of being the first signing to the wph roster that survived the ongoing chaotic process of demo submissions via myspace or e-mail. it has to be said that luv jam was at the end of his wph wits after several friendly but stern denials by label boss red d. one last ditch 4am attempt proved that tenacity and patience are always rewarded, black beauty was right on the wph money and off we went.

in the spirit of exploring the influence of this material over the past decade of electronic and indie music production, phthalo has asked several artists who have said they were inspired by dntels >early works for me…< record to re-approach those songs with their own modern and varied takes on the source material. >early works, later versions<, a limited 12 inch record of new, updated remixes and variations on last years >early works for me…< album by several of jimmys current peers and modern contemporaries.

thanks for dance. thanks for smile. thats needed to be said. nicone and sascha braemer (one part of heinrichs & hirtenfellner), done it again. after the >nur mal kurz ep< on bar25, these 2 guys follow up with there next self-deprecating hit on the bar25 label.

muller rec presents: >gas ep< by one of the best polish dj and producer - siasia.
known as one of a few creators from poland and enfant terrible of the polish techno and house scene. this time the dirty stuff records owner introduces his own two tracks released by berlin based label muller records on vinyl and digital. on this ep you will find two brand new techno tracks - krypton and xenon plus krypton exceptionally remixed by beroshima. as frank muller said himself: >this is really nice fuc**** fat techno.< his comment says it all but check it out and let us know your opinion.

first on decks.de !! founded in 2009, time has come for the 1st release, >plusminus1<. whereas berlin dj sid wrote a track for the a-side, both, rohrer & siegel from potsdam, have their own track on the b-side. b2 >deepdownover<, created by alexander siegel, is a piece of art that goes back and forth, unifies high and low. his track can be said to cause emotional ups and downs. if the year had four musical seasons, >deepdownover< could be one of them. b1 >dr. pepper<, wolfgang rohrers track, a creative tool for the dancefloor, is deep and funky and has a bassline to tear down walls. with its groove, >plusminus 1< on the a-side is in the position to set fairly everything in motion. reduced to the essential

>from the beginning 2 eternity ep< contains said track from the original galaxy studio sessions 2003, and from the same sessions, >bird songs 4 amelie<. these are from the original masters of releases that came out on jeff mills axis/6277 label in 2004. only 300 stamped white label copies

chris is very happy that his long term friend adam beyer from sweden, who runs the drumcode and truesoul labels (as most of you may know), has contribute to the 10 year anniversary label compilation. chris said >he managed to give me an amazing track that i have already been playing up and down since probably the beginning of last summer<. you have to know that most of these tracks have been collected over a period of at least the last six months. this one from adam is called >antistius< not only is chris out for having international artists on this compilation but also his home base in frankfurt equally has some amazing artists to offer. this track on the b-side is by clr artist and mastering engineer brian sanhaji who has also recently released his album on the label. his contribution to 10 years of clr is pretty phat. this one is called >higgs< and chris had already been playing it, all over the place, with amazing responses.

who said the wait wouldnt be worth it? the brothers in house fritz zander and sven von thülen have made themselves somewhat scarce over the past year. after having impressed in 2008 with their ep >get up<, remixes for artists including ratman, elphine and oorsprong, and tracks on the watergate 02 compilation, their audible activities the following year remained confined to fritz zanders superb 12 inch >connection< and successful compilation appearances on >ten years cocoon ibiza< and >time warp<. now there is finally something new, and the current zander vt release certainly lives up to the promise of its title: >some more< picks up where >get up< left off. its fourno-frills house pearls prove resoundingly that continuity doesnt have to entail standing still.

minority boss hector moralez teams up with life long friend oscar miranda for a belting 3 track ep on minority. >last of an era< has a killer bassline and a hypnotic vocal that will keep the floor moving all night. >for realz< is on the deeper tip and the boys uses spacey keys & trippy vocals to devastating effect. last but not least is >about time<. this sounds like derrick carter style beats meets a mood ii swing style bass line, nuff said. boom!

in case you havent figured it out yet, kompakt loves tradition and as you know, we have had a longstanding affair with our beloved japanese producer extraordinaire hiroshi watanabe aka kaito. his 2009 full length trust (komcd74) showcased a deeper, more matured side to kaitos now classic sound.
so with every kaito album comes the custom - the beatless versions. that said, we proudly offer your ears and that was the way - watanabe effortlessly has brought together three of the lead tunes from trust through into the calm waters of his ambient bliss.
so you have and that was the way…kaito once again demonstrates his magic that goes on behind the beat.

following up the dancefloor smasher that was i thought inside out, deadmau5 and chris lake join forces once again to bring you i said. the original mix is all about the killer, heads down groove, dirty tom led drums provide a perfect base for the jittery percussion, deep bass and bleeping synths, which all push into breakdown of epic proportions

back in 1998 this was probably just about the wrongest record you had ever heard … and it has to be said that not much has changed. forshaw has a knack of turning out ridiculously hard and mangled electro and techno tracks – but still managing to make them sound >poppy<. sometimes, as in the case of rockford for example, it is because he uses well recognisable (but unexpected) samples. but more often it is just because he manages to make tunes (no matter how hard) that make you stop gurning and start smiling.

rb is back again with a new episode. this time featuring south africas rezkar with a sublime piece of vintage deep house, known from the altered moods recordings outfit and brought to our ears by dj jus-ed and his underground quality radio show. thanks for that, ed! please find rezkars above the clouds remixed by john daly. our favorite irishman was hardworking enough to even add some bonus beat action - in case you prefer your meat raw. additionally, you will find an edit taking advantage of those and melting them with the rezkar hook line - done by the mysterious mystery boy. above the clouds freedom is said to be unlimited. unlike this record! rb021 comes in 499 special hand stamped cloudy sleeves, folded by the janson family and stamping done by lastminuteartworkpanic.

carl cox said >the best thing i haver ever listened this year< !! material celebrates 3 years of hits with a new artistic label print and sleeves. its a collectors item

its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.

we are so proud to welcome the talented producer from chicago, kate simko, known for her great work on spectral. kate send us 2 amazing pieces of music... a-side, >lost in time<, made during a trip in argentina, shows the deep, intense and intimist sides of kate music. dark grooves lead by an amazing atmosfere made of pads, synths and keys... like dop said... they were in love with it, and wanted to remix it badly. on the b-side, the dop remix is a great reinterpretation of the track with a pop feeling, where jaw bring his vocals. another version of the remix, a really and special one will be released in 2010 on eklo. the second track gets in a more housey feeling, but still deep with famous kates rhodes/synthssounds, and a great toms hooks leading the track through her groovy organic and analogue rhythm.