bulletdodges next instalment comes from us producer sean ray, delivering a single called deep 454 with 3 superb remixes from mgun, space djz & mr o and gareth whitehead. seans original track is a deep affair, heralding sparkling pads and grooving percussion. the track is cemented by a dark yet infectious piano riff and soulful bassline to make it a dancefloor classic. first up on remix duties is ur’s very own newcomer mgun. mgun has been taking the scene by storm lately with his incredible productions and his take on sean’s deep 454 is no exception. for this remix he has provided us with a detroit infused gem of a track. he has used soulful pads that eminate detroit and an upfront kick to create nothing short of a masterpiece. for the next remix we have an exciting collaboration between techno stalwarts space djz and one half of the detroit grand pubha’s mr o. their joint venture has produced a deep techno monster. it has a solid bassline and hypnotic use of the pads that shouts out 5am madness. lastly to remix deep 454 is bulletdodge’s head honcho gareth whitehead who has created a more old school stripped back deep house vibe. his tight drum programming and clever usage of the original tracks pads and piano riff rounds this perfect package off very nicely. supported so far by audio injection, colin dale, craig richards, dj deep, gary beck, paul mac, pig & dan, samuel l. session, sasha carassi, skream, slam, tom hades and vince watson plus many more!!!

touchin bass takes a different turn this time by introducing you to newcomers mkfn, a live production project formed in 2012 by babar raza (us), ovais hassan (uk) and fahad ahmad (canada). over the course of the year they have designed a system that allows them to create music across borders that has been defined as experimental, dark and gritty. the collective integrates each members extensive musical background gained from working across multiple genres. this unique combination invites distinctive sounds into the studio forming the foundation for mkfns characteristic sound.

lphs unpredictable sister label, lph white, is back with another juicy 12inch, one that marks the imprints first foray into japanese clubland. atsushi yano, a kobe based producer, serves up three, as the title indicates, chewy tunes, all doused with african rhythms and set ablaze with fidgety keys, chopped­up vocals, and groovy bass lines. filling the release out is jacques renaults no­nonsense, squared­up, lead­footed remix of stomping on the verge.

limited edition off 300 copies with hand screen printed cardboard inlay.
after travelling through the far flung galaxy for 002 ... forgotten corner aka phil banks & nick mackrory come back to planet earth & keep everything in house for their third label release. side a is kind of a track of two halves written and produced by nick mackrory - consisting of a 2 minute samba driven vocal intro, full of live instrumentation and featuring the live vocals of harry collier, before breaking down in to a deep hypnotic slow motion arpeggiated electronic groove! side b takes things back down in to the dark basements ... amongst the smoke machines, strobes & cans of warm red stripe! where phil adds his touch ... losing the live intro and taking things on a much more deep electronic instrumental bass wobble work out! still keeping the arpeggiated moog but with tougher beats and a much dirtier feel.

nausika are a duo, based in leeds, that are quickly rising in the ranks pushing their own blend of dark, stripped back drum & bass. after meeting at university only a year ago, they have already caught the attention of many of the top flight including teebees subtitles music. at only 21 and 19 years old, their futures bright, but their sounds quite the contrary.

after the sensation caused by its last release, life and death comes back strong with another battle cry into the darkness. with a prized new member of the family, vaal, joining forces with a life and death mainstay, tale of us, the stage is set for another epic ep from the forward thinking label

9 years on from their inaugural release from back in december 2004, saved records have now reached their landmark 100th release.

third release for serie limitée. still 300 copies, 180g, no digital and no repress. a1 is, once again, reserved to chicagos underground pioneer joey kay who released his first record back in 1994. a raw house track with a neverending intro. the next track is pure deepness with another production from moscows young talent shyam. as deep and dark as russia s winters.. as usual to complete this side, the label manager, monsieur cedric, prepared a short bonus track. on the b side, the french co-founder of serie limitée, steve frisco, strikes back with a classic deep sound inspired by the early 90s after hours... ... while our friend from denmark, desos, owner of deso records, vibes ltd etc... closes the third volume of this story with a nice and deep house gem.

gerome sportelli presents sporty limited, a new record label managed by himself as a limited vinyl series. after big success with his krax records in 2004, veteran gerome sportelli is back with a new label project. the genre of the label swings between dance floor oriented house and techno, with a touch of acid and of course some dusty old school flavours. gerome’s already active in the music industry since the early 90’s as a producer, dj, label manager, party promoter and graphic designer. his music ‘smells’ old school, just like the early age of acid house, but infused with today’s intelligent constructions and an engaged vision on music. gerome’s music is made from bronze age analogue synths, love, passion and modern digital mixing techniques.for this first sporty limited release, gerome comes out with three stylish tracks. the first track, a side “drive”, is a fat house stomper with strong stabs and female voice hits. the break is intense and works effectively on packed dance floors. b1 is called “free range” and feels like summer. it’s full of classic house sounds, filtered strings and hypnotic loops. this is a chicago­styled, disco sampled, deep and classy house track we love and cherish. the b2 track, “don’t go”, is composed with a classic house bass, shuffled 909 drums and dark space strings. you’ll immediately recognize the deep and melodic detroit house sound.

little 15 has been making waves on the london house underground scene since foot & mouth snapped up his amazing bootleg of depeche mode s policy of truth. several releases later, he joins forces with rome s metropolitan records to bring you his distinctively melodic take on deep house, cascading synths over a bumping bassline, before a beautiful vocal swoops in to bring back memories of hazy sunrises and loved ones. on the flip, sam russo (leftroom) takes the track down a dark alley, turning it into a deep, ominous, techy monster, totally turning the song on its head. mastered by masteringdivision

deathday (formerly deathday party) is a los angeles based experimental post-punk band, formed in santa ana, california in 2008 by brothers alex guillén and giovanni guillén. previous incarnations of the group can be traced back to santa ana s koo s scene of the late 1990 s. while the title-track is an unreleased one, instead dropped into obscurity was already included in the downwards compilation click heels alongside with tropic of cancer, silent servant, the kvb. on the b side mannequin asked to the synth-master legowelt to remix after dark

block rocking, pop locking lonely c and baby prince are at it again with their latest fraiche ep on soul clap records. the troublemaking two-some take us back to 2011. it was a weekend in late august and new york city was practically under martial law. news tickers warned frightened citizens that a hurricane called irene would strike at any minute, flooding most of manhattan and williamsburg where the boys sat gleefully snacking and talking shit inside the world famous marcy hotel. with all airplanes grounded and the trains halted it became clear that lc & bp were going nowhere. it began to rain, the wind picked up and as the skies darkened, nyc declared a state of emergency.

fast making his way on the underground circuit, rising star samu.l is back onboard one records home ground delivering his first single release for the label with the entrancingly dark and driving monster *invitations*. rolling with effortless groove and an all encompassing depth in the atmospherics, this is essential dj weaponry perfect for the late hours or early morning. warmly welcomed to the label we see the highly talented martin buttrich conjure up a powerful remix true to his distinct style, with a grumbling bassline and sonic force that will undoubtedly dominate any dance floor at peak time, complemented with a raw and chugging dub version to complete the ultimate package.

after stumbling across good guy mikesh and making an edit of his track *freddy* - maceo plex delved deeper into the back catalogue and decided he was bona fide ellum material… one demo request later and the *from another world ep* was born. a trio of original tracks, one of which features production partner filburt, it is dark, beautiful and warm music for cold winter nights.

laak return on austere with four cuts, only available on vinyl as usual. laak are on point with the opening track unbalanced, an intensely gritty track. there is also a remix of an archive laak track by dj spider who completely dismantles the original to create a dark menacing remix. the b side kicks off with mental & emotional which continues the theme along with the more laid back track, the rituals. overall an ep that will not disappoint fans of the label.

re.you is back amongst the mobilee fold with a third instalment of his signature dark and heavy-hitting dancefloor beats. his masterful ep mind your head topped the charts in 2012, and this years drum-heavy summer smash anyway remains a firm dj favourite, even as the nights get longer and the season comes to a close.

and here we are, just as promised, exploring the dark corners of nick lapien, the man otherwise known as metropolis. this time around, he comes back with a pair of extended cuts that veer off into heretofore unexplored terrain, relishing in detail with a sharp focus on momentum and lyricism.

a collaborative effort between marquis cooper (svengalisghost) and lili schulder (51717), this project was born in the winter of 2013. what can best be described as non-stop electronic erotic cabaret, the duo played a series of improvised performances which served as a structural backbone prior to the recording of this album. finished in merely two weeks, this 8 song double lp acts as a complete listening experience, engrossed in the down beat primitive electronics of the past whilst pushing further into the self-created anti-beat world of today. pulsing tones, off beat drums, melancholic vocals, and overall dark vibes characterize, but do not solely define what it is to truly trust in pain. mastered and cut by matt colton for maximum impact.

murphy jax delivers a fresh full length lp entitled *teleport: echo city* via the frankfurt based chiwax imprint.
murphy jax, over the past few years, has been steadily building up a back catalogue of solid electronic workouts. delivering content for the likes of clones jack for daze series, hypercolour, exploited and turbo,jaxs style meanders through a variety of styles, ranging from low-slung, chuggy grooves through to straight up chicago inspired house rhythms, always keeping the production intriguing and melodic. here murphy joins the chiwax roster (a sub-label of rawax, also running the dubwax and housewax labels), alongside heavy hitters like gemini and perseus traxx.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

gone too long from rising duo him_self_her is a bonafide bomb - house with feeling and a massive bassline and killer vocal from kieran fowkes. reinvigorated by crosstown rebels for a re-release after it came out on mexican label cream couture last year, this time the infectious original comes backed with remixes from belgian hero compuphonic, who injects more bounce, bleeps and emotive melody and the mighty yousef whos darker circus rework is a deep affair of rolling drums and dubby textures

while >sweet nothings< was a balancing act between clubsound and listening-electronica the duo is now turning its back on the dancefloor, to take the listener on an accustic tour through their personal amber room. with their chamber-electro mix, containing characteristics of dubstep, catchy pop-elements, classical string arrangements and and a singer/songwriter like intimacy, they achieve to create new sound-rooms

hirofumi goto aka rondenion made his debut releases on still music back in 2005. shortly after, he released a streak of detroit infused house 12 on rushhour, aesthetic audio and more to great critical acclaim. a dj and producer born in japan. he began working as a recording artist in the late 90s under the name hirofumi goto, and released his global debut, >ameria ep<. it drew attention for its dark beats, unusual for a japanese artist, and was played by top djs like derrik may. he changed his name to rondenion to show respect to chicago and detroit, and began working on an overseas release. ultimately, his love bound ep was released by major labels such as >rush hour< and became a big hit. it reached the top on the rushhourstore sales chart, and became popular in europe. in 2012 he formed >ragrange symphony< with his old friends no milk and kez ym, and he is currently working on a number of projects for his own record label, >ragrange records<.after being approached by roundabout sounds for a remix, discussions shortly after were directed towards a plan for releasing rondenions debut album on both vinyl (roundabout sounds) and digital (plug research). the result is the luster grand hotel debut album, ready to drop in september 2013. luster grand hotel is the most accomplished project from rondenion, an absolute blend of detroit and chicago house, reminiscent of the music from moodymann, theo parrish and rick wilhite. a must have for any real house music fans.

the track 303/303/303/606/606 is heavy, slow grooving techno that brings the listener back to the dark emptiness of the plastikman consumed era. on the b-side the tm404 project is allowed elevated to new levels. with a yamaha sy-1 and a yamaha tg33 entering the machine park, tm404 for the first time, breaks his roland oath and opens up the project to a future of new po ssibilit ies. during the development of the svans ep this track actually went under the working title the summer hit. take a listen to the fine bassline, airy production and the selected ambient works-inspired harmonies and sounds and you will know why. welcome to over 12 minutes of pure old school bliss.

ghostek is a russian garage and techno producer currently residing in moscow. he has previously released vinyl on other heights and shiprec, and has collaborated with rooflight as ghostlight, releasing a 12 inch on styrax. a prolific producer, his tracks have created a substantial online fan base, with some of his productions reaching tens of thousands of plays. he runs the digital label squared harmony. the *no way out ep* is composed of four tracks, two very garage leaning, two more towards techno, all reminiscent of londons music scene, despite the producers russian location. the dark atmosphere of the music is reflected in the artwork and track names across the release. sub squared is a new label, a sub-label of project squared which has a back catalogue including tracks by kowton, and, asusu and tom dicicco. the aim of this new label is to represent the taste of one of the two founders of project squared.

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

decoy07 takes a deeper turn with the third act ep. miss sunshine (kms, monocline, tictactoe) has been working flawlessly in the studio for the past six years and this ep is no exception. third act is a heavy workout of riding bells and an old-school synth line which grooves its way through percussion builds and changes. intimidate is deeper and darker with a chugging groove and twisting effects growing into a more graceful melody. ground loop captures miss sunshines more ambivalent mood with a haunting groove that is perfect for those basement techno moments. markus suckut (figure, sckt)supplies the remix with his interpretation of ground loop, taking it more minimal and stripped back but maintaining the groove in his own familiar style.

onh.cet relaunches their respected imprint in 2013 with an all star techno line up. a.paul spiriakos mike humphries & eric sneo delivering heat on one slice of black gold. staggering and dark techno like the label used to release back in the 90s. 4 tracks come together as an infectious string of synth laden techno grooves. one for the clubs.

fast-rising rebel queen francesca lombardo is back on crosstown with her seductive new single ‘what to do featuring remixes from infinity ink, matrixxman and a luca cazal dub. showcasing francescas undeniable raw talent and pure, fluid vocal flair, what to do is another example of the producers sublime song composition in an electronic framework. the sultry mood evoked by francescas voice wraps around the infectious melody as spooky ethereal tones rise and fall with the subtly driving groove. infinity ink strip down the elements with mechanical precision, injecting some darker bass and a more solid kick. matrixxman revels in the twilight zone and delivers an alternative trippy tapestry of jagged synth stabs and melodic bleeps with only waves of the vocal. luca cazals dub is a perfect late night builder with added sonic textures

the wandering artists are back for the third instalment of the birdsmakingmachine series, this time again going deeply into the abysses of house music. >multiverse<, occupying the whole a-side, is a deep dancefloor affair filled with endless pads which, having been layered onto elaborate drum grooves, fuse together into the endless horizon. the b-side goes into similar territory, while still managing to create a slightly different ambience: >40th of may< uses intricately groovy steel drum patterns on a long, never-ending journey through the deep depths of the ocean, as for the end credits, >dune< rounds off the ep with an instantly hypnotising groove that melts into delayed vocals, slightly darker pads and a galloping, yet smooth sine-wave bassline.

with prior releases on semantica and subsist, the enigmatic shxcxchcxsh introduced their unique understanding of industrial-leaning techno to avian with last years 12-inch rjrjrffrjrj. avian is now proud to announce the swedish duos first full-length album.
strgths features 7 scuffed, throbbing industrial tracks. initiated by the drones of slvrbbl, the openers atmospherics soon give way to the more direct, beat-driven lttlwlf. rsrrctn brings dubbier elements into play before leading into lvngwtrs searing melody and acidic dynamics. pctstss accelerates up to the records zenith, before descending back into the darkness for the cold steel rhythms of whtlght. closer lldtmps evolves over the course of its near-12 minute running time to move from unsettling, disorienting tension to a warmer, contemplative climax.
the lp marks avian s first full-length album release and will be preceded by a 12-inch featuring reconstructions by label bosses shifted and ventress, plus label acolyte sigha.

includes limited edition hand painted sleeves.
following on from their inaugural release dsnt records are back with a second helping of unvarnished, pummeling tracks in-keeping with the labels clear focus of releasing only the highest quality techno.
dead sound (aka paul carroll) has made a name for himself after breakthrough releases with videohead on ali wells heavy duty perc trax imprint (murder ep, the chosen), as well as on australias elektrax recordings, (dsgl ep), and sub-label gynoid audio (your move, behind time), acroplane recordings and counter pulse (it s over). bolstering and reinforcing the power of the originals, this release comes fully equipped with some of the finest names in deep, dark and visceral techno on remix duties: stroboscopic artefacts xhin, pole groups exium and an abstract cut from monster x.
support from: truss/mpia3, and, bas mooy, perc, dj skirt, sawf, inigo kennedy, raiz, lakker, roman lindau, donor, sunil sharpe.

2013 repress / release number 6 from our label brings us oscar muleros latest work, proof that the new sounds hes experimenting with do not constitute at all a departure from his command of the rawest side of the purest techno. horses, oscar muleros new ep, takes us back to the mulero that the majority of the public will recognise, to the overwhelming sound that has led him straight to the top over the past two decades. the record opens with like a wolf: broken drum beats, sharp hats, fm basses and dynamic white noise drones whose energy never falters throughout the track. horses, the second track, gives the record its name and offers intricate rhythm programming, dark atmospheres and acid sounds that, as a whole, create a mental and hypnotic feeling. the closing track is in a silent way, which runs along similar lines to the previous two, but with less bpms and with an obsessive sequence that mutates and develops throughout the track leaving the listener with a mills aftertaste, but with a berliner touch.

r-zone is a new label launched by global darkness. who is involved isnt exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

new sheffield label shabby doll records makes its debut with nails donks ep. nail is nottingham-based neil tolliday, a producer who spent the last decade creating deep downtempo joy as one half of bent – their debut album *programmed to love* helped ease the worlds ills back in 2000. now, with love for nails solo manoeuvres truly reignited, sheffields shabby doll label is taking the next step with his first new solo material for years. called donks, nails new four-track ep showcases his flawless dancefloor instincts: there is something deliciously seductive about this early hours charmer. one to play when things are getting wonderfully weird… and finally, never4gedit brings back the sunshine with some sweet, melody-flecked disco. with nails vintage house output currently proving to have real staying power, lovers of real british house music eagerly await his new tracks. so if you have got a dark room and a feeling, let nail, shabby doll and donks add a little magic to the night.

the next release on lo note uk sees the second installment of excursions, lo notes 10 inch series focused on the darker, more experimental sounds in underground electronic music. excursions 002 sees unknown london producer tum hulbruk make his debut with these two dark, stripped back cuts of raw mutant techno. intricate sampling, complex rhythms, and an awareness of space suggest a maturity beyond his years and a producer who has already developed his own unique sound. tough dancefloor beats for the heads.

limited to 300 copies! francisco is back and dives deep into darkness and moves in out between the atmosphere of an 80s horror movie soundtrack and a modern day take on eclectic disco. with two main theme tracks and three skits this mini-album is the perfect package to turn up the volume and turn down the lights when this bone shaking, gravedigger ep hits the decks. francisco is the italian producer francesco de bellis (known as on half of mat101 and jollymusic) solo project.

henk is back with a new 180 gr. vinyl album of tone bardo therapy, the new moniker of ion ludwig. open op and be surprised by the darkish down-temp sound filled with subtle guitar riffs, acoustic percussion and sensitive lyrics. get your hands on this limited piece of art, covered in a metallic pressed cover.

the a side opens with redence delusions introduced by a delay metallic notes, and a line grating background that give entry to a hard nut to crack hype joining the above sequence to form the groove. the delays become more important as the track progresses, and more incisive percussion, dance inducing wilder. the second track on this side sagae has been granted to tomohiko sagae, the japanese producer emerges on the scene to give it a fresh industrial sounds dark dye forcefully included. catalog is part of the prestigious british label rodz-konez, in addition to works published in huehelix and atrocity. we present a cut with a pounding bass drum rhythmic against a distorted sequence taken from a radar air booming steel industry, and dark piercing screams that increase the intensity of its entirety through the plug-in more severe. a full-blown rebellion industrial sounds with those harmonics so peculiar that offers japanese school.

freche fruchte present 4 tracks of deep underground house music.the lead track comes from man of the moment james johnston turn around is an elegant deep houser with a solid timeless feel, next up on the a side is a dark and deep house track with a gospel influence and a ridiculously large bassline from robert reinartz with praise him.
the lead track on the aa side is the result of a collaboration between leigh d oliver and label boss alex alterskye who present a house track bursting with energy and groove, and finally lewis p strips things back with a major underground house workout!

r-zone is a new label launched by global darkness. who is involved isnt exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

purple velvet is chris james and lee dearn, two purveyors of deep and sensuous house music since forming in late 2011. having gotten to know each other at various late night music sessions, the pair have increasingly honed their own house sound that is as suited to the dark consines of a club as it is the sunnier vibes of an outdoor terrace. sparks fly is gritty, dirty yet soulful at the same time. desinitely the work of a duo with a promising production knack. on the slip back on on the boulevard featuring lisa d on saxophone and breathin are two late night drive jams, emotive and super lush. an ep to dance to, that moves your mind and your feet. deep music from the soul.

it is no secret that ben watt has chosen to close his acclaimed label buzzin fly to new music after ten great years as one of the uks leading dance independents. but the label has chosen to go out with a bang with one final single. unearthed from the vaults are two dazzling tracks from cornerstone artists, rodamaal, and manoo and francios a. rodamaals fortune was originally completed back in 2007 but scheduling problems prevented it from being released at the time. produced by the franco-portuguese trio (rocco, darkmountaingroups alex santos and manoo) it is a stark but emotionally-charged deep-techno masterpiece, that deserves its place alongside their other classics for the label, musica feliz and insomnia. on the flip, and originally produced in 2005, is other places a long-lost track by manoo and francois a. full of summer shimmer and heavy bass tones, it was produced by the duo during their heyday at the label, and was a secret favourite of label boss, ben watt. two perfect swansongs. buzz buzz.

>bridging the gap between the old & the new, the minimal & the maximal, minmax represents a widening of scope as we explore the area between the sounds of classic minus & plus 8. as others subdivide and categorize we bring things back together, opening things up more freely and allow a closer connection to the music that i love and the sounds & textures that many of my dj sets journey through.< richie hawtin

hidden gets back to basics in a dark techno, no frills, in-your-face kind of a way with hamburgs felix lorusso throwing the hammer down on his debut ep. expansive rolling techno goodness with sinister bass heavy drums drenched in sweat, geared towards those making special late-night memories. also included are remixes from rising techno names octave and couch lock to round out another very strong release hidden recordings.

needwant welcome back family member mario basanov with his bill ep to delve into the harder and darker side of his production skills with three bombs guaranteed to destroy any dance floor

after releasing their debut ep on soweso, beesmunt soundsystem strikes back with a new record. the all day ep shows the diversity of the amsterdam based duo, which ranges from a bit darker deep house to a more groovier and techier sound. the ep includes a remix from the argentinean artist seph who has released on labels such as harry klein records, cityfox and dumb unit. we are proud to deliver such a strong ep and we hope you will enjoy it as much as we do!

zweites album von roger eno (bruder des brian) mit dem electronic-produzenten plumbline nach deren gemeinsamen debüt transparencies (2006). enos erhabenes klavierspiel begleitet die darken electronica-landschaften von plumbline, ergänzt mit streichern und gitarren erzeugen die beiden musiker einen schaurig-schönen soundtrack von dunkler cineastik. der finale titel beaute de passage ist ein vertontes französisches gedicht.
limitertes vinyl plus cd-version des albums.