2020 repress on silver & black mixed 180 gram triple vinyl, housed in full colour sleeve with download code included. 15 years of prspct is nothing to be taken lightly... 12 tracks by 29 prspct artists. for sure the drum & bass/hardcore/breakcore album of 2017!

classic acapella edits & scratches on green coloured 7 inch vinyl.

time being, originally released in 2003, was the first full-length cyne lp, following a series of 12inch singles for beta bodega s imprint botanica del jibaro. this project mooncircle reissue marks the first time that this long out-of-print album has been released on vinyl. this deluxe edition includes a remaster of the original time being album, previously released singles, instrumentals, and two previously unreleased bonus tracks (plain english and the word), both recorded during the time being sessions.

am 11. mai 2007 erschien das dritte album der us-amerikaner, welches in deutschland, Österreich, der schweiz, den us und in großbritannien auf platz 1 einstieg. neben den singles »bleed it out« und »shadow of the day« enthält das album den hit »what i’ve done« – die bisher erfolgreichste single der band in den usa. jetzt ist das album als picture-vinyl wieder erhältlich.

the cowboy moved slowly out of the booth and into the studio. you could tell by the look in his eyes, that the half-dozen shots of chivas regal had put his ego to rest, and he was ready to sing with the lady. they sang for three nights - the cowboy and the lady, and the gods were kind, and their album was finished on time. herein, lie the results…some good, some bad and some more. - lee hazlewood

recorded in new york’s avatar studios in may 2017 and produced by manfred eicher, blue maqams brings tunisian oud master anouar brahem together with three brilliant improvisers. for anouar brahem and dave holland the album marks a reunion: they first collaborated 20 years ago on the very widely-acclaimed thimar album. brahem meets jack dejohnette for the first time here, but holland and dejohnette have been frequent musical partners over the last half-century beginning with ground-breaking work with miles davis – their collaborations are legendary. british pianist django bates also rises superbly to the challenge of brahem’s compositions. and anouar in turn is inspired to some of his most outgoing playing. blue maqams is a highlight of ecm’s autumn season.
180 gram double vinyl release.

nach 24 jahren sagen drei worte immer noch alles: wu tang clan das neunteilige outfit von staten island, new york, hat einen weg für buchstäblich hunderte von künstlern geebnet und wiederholt hip hop geschichte gemacht. ursprünglich aus den ostküsten-rappern rza, gza, ol dirty bastard, method man, raekwon, ghostface killah, inspectah deck, u-god und masta killa zusammengesetzt, ist der clan nun wieder vereint, um ihr achtes studioalbum the saga continues zu liefern . die erste single des epik-albums people say (veröffentlicht am 25. august) mit dem ehrenamtlichen clan-mitglied redman, hat bereits die hip hop-community begeistert und in erwartung des albums versetzt, welches mitte oktober veröffentlicht wird. produziert von mathemathics, enthält das album auch features von killah priest, streelife, chris rivers und dem späten sean price. rza beschrieb den produktionsprozess für das rollings stones magazine im august und sagte: seit jahren hat math die idee gehabt, eine musik mit modernen und legendären geräten wie asr10 mit vokalaufführungen von wu-tang clan mitgliedern und anderen prominenten mus zusammenzustellen... mit der the saga continues setzt er ein meisterwerk.

ikebe shakedown’s fourth album pulls from a wide range of influences including soul, afro, psych, and jazz, all coming together in a gritty, cinematic explosion! the vinyl lp is housed in a gatefold sleeve with download code included.

the 1988 album from dj jazzy jeff & the fresh prince aka jeff townes & will smith back on double vinyl, including a bonus scratch album.

limited 2 disc 180 gram pressing with download code included. all tracks on vinyl 2 recorded live in new york city.

valby003 sees louf return, fusing heavier club elements with sentimental synth work. ‘if i was’ is a pummelling drum track, laced with synths that rise and fall gently, providing a fleeting moment of warm autumnal euphoria.
on the flip side we have ‘outside my house’. robotic, vibrating vocals challenge its listener to question the levels of emotion that a technological being can possess. delicate, tender house music.
prepare your heartstrings & welcome back louf!

the next release on the london based snare tapes delivers an insatiable five track solo ep from the currently on fire and incredibly talented duckett. the freerotation regular displays the full palette of his jarring percussive sounds, blissfully melancholic synth work and a sprinkle of his tougher side.

bisher persönlichstes album von anja schneider auf ihrem neuen label sous

the elusive stl returns with a 3-track ep on his newfound home of dark matters. ‘nonzero sonics is the sixth label release to date, and their first to emerge this year. stephan laubner has enjoyed an accomplished career with releases on labels including perlon, smallville and echospace. despite a scarcity of interviews and public appearances, his reputation as a devoted audiophile and hardware enthusiast has afforded him a loyal following in underground music circles. this release marks the beginning of a new chapter with amiralis dark matters imprint. ‘nonzero sonics explores dark and twisted sentiments in avant-garde structures, consistently executed with impeccable detail. ‘no more words meditates on elements of dub and techno in an extended form, whilst ‘smooth selector establishes a stripped back groove replete with sub frequencies and cavernous echoes. closing track ‘out of the one places peculiar harmonies in a tranquil framework, exemplifying the diversity of a producer with true dedication to his craft

when it comes to living legends in the texas and latin music pantheon, few have been at it longer and are more revered by their fans and peers than soul vocalist and mexican-american songwriter and bandleader sunny ozuna. he became a star right out of high school in the late ‘50s and hasn’t looked back in the six decades since.
among countless other honors and notable achievements, sunny was the first latino artist to appear on dick clark’s “american bandstand” (in 1963). songs like “put me in jail,” “talk to me,” “should i take you home,” “my dream” and “smile now, cry later” still bring crowds to their feet throughout the southwest and california and around the world at “oldies” and “lowrider soul” events. and after releasing dozens of albums since the mid-1960s (in spanish and english), sunny still keeps a busy schedule and loves performing as much as he did as a teenager. his classic 45s regularly change hands for hundreds of dollars among collectors around the world, affirming his timeless appeal.
this new compilation on brooklyn’s acclaimed big crown label is a lovingly curated selection of songs from the years 1966 to 1972. all compositions were originally released on sunny’s key-loc label, formed after his national star had been established, so he could have control of his own musical destiny. with sunny hits – a mix of originals and some great covers thrown in mr. brown eyed soul is an excellent celebration of sunny’s amazing body of work, and a perfect introduction for newcomers.
produced in full collaboration and cooperation with ozuna himself, the cd and lp packaging includes liner notes by texas music scholar and archivist ramon hernandez, and features dozens of rare photos provided by sunny himself.
vinyl lp in gatefold sleeve including download code.

das cover hält zwar nicht unbedingt, was sich der lüsterne betrachter spätestens beim blick auf titel wie »drink my honey«, »the wet dream« und »dirty willy« von der musik versprechen könnte, liefert aber einen überaus tanzbaren industrial-house-mix.
mit hilfe des gesampelten gitarrenbretts von niemand geringerem als luc van acker und dem groovigen zusammenspiel zwischen drumcomputern und synthie-themen ergibt sich letztendlich eine durchaus massenkompatible mischung, die mit ruths multifunktionalitäts-gesang geradezu garniert wird. zwischendurch lockert dann auch mal ein an nina hagens »african reggae« erinnerndes »marijuana in your brain« die szenerie auf, ehe es kurz darauf wieder mit härteren sequenzern und uptempo-breakbeats weitergeht.
ein album an der schwelle zwischen gut & böse oder aufregend & langweilig, allemal jedoch mit gutem unterhaltungswert. umso mehr noch bei dieser neuauflage mit bonustracks bestehend aus den b-seiten diverser singles, die damals von diesem album ausgekoppelt wurden.

the orb’s 1991 album back on 180 gram double vinyl

ein schwabe macht noch keinen sommer - aber 3 mixtapes definitiv eine trilogie. nach -hoes. flows. tomatoes.- (2013) und -hoes. flows. kollabos- (2014) komplettiert marz mit -hoes. flows. flamingos- seine infamose mixtape-reihe und komprimiert abermals illustre gestalten des untergrunds auf einer pinken scheibe. mit wortbeiträgen von edgar wasser, juse ju, der witten untouchable posse, kex kuhl & labelkollege sickless, sowie beats von figub brazlevic, dexter, ghananian stallion, cap kendricks, dramadigs, mortis, 7apes und funky notes. die devise bei boombap- und referenzkönig marzo lautet demnach nach wie vor: nicht kleckern, sondern klotzen!
limitierte pressung auf pinkfarbenem vinyl.

dj quik’s 1991 debut album back on vinyl with download code included.

the newest 12inch on voodoo down records marks the debut appearance of longtime friend of the label jordan lieb aka black light smoke. jordan played an instrumental part in the nyc label scissor & thread, and has spent recent years honing his live set in front of crowds ranging from bpm, robot heart, and fabric. the depression sleeping ep is a collection of tracks from his archives from the past decade that have been updated and remixed. the theme of the record is his struggle with sleep and insomnia. per the artist: releasing these songs form my past reflects my effort to embrace myself, the good and the bad, and to channel my personal battles into a creative process.

with previous form on colors and love fever, remi mazet returns on relatively new label social joy with a deep and refined trip through house music as played by a true musician. there’s a dusky, cinematic quality to the whole ep, from the captivating intro to the sweet rhodes soul of -safran- and on to the broken wheeze of -jazz e-. -shrine- has a more forthright club-ready veneer, while -jammin- brings furthermore machine-oriented grooves, but at all times the devil is in the details, and this record is most devilish indeed. one for all those craving a little more subtlety and flair in their house music.

commemorating the 20th anniversary of mariah carey’s iconic album with a picture disc release

soul/disco/funk, brazilian reworks. limited pressing.

after twenty years at the center of the electronic scene, the enigma that is chlo? still stands. while chloe has long transcended her image as the dj behind legendary club night pulp, headlining the rex as well as clubs and festivals throughout europe, endless revisions represents yet another deviation from rigid genre classification, deepening the often-linear perspectives on current music. a rich and multi- faceted work, the artistas captivating third album drifts from one mystery to the other, harkening back to philosopher theodor w. adornoas maxim: the task of art today is to bring chaos into order.

the copie blanche adventure begins with ‘beats around the bush’, a 4-track various. the a-side – called yesterday, is a tribute to the 90’s house scene, on which jemaho and groove riddim painted their vision of the house music. on the other side – today, armless kid and louis dauvergne, the two boys from the copie blanche crew, gave their take on house with verve.

pre-echo press is pleased to announce beast, a new project & moniker from acclaimed sound/visual artist, koen holtkamp (mountains, thrill jockey). a somewhat radical departure from holtkamp’s previous working modes where sound has typically been treated as an edifice to be sculpted, the works here are far more concerned with the generative possibilities of rhythm. the pieces on beast developed out of holtkamp’s creation last year of an audio-visual performance that centers on the physical properties of light via 3d laser projections.

“the art of 10 seconds” consists of beats composed on the legendary emu sp 1200. the machine allows you to only use 10 seconds of memory for sampling.
boora explores soviet jazz archives of the 60s and 70s, scientific documentaries, folk music and sounds of nature to bring you the raw and unique sound experience straight out of moscow, russia.

great new album by portuguese producer, dj and live band moullinex. guest singers include fritz helder (azari & iii), georgia anne muldrow (flying lotus, madlib, mos def), best youth and da chick. delicious artwork by brßulio amado. worldwide tour to accompany release during q4 2017 / q1 2018
support by vice, kcrw, npr, majestic casual, les inrocks, tsugi
for fans of:
kaytranada, anderson .paak, prince, daft punk, metronomy, cut copy, chromeo, xinobi, caribou, prince, miami horror, rac.

repress of this 1994 punkrock classic on picture vinyl!

vor vier jahren durften sich green-day-fans wirklich verwöhnt nennen, schließlich servierte die band damals gleich drei neue alben direkt hintereinander. dann wiederum wurde es etwas still, die band nahm sich erst mal eine auszeit. die ist 2016 allerdings beendet. und mit »revolution radio« steht endlich wieder ein neues album in den startlöchern.
limitierte pressung auf picture-vinyl.

sometimes a year becomes 20, and this is the case with jesper bellfrog rydbergs second coming on borft records since his debut in 1997. as dj jespha galore, he is a super solid dj arranger and inspiration on the swedish electronic scene since mid 90s. and hailing from borft records friendtown helsingborg this record differs a bit from the traditional karlskrona sound and goes into softer territory with classic acidhouse sounds and friendly melodic funky electronic disco, at times almost bordering to italian pouch pouch vibes with shiny cars and prosecco. buy doubles and you got a cool little set bordering between acidhouse and electronic disco. / joakim cosmo

fashion flesh is the solo-output moniker of john talaga, based in bay city, usa, whose music first came to our attention back in 2016 with the release of an excellent 7-inch on detroit s est. 83 records. he should have been in the radiophonic workshop, but he was in the wrong place, wrong decade. instead, withdrawn comes as his first full-length album and makes up for the perfect introduction to talaga s synthesis of original and plasticized melodic collages, birthed from the guts of hand built exotic electronics and various audio devices — built from one s own design and heavily modified beyond audible recognition or return. from torn memories of pleasant dreams to plasticine free jazz sculptures, wavey electro cuts squealing like rubber tyres and pop hallucinations, fashion flesh highlights the beauty of confusion and anxiety throughout the breathing and illusive meanderings of his tape manipulations and hard copy cut-ups.

‘oma is an immense piece of work, taking its sonic cues from borderlands while expanding them into far wilder territories. organic clashes with electronic in a whirlpool of tribal head banging, fragile introspection and beautiful sonic architecture. skittering rhythms, rock solid basses, angelic vocals and heartbreaking instrumentation are guaranteed to make oma one of the most notable drum & bass albums of 2017 and conduct one of its prominent acts.

robin schulz ist ein phänomen. nachdem der deutsche dj und produzent vor gut vier jahren mit »waves« seinen durchbruch feierte, ist er beständig auf erfolgskurs. sein debütalbum »prayer« landete in deutschland direkt auf platz sieben, der nachfolger »sugar« sogar auf platz drei. und anstatt sich mal eine pause zu gönnen, präsentiert schulz 2017 bereits album nummer drei. »uncovered« heißt die platte, die neben seinen deep-house-künsten wieder einige spannende features verspricht.
schwarzes doppel-vinyl im klappcover mit downloadcode.

the first ep from mouse on mars since their anniversary recording 21 again (2014) is clearly connected to their recent club gigs. in fact, synaptics sees the berlin duo embrace their love of juke, footwork and chopped up house music like never before. on its three tracks, andi toma and jan st. werner reinforce the collaborative idea of 21 again: eight different artists have been involved in the making of these tracks, which deliberately depart from a characteristic mouse on mars sound, creating a more organized vibe while still maintaining links to their previous work. there are two directions of research in andi and jan s sonic laboratory: one is focused on experimental club music, the other is in search of music without ties to specific genres. though heavily leaning towards the club, synaptics is caught in between. from the duo s perspective, it even touches pop territory. all three tracks came into existence during the past four years. opener „jack is out- with its pounding lazer stabs is an obvious link to their current club sets as well as a clue on future productions. after months of redesigning and rearranging, it found its final form through an edit by bon iver producer ryan olson aka arson only at his wisconsin studio, where andi and jan also recored for their next album. „bluescreen- was born out of a berlin session with jessy lanza and junior boys and was completed some year later with support from modeselektor. and the tropical funk of „sensitive person-, based on a studio jam with sepalcure, also needed some aging and refinement after a couple of months.

revival is an as-of-yet totally undiscovered electric jazz rock recording from 1977 composed by visual artist and multi instrumentalist herbert bodzin. it features brilliant soulful fusion with echoed fender rhodes, phased flute, and electric bass and guitar. most tracks are overdubbed with synthesizers. fellow musicians are hans kämper (of legendary krautrock group annexus quam), bernd szemeitzke, peter johannesdotter and bernd schöttner. unreleased instrumental versions taken from the rare protest album niedersächsische schlachteplatte.

autotomy is a collaboration between belgium s sleeperhold publications, brooklyn-based musician patricia (max ravitz) and the dutch artist louis reith. this output is the result of a long process of contemplation, discussion and elimination which gave us a record that encapsulates both patricia s sense for hardware production and dance floor rawness. describing this release is not a simple task. so we ll just tell it like it is: it s a record that slows down and, in this process, reveals its mystery. referencing the title of this release, wunderkind max ravitz seems to provide the listener with the possibility of transformation, a way to shed part of your own being.

dj steaw returns this september with a fresh ep on kerri chandler’s madhouse records entitled ‘bel air’, featuring three original productions available via a limited vinyl pressing & digital outlets.

das best kept secret der szene steht kurz vor dem auffliegen: charles pasi, verboten gutaussehender franko-italiener, gerade mal in seinen dreißigern, hat eine stimme wie ein altmeister, schreibt abgehangene jazz/blues-songs mit dem zeug zum klassiker und kollaborierte schon mit kollegen von carla bruni bis archie shepp.
jetzt darf blue note stolz auf ihn sein: sein labeldebüt »bricks« ist ein musikalischer glücksfall und der startschuss zu einer wunderbaren karriere. man sollte ihn auch live keinesfalls verpassen, denn charles pasi ist nicht nur ein überzeugender songwriter, sondern auch ein mitreißend charmanter sänger und sehr versierter mundharmonikaspieler.

the 3rd edition of the dance 2017 series is a double a side featuring a track from the highly regarded palms trax and also the debut production from secretsundaze aka giles smith & james priestley. it s hard to believe palms trax has only been about since 2013. in just 4 years he has carved out a formidable reputation as a both a producer and as a dj. having released just 2 eps a piece across the lobster theremin and dekmantel it s quite a coup that he has contributed a track to the dance 2017 series. outflight perfectly rides the line of cheeky trance euphoria with house sensibilities, aimed straight at the modern dance floor, clearly demonstrating one of the scene s most respected producers at the peak of his game. on the aa secretsundaze step up with their very first production as a duo. both giles and james have a catalogue of production work already, giles as two armadillos with the sadly departed martin dawson and james alongside partners marco antonio spaventi and dan berkson. motorway jam is a peak time, detroit inspired burner with a rough analogue bassline and atmospheric detail on the top end. keep your eyes peeled for more music from the london pair coming soon. as the name suggests, dance 2017 is here for one purpose and these tracks are guaranteed to make you move!

seit seiner debüt-ep -stacker upper- 2010 auf luckyme produzierte lunice für labels wie warp, big dada, xl, young turks und diplo’s mad decent, arbeitete mit kanye west, azelia banks und hudson mohawke zusammen und supportete u.a. madonna(!) auf tour. sein kennzeichen ist ein futuristischer hiphop/electro-minimalismus, den er mit freiem jazz-ansatz zu einem raumfüllenden, multisensorischen klangerlebnis ausbaut. als gäste auf ccclx agieren kayne west-produzent mike dean mit einem gitarrensolo auf ccclx ii intermission sowie der niedliche pop-aficiando sophie und quickfire-rapper le1f, die dem titel drop down eine surreale schattierung verpassen.

hey campers, we are back with some new goodies for you! this one is by the completely virginal duo death bulb, who have never released a single track before, which is quite ridiculous as they have been producing this stuff since 2012. this is simply some of the best industrial noise techno around! it starts out with the title track zement, a total dancefloor killer that still gives me goosebumps after hearing it about a million times. you will eat this up! second on the a side is breathe in, breed out, a hilariously rough beatdown with lots of heavy breathing involved - slays it every time! ultraviolence never felt so enjoyable! the b side starts out with a rare guest appearance of label daddy hanno hinkelbein who donated a remix of zement for you people who like straightforward techno. lots of heavy bass and a crunchy ravepad, driven by relentless percussion. the vinyl ends with the broken banger bettina’s betrayal - noise at it’s finest, somewhere between i-f’s “i do because i couldn’t care less...” and old afx.

finally, the long awaited third part of the extrawelt trilogy on cocoon recordings is on the way, and with this advance 12inch release of fear of an extra planet (blackout) and hail the whale we are given an incredibly strong first impression of extrawelts third album. fear of an extra planet (blackout) in particular, has the potential to become a monumental club hit.

lanthan.audios 10th release extracts and converts to a piece of music where label-known souls join together to celebrate the jubilee in a reasonable way. this sets the focus on the human form and thereby lanthan presents itself in a new vestment for this anniversary. the architecture of mother nature.
this is lanthan.extracts vol i.

robin schulz ist ein phänomen. nachdem der deutsche dj und produzent vor gut vier jahren mit »waves« seinen durchbruch feierte, ist er beständig auf erfolgskurs. sein debütalbum »prayer« landete in deutschland direkt auf platz sieben, der nachfolger »sugar« sogar auf platz drei. und anstatt sich mal eine pause zu gönnen, präsentiert schulz 2017 bereits album nummer drei. »uncovered« heißt die platte, die neben seinen deep-house-künsten wieder einige spannende features verspricht.
limitierte deluxe-edition auf transparentem 180 gramm doppel-vinyl, inklusive slipmat, 20-seitigem foto-booklet, poster, album-cd und downloadcode.

original released in 1988, tougher than leather was the culmination of the rap/rock road that run-dmc travelled in since their earlier albums king of rock and raising hell. pressing on 180 gram vinyl

this is volume 1 out of 2 of hip hop gone wrong from john daly s west 2 west project. following up last years well received the smoke clears, john daly returns to the label under another alias west 2 west which was debuted on jheri tracks vol 1. equally as atmospheric as the ethereal smoke clears, this project is the result of his ongoing hip hop obsession. mpc workouts inspired by current listening, the result isnt quite hip hop, but sits nicely in the all city beat discography. there s an after hours headphone feel to the set spanning twenty four tracks split evenly over two 12 inches volume 1

i try to perform as honestly as possible — the soundbite borrowed from late dancer dudley williams for this record s second track could have been uttered by the mole himself. it s this candor that has allowed us to bear witness to a very marked and very audible transition from his days as a producer in montreal to becoming a part of the berlin scene. and what we have here is one result of that very explicit sonic metamorphosis. de la planet is our dyslexic subject s third studio album, one that stays true to his ethos of weird above all in the best possible sense. and yet it feels like something distinctly new. tapping his enormous reservoir of vinyl and sampling the odd film have acted as complement to the jaw-dropping arsenal of synthesizers at de la plante s disposal—a battery of machines he s been quietly improving his skills on during the past few years. or not so quietly, perhaps. the man himself would probably say -i m coming out of the woodshed-, and go off on a tangent about sonny rollins and his saint of a wife. but that s a story for another sheet.

kmyle is back after his powerful ep skryptöm 31, with a new massive album. in this upcoming masterpiece he is combining deep melodies and energetic forces to create a constant atmospheric tension. cohesive and modern, this album shows us the multi-faceted expression of kmyle s music. designed beetwen skipping beat, skittish drums and powerfull bassline, «northern landscapes» is made with sensibility and precision. each track reflects a moment of his life and a side of his personality. together, they bring us to a cosmic journey through space and time, surfing on a melancholic vibe. worn between hypnothic state and powerfull sonorities, this album delivers us a pure and emotional techno. full of elegance and sensitivity for your beautiful soul... enjoy !