aniligital music presents a collaborative project with volcano entertainment to celebrate the forthcoming release of the complete revenge of the nerds collection to blu ray. to celebrate, we ve been commissioned to remix four classic tracks from the original revenge of the nerds soundtrack and release them on a limited edition square record.

its been a hot minute since we dropped an official street bass release, but the wait has definitely been worth it. this ep is a preview of the heat that will be the >street bass anthems volume 4< mixtape, hitting on cd and digital this fall.
for those uninitiated, street bass is what starkey and dev79 have coined for their unique interpretation of bass heavy urban music. the first three volumes of the mixtape series (and the associated singles) have been runaway successes in the clubs, on the streets, and with the press!

>all tracks are great! will definately play it... pianos on the beach is amazing.<
- robin (david gilmour girls)
>yeah, as i said, i think its your best edit 12 so far. the choice of tracks is great, >pianos on the beach< is the kind jam youd like to hear on a dancefloor late at night, i guess this could have been played by francis grosso or mancuso. same for >look at you<, fantastic track, very emotionnal, whis has something of an anthem. keep on sending me such a thing. (btw, i m a fan of canyons label, great stuffs)<
-cosmo vitelli
>this is the kind of release that makes me excited to dj again...and again. theres something here for the beginning, middle, and end of a great night.<
-alex frankel (holy ghost!)
>loving that piano jam mister renault - perfect to drop just when you have em where you want em towards the end!<
-jim stanton (horse meat disco)
>nice one jacques, sounding good man!<
-mark e
>mr. renault is on a roll!!!!! seeing as everyone and their mother is doing edits these days, it comes as no surprise than the man takes it to the proverbial next level with this ep.<
-my cousin roy (wurst music)
>love these - more great edits from jacques. have been playing them out with great results!<
-prince language

supported by loco dice, luciano, monika kruse, dubfire, karotte, reboot, paco osuna, gregor tresher, johnny d, thomas schumacher, lauhaus, tim green, robert dietz, anthony collins, someone else, felipe venegas ...
2009 was the year in which amir really put his name on the map. with his tunes and releases on 8bit, material limited and trapez ltd he has been climbing into nearly every top djs record case as well as constantly proving and improving his sound skills. living proof for the recognition he is receiving is his most recent signing of two tracks to the legendary nrk music label, which is to be released within the next three months.

big ass ep! with hits like bingo players – devotion and exclusive releases like tocadiscos latest single with nadia ali from iio (remember rapture?)! also finally on a vinyl dave lamberts – s vibes which has been buzzin for a long time! with the vocal added! last but not least east & young deliver a massive anthem played by everybody from david guetta to axwell!

another massive sampler from the belgian house mafia! elektrokid comes with a great progressive tune that will turn heads! laidback luke & diplo in a sidney samson remix, do we need to say more? yves v delivers his biggest record to date! a great vocal and a fantastic build up! fireworks guaranteed! and last but not least belgian hot shots dimitri vegas & like mike deliver salinas which has been picked up big time by chuckie!

brand new imprint from those lovely people over at the acclaimed sleazybeats blog. they ve made a predictably smart move for their debut release by enlisting the services of canadian beatdown disco don eddie c. eddies profile has been on the rise since his magnificent debut record on jisco music. recent releases on wolf music, flashback and seven inches of love cemented the canadian beatsmiths reputation for crafting some of the finest mid tempo disco and electronic funk around. sleazy beats recordings have managed to snap up some of eddie cs finest work to date. from the gloriously deep & dreamy 9 minute space cadet to the heavy slo mo funk of get down and finally the discofied vocals in one with the stars. an impressively high quality all rounder of an ep.

the first release on the new deluxe mood label, featuring 3 tracks of lo-fi destined to appeal to afficionados of disjointed hihats and slowly mutating sub-bass electronics. production duo dark network emerged from a series of semi-conspiratorial electronic projects through the 1990s with their 2003 album late set, released through clan analogue recordings. they have been frequent contributors to vinyl and cd projects over the years (on imprints such as clan analogue, klub kooky and stoner classix) and appeared live at various underground venues. side a is the result of one such live appearance - a rare archival live set recorded at sydneys klub kooky in 2000, improvised on an array of aging analogue machinery.

animal collective are set to release a new five track studio ep on 11th december. recorded by ben allen at sweet tea in oxford, ms in february 2008 and at mission sound in brooklyn, ny august 2009, fall be kind includes recent live favourites graze and what would i want? sky (featuring the first ever licensed grateful dead sample). fall be kind will be available worldwide on cd, 12 inch vinyl and via digital download. the ep comes less than one year after the bands critically acclaimed album merriweather post pavillion which wowed fans and critics across the globe. merriweather has already been named one of the most important albums of the year by q magazine and spin in the us, and of the entire decade by uncut and pitchforkmedia!

do this man ever sleep??!! after his incredible baby raw e.p. alongside sometime partner in crime coyu - which has been played and charted by so many of the most discerning, and well known djs this summer - the talented spaniard is back, with his second ep on diynamic. funky basslines, cool house-grooves and a touch of deepness throughout. we love it!!

gem001 is egberts -dezelfde weg ep-. secret cinema has been dropping it regularly and the crowd response has been amazing! side a is a hypnotic melody driven techno slammer titled >dezelfde weg<. on the flipside is a deeper darker track called >vette sounds< with creepy yet commanding synths over a pounding bassline driven groove. this track has also received the secret cinema remix treatment to brilliant effect!

deepart returns with his snapshots concept. deepart is andi hart, and if theres one man out there which keeps true to his own sounds its andi hart. hes been pushing his sounds for almost ten years now, ever without doing any concessions. this double 12 inch brings eight new typical deepart tracks, they come in his typical minimal lo-fi style, but with the soul deep within. sometimes warm, frantic some other time.

musica sol y mar are pleased to offer their first release showcasing some of the most beautiful music played on the island of ibiza from the last 30 years, a style of music that has become known throughout the world as balearic. musica sol y mar is the brainchild of two djs originally from the spanish mainland but now settled in ibiza. they are deeply influenced by the music played by the likes of cafédel mar legend, jose padilla as well as phil mison and jon sa trinxa. this compilation provides a beautiful snapshot that will take anyone who has been to ibiza back to those long chilled days and nights on the white isle. for anyone who has not yet made it to the balearic paradise of ibiza, the music here will provide a tantalizing glimpse into the spiritual vibe to be found on the island. from the cool danish pop of laid back, through neo-flamenco courtesy of ottmar liebert to the ultra-chilled reggae grooves of gregory isaacs, balearic sound volumen uno is a broad church of musical styles. jean-luc pontys rare version of mory kante s ye ke ye ke is worth a special mention as it is now getting plays again from san antonio to the big apple. all tracks featured here are either long deleted on vinyl or are seeing a vinyl release for the first time. all tracks have been re mastered for maximum quality.

debut album from italys marcello napoletano, the space voodo as a d12inch. includes the calm b 4 the storm with i.f.m. (francesco schito), and expressions of a miles man, a ode to miles davis. his previous 12inch has been a hit with over 50 big name djs worldwide.

support from andre rozzo, alex jones, so inagawa, jamie jones, matthew styles-harris, laurent garnier, steve lawler, nic fanciulli. luna records is a new uk based label from respected club promoter/ dj/ producer paul bowen, the man behind middlesbroughs infamous >riff raff< events. the label is set to release music from some pretty well established artists with an emphasis on stripped back chunky house music and in that vein the debut single sees the much hailed german producer chris lattner step up get the imprint firing in the right direction. lattner has been djing for the best part of two decades, initially gracing the decks at hannover techno parties before word of his talent spread, seeing him strike out to play across germany. he has hosted a radioshow for australias pulse radio, worked as a booking agent for lessizmore and has had releases on labels such as einmaleins musik and wba. his passion for electronic music has shone through in everything he has done and led him to produce some great records, to which can now be added the luna debut >memory<. this single release kicks off with lattners original of >memory<, a solid tech driven slice of house with heavily effected vocal samples and a simple floor shaking groove. this is understated underground house music at its best, deep chunky and highly effective. first of the two remixes comes from ex-peace division man justin drake, who builds on the vibe of the original, thickening out the drums and layering some heavy filters over the sythn stabs to great effect. a straightforward and highly effective arrangement provides everything that is needed in this excellent reworking. finally we have a remix from bearweasel, who have been providing choice cuts in house music over the last year via labels such as tsuba, supernature, bloop and murmur. for their >lazy dub< they take things back to basics and turn in a slab of deep and dubby house with an emphasis on razor sharp percussion and earth moving bass. this is a superb debut from a label that is sure to become a major fixture in 2010.

rush hour is proud to present a compilation of anthony shake shakirs best work from his own frictional label (and some choice output from 7th city) over the past 15 years. this limited edition 4x12 inch set comes with an exclusive two track 7 inch (only available with this pack). released 2 months in advance of the 3cd/digital formats…
the label shake started brought us some of the deepest, funkiest and most diverse techno of its time and has been surprisingly overlooked by many. after a few years hiatus, shake is now back and will be recording and releasing on frictional again soon.
this compilation includes all of the classics like >arise<, >frictionalized<, >get a feeling<, >my computer is an optimist<, >the floor filler< as well as an unreleased track >the other one<. all tracks have been carefully re-mastered, breathing new life into the original recordings.

multi instrumentalist and singer maryja symone johnson and percussionist eric thomas joined together at the rhythm sticks festival in london in july 2004 to create new sounds that have been influenced by afro-caribbean origins. they have successfully performed at different concerts and festivals throughout europe. their first single >je suis music< edited by thiaba records is an adaptation of the original disco hit written in 1978 by international artist cerrone. afro-urban concept completely transformed this song by playing soca grooves with new melodies but the dance floor flavor stays alive. on side 1 is the vocal version with some extended piano, drums and percussions improvisations at the end. on side 2 the first track is an instrumental version recorded with the typical 70s sound where the drums and percussion are in evidence. the second track is more an hypnotic london drum n bass version.

already a classic techno track by loktibrada with a slightly uplifting atmosphere got finally a vinyl release.
>rybakk< has been already played by surgeon, perc, regis, jeroen liebregts, boss, hu and some others..
b-side is a remix by radial, pure and clean minimal techno funk. again a record to refresh the move on the dancefloor.

played by: gorge, hosh, alex keji, nick warren, agoria, coyu, oliver klein, osunlade...
beef records is proud to present another peak time tech house vinyl ep. >hann< is one of those tracks that are very hard to forget – catchy vocal, simple groove, groovy bassline and amazing sound scapes keeps every dancefloor busy. on remix duties we have the only greek dj who has been smashing international charts, producing world wide hits (like >jauce<) and touring at the same time. kreon gives hann extra twist, loose percussion and off time rhythms. fans of twisted techno will love this remix. another remixes are by our very own shades of gray who take hann on a bit more melodic journey and australian murat kilic who brings some great tech house chords and shakers to fulfill this package.

stl is the production alias of stephan laubner who has been releasing material under a variety of pseudonyms on labels likeperlon, smallville, styrax and his own something records imprint over the past decade. stephans productions are like fine wine, they develop, mature and get better with age. his past releases have gained support and charts from detroit luminaries like derrick may & theo parrish to the berghain collective, ben klock, marcel dettmann & steffi. his recent licensing of silent state on cassys new simply devotion mix on cocoon, ames fabric mix, steve bugs the lab and earning the number 1 spot ingroove magazines chart all speak volumes about the level of love and passion he puts into his productions. with stephans check mate he pays homage to a sound we simply adore, a musical conceit only a select few understand, hand crafting his sounds with a variety of analog signal processors, vintage synthesizers and a loving touch reminiscent of the early deepchord years. this is one to treasure, made for repeat listening

volume 3 showcases more of the unique tropical music created in panama in the fertile decades of the 1960s and 70s. panama is the thin, tropical bridge that connects north and south america, and is home to three million culturally diverse people, its music is a soulful blend of latin american, caribbean, european and indigenous forms. from bilingual calypsos to guajira jazz, from tropical guarachas to cumbia tamboreras, panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multicultural environment during a turbulent time in the young countrys history. this collection presents more of the golden age of panamanian music and the music of the combos nacionales on rare recordings that have never been released outside the isthmus until now.

the first feedback to the album has been overwhelming! classic drum sounds, deep melodies .. proper old skool vibed on here .. ! support by joris voorn, gregor tresher, karotte, deetron

once again, lump sticks to his guns and brings you strangely funky tunes to make this world a better place . it s too late. the world has gone sombre and our man walks the desolate streets. the femme fatale is there, right under the street lights. the gansgster are all around. bobby has been shot and all the junkies are surrounding the dealer in the back alley. this is no house as you know it. this is harcore funk. it s noir, it s dirty, it s dangerous and risqué. run. the cops are coming...

q hey (masaya kyuhei) started djing in 1989, and since then, has been one of the few key individuals of japans club scene (along with takkyu ishino, ken ishii, fumiya tanaka). with determination, focus, hard work, and with the support of loyal fans, he is one of tokyos techno milestones. from club events to massive outdoor music festivals, q hey is the artist who always delivers. his newest ep on mbelektronics is again a banger, backed up with two firm remixes of marco bailey & tom hades and redhead. dancefloor madness guaranteed!

nice7 are mostly known for their successful remixes and they recently had great success with their scappiamo track on klimaks. they are now ready to follow up everyones expectations with this infectious ethnic tech house tune on noir music.
elisa has been road-tested all summer and now comes with 3 spot-on remixes courtesy of: pirupa, david labeij and daniel kyo.
supported by: steve lawler, sebastien leger, martin eyerer, edu imbernon, lauhaus, dj madskillz, aki bergen, prok & fitch, kim fai, kammishake, carlo lio + many more.

4 years of anna - four hot tracks on a 500 pieces limited edition 12 inch vinyl!
anna aka boris brejcha has been one of the most prolific producers on autist until today. being on board from the very beginning anna has shaped thesound of autist like no one else.
now he is back once again with this great 4-track ep!

a fine collection of interpretations picked from three of todays leading newcomers.
gold panda has been causing a stir with his remixes for health, bloc party etc.. here he elegantly samples the vinyl from >i have the moon...< into a savvy dub-stepped dilla-esque roller.
rainbow arabia from los angeles remake >sequenced< into a moroder-fest with tiffany prestons siouxsie-esque voice crooning throughout.
back in london, walls (sam willis from allez allez and alessio natalizio) submerge >leave it< in a sublime sea with waves of bells, guitars and cello.

palette recordings celebrates its 13 year anniversary with a release by the duo that started it all for the label. no giant mix compilation or collection of remixes, just another example of what has built the foundation of palette over the last 13 years. john tejada & arian leviste have been collaborating for over 18 years now. with this release the duo in a way come full circle, combining some of their oldest production techniques with newer ones. its been a long road for these 2 seeing styles and trends change, equipment and technology come and go over the years, but what has remained a constant is their vision of electronic music. >messenger< with its subtle intro of modular synths and rhythmic pads breaks out of its sinister drop full force into a multi dimensional crowd pleaser. the stabs continue to build energy while layered drum programming and modulating synth lines escalate the tracks energy. on the flip, >observer< continues with a fierce pace that harkens back to the days of palette 4, combining vintage synth stabs and drum machines recreating that classic vibe which is gaining such momentum again these days. the difference here is these guys were around at the time already releasing music that would garner them such high acclaim over the years.

the titel track rush me fuses the steinbergian house style with the lo-fi charm of the roaring 20s. it comes over slightly poppy but with a very relaxed and laid back groove. steinberg at his best! format:bs rush me remix, that has been reduced to the original vocals comes over trippy and with a good dose of bongos making it into a grooving party track. steinbergs es la vida is an elegant reduced tech house beauty. the rhythmic, percussive vocals hit on a very monotone but kicking bass line. a touch of a warm night by the sea in spain! format:bs interpretation of es la vida concentrates on the vocals and some of the percussion from the original, and combines steinbergs basics with a hypnotic synth-structure that boils up in the last third of the track until it finally explodes! all tracks arent scared to admit that theyre aiming for the peak time. 4* different styles. kick ass!

subb-an & adam shelton present one records, cultivated directly from five years experience at the helm of below, one of the uks most upfront and authentic underground parties, the label aims to encapsulate the energy and dexterity of artists and crowds the night has connected with most. the labels debut release comes from its founders, subb-an & shelton, with >feel the musik< ep, a retro infused collection of driving dancefloor tracks. each stamped with a dash of ibican spirit and explosive energy. subb-an has gained familiarity and become a talent to watch through his releases on immigrant and leftroom. he has a distinctly vivacious sound and is a youthful and passionate artist with some tasty scheduled remixes coming up on b-pitch, hypercolour, 2020vision plus a full release coming up with mothership. he is resident at below in birmingham and regularly takes his dj and impressive live set to the best european destinations. this is the debut release from adam shelton, founder of below, which has exploded over the past five years to become named the best uk club night outside london in major press. shelton has found major recognition from his peers and been asked to play everywhere from panoramabar to space in ibiza. his pioneering sound and spirit has propelled below to the heights of appreciation and he is subsequently tunneling this ambition and focus into the one record label. future releases due from the label come from back2basics resident and leeds one to watch buckley, little fritter and further collaborations and solo work from subb-an and shelton. each ep will introduce new talent and deliver first-rate material with 2 solid tracks + 2 added tools for dj use on every release.

this is the track that has been burning down the house this summer, this is punk-funk techno ... this is >fables and fairytales<. a deep, dark and wonderful cut of distorted house music from adam marshall and nicholas murray under the alias n/a featuring the voice of rosina… a creation that touches the heart, body and soul with an intensely passionate sound, producing one of the best crosstown rebels releases yet.
from the vocal chorus so hooky and cool - to the kind of bassline you will be humming hours after the club, this piece of lfo tech-funk brings adonis, the slits and the fatback band into the same room and melts them into one shining gem. falling horns and random stabs, a punk funk vocal that is truly infectious, crosstown rebels #54 grabs you at the beginning and doesnt let go for the next twelve minutes. a faultless anthem for the coming nights…
on the b side, the latest artist signed to rebels, the uniquely talented deniz kurtel, stretches the hook into a dubbed out trip of groove-infused techno. morphing and twisting the ferocious female voice to sensual whispers and heart-felt cries, she works more enchantment into this anthem and builds a serious groove for a dark room.

next up on eglo records after the hugely successful vacuum ep by floating points its the debut release of west londons stevie j aka funkineven 1956, featuring hackneys new queen of funk & soul, fatima on vocal duties. 1xtras benji b has already been going mad over it, and the track is slowly building a reputation at a number londons underground jams and warehouse parties. sonically it occupies a similar stratosphere to dam funk, sa ra, bugz in the atitic, dorian concept, joker etc, but with a west london twist and deeply crafted vocal melody.

with the introduction of derailed traxx black classics, the international hardcore scene has a new platform for re-releases of hardcore classics and remixes of hollands most promising producers of their favorite tracks. the first release of the new imprint puts all eyes back on the huge classic >go get busy< by dj weirdo & dj sim.
the original release on the massive pengo records was one of the most successful 12 inches, but very hard to find these days. >go get busy< has been put on the record in two different versions: the extended rave mix and the hardcore edit are digitally remastered, so they are now available in the best possible quality. but whats even more important about this re-release is the remix, brought to you by the genius of paul elstaks offensive records: accelarator.
accelarator is one of the key producers of the >godfather of hardcores< imprint. together, they form the very successful act the hitmen and had hits with tracks such as >we like it raw<, >fight for glory< and the devastating remix of j.d.a.s >voel je die bass<, which became one of the biggest hardcore hits in 2009. but also as a solo-artist, mick grundner proves to be an exceptional talent. together with various producers, he delivered productions for paul elstaks latest album and remixed several top-notch artists like kasparov, headbanger. now, he brings you his undeniable interpretation of >go get busy<. accelarator is considered to be one of the hottest artists for 2010 by many of his colleagues, approved by his fantastic remix of >go get busy<.

playmobil is celebrating its tenth release with the mastermind from greece mister mihalis safras. with all the work he does for his incredible material labels he still found the time to produce these magnificent tracks for playmobil! 3 great tracks that have been tested over and over on his many trips abroad. you know what to expect..

with a slew of top 10 hits, a multitude of remixes under his belt, and a frightening tea habit, funkagenda has been called in to mix the next toolroom knights installment.

with a slew of top 10 hits, a multitude of remixes under his belt, and a frightening tea habit, funkagenda has been called in to mix the next toolroom knights installment.

with a slew of top 10 hits, a multitude of remixes under his belt, and a frightening tea habit, funkagenda has been called in to mix the next toolroom knights installment.

disco monster has been hammered by the likes of dj mehdi, busy p, breakbot, brodinski, joost van bellen, erol alkan, tom trago and many more.

baddies are an indie rock band from southend, essex, who released their debut single battleships in october 2008. identical twins michael and jim webster are joined in baddies by danny rowton and simon bellamy. it has been said that they make hi octane alt pop that recalls the likes of klaxons and queens of the stone age. big, ballsy bass heavy hooks delivered at breakneck speed (bbc)!!

the machine has been kick-started! industrial movement returns from the dark with a fierce 4-tracker under strict guidance by deathmachine. get your fix with both mid and up-tempo uk hardcore beats! solid productions showcasing the enhanced mechanics of one of britains next-level producers. theres nothing unlucky about the thirteenth release at im when this audio hits your decks!

classic remastered! (originally m-p312) after relaunching m-plant with 2 new eps there has been high demand for robert hood s older m-plant catalogue, so unleashing a collection of remastered m-plant releases to end the year

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

there is a new name on cargo edition, but by no means an unknown one. as a dj markus schatz has been on the move for years now, all the while maintaining his roots in the berlin club scene. markus started producing in 2004 and both his solo eps and collaborations with tom clark on highgrade records and opossum recordings last year clearly demonstrate that his talents go far beyond the turntables. and now for his first ep on cargo edition, markus takes a step further into the musical spectrum. drippin is a nimble house track accented with a note of funk and the smooth vocals of sean andino, giving the track a slight pop-appeal. in contrast flippin gives us a beautifully reduced form of house all driven by a powerful rolling bass line, a textbook example of less is more. as a perfect ending restart surprises with its smooth house arrangements and sophisticated deepness. a truly versatile ep from a truly versatile producer.

emptyset is a bristol based production project formed by james ginzburg, aka ginz, boss of the multiverse network of labels and paul purgas a longstanding electronic dj/collector and curator of this years we can elude control compilation. their collective agenda has been exploring techno music’s diverse influences and compiling them to a studio template focused on tight production and detailed sound design. inspired by the city’s culture of bass lead production as well as the global resurgence of electronic music, the sound has been described as techno meets dubstep folded back onto techno again, a description which is perhaps the most insightful to date. the project owes credit to the classic releases of m-plant, sahko and chain reaction as well as more recent producers such as alva noto, deathprod and burial. emptyset acts as a research project connecting the ideas of a modern dancefloor with experimental approaches to music and its design.

excellent deep house classics

now we are proud to welcome the flash brothers with their debut on clubstar records. na na hey hey kiss him goodbye has originally been a number one pop single on the billboard hot 100 in late 1969, by a band called steam. the flash brothes take this evergreen into a crossover potential electro house track. slamming remixes come by abel riballo & dj kds and kid chris, who have proved their skills before on clubstar. for those who dont like the vocals there is also a pumping dub mix on the vinyl. support from some of the biggest names in the industry, like paul oakenfold, tiesto, sasha, john digweed, pete tong, judge jules, danny tenaglia, armin van buuren, paul van dyk, deep dish, dave seaman, seb fontaine, ferry corsten, steve lawler, satoshi tomiie, max graham, robbie rivera, sandra collins, nick warren, hernan cattaneo, james zabiela, tom stephan, junior vasquez, victor calderone and many, many others!

ltd 20009 repress !! ndatl muzuik continues with its second release power thru pt 3 from label honcho kai alce with haunting vocals from azulu phantom. this actually has been floating around the waters of atlantis after missing the cut on kai alces debut the kaizer e.p. on tracknmode in 2002. after the original has been played by some the worlds elite larry heard, theo parrish, moodymann, funmi ononaiye, carl craig & karl injex . it now resurfaces with a new redefined energy from frances mush, who approaches power thru pt 3 with a new refreshing classic minimal feel that brings new life to kais already timeless chords & production. mush teams up with saxophonist daniel brothier to give you a dub very reminiscent of the conversation. the 12 is rounded off with more 2 come which its deepness embodies its title

another blaster ep on the strong special series imprint. get ready for some serious funky techno bizzle from all your favourit artists. first up its man of the moment a.paul remixing ramons track turning it into a true floorburner. a.paul trademark bassline and the uplifting synths stay on top.. next up the french mat303 and josh love. josh just had his debut on patterns and its doing really well! this is samba bussiness for all the carnival people. big hit for rio!claudio opens the flip with his incredible sound. he is relatively known, but creates music like his been here for ages. mature techno for the masses.

for the second cassius records and to carry on with the youth speed, trouble, cigarettes adventure we give you four remixes done by talented producers across europe from milano italy… reset! we met the three kids from reset! in magazinni generale while playing, their set was powerfull but also full of respect and influences from hip hop, soul and dance music in general, we finished our sets back to back and since this day love them their trouble mix could have been done by the jbs if they were still twenty something and into house music… it rocks and never stopsno use to present the music from radio slave, the big difference with a majority of other producers is that we both can recognise his tracks in a few bars only, also in the way it streches to crazy length and takes you in a trance that could have come directly from lagos in 1973 matt embrace the same philosophy we all cherish at cassius records the no boundarys way hes more than minimal, more than electro more than techno he stripped down ystc to the max and his remix played at the good time on a good system is a true chicagoan infused gem then after chaos