4 track madness by dione!

carl craigs creation of angel found its way onto the second installment of darkness, released 2005. observers of carls music declares this era to have been the strongest material since earlier tempered psyche / bfc classics. now reborn by the crafting hands of jerome sydenham and detroit native keith kemp, we enthusiastically introduceà guilty pleasures debut release, carl craig - angel remixes --- jerome sydenham: born and raised in ibadan, nigeria to an english father and jamaican mother, he was schooled in his teens in england before migrating to new york city in the early 80s. sydenhams work today is largely influenced by the cultural diversity of his upbringing and has echoes of a musical history that spans indigenous african and contemporary western music. during the mid 80s he became involved in the underground dance music scene both as a dj and a promoter. in 1986 he threw a successful weekly party in philadelphia and by 1987 he had a residency at the legendary nells in nyc. --- keith kemp: keith kemp has been a dj in and around the detroit area for the last 10 years, primarily focused on fusing fragmented bits of the detroit techno blueprint all over the dance floor. through various residencies, dj sets, and live performances, he has been on a constant personal journey within electronic music ranging from performing at the detroit electronic music festival to movie scores and sound design. since 2001, keith has found himself involved with the operations of the ferrispark record label as well as several releases on various detroit labels reaching all corners of the world. as a life-long connoisseur of music, his dj sets can range from glitch funk, industrial, hip-hop and jungle

nice price deal !!! outstanding ep with unreleased tracks from cristiano viviano / adriano filippucci / jimithesun (fresh) / sunthic genius.

2 after the successful first release, raw meat is back! this time with two holy disco goodies from the amsterdam based >st. propre<! edits of two classics from larry levan and tom moultonà..a downright holy tip! side a is an ode to the one and holy larry levan and contains a sublime cut up filtered edit of celestial choirs >stand on the word< which was edited by larry himself back in the days. a true dance floor killer that keeps on building into and irresistible groove! side b is another ode, this time to the master and inventor of the disco mix tom moulton. >love me proper< (originally by karltone) has been hustled around into an extended smooth funk swinger with a massive hypnotizing bass line. works perfectly on the floor as well as in the bedroom!

shit hot release from the super consistent sex tags crew !! footnotes was the bergen, norway based label run by bjørn torske with only two releases, the late 1997 house classic and collectors item “haribo” by erot and the way too underrated dub-house 12” “farlig fiffus” by krisp. in 2002 the laqcuers for the third release were cut and all ready for the press, but for some obscure reason it never made it to the actual pressing. in the end lacquers were demolished and the mastertape got lost. several years later the mastertape showed up in a tower of old tapes and mastercuts. recovered by the sex tags mania crew, now seven years after it’s origibnal releasedate, doc l junior’s two classic and brilliant house and disco tracks are ready for a proper release. as a tribute, a longing for old days, sex tags mania will releases footnotes 3 in april 2009..

big with solomun, lee burridge, paul woolford, chris duckenfield, 3channels, rozzo, dop, glimpse, gregor tresher, alex niggemann, sebastian kahrs, stacey pullen,

detroit chords and big analogue synths make this a peak time techno floor filler, with massive dj support from the likes of laurent garnier. this is leeds based duncan hatterman aka hairy hat man s debut single and what a debut it is! the original track >miyagis magic< (named after mr miyagi from the karate kid films) is a flat 4/4 journey into the land of big moog synth riffs that light up this tune. j alexanders remix strips some of the moog layers away and turns in a more minimal builder added a shuffling beat and hypnotic bass-line. a future detroit techno classic comes our way on the a side with the berlin duo that is tagträumer together with the co-production help of ronald christoph, big analogue synths take on the original tune while the pace is somewhat quicker than the other two mixes, turning miyagis magic into a peak-time techno floor filler!

it may have been fate that erphun s very first gig was on halloween, because his music is brooding, pounding, moody and transformative, as if from another realm entirely. his ability to build a mood is mesmerizing and transports the listener to that alternate spiritual level that his moniker infers. having spun around california with residencies for naked, flirt and hotel california and playing at 1015 folsom (san francisco), sevilla (las vegas), broadway (san diego), voodoo lounge (las vegas), risqu (las vegas, new year s eve 2004), and the shelbourne hotel (miami, winter music conference), erphun began to make his mark. erphun s music has been spun in clubs all over the world and is succinctly summed up by steve lawler as a deep, dark and underground unique sound that trademarks his pieces. with early releases on ingrooves, and ascension records followed by releases on viva music oliver klein s mutekki and audio therapy, his name is now instantly recognizable among the tech-house, minimal, techno world of spinning producers who globe trot his compositions to be dropped on every conceivable audience. the reaction of the listener to his slow, driving builds that weave between the almost symphonic-like movements of each of his pieces is always jaw dropping and is usually followed by an exclamatory siiiiiick! . erphun is also a highly sought after re-mixer for artists who want to hear the 4am version of their pieces. the only way to really experience this immense talent is to see him in action. a night of erphun s making heightens the listener s musical aesthetic and aurally illustrates his personal musical vision

well 20 catalogue numbers and three ôthe cheapersö releases later, our ruede hagelstein dares to perform a solo dance on upon you. in this case- a chair dance. the name ôreise nach jerusalemö stands for the game moving chairs that ruede still remembers from his east german child hood.the principles of the track will be recognized by those who know the game. to all others the a1 side will appear to be a mean techno pusher. ôaron habritö also surprises the inclined listener with unexpected curves of tension but still remains on the house ground of reality and digs like ôlevithanö towards the thick underbrush of pre-christian mythology that ruede seemed to in any way have heard of in one of those brandenburg kibbuzes. shalom!

beatdisaster records continues its successful way of presenting technoid clubhammers, with a release of the two most familiar artists of the label, which have made awesome tunes right from the start: eric sneo (ciao bella) and tube-tech (the end). eric sneos >tanz der familie< original version was already a big clubhit in 2003, based on the successful party series at the legandary german techno club palazzo. for the restart of this series, eric made a fantastic remix featuring accordion sequenzes on a groovy beat, which he filled up with live played solos at the >tanz der familie< party in 2009 with amazing response from the crowd.the first techno band tube-tech presents their interpretation of the cult hit >painted black<. with original sung vocals of their front man alex denton and also live played guitar, this version (remixed by eric sneo) has an enormous power and forward energy, flavoured with some great percussions and also has already successfully presented on numerous live gigs of the band.two amazing tracks, that will definately bring the beatdisaster sound back to the clubs!

support by: adam beyer, speedy j, emerson, brian sanhaji, joel mull, perc, steve rachmad, the advent, paco osuna.... true type tracks starts here with two artists that have created a very distinctive sound both together and solo, and represent a way of understanding techno music in which we firmly believe. our dynamic duo meets again to continue what they started on the ad ltd imprint. two tracks that define their own sounds and as the two artists behind them fit so well together they have to be in the same plastic. as a is for alexi, time out fills this side with powerful, dirty, jackin driving techno. alexi delivers a track were the classic flavour of techno is completely infected by his characteristic twisted futuristic sequences. the track grows full of tension and it s a sure killer. it s funk, it s dark, it s strong. on side b, xpansul signs a playful techno track full of swing and funk, hip techno a la xpansul. jackin beats and dubby bass support several freaking melodies that build this trip to dancefloor madness. we love techno!

after the superb best of chaz jankel on their sister label tirk last year, nang are grinning ear to ear for the second release with some top flight remixes featuring big names all the way. first up is rekids regular toby tobias and the slick discoid grooving interpretation of call me. fresh from the success of their final electric chair comp the unabombers weigh in with their bouncy walking bass take on one of 2007s top disco tunes get myself together. to round things off a 3rd big name diesel from xpress 2 chills things out and delivers his stripped down after hours version. nang is out of the gates and running folks.

mistakes music has been going from strength to strength over the last few years with sebastian leger establishing the brand as a market leader. here this new 3 tracker again moves the label forward with the a side - seaweed being a superb funky basslined killer that twists and turns all the way through whilst the synths gather in intensity. on the flip side - sunset - has a lighter feel with detroit influenced pads and synths and hooky melodies. to finish off we have snapshot with its twisted, funky minimal groove. top draw

excellent classic kerri chandler masterpieces... must have for all deep house lovers

first release on the new label hand of god. side a is a reinterpretation of a classic disco edit from way back, a good tool to get the floor tooting and beeping. side b is a deeper exercise in stripped down disco. first release on the new label hand of god. marco & orpheo have been djing together for years, they enjoy vintage synths and long sets the beach. their debut release are two nice dance floor burners

raw recordings return with another superb slice of house d up r&b this time the boys turn there talents to nyc soulstress amel larrieux. as usual we have 3 versions a main vocal complimenting the original vibe of the song to a tee, on the flip a deeper dub for those late nights / early mornings & a dubstrumental for those who like it that way. another quality release from london s very own dj leo & guy robin. don t sleep or you ll miss out

the word legend gets used way too much these days but its only fitting that we use it for this killer combo of louie vega & dj pierre. it started with the godfather of acid house dj pierre sending over the beat to louie vega the master, and boy did he get to work! the end result is >da jungle< louie vega vs. remixes come from chicago legend gene farris, berlins pierre deutschmann a producer with an attitude making music in different styles he fits the afro acid mold perfectly

the most intriguing aspect of troy pierces and gibby millers louderbach project is the way it effortlessly pulls in so many directions and as if to underline this fact, shine - the first single to surface from the new autumn lp also appears in classic 7 inch vinyl format alongside the 12 inch and digital remix collections. drawing on shared influences such as bauhaus, coil and joy division, the duo have appropriated the best elements of these early-eighties pioneers, reinterpreting them through a contemporary lens to achieve a perfect balance of style and content

fenou #8 - dapayk & padberg on fenou - yes! following up their brilliant >black beauty album< on fenous parent label mos ferry in 2007 and the two album remix records last year this is something new, and different. ok, the duo already had a fenou-like moment with the remix of island (feat. caro) by noze. but this a-side >sugar< shows exactly what the genre description cute minimal electronica actually means. its somewhere between clubby, but distinctive electronica beats, a vocal taht reveals a definite pop-appeal and some lounge-like tunes. the b-side >soir< by dredl kibosh is quite different from that. its a deep and relaxing track developing very slowly to leave a feeling of zero gravity in the end. thereby its not as complex as ezekiel honigs seaside pastures pt.1 on fenou06, but continues the laid-back side of fenou in a perfect way. consequently, the fenou no.8 is presented as a limited edition of 10 records

featuring 2 tracks that encompass search & destroys hard yet musical ethos to a tee: musicality and emotion, yet dancefloor friendly. blue mantra: soaked all the way through with a beautifully sullen orchestral riff and a lush string arrangement that drops into a snaking halfstep break, swirling arpeggio?s and a moving brick wall of sub that bounces along with fierce purpose.

for this 4th release, we bring you the best of the best & obviously the rarest 12 inches around! a side comes up with the great zig zag from dj chaka bud originally released in 1993 and for the first time available the legendary unreleased extended sax mix (more than 10min of pure house meets jazz madness), this track was done way before st germain & all the jazzy house thang, with today minimal producers like sis or others trying to get the win formula for an ibiza anthem by just sampling a sax, this is defintely the only one you really need to have. if you need a record to bang a party, this is the right one. a cornerstone for todays timeless djs, such as luciano or villalobos. on b1 & b2, we have the all time classic from phuture we are phuture & slam!, all about drums, acid & insane vocals from 1988!

john talabot is a youngster from barcelona with a rather special way of approaching music. borrowing his schools name for his alias and the most diverse samples for his music, he produces expansive and iconoclastic housey tracks. his influences range from flamenco to northern soul, from african music to traditional asian songs and he s inspiration sources go from the profound and sensual house of moodyman and labels such as sound signature or kdj to disco music, chicago house, pop or techno, whatever he likes. sounds like a bass kick and a sampler, he says us in his myspace, no less. this young producer and tireless musical tracker has the ability not just to find the appropriate samples but also to conjugate them wisely. in a great exercise of sonic inventiveness, guitars, strings and keyboards are combined in his tracks with rhythms and vocals with african reminiscences, to give us his own vision of house music, original and personal, but yet very effective. cliche allergic, songs like naomi, korlee or afrika sound cosmic and tremendously emotional without losing sight of the dance floor (thats what we call fat beats). his tracks are organic, human, full of life, the kind of music that keeps not only your foot moving but also your heart tingling.

bongard problems is classic cornish influenced breakbeat techno with squidgy roland bass and 8 bit dirt percussion. motion studies is a swingy non linear acid disco trip with moody chord backdrops and some unexpected twists and turns along the way. pixel wrap is medieval echo techno with inhuman voices that give way to a late 80s rave breakdown that builds up into something else again. excalibur is a camelot techno galloper, complete with arthurian lyrics. blank expanse is the kind of music depeche mode ought to be making if they hadnt turned into u2.

daze maxim returns with the next eruption on hello?repeat. with >organ message< daze send us two delicious tracks that bubble over like a vulcan. the title track attacks us with his typical crispy beats, an ultra funky bassline and a quirky synth line all over the track, which shows you once again the way to maxims cosmos. once you arrived there, >strange things< is waiting for you with a voluminous flow of lawa. a hard hitting, percussion driven track from outer space. so, ladys and gentlemen fasten your seat belts and get ready for another crazy ride to maxim land.

luke hess creates deep detroit techno with a focus on soul and experimentation over prevalence and trends. his album, >light in the dark< on echocord further explores deep detroit dance music through field recordings, live percussion sessions, analog experimentation, and dark cavernous melodies

after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

albion got his first bookings in high school on his friends parties and played his first gig in a club in the early nineties. ten years later he rediscovered the sound of his childhood, disco. since then he has been throwing parties and playing in clubs, digging deep for records and obsessing about long forgotten music. in 2006 albion started making the astronomix and mixtura mixes for c-b-s which made him gain his reputation as a mixer of the most far out disco this side of the moon. hes now part of the heavy outfit which is ambassadors reception

cynosure flag ship artist and label navigator mike shannon reaches into his archives and selects the much-anticipated “the box ep.” “the box is open” was always a highlight of many of mr.shannon’s dj sessions and live acts. this cut delivers nostalgic, old school of detroit, soulful, techno jack. a ton to digest there but there really is no other way to sum it up. adam marshall graces the ep with a stormer of a remix. taking things a step further, adam really explores a different use of the chords given to you in the original. a smooth kicking set of drums and ever elevating sequences of synth keep you on your toes never really knowing exactly when things will drop. definitely a production trait that adam is best known for and it never fails on the floor. howie mangel

we re not sure if theres been a whole lot of russian vocal led synthy disco around of late / ever, but we definitely like the idea of it. and so we have the first release on the brand new tirk affiliated label nang. d pulses sound is a sonic cocktail that represents the different flavours of its ingredients. great for dancing, as well as regular home listening, making love or preferably cooking. you can call it russian house, full of spirit, soul and its own philosophy. now on to the tunes. the foto mix of more combines cold robo synth bass and stripped back rhythms with the haunting tale of love, loss and the ultimate fulitility of existence (probably). the original mix lives up to the live jam side to the d pulse manifesto with organic funk and jazzy chops leading the way. fellow russian alcos coolkas carries on where his new work on tirk left off, with simple but sparkling and sophisticated electronics working away with snippets of the vocal to mesmerising effect. the package rounds off with the spacey, warm, instrumental highway to saturn. nang has launched!

amazing selected favourites from our hero dj sneak !!... classic chicago house at it best

the follow-up to last years deep in need, the haunting me ep brings three new soulful and sleazy tracks from dirty bee. since house has been a buzzword for the last year or two, old-timer dirty bee shows the kids that its possible to give a shout-out to the old school, while still finding plenty of room for innovation. the title track, featuring bees friend luther on vocal duties, brings a paranoid vibe that crescendos with fluttering chimes and a baltimore breakdown. on the flipside, things get a bit filthy with out of body: pounding bass with conga accents keep the tempo, while a drunken, off-kilter saxophone solo tries to find its way home. finally, the snarling, electrified bounce of work for me closes out the ep. spread the house gospel!

much to our advantage, layo & bushwacka! have been seeking solace deep in their west london studio since the closure of the end. this means only one thingàmasses of quality tracks coming your way from the duo and olmeto records over the coming months! the pairs latest twelve takes in two very different sides of their personality. the a side 21, supplies a deep slice of electronic funk complete with mesmerising pads, rising percussion patterns and the most beautifully addictive synth hook put to wax in ages if it doesnt give you goose pimples you need to get to the doctors! heavy weight sub bass kicks demand this be played as loud as you can possibly get it! go on, turn it up, annoy the neighbours on the b side, l&b take it back, waaaaay back, and toy around with some classic house music, creating a patchwork of off kilter, looped up madness to get the party masses hands high up in the air. overflowing with old school flavour, to make you quickly glance over your shoulder back to the 90s, whilst still sounding supremely relevant on todays dance floors.

played by brothers vibe, mike shannon, sebo k... from the beginning, marks dave hughes second ep release for palette. the three songs offer different variations on a single theme. from the beginning starts things off with classic sounding chords and punchy drums. from the start follows the theme in a more stripped down fashion, adding vocoded percussion with a powerful stab. start over continues in a more tricked out percussive form with clever programming and synth stabs. in all a club friendly three tracker and great follow up to his first ep on palette titled lets do it, the title track having recently been featured as the first track on john tejadas fabric 44 cd. dave is originally from ireland, but currently lives in los angeles. he has been djing since the age of 15, initially in dublin clubs along side many well known house djs. hes also made his way touring around europe, australia, asia and the us. he joined the current list of palette artists in the summer of 2007 with his first vinyl release lets do it. hes currently working on new productions with more soon to come.

la danse de l hibouthe fourth release with bucketround follows the path left by his past references, not disregarding the exploration of new horizons. oval future face (bucketround recs) grants us his peculiar way of understanding electronic music. avoiding the hype or settled guidelines la danse de l hibou brings us right in the middle of the night where nocturnal birds of prey hunt. we are in front of his deepest work so far, full of details and rhythmical shifts shrouded in minimal sound with its own soul... as if it was meant to be just for this work, it is apt for lounge listening, dancefloors or even forests. the re mixes collection does not fall short on quality: pablo bolivar (regular) as usual everything he touches turns into gold and this time pablo does not disappoint. nimble groove full of hectic changes and sudden pauses enriches this melodic remake. a real dancefloor hit. angel galan (add sensor) theres no rule for crafting remixes and angel is the clearest example. an amazing explosion of multicolor strokes transformed into tangled logic sound.

hed kandi welcomes tara mc donald. tara has been the voice behind some of the biggest records of recent times inc david guettas >delerious< avhs >my my my< and todd terrys >get down here< she teams up with hed kandi main man mr warren clarke. delivering another vocal h k classic in the form of love crazy. with astonishing vocals, killer kick drums and an epic piano this is one you do not want to miss! remix from dutch producer triple d & includes an inst for those who like it that way... limited promo run get in fast !

paolo martini apparently had a taste for all things beats from an early age. he bought his first single at the age of thirteen - the classic sound of philadelphia by mf.s.b. a role model for all italian djs, paolo began servin up the tunes in the early eighties, but it was a chance meeting with dj alfredo in 1988 that really turned the tide for paolo. alfredo was then resident at amnesia in ibiza and responsible for bringing the first batch of house music over to italy. paolo embraced the genre and has never looked back, paving the way for other aspiring djs willing to follow in his footsteps. in recognition of his achievements

this young house label pops it s second release.. definate dancelfloor pressure...remixes from fcl (san soda + red d) + jus ed (underground quality).

yore continues the global digging for the deep. after the sensational trackleton ep, we proudly welcome another new cat to our family tree. kez ym (aka japanese producer kazuki yamaguchi), whose city soul ep oozes soul in the best possible way.

after being charted throughout the past few months with his label s previous release >slower lov<, cesare vs disorder continues to deliver the goods on his >mean< imprint with a divine release from long-term friend and musician ollie silva aka canary fontaine. here we are again with some obscure yet funky, driving and danceable material, the recognisable trademark sound that mean has been carving for the past two years. there s a certain latin vibe throughout the whole ep that shows ollie s chilean background, especially when he adds his live musical skills with congas, toms, guitars, basses, voices, anything he can get his hands on! the productions on this release are delicate and refined, with >clothes horses< being a deep rhythmic and harmonious jazz adventure, while >arizona creeping< and >cindy says so (feat. eddie smith aka zippy)< result in some very solid minimalist bouncy techno, two powerful alternatives that simply roll many danceable and percussive elements into one package, perfect for dark rooms during journey times. cesare vs disorders noctambular version of >cindy says so< will be on the vinyl release to add some spice to the dancefloor in his usual psichadelic rockin way.

fresh eight presenting: the invisible planets the invisible planets are coming up with their first appearance on fresh fish records ! the hamburg based project emerged from plenty of jam sessions in > the wooden studio st georg<. after recording the sessions the guys choose and edited the best parts to polish them up. the result is a unique organic sound, engeneered to make it tight for the floor. on the flipside brothers vibe has come up with a joyfull remix which keeps the tension all the way through and builds a magic timeless interpretation of the original track. massive housevibes guaranteed on this record!

from the hot bed of music over in san francisco rong music are highly regarded as the best in all things deep house & discotastic - with an incredbily strong catalogue already in their arsenal, their debut release back in the uk boasts an essential rework from the one and only greg wilson! its sublime space disco for todays dancefloor, and the perfect way to announce their new home this side of the atlantic

vinyl exclusive release! no digital !!!story02 brings you more tales from the deepside that have no author attached to them and rather sound like deephouse traditionals secretly and orally passed down from one wise deephouse initiate to the next. free from superficial glitzy effects, showy noodling or even the slightest nod to the latest fad in clubland every single one of these 3 tracks is like a condensed version of what deephouse is about and revokes mystic memories of nights in dark, bassridden basements. >deepcut59< is a manifest not for minimalism but simplicity where only the slow swelling of a chord can make you burst with joy and just the addition of a hi-hat will stir you into action with new vigor. >on the way back< over on the b-side features a relentlessly pushing, driving rhythm with abstract, piercing piano chords scattered all over while the title of the closing >rhodes on drums< says it all: sweet wailing, rhodes musings on >love and happiness< for those blue hours in the morning. this story is an epic!

a new gleaming star in the sky, intending to point the way in the promised land, abates the first misty-eyed, playful publication. nonetheless jackin, house-bounce red threads twist thru all tracks, which could not be more divergent. excellent, then each one is a grandiose dj-tool destined to keep the hearing nerves back in time. diversify guaranteed and impossible to keep still. label owners are the always-on-top swiss dj and producer steve cole and the berlin born robert stolt, charactering a part of the dj- and producing team with the pathbreaking name tagträumer2. it was his original contribution, impudent, vibrating propelling was unmistakable jimi hendrixs muse. like his mentor, he cleverly combined rock n roll with reveries, today an explosive mixture. the remix of tigerskin aka dub taylor is a psychedelic sound, that remind us of the best years of bordercommunity, like a nice lsd-trip known in to those days. the cream on the cakeis steve coles remix, maximal in defiance of minimal. he compiles the language of the woodstock heroes into the >sound of berlin< and wrapped it into a story, which can be patiently eavesdropped.

hot natured represents a sunny and modern take on classic and future classic music. subtly changing, and adding a new edge to some of the many different genres that have influenced the east london wideboy and los angeles newcomer who are behind the label. along the way hot natured will serve up disco through techno re-edits, pop remixes even slices of hip hop injected with the kind of dancefloor knowledge only a seasoned dj can tap into. whether its the reimagining of seminal artists like radiohead to kanye west, or chic to notorious b.i.g, the main goal is to do this with a certain level of sophistication and class, that is often lacking in the >unofficial remix< world.these artists and their work have represented unique points of inspiration for hot natured and its aesthetic. some might argue, >why mess with perfection?< well that attitude isnt much fun, is it? so please sit back, or rather get up and enjoy the first serving of hot natured, two naughty groove riddled versions of possibly two of the best pop records of 2008, chopped spliced and funked up by a well known london techno youngster.

supported by matt john, nico purman, kaster, paul mac, alexi delano, falko brocksieper and more..

auch wenn ich die musik von dandi & ugo liebe, der titel big tits machts aber einen nicht einfach, ihre musik in worte zu fassen..big tits schüttelt einen, man denkt an italien, man denkt an la dolce vita, dabei ist big tits so minimal, ein schieber, nicht der deutsche way, schon sehr italienisch, aber eben wie italienerinnen sind auch diese 3 tracks die minimale erfrischung am abend, thats italy, omg. even though i love dandi & ugos music, the title big tits doesnt make it any easier to describe their music in words. big tits will shake you, will make you think of italy, think of la dolce vita, although big tits is so minimal, a stomper, not the german way, but quite italian. but just like italian women, these 3 tracks are the minimal refreshment in the evening. thats italy. omg.

after a string of fantastic releases on the much missed label scheinselbstaendig and force tracks, hamburg s best hidden talent drei farben house debuts on brut! on the a side, on my side (daso remix) comes in the form of an energetic remix by the excellent daso. following from his successful release on connaisseur, daso adventures himself again on techno terrains turning the lighthearted original into a moody dancefloor track. on the b side, drei farben house does what he knows best: to provide us with a delicate balance of minimal house and pop sensibilities. the original of on my side comes in a more uplifting way bringing us the brighter moments of the windy autumn days and nightly affairs finishes the whole in a more dramatic manner, full of emotional strings and deep chords. drama queens now is your turn to dance! de:bug loves it

this is the last chapter of the three-part series >join the resistance< by 22 year old tim toh. the circuit is closing with two more deep and sparkling house gems and this young producer again scores with a fresh and forward thinking sound. >six< on the a-side is an epic house anthem: charming organ layers over funky percussion grooves with a stomping kick and smooth strings arrangements…pure sunshine! on the flip >seven< starts with a contained jazz atmosphere then surprisingly changes into a straight but in a way psychedelic house tune…join the resistance! thanks for purchasing a real copy!

poker flat owner and visionary dj & producer steve bug recently celebrated the 10th anniversary and 100th release for the label. continuing this buzz, and as always, confirming his rightful place at the top, steve is now gearing up to release his fourth full artist album. the >two of a kind< ep is a teaser of things to come as the long player drops in a few months time, and what a teaser it is…! once again joining forces with long-time compadre clé, of märtini brös fame, the pair whip up a deep storm, resulting in the solemn midnight swagger of month of sip. cool, metallic pads and trademark tight drums lay the groundwork for a momentous twisted synth line to wrap its way around the senses. full of tension, drama and stone-cold style, its a track that will define the nights - or indeed the mornings - dancefloor adventures. working solo on the b-side, and in-all-outclassic bug mode, steve builds perhaps his most drifting, euphoric vision of modern house music to date. beautiful, phasing synth stabs open this epic-vibed slow burner whose refined elements stay pure and true throughout. if youre searching for dynamic, addictive underground house music, full of history and yet remarkably modern, look no further