2023 repress - dj koze might be one of the worlds best producers, but above all hes a dj, and it’s his dj ear that governs. just as in a great set, so with his releases: seeing aliens came out of nowhere, a big buzzing beast of a track, to announce that koze was back on the scene and prime everyone for the coming album, knock knock. but now that koze has your attention, it’s time to remind everyone what’s most important about club music, pull things back, take a turn to the left, and get deep into the groove. thus pick up: the second single from knock knock is 100% pure groove, doubly so in the extended 12inch version. in a sense its incredibly familiar it is essentially a filter disco record, very close to something you could imagine coming out of paris around the turn of the millennium. but of course, this is koze. nothing is normal or familiar in his world, and hes taken this most foundational of clubland staples into new territory

truck is a buzzing analogue moog droning bass riff over disco-tic handclap beats with cb radio vocals by the one and only frontman of the b-52 s fred , think homage to movies like convoy and smokey & the bandit turned into pulsing dubbed up soundtrack to hitting the road and hitting the caffeine. in flagranti pump up the beats and claps and give it a nyc 80 s b-boy twist that just builds and builds in to a euphoric percussive groove in their own usual trademark style.

his career began in the mid 90s as part of 1st down, which consisted of phat kat on vocals and jay dee on production. the group was short lived however, possibly because of insufficient support/promotion from their label, payday, but the two continued to collaborate on many occasions afterwards, starting with an appearance on fat cat song and its remix, from slum villages fan tas-tic (vol. 1).

franz meersdonk und günther willers aka rdf are back on the road. the speedometer obviously tweaked, turned up and back on track. on the way tramper simon sunset got on board, et voila: made himself comfortable in the back cabin. left a bunch of wood back there. they drove the semi right into the sawmill and took care of the rough pre-cut themselves. cutter lowtec supported the two street heroes with all he’s got, or rather, he actually applied his own cutting-machine-operation. simon sunset’s wood cuttings were molded by a bunch of saws, slicers, and files. and for a final fine-tuning herb lf came running out of the canteen. and lo and behold, the machines spit out three beautifully stable pieces of wood with the finest texture- pattern captured in a stable frame of bark. so good was the material to begin with that nothing was left over for old, stinky bark mulch

ausgehend von einer großen liebe zu drone, shoegaze, post rock, frühen synthie-klängen und der ausufernden musik der 70er, wächst die klangwelt von conduits zu etwas größerem als der summe ihrer einzelteile: glockenartige gitarren, fließende drums, analoge synthesizer, progige basslinien und eine wunderschöne weibliche stimme, die stark genug ist, um in den wirbelnden soundlandschaften nicht verloren zu gehen. conduits aus omaha, nebraska, gründeten sich 2009 und bestehen aus mitgliedern von the good life, eagle seagull, son ambulance, neva dinova, cursive und the golden age.
der vinyl-lp liegt eine cd-kopie des albums bei.

big army truck front print (100% cotton)

big army truck front print (100% cotton)

after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

number 1 on romanian radios/clubs, summer hit in greece, now on time records!!

hot blend of electro/crunk/bmore/breakbeat/keyboard rock that is guaranteed to break some legs on the dance floor

just touched down on the runway and pulling straight into the music response exec s arrivals is a brand new label, imprint music. founded in early 2007 by dj and producer joshua hewitt. based in manchester, england, the label has been set up with the aim of injecting a new life into the underground house scene and to keep the house music we all know and love alive. imprints music policy is to put out the freshest house tracks ranging from the deep sounds of the undergound, to more straight up jackin music. the underlying sound will always be driven towards deep, jazzy, tracky and funky house music. imprint music is concentrating on only bringing you quality house music from both renowned and up and coming artists from around the globe.

ein schön minimalistisch pumpender beat, zeichnet dieses stück aus.knaller!!!!!

separe label shirt

separe label shirt

original von 84

rock

the frogs are back!

limited vinyl release.

180g black vinyl

double header from bcee & bladerunner on pink marbled vinyl.

soundtracks from the 1996 cult movie “space truckers” available on vinyl for the first time. double lp release, housed in a gatefold sleeve.

techy 4 track ep

repress of the 2nd fringe white release from batu & lurka.

limited to 400 copies / only one copy per customer

labelowner acid pauli welcomes >disarmed< on ouie

three disco-edits of tracks by mary jane girls, eddie kendricks and diana ross.

debut album by phil struck. limited edition of 100 pro-dubbed chrome tapes with on body printed labels. download included. recorded, more or less spontaneously, between june and december 2016 at home. based on sampling from odd sound sources, random data streams and the usage of microphones and various synthesizers. for fans of lee gamble, jan jelinek, rashad becker, meakusma, hidden hawaii …