whenever you talk about polish electronic dance music, then there is no way around jacek sienkiewicz. we have to admit, we are pretty proud to have him on board for our next release on numbolic unlimited!
>magic mountain< is a real stunning & sophisticated solid ep. recognition s labelhead intrigues with extraordinary attention that can only come from a history of many years. his soundpatterns find the right balance between order and messiness and he knows exactly when to take things out and when to bring them back in.

born in chile but raised in sweden, alexi delano, with fellow swedes like cari lekebusch, adam beyer, jesper dahlback, joel mull and others, became part of some of the first wave of swedish electronic music producers that made a name for themselves in the mid 90s, releasing on techno labels such as plus8, missile, primate, hybrid, svek and many more. his style dwells in the perfect balance between shiny minimalism and dark vivasious techno, which is exactly what you can expect from his brand new ep for leena >un do me<. as a long term friend of mobilee, and also an artist who’s productions fit well with many of our artists dj styles and tastes, its a great pleasure to finally release one of his productions on leena. both tracks on the ep >un do me< and >watch out< come with a powerful punch and high energy. with more than two decades on the stage, hes an artist that is certainly showing no intentions of slowing down. we hope you enjoy this!

an essential part of the german techno scene for more than fifteen years now, johannes heil is now in better shape than ever. with his eighth studio album >loving<, heil draws both a modern and traditional balance of his life from and for the music, and thus sets one of the undisputed musical highlights this year.

almost one year ago, chez damiers balance alliance released a split ep as joint venture between enterbt and balance alliance (ba 006). now after a long summerbreak, e|r is back with the follower of the >alliance releases< with contributions from: big mojo, wave test, lexx & adventures in barcelona (demetrio giannice & chez damier) remixed by matto belmondo from the deep dicks.

striking the elusive balance between creativity, originality and pop sensibility, canyons have just unveiled the first taste from their debut album (due 2011) in the form of the new single, >my rescue<.
with an aural likeness to elements of psych, folk, house and everything deep, what is essential to canyons is that their music evokes a sense of feeling and truth, ruth. close your eyes, feel the sun on your face and prepare yourselves for the sonic vision that is canyons.

lessismorecordings head honcho gideon hommes has no time to waste. he lives for music 24 hours a day. producing, recording, spinning, selling and above all, loving music is what keeps him busy. there is no past, only future and gideon is setting the standard higher and higher with his ever-evolving productions. with this special doublepack (sold seperate) 12inche he showcases the talent surrounding him. diversity is the key and great music is what its all about

bruce, rob stalker, and bassbottle are no strangers to the hardtechno scene. with their music they have played themselves in the ears and hearts of their fans. their songs are played by many famous artists, especially artists known in the hardtechno genre around the world. now they are coming together with a new release, heart banditoz, an extraordinary mix that displays their emotions in a perfect balance of beauty and hardness

virgil enzinger - shadow of the mind ep on gynoid audio is a release of balance.on either side you have absolute gems that either tick the >big, crisp< production boxes and/or the >gritty, funky< boxes. no matter what the occasion calls for, what a tool to have. to be in the shadow of virgil enzingers mind, from a production standpoint, is nothing to be ashamed of but these 3 remixes (to accompany the original) all step out of the shadows to share the limelight with virgil equally. balance!

inspired by the stripped back technical set-ups of yesteryear, mike monday and will saul present the sequence 1 ep, the product of the two artists limiting themselves to a roland 909, a korg kaos pad, a dave smith polyevolver and recording their jamming on the fly. >we wanted to inject some excitement, energy and randomness into this release, so decided to play the tracks live with mike on the 909 and keys and will on filters and effects. we had a broad idea of where we were going before we pressed record, and recorded a few takes of each track, then took the best moments from each. the big challenge was reining in the slightly chaotic recordings, but after some tweaking we found a balance between old school rawness and modern production values.<

technoir audio is proud to announce the release of tna-011, chase smith’s “romance synthetique”. this 3-track release from one of pittsburgh’s best home grown talents shows that the steel city’s musical future is in good hands. mr. smith’s delicate balance of rhythms, melodies and synth work, allow him to walk in fresh areas and yet pay respect to those who have explored before him. we at technoir audio appreciate his sounds and flow and are pretty sure you’ll enjoy it as well, whether on the floor or at home.

straight from cologne, we proudly debut with our first release on technology gap 001, with some deep as its gets straight up house music acompaning your personal summer madness. anyone wondering what oliver kochs breitbandkater projects all about need only turn to the eps opening cut, >warm and wet<, wherein the cologne-based producer proclaims, >i want the best for you / so everything i do / is house music.< yep, technology gap 001 is house music all right, and a particularly fine sampling of it too. the aforementioned >warm and wet< immediately declares itself an ep high point the moment its thumping bass pulse kicks in. sleekly designed, the cut begins with a tight minimal swing that swells into a jacking house fireball while serving up six minutes of chunky chords and cracking snares. the second track, >wonder why<, tips the balance in a slightly more soulful deep house direction when monojoe spreads an exuberant vocal ove r breitbandkaters lush backing. warm chords and a sweetly grooving pulse provide a soft cushion for some old-school cymbal patterns and a radiant synth hook in the smooth stormer. adopting a slightly more atmospheric approach, with house group of the hour, morning factory winds up the ep with a trippy remix of >warm and wet< which finds kochs vocal drifting through the slow-building mix in a semi-entranced daze. lovers of classy deep house should no doubt find much to admire about breitbankaters three-tracker. go hunt, its good for you

hier im twin-set. das s-120 kommt mit einer völlig neuen technologie daher, was dieses system deutlich von jedem anderen unterscheidet. diese technologie, namens „asymmetrische aufhängung“, führt die cartridge-performance in die zukunft.asymmetrische aufhängung bedeutet, dass die nadel eine herausragende vertikale stabilität aufweist, während die horizontalen tracking-eigenschaften so verbessert wurden, wie man es bisher noch nicht erlebt hat. •empfohlene auflagekraft: 4 g •tracking: 120 um •frequenzgang @ -3 db: 20 – 18.000 hz •ausgangsspannung (5 cm/sek): 10 mv •auflagekraft: 1.5 – 10 g •balance @ 1 khz: 1.5 db •kanaltrennung @ 1 khz: 20 db

this 12inch release comes with two functional tracks which enables the electronic music scene in excitement. the a-site kicks off with >fesselfete<: the designers of the track - j÷rg dinsher and julia husler- implemented a rhythmically complex track with this release. detached from insipid song-structures, the galloping beat leads through the eight minutes of the track. shifting hi-hats and smacking beat-elements, snuggle around the groove and influence in a spectacular style the sensed speed. the extra bass- pressure catapulting the - full of character - >fesselfete< directly to the floors of the clubs, where it scores with memorable features and powerful impression. the second a-site comes with danny d.s enthralling >lederpeter<. danny doesnt dilly-dally and starts >lederpeter< with a bulletproof beat. an atmospheric mood and a deep bassline creat the perfect balance between crisp and soft. he succeeds in creating a wonderful and intelligent transparency. the spell of monotonous passages gets an individual boost from a fantastic kick.

supported by: jade , alex flatner, martin eyerer, monoroom , jackspot, fog, butch , mihalis safras, sasch bbc, felix neuman , nick warren , george morel , dualton , florian meindl, patrick zigon , emerson and many moore. after the great success of njam njam beats and runaway we proudly present the 3rd ep of helmut dubnitzky on our imprint . well known for his releases and remixes on labels like 8bit, microfon, glückskind, session deluxe, kiddaz fm or cecille, in 2009 suttgart based artist helmut dubnitzky launched prosperous his own label brise records. but continues with yellow tail ......so here it is :awesome new ep from helmut, his sound is a perfect balance between groove and rhythm , deep bass and drifty loops. with play & sing, helmut, a great artist and friend as well, profes one time more his talent for creating the perfect groove.

according the label >music from mathematics vol.6< represents the labels harmony, balance, sincerity, love, & truth. this is conveyed with this releases composers who come from all sides of the electronic music spectrum - avant garde, nu disco, house, & industrial. 4 tunes of honest mathematics.

the new smasher by thokasee from this new russian thokadee artist !!! great jazzy minimal tech house sound

from franco cinellis main remix to his nyc bass line mix going through the hatapella tool, the man in charge takes all the glass original elements remodeling them to higher grounds. franco cinellis genius blend of dubby techno with original 90s nyc house synths and bass lines proves once again to be the perfect balance. this re-edition record follows up on two brilliant edits on aux-rec, baker man by soul clap and caught up by childhood 87. by aux-rec criterion, it will only come out on 12 inch vinyl. franco cinellis nyc bass line mix will be accessible as bonus to record-buyers only.

after the great mojuba g.o.d.2 by chez damier it is time for some oracy action, its been a while since we heard from the creator of such classics as family day and mind dance. but now after doing a very fine remix for balance alliance in the meantime, he is back in full effect. the a-side bass mood is featuring a disco break styled beat combined with a sick acid bassline à a special track for that special moment on the floor! the b-side with funk advice is cooling things a little down, but in a way only a mojuba record can do it - some serious deepness is waiting for you!

h-productions has cultivated a reputation over the last two decades for consistently delivering cutting edge material across a diverse range of styles.
the titling for the second single taken from cari lekebuschs forthcoming album >state of the art<, continues in the horror tinged theme opening with the epic >bodysnatcher<, a nine and a half minute odyssey into the outer realms of rolling, glitchy techno. tight percussion and deep end bass set the tone for a fervent mix of resonant and modulated riffs and fx, exquisitely produced and deftly mixed this is another great example of lekebusch at his best.
the flipside of this release brings us the excellent >shivering<, a heady blend of oscillating bass and relentless synth lines over minimal drum patterns that has you hooked from the off. this is a big record that is bound to find favour with techno jocks and house djs alike with its perfect balance of dark and light.

luetzenkirchen is a musician who needs little to no introduction. whether it be through his blistering studio productions or his inimitable, high energy dj sets his is a name that has become synonymous with quality and consistency. it is these attributes that he now brings to 1605, with his debut release, the >somebody & the music ep<.
striking a perfect balance with the 1605 ethos and his own, modern and fresh approach to techno infused house, these two sterling productions are both surefire dancefloor burners that are bound to appeal to a wide variety of jocks and audiences across the board!
another modern classic and standout release from your dedicated, loyal and always dependable techno provider!

set incl one om system plus extra stylus, technische daten: •auflagekraft: 1.5 – 10 g •tracking: 120 um •empfohlene auflagekraft: 4 g •balance @ 1 khz: 1.5 db •kanaltrennung @ 1 khz: 20 db •ausgangsspannung (5 cm/sek): 10 mv •frequenzgang @ -3 db: 20 – 18.000 hz

first on decks.de !! dilek records is presenting its seventh reference and introduces two talented and highly qualified artists coming straight from the province of cordoba in argentina, we are talking about martin huergo and andres oddone. this multi ethnic release also includes a remix of the well known chilean artist pier bucci, who participated in this new work full of intense feelings, like everything we do at dilek. martin and andres are producing together since many years, and they seem to have found this special something that makes them choose the perfect balance for their productions. its a mix of mystical sounds all coming from foreign cultures and different influences. every one of these tracks have to be listened carefully because these sounds are definitely not more of the same stuff, they have that certain something, they are classy and yet contending.

esperanza strikes back and does it deep! on this release we have rosarios icon franco cinelli. establishing himself more and more as one of the most respected artists in argentina, francos response to the praising is nothing but better music every second. on the a side cinelli brings us >the sound of the city<, a trippy dubby affair with a perfect balance between modern sounds and oldschool drums. while on the flip, >joint non stop< honours its title with its super driving bass and groovy almost tribalish beat programming but still keeping the dubby flavour of the a-side. enjoy your martini and, of course, another classy affair from mr cinelli

at the core of every contented family is a sense of balance, an emotional push and pull that helps stabilize the entire unit. a similar equilibrium anchors le loups second album, family. recorded in a remote cabin and a maryland basement, the record finds the middle ground between tribal rock, freak folk, and sonic experimentation.

2009 was a great year for these days records, and 2010 promises to be even better. the platform stood out for its innovative yet functional club sound and unique artwork concepts. the new year begins with a new split series under the name universal consciousness, based on the idea of connection between all things, and that all things have been coordinated, and they combine to make up the same universe. the first part is dedicated to two very different takes on spiritual, cosmic space techno. on the a-side argys >sometimes im blind< generates a long and uplifting emotional climax, which features a solo that will forever stay in your heart. the track was recorded at the end of 2008, and despite numerous offers to release the record elsewhere, nothing was finalised and the recording never saw the light of day. soon after the birth of his own label, it naturally fit the platform and seemed a perfect way to start the new year. on the flip side, sheffield born alexander ross, brings forth a cavernous techno piece awash with reverberation and spacial echos that brings a driving yet non the less emotionally captivating moment perfectly in balance with the depth of the a-side.

big with: dubfire, loco dice, sammy dee, paco osuna, steve bug, ellen allien, alexi delano, ambivalent, konrad black, nekes, pan-pot, butane, someone else, martin eyrer, dustin zahn, dana ruh, alland byallo, bill patrick ...
tim xavier and camea have composed a passionate collection of tracks in their anticipated collaboration on clink, titled velvet on canvas. this astonishing ep achieves a fine balance between peak time grooves and underground euphoria, delicately detailed for surfing minds and moving bodies.
the a side kicks off with a festive tech house version of you control myself, a track inspired from a dear diary recording session by camea in the studio.
the vocal, manipulated with psychedelic delay automation, is layered under xaviers seasoned percussion techniques and romantic atmospherics, achieving an outer space vibe in which the lines become blurred between reality and fantasy …

this is the fourth release on the daphne label, here to balance out ruffage with a bit of a feminine touch. the a side comes to us courtesy of millie, re imagining a shake style funk jam with toughened percussion and padded low end. over on the flipside andrea rewinds spectral synths in a tweaked and heavy r&b style. limited copies only!

both sides are ace! a side is a psychedelic afro track with a great bassline coming like straight from those early house tracks we all love so much. runner up is a love boat style disco track, in perfect balance, bringing you visions of half naked girls on the sandy beaches of portugal. tiago is dropping another couple of dancefloor bombs, thats for sure!

der zweite teil unserer camp vidab reihe bietet zum einen das labeldebut des neu-berliners ed davenport und zum anderen einen neuen track von oliver deutschmann. davenports >life in the balance< ist ein stück housemusik, das stark von disco und detroittechno beeinflusst ist. deutschmanns >paleredhead< ist techno der düsteren art. noch fragen? dann reinhören.

our jazzy multi instrumentalist, dewalta a.k.a. david koch, returns to vakant with another popping fresh release, as earnestly house as house can get. since his first vakant release in 2008 (va021 salgaro/farina) davids music has taken him around the world in black largely covering our earths northern and southern hemispheres. side a is graced by move yo sitting as close to late 1990s baby ford as one can get without a time machine and personal guide to londons underground. david somehow owns this genre while still making it distinctly his. b1 night shade keeps the housey goose bumps going with a drier and more direct approach. cheeky bleeps and chunky bass balance dark spacey vocals to land the track somewhere between night and day. >angels trumpet< at the b2 position closes this stellar ep out with a track that again borrows from the genre, but continues way beyond its standards with melodic elements that push and pull you in multiple directions resulting in no less than dance floor catharsis.

for more than 15 years now, steve bug is known for influential track somewhere in between house, techno and minimalism. with his very good sense for the energy of self-limitation, bug has set standards when it comes to the funk of modern sound geometry, especially with his imprint poker flat recordings. milestones such as >loverboy<, >monsterbaze< or >wet n dry< are now essential elements of the history of electronic dance music. only a few weeks after the release of his fourth album collaboratory, bug even tops that one with this 12 inch on cocoon: while look whos stalking obviously refers to steves close relation to the raw energy of u.s. house in between chicago trax and detroit, using driving hand claps, percussions and nasty vocals, the flipside zero balance could pass as a vision of how far you can reduce techhouse to the essence of a bass line. also here, short vocal loops - besides the fast-moving elements - complete a sensibility that makes bugs tracks such high quality music for a very long time now.

it was only a short time ago when these 2 young up and comers made their respective debuts on our label and in the few months between then and now, they have gone on to skyrocket up through the ranks, conquering dancefloors, charts and dj crates-while becoming household names synonymous with quality and consistency.
florian kruse and nils nürnberg need very little introduction these days but for those that have been asleep or living under a rock, a good start would be to check their recent output on fine labels such as nrk, om, moodmusic, dessous and our very own dieb, to name a very select few. their first combined effort on the label has resulted in the >suerte ep<, a tight collection of deep as hell, tech infused house numbers heavily characterized by their attention to groove and addictive, seductive chord progressions that have become a hallmark of their production prowess.
to add some spice to an already sterling and stylized package, we have enlisted our good friend (and also mood music alumnus) alexander maier, to remix the titular >suerte< where he adds his considerable musical vocabulary to the proceedings, peppering a very tasty arrangement with piano chord stabs and throbbing basslines resulting in a gorgeous, summery house re-interpretation that has to be heard to be believed!
as if this werent enough, fresh from an impressive debut on nils and florians save room records we have been lucky enough to secure a percussion led, funk infused remix of >achieving balance< from bright new boys on the block io who round things off nicely and add another dimension to the >suerte ep<.

the rising consciousness ep takes you on a tour of your own mind via two brilliant originals with remixes from techno veteran bryan zentz, and label head lets go outside. side a dives into the limbic system with the deep house masterpiece that is waving, surviving. its slick and sexy, creating a beautiful, wide space around its subtle textures, exhilarating swells, and tones which envelope you like a big hug. bryan zentz massive remix explores the frontal lobe further, managing to perfectly balance the plus 8 recording artists heavy dance floor genius with the warmth of the original. on the b side, rico tests your motor skills with skinless, a driving and playful tech house trip. this is raw fun dance music that slaps every neuron in your cerebral cortex with each step. sliding down and out the thalamus, slant label head lets go outside reworks >skinless< into an overwhelming, full blown body and brain workout.

function returns with a strong follow up to his debut on sandwell district with his new single, >anticipation< . a delicate balance between ancient and modern, this rock solid ep rides the line between true minimal techno and deep hypnotic psychedelia !! ltd repress!!

following the success of mylo on breastfed, linus loves has now set up 2112 to showcase his own productions & latest signing, burns. prom night has that linus loves chirpy-bleeped-loopy-synths & smooth ambient balance, starting in a progressive italo-disco manner then slowly buffing its body & picking up speed till it reaches the crowd-cheering climax followed by the moment when all the mixes fall down & the linus loves reinterpretation of the digitalism-zdarlight-synth-guitar-break takes you through a hypno-euphoric intermission / journey before the great powerful departure. burns remix is the dinosaur version of prom night, injecting the original with vulgarity, a tough exterior & makes it more aggressive .dutch superstar don diablo provides the final mix a more breaks led interpretation using the zdarlight guitar riff. radio support plays on pete tong, kissy sell out, sarah main

•19 zoll 4-kanal rackmixer •16 professionelle digitaleffekte von alesis: hall, reverb, stereo chorus, flanger, delay etc. •eingänge: 5 line, 3 phono, 5 mic •ausgänge: symmetrischer xlr master, record, zone •3-band eq auf jedem kanal •mic kanal mit 2-band eq •hervorragend geeignet für vocal-mixing, karaoke etc. •effekte für jeden kanal frei zuweisbar •vorhörfunktion mit split oder blend-einstellung •regelbarer gain mit led meter •fader start •balance auf dem master fader •auswechselbare crossfader •kanäle zuweisbar

played by richi hawtin, dominik eulberg, dj hell. kaiserdisco, mihalis safras, elektrik indigo, gregor tresher and many more. drowning pianos... urgent sounding basslines? extrawelt have written 3 brand new tracks for traum. starting with >mit liese auf der wiese<, this chicago house injected track has a classy touch, with electric pianos modulating, keeping a nice balance between techno and electro. we really think the seemingly effortlessness and the analogue feeling make this a bit of a classic. support by dj hell, richie hawtin, gregor tresher.

supported by sis, ricardo villalobos,loco dice, robert dietz, markus fix... after kicking off with sis bubu ep(mitu001), mitus second release comes from yet another cocolino crew dj/producer. having released in the past on cecille and la pena, sercan is no newcomer to the game. his music, however, does bring something new. the title track, acuerdate, is an elegant percussive house track with a broad range of styles influencing the way it progresses. sercan smartly plays his dance floor tactics, making sure that with every new element that is added, all of your inner senses awaken… the b side kicks off with flow show, a track that james brown would work his dance moves on. the balance between funk /house / tech / groove is simply right. on the last track of the ep, sercan lays down an ongoing house vibe that will make evry single head nod. a transcendent effect elegantly kicks in, as the tracks old school feel slowly kick in and do it climaxes

it has been quite a while since the last release from jark prongo on the mojuba sublabel, but now we are back with some fresh music from the prolific mr. weisemann. its his a.r.t.less debut and it is very hard to capture the feeling arising from this great music in words. all belongs were it has to be, its like one of those a+ essays in music, there are deep emotions as well as demanding grooves and the balance of subtlety and roughness is just impressing à but please take a listen for yourself!

(gatefold packaging) ..a record where rhythmic dancefloor tracks fluently take turns with organic sounding jam sessions, warm and jazzy, deep and funky.

part of the various production remix series, come another 7inch. various production remixing the majestic buds by pumajaw. starting with a wave of mystery, quality and limited vinyl releases, various survived a bidding war (warp, leaf, domino..) in 2006 to release their first full length on xl/beggars, the world is gone. detailed and highly original scattered beats and dark soundscapes balance out with forgiving female vocals. their work is enriched visually by the iconic art of bonesy, often featuring strange animals and beautiful women in flowing, neutral, yet somehow emotional forms.

the most intriguing aspect of troy pierces and gibby millers louderbach project is the way it effortlessly pulls in so many directions and as if to underline this fact, shine - the first single to surface from the new autumn lp also appears in classic 7 inch vinyl format alongside the 12 inch and digital remix collections. drawing on shared influences such as bauhaus, coil and joy division, the duo have appropriated the best elements of these early-eighties pioneers, reinterpreting them through a contemporary lens to achieve a perfect balance of style and content

minus has released a first rate selection of home grown artist albums over the past 18 months, with heartthrob, false and gaiser all creating long players of real substance and this trend is set to continue in 2009 with arguably the label’s most significant release of recent times. louderbach’s long awaited second album autumn represents another jump in the evolutionary cycle of minimal techno, having developed from the largely instrumental project that gave us enemy love into a fully-fledged song based outfit. as a result, autumn has a much deeper feel than its predecessor and indeed breaks new ground, with the dark metaphors of gibby miller’s often chilling vocal performances fitting hand-in-glove with the ominous landscapes and broken architecture that troy pierce constructs so effectively. drawing on shared influences such as bauhaus, coil and joy division, the duo have conceived an album of emotional depth and exquisite detail, appropriating the best elements of these early-eighties pioneers and reinterpreting them through a contemporary lens to achieve a perfect balance of style and content. it’s the result of an unspoken understanding that spans thousands of miles from their respective homes in l.a. and berlin and this distant intimacy is a naturally occurring theme throughout the album, manifesting itself as dark, twilight tales of melancholy romance, burning obsession and the slow, disintegration of desire

after a recent guest performance on seuil’s eklo label, michael melchner - the young producer and dj from nuremberg - is back with another stunning ep for cargo edition. melchner is the resident-dj of the ‘kiss klub“ party series at nuremberg’s famous club ‘die rakete’, and music aficionados will have had their eye on this up-and-coming artist for a while now. this time around michael melchner dishes up three top-notch house tracks for us. “you understand“ is techhouse at its best, where he deftly holds and rides that balance between deepness and the dancefloor. a continously forward-pushing bassline is combined with a mysterious vocal sample and restrained breaks. „wooob“ grabs you with its devastatingly simple rhythm, while the bassline cuts through with a high dose of funk. topping the track off we have a vocal loop that shows off michael’s affection to the musical beginnings of house. this ties in nicely with the ep closer »just a skip« which reminisces over the sound of chicago. profound melodies, skillfully arranged vocal samples and a whole heap of soul suggest that michael melchner may just have produced a modern house classic. so again, just like on his first ep for cargo edition in may last year, michael melchner has managed to paint a musical portrait combining the present and the past into one classic moment.

since the early releases from the mid nineties, every muscial statement made by this man must be investigated. never one to put a step wrong, the sonic mind sound became instantly unique, raising the awareness of the techno community of what lay between detroit & chicago - kalamazoo.in the 21st, now residing in poland, the d knox sound continues to develop. whilst maintaining the acute instinct for getting all elements of tracks in beautiful balance for the maximum techno funk & groove, each track carries a lightness, maybe even translucent quality of sounds so characteristic of his style. once simple question - do you have a sonic mind

after a string of fantastic releases on the much missed label scheinselbstaendig and force tracks, hamburg s best hidden talent drei farben house debuts on brut! on the a side, on my side (daso remix) comes in the form of an energetic remix by the excellent daso. following from his successful release on connaisseur, daso adventures himself again on techno terrains turning the lighthearted original into a moody dancefloor track. on the b side, drei farben house does what he knows best: to provide us with a delicate balance of minimal house and pop sensibilities. the original of on my side comes in a more uplifting way bringing us the brighter moments of the windy autumn days and nightly affairs finishes the whole in a more dramatic manner, full of emotional strings and deep chords. drama queens now is your turn to dance! de:bug loves it

>exvola stupp< zeichnet sich durch die wighnomy-typische balance zwischen understatement und wahnsinn aus. der track besticht durch einen ziemlich gewagten spannungsbogen. aber man lässt sich gerne zeit, wenn es so schön vor sich hin klöppelt wie hier. >organijk< ist ein waschechter slammer mit chicago-mässig, dreckigen snares, niedlich versponnen orgeleien und vor allem ordentlich dampf unter der haube. ist ja schliesslich ne speicher..

ricardo villalobos playlist!! the endless white of the far north. the opening melodies of adam marshalls >north at night< can be heard faintly over the whistling wind. a small black dot appears at the centre of the distant horizon. at first it appears to be still, but gradually we recognize movement. over the next few minutes the shape begins to grow until it has defined the image of a man walking towards us. as he approaches, the music grows clearer. like the warmth of the first sunlight >rose mountain< radiates its glow through the use of a flurry of rhodes electric piano chords. adams signature percussion permeates the dub and binds its elements into an infectious groove. >mfb flex< is the counter balance to the organic flow of the other cuts and molts the warmth into a techno roller designed for the long player mix. marshall said… >ive long been intrigued by that incredible tapestry of tundra and taiga which constitutes the arctic and sub arctic of our country. ive read about it, written about it and even pulled up my parka once and gone there, yet, like all but a very few canadians, ive had no real experience of the north. ive remained, of necessity, an outsider. and the north has remained for me a convenient place to dream about, spin tall tales about, and in the end, avoid<

headless ghost presents its wicked 1st ep on sthlmaudio recordings. the 12 inch is packed with full groove and hooking you up themes and melodies. backend ep is made of a perfect balance between straight club monster like >the journey< and sweeter grooves in the likes of >forever deep< headless ghost backend ep is the weapon of choice for all true house grooves lovers out there..