as one of the first dutch musicians to establish a vital connection between detroit and amsterdam, orlando voorn has long been recognized as one of the netherland’s most original and inventive producers in the world of electronic dance music. voorn began djing at the tender age of 12 and went on to win the dutch dmc dj championships in 1986 with his own characteristic blend of hiphop and electro. towards the end of the eighties he acquired his first sequencer, packed away his turntables and turned his hand to producing.

nice price deal !!! second single from the time and space machine. the time and space machine was conceived in 2008 as a sound that solidifies richard norris decades of collecting, releasing and writing about psychedelic music. the you are the one ep opens up with lead title track, which is a slow jam cosmic bliss out. mushroom family adds a touch of 70s sheen and evokes a trip in a field of joy with the sun shining down. more cowbell takes things in a more dancefloor, groove driven direction, which leaves the listener wondering which trip richard will be taking on for the rest of the album

blumoog music is proud to present its new release of 4 tracks of great musical thickness. this time, blumoog music has selected quality and passion. we introduce a character like aubrey (metroplex, ferox, outsgun and more...) with a classical song of his repertoire : low crushing bag and psychadelic, you will go to cosmic dimension. it s gotshell time, colombian artist, who is pointing to into historical labels like blueprint, missile. his song is terrifying and powerful, not for the weak of heart. it s time for frankie serious(blumoog music,switch off rec.,the zone rec.), artist from rome. with his very high production quality, he proposes with a powerful killer song, excellent for dancefloors but at the same time wonderful for a mental journey. unchained souls goes to end this ep of a large thickness, a mysterious duo whom we ll sure speak about. they propose a dark psychadelic selection which will take you inside the deep abyss of your mind... blumoog music is always near you with soul and passion for the electronics music.....good listening supported by: richie hawtin, lario alicante, dj rolando, marcel heese , rivet, advanced human . luigi madonna, paul mac, m.i.d.i., thor, radial, spec, rush plus, alexi delano, m.r.e.u.x, danielle godiva , p.leone, bodyscrub, david james ruskin , eric, jef k, johannes volk, dj spider, sintek,, tom laws, orde meikle ,e

vinyl only, white vinyl - supported by radio slave , slam , terence fixmer...
blumoog music label presents the new release, played by one of the most important detroit productors, who marked the minimal techno history: terrence dixon. two tracks, which take a big deal of electronic innovation and inspired by his unique style, will make the night people dance until the sunrise. italian veteran m.r.e.u.x is back again with two innovative tracks as well, which are composed by rare and experimental sounds with analog machines and are ready to be heard. magnificent ep of an extraordinary dj couple. monster track of quality and experience the musical concept is organized for mentality sought people, an approach to this sound out of the ordinary charts, where search for sonority make this ep single and dedicated to the iperclubbing population!!! low wrapping and atmosfere psychadeliche make this ep an precious object for techno electronic lovers! nothing is taken for granted, this is the difference!

limited copies (1 per customer), vinyl 1 of 6 taken from the box

limited copies (1 per customer), vinyl 2 of 6 taken from the box

limited copies (1 per customer), vinyl 3 of 6 taken from the box

limited copies (1 per customer), vinyl 4 of 6 taken from the box

limited copies (1 per customer), vinyl 5 of 6 taken from the box

limited copies (1 per customer) , vinyl 6 of 6 taken from the box

ltd edition, taken from the mandar album , only 1 per customer

ltd edition, taken from the mandar album , only 1 per customer

without artwork - standard cover / long time friend of the label myler finally makes his south london analogue material debut with ‘lord of the asbo’. the ep starts with driving kicks, hypnotic wandering synths and the noisy dissonant stabs of ‘mandem’ before taking a more melancholy turn. ‘shutter windows’ slows things down with eerie echoes, dusty thudding kick drums and subtle synths before ‘whiskey & white women’ finishes the last of the originals with a drum track full of trippy percussion and masterful groove. bad boy keepsakes is back on the label after slam003 and finishes the ep with his take on ‘shutter windows’.

step back trax takes a step up to the vinyl game with its second release, a collection of 6 smoking tracks by various artists from all around the globe. the style range is wide with some warm sampled cuts, as well as some club ready bangers.

with a crude quartet of evolving arrangements urgent’s producer deego fresh stays true to his namesake. shifting baselines roll between a medley of percussive reverb and delay, creating a fluid symphony of dance floor grooves geared for any time of day or night.
from warm and easy to peak time pressure urgent 004 delivers in all aspects. this ep takes no prisoners, so prepare to be moved.

shlomo takes a step away from his own taapion records to return to delsin for his second full ep for the label. the parisian producer serves up two of his modern techno jams, a lush ambient piece plus a slamming rework by tommy four seven. up first is in absentia: tome 2, a follow up track to his last ep on the label. it is another cold techno cut with turbulent drums down low and icy, slithering hi hats up top all backed by synths that light up the track from behind with a heavenly glow. tbilisian cure is a more abrasive affair with blistered synth lines and scurrying electronics running through the fast and brutal drums. lali then flips the script and offers an ambient excursion with watery synths forming celestial puddles in the sky. it s a zoned out soundtrack that s the perfect comedown. finishing off the ep, 47 label boss tommy four seven flips this one into a weightless techno groove that rocks back and forth on the drums as sweeping chords leave you feeling suspended in mid air. plenty of ground is covered in this one, and all with equally compelling results.

after building up a unique state of the art sound since ages- including records on labels such as bine, source, modern love, uzuri, warp and many others- move d and benjamin brunn come along with a single on smallville to tease their forthcoming album >songs from the beehive<. the honey ep takes a short trip into the world of two ultraspecial producers. benjamin brunn and move d cut these three pieces from their ultradeep live jams and the result is magical. the deeply kicking >honey< is already proved by smallvilles lawrence: >how crazy can the panorama bar get!<. his flatmate efdemin prefers the >melons<: >thats the deep shit for life!!<. and golden pudel chief ralf köster is amazed about his new ambient number one >after the rain<. in the end move d and benjamin brunn put together what belongs together looking forward to their big album in 2008

7th storey projects is pleased to welcome back the myor massiv head honcho for his 3rd release on our label. earlier this year, coco bryce travelled to tokyo and osaka for a small series of gigs. thoroughly impressed by his experiences there, upon returning home, he immediately took to crafting a slew of jungle and hip hop tracks, heavily influenced by everything he d seen, heard, felt and tasted in the land of the rising sun. the ep kicks off with its title track, ayakashi. dark, fierce and mysterious like the mythical creatures it was named after, it builds up slowly, utilizing a combination of chopped up japanese percussion, haunting flutes and hot pants breaks, before switching to full on amen assault mode halfway through the tune. shinjuku is one of tokyos most well known wards, and also the place where coco found the records from which the samples were sourced to construct this number: a turntablism beat/scratch album, and a compilation of traditional work songs, this particular one originating from the gold mines of the island of hokkaido. on the b1 track, kaguya, he takes a more gentle approach: sweet, yet melancholic, like the miyazaki movie of the same name. the ep is rounded off with hotaru, which borrows from an entirely different source of inspiration, namely dj krush s abstract take on boom bap hip hop. shards of mid-90s mo wax are blended with anime samples, making for a solid two and a half minutes of golden era-esque head nodding.

what attracts us to chilean-born artist ricardo tobar is the notion of intersection, and although fusion is nothing new, as a concept it will always pull our heartstrings. applying influence is amateur, we see this over and over again as we endure trend-driven appropriation of cultures the world over, but the epiphany when an artist finds true synergy between heritage and influence is a pivotal moment that the inspired will seek, even though it may take the length of one’s career to behold. as pretentious as that may sound, it is precisely the hybrid born from that place of intersection that excites us at the esp institute, the a plus b that equals 3. we hear this in ricardos music the latin american instinct in his drums and percussion, sometimes tightly aligned with body movements and other times hauntingly mis-aligned and chaotic, intersects with his rock influence of ethereal (micro) melodies that slowly layer and layer until were climbing a glorious (macro) wall of sound but most importantly we hear where these different parts of his life come together to further create one unique voice. on both sides of his esp institute debut liturgia, tobar couples one pulsing dance-driven track with another atmospheric and immersive track, requiring we educate ourselves in the polarity of this language he’s building, one that will expand to tell a broader story later this year with his debut album. we welcome ricardo tobar, another forward-thinking artist, to the esp institute, and are proud to support any direction his compass points from here, as we believe hell never follow but will always lead.

cold recordings is very proud to include berlin based producer phon.o as part of it’s growing roster by means of this immaculate ep. across the 3 tracks, phon.o demonstrates his ability to combine uk- bass influences with techno sensibilities, ultimately crafting cutting edge music for the dancefloor.
‘clu5t3r’ opens the ep with a swinging 132bpm rhythm that sits somewhere in between classic uk-funky and a cracking shed/heads high techno anthem. the repeating riff that circles and cycles, sweeps through the frequency spectrum, energising and purposeful. versatile and effective, this is a track to come back to time and time again.
flip the plate and there’s another couple of gems. ‘v3r5u5’ continues on from where ‘clu5t3r’ left off, progressing the mood into a more ethereal space, building layers of pads and texture as the track developes, rising and ramping up, before pulling back and dropping into a rolling rhythm. closing up the ep is ‘h4ndcuff3d’, which takes the mood into a more dramatic backdrop. chilling pads swell up from the ground like mist in a graveyard, while the broken rhythm sets pace, creating a moody ambiance for those moments when you want to take a dancefloor into mystical, other-worldly territories. dramatic and energising!

bernard badie has been a staple in the chicago house scene for over a generation. he has released on labels such as cyclo, cajual, nightclub & distance. crazy for your love (featuring vocalist mufan) is his latest. if you re into the 90s sound of the windy city, this one is definitely for you. written by badie and house legend dajae, & features 3 different mixes that are equally as good. a time to dance takes a deeper path, but compliments the title track very well.

basement jaxx and gearbox records present the valve mastered sevens 7” 45rpm single includes free download code.
no.1 in the valve mastered sevens series.
collectable, unique, supreme quality - this ever expanding series of carefully curated 7”s takes in cult heroes, underground gems, future stars - a true treasure trove of delights to explore in gearbox’s homage to the humble 45. expect direct-to-disc cuts, groundbreaking recording techniques, one-off collaborations.... all connected in one significant way: the purity, warmth and luxuriousness of an all-valve signal chain.

* walton drops his third instalment on tectonic in fine style, calling upon japanese influences to create a truly unique sonic across both tracks in the release. asian instrumentation meets directly head to head with the cutting edge sounds of a uk grime-techno axis to great effect. * ‘praying mantis’ captures all the charm of a fine japanese watercolour painting by means of some spectacular midi-harp programming. hi-hats and detailed percussion set a shuffling pace, building the mood up before a beautiful harp section unfolds and takes over, expertly programmed by walton to sound as if a master harpist had stepped into the room! as drums and bass join the party we have all the makings of a low-slung grimey masterpiece, both soothing and energising in a perfect zen balance. * flip then for ‘koto riddim’ which again brings japanese influences to the forefront of the track. walton programs classic sounding japanese percussion sounds along with grunting vocal cuts and a charming flutebased melody. as the track drops, it switches into a more familiar, grime-based palette of sounds, deftly arranged for most dangerous impac

northsouth hit their second release with a crisp selection of minimalist dancefloor gems from two rising talents. christian jay has been previously spotted on idle hands, and he delivers another example of his knack for sleek and skippy garage reductions with enclave and faculties, matching icy textures with punchy bass honed for maximum dancefloor impact. bilal meanwhile takes an electro approach on command station before twitching things up masterfully on ejecta while maintaining the steely finish that binds this split 12inch together.

earth sound records is shaking the place with two rare cuts of prince buster & the all stars classic hits on red coloured 10 inch vinyl.

closely following the release of the last borderland single, the focus returns on transport, the last collaborative album by juan atkins and moritz von oswald. long time friend and studio partner of moritz von oswald, carl craig provides a new take on “transport”. extending and stripping the original sequence to its bone, the illustrious planet e president and illustrious detroit proponent also summons a stepping drum sequence and a swaying array of moving delays. this 12“ edit is cut on the a-side. the full version of carl craig’s remix clocks just above 20 minutes and is available digitally. both are available to anyone who purchases the record, through the enclosed download card. on the flip, dj deep & roman poncet rework carl craig’s remix, adding their signature grooves and myriad of tough drums, to full effect.

silent season tap up antenes for a rare 12inch, building on the sizable impact her last and only release on l.i.e.s. had back in 2015. here we get three trips into dark, evocative techno territory as you would expect to find on silent season, leading in with the doom-laden march of dream uncreates the land. take me to the birds (for a) ditches the drums and heads straight into the most delicate and stirring of ambient pieces, while metra train chicago 1000x- makes use of field recordings and processed static to make for an even more immersive listening experience. this is a daring release that eschews the need for functionality to take the listener somewhere else entirely.

a collection of jazz soundtracks taken from 1960s australian documentary and public information films.

after chris carrier’s amazing >addicting game< ep mouche returns with another strong ep. the second release of the label brings a varied ep full of bouncy, driving deep techno freshly cooked by finnish native tm shuffle. while document4 on a1 is a driving deep excursion into snowy landscapes of middle finland, the powerful chord-driven weapon drumman dub on a2 brings a lot of groove to all the dancefloors out there. the b-side takes a more relaxed stance: alone in dub (b1) - created with longtime-friend lauri leino – combines icy soundscapes with a deep dub bass. that mixture heats up things slowly and steadily. ruutana by night (b2) rounds up the package with moody, chilling beats and echoes floating around.

throughout its nearly 20year heroic label s journey, turbo recordings has fulfilled its pledge to keep on lookin for the music no matter where it takes them, working with artists from cultures as diverse as sweden, finland, england, spain, scotland, mexico, australia, france, argentina, switzerland, germany, belgium, italy, the united states, israel, denmark and toronto. we realize that certain parts of the world are still underrepresented, and are working hard to correct this. our antarctic a&r guy has been asleep at the wheel for far too long, and can expect a sternlyworded e-mail any day now. all of which brings us to our newest core artist, russia s dimitri veimar. we d like to tell you we discovered him when he and his friends shot down our eurasian outreach ableton tutorial helicopter for being -too condescending, but the truth is actually much simpler. veimar is merely fluent in the universal language of floor-filling, one that transcends borders and skincrawling descriptions alike. it is a primal tongue describing a future where all communication is elevated to an endless loop of sweatdrenched clubgoers pressed tightly against the front of the stage, smiling at everything you do.

dj rocca s second outing on slow motion see s the italian disco-maestro take a dive deep into the bubbling waters of an undersea world that fizzes and pops with synthetic swagger. following his recent releases on codek and long time collaboration with daniele baldelli, moaning is four tracks of playful circuit-funk that will bring a smile to your face and swing to your feet.

moscow based multi-talent impish presents the hush lp, his latest album project that will be released through all quality physical electronic music outlets around the world october 20. working through labels such as program, c.i.a. and his own fast rising occulti music imprint impish is quickly establishing a name for himself in the global drum & bass scene. in a world that consumes more and more music in a superficial way impish manages to take a halt on the hush lp with timeless songwriting, arrangement and production inspired by live music and drum work. from effortlessly rolling tracks such as can’t feel and shadows towards more introspective vibes on changing colours and the lp’s title track a common thread runs clearly throughout the album: the aim for perfection, true craftsmanship and a drive to combine to high-quality beats and breaks with musical elements. to aid the budding artist in spreading his ethos uk based female vocalist kate wild and irish drum & bass producer zero t feature on the album for vocal appearances and remix work.

edit & dub unearth more unreleased gems! these are unbelievable takes of tee’s classic remixes with the music breaking down like never before, apparently direct from master tapes! lovers of joey negro & dimitri from paris should be very much into these. limited one-sider, dont sleep!

local talk broadens the palette further with new music by melbourne producer prequel. the a side plays host to freedom, a jazzy, undulating, mixed-up house sound that epitomises the spirit of prequel in one track. it s loose and swinging beat infused with hip-shaking bass, heavily percussive piano riffs and crunchy claps only quieten to make way for an unidentified vocal, who politely thanks you for listening and hopes you have a great time while you are here. it sits perfectly in peak-time territory as it does on a late night afterhours tip. on the flip is the ever evolving lefty . a track that starts off playful & dreamy and features some truly lovely keyboard work. after settling into the groove it takes a sudden and sharp left turn and enters a harder acid focused workout. percussive elements weave definitively in and out of the bass line as detroit influenced vocal cries echo throughout the background. this is the type of track you ll be sure to hear blasting out of speaker stacks on all open-minded dance floors around the globe. another accomplished and celebratory affair from prequel, it comes highly recommended.

lucky number seven for good company records is the o.g.ep, roza terenzi s cheekily-titled debut. three tracks of doof-approved club gear from the perth-born melbourne resident, plus a bonus sunday-morning-coming-up megamix from vancouver s jayda g. with a sound like windham hill gone hardcore, this record promises fans from black rock to berlin. after the driving, new age electro of opener the right zone, terenzi declares yeh yeh yeh with a bush-bashing jeep of a bassline, blasting roxanne shante as the posse pile out of the whip & into the function. later, higher place sparks the chalice for a pre-dawn dip into the spirit realm. sometime after that, designated driver (and freakout cult-leader) jayda g takes the wheel, pulling into the church car park with her deep in your soul remix, a piano house kick-on of all three roza terenzi originals. feels good, right?

this is the second release from london duo dark circles on their own dc trax label. the first release was given play on radio 1 s george fitzgerald show and supported by the likes of erol alkan, skream, justin robertson and eric duncan. dc trax 2 sees the first release given the remix treatment by an armoury of heavyweight remixers. phantasy records kamera provides a tuff techno work out of y, emperor machine takes inpiration from his old bizarre inc guise and making use of his old mpc, takes march back to the 90 s raves. the package is finished off by lord of the isles tripping out the well in 2 strong remixes. this will be a limited vinyl release in february which has already earned a play on 2manydjs beats 1 radio show 2x2 .

multi track version take the original song to whole new level of mixes that we wish came out back in 1980! unreleased version of sky here s to you part 1 & 2. taking back to the old days when labels released part 1 & 2 on 45s of recording artists. here s to you, stripped down to the bone. sounds like a lost demo mix thats been sitting on 1 inch reel for over 35 years but originally made for larry levan & ron hardy to drop in their marathon djs sets

the 12th chapter on eerie records is a 2 tracker by label owner marco shuttle himself. with the return to a more groovy and floor-friendly take than the abstract sound of his recently released lp the release maintains nonetheless the classic signiture deep landscapy approach the artist has made us used to with his production. tribal rhythmics, 808 grooves, underlayed pads and some slightly middle eastern reminiscent sonic elements make it for a record that although still on the leffield side, is 100% techno. anyone who loved sing like a bird will probably find this one very appealing. a very classic marco shuttle one indeed!

fabe has become an integral part of the infuse label, with his square town story ep and ho do ri collaboration picking up various plaudits. as i skipped the gym ep kicks off with shaped like kayla , continuing the producers preference for a mind melting bass line flecks of acid and tripped out vocal snippets add a wigged out feel. who is the drummer jacks things up with swung percussion whilst navigate takes a broken beat direction. vinyl only!

prelude ep is the inceptive release of oxmose, which marks the first entry in an ongoing catalogue, and the beginning of a journey with various artists. at its heart, the prelude ep is a dialogue between two composers a conversation that traces the line between abstract, electronic experimentalism and glitering interpretive jazz. parisian producer shcaa takes control of side a with core a near 20 minutes exploration into sound, which skirts the fringes of avant-garde minimalism and experimental rhythms. the songs acute cadence lays a dense and atmospheric foundation for the ep. side b sees romanian artist traian chereches offer-up an absorbing counterpoint to shcaas opener on cage. the energy of chereches rebuttal fuses organic and interpretive sounds into a deft jazz reinterpretation, revealing a wide and surprising cinematic ambience. mastered by rashad becker from dubplates & mastering berlin prelude will be released on limited edition 12inch, 180g heavyweight vinyl with an outer sleeve featuring handmade artwork created by graphic designer alice voinea.the organic materials used in her work, emphasizing the interchange of the record adding a further layer of continuity one that stretches between the artist, the music and the listener.

bugsy hails from milan where he is resident and co-host of the brilliant take it easy club night which brings many of the finest house dj’s to the city and remains packed week in and week out. with his featured producers astroloop at his side bugsy has come up with a quality debut loaded with fat, low-slung deep beats and detroit-inspired grooves for freerange entitled the svegsy ep.

more classic, ghetto chi-town business from the dm vaults here - 2-bit project s (aka larry thompson of lnr fame!) bump that pussy ep is another hot, collectible entry into the dm catalogue. this special, enhanced 2017 repress version features all the og cuts (except 1 short skit) and boasts 2, yes 2!, exclusive extended edits from uk man of mystery and all round house digger extraordinaire jonny rock. if you know jr s steez then you know he knows exactly what is up with the underground. he s neatly extended the 2-bit originals (which were originally very short tracks!) and teased the funk outta the right crevices for all us lucky folks. if you like that raw, rugged, chicago, minimal fonk that dance mania are known for, you ll love this one. a killer, solid and in-demand ep. one for the headz. massive record, pure power all the way through and an essential weapon for the record bag! fully, legit reissue done with the permission and assistance of dance mania records and mr. parris mitchell, chicago usa.

originally released by the legendary uk house label black vinyl in 1999, “the power ep” quickly became karizma’s breakthrough anthem, showcasing his trademark balance of infectious beats and deeply soulful melodies.
this first time re-issue finally gives those that missed out the chance to experience karizma at his raw best. alongside the anthemic “the power”, (all 8 minutes 84 beautiful seconds of it), it’s the b-side that has the hidden jems.
“the sea” is a classic karizma house workout, flipping beats and groove and giving you that lift of spirit you get when you take in that fresh sea air on a sunny day.
“k ii s” is simply karizma going all out to make sure anyone in the vicinity is irresistibly drawn to the ambient melodies giving way to the body booming, neck-snapping beats. rough, rugged and raw.

lp, colored (red) vinyl, spotlack, limited edition, download code for 1 bonustrack + 2 versions of where i wait

with his debuting ep at takatak records mirek amachi brings a heavy 4-tracker where he combines variuos ambient sounds with deep and tech house in an almost familiar manner.

die ursympathische, trinkfeste und gern auch mal alberne doppel-lp des tam tam tanzlokals (aka kammerspiele bar) in münchen. eine platte, die gut zuhören kann und dich versteht. eine platte, die für jeden spaß zu haben ist. die mit dir bis zum nächsten morgen in den dreckigsten clubs der stadt tanzt. und die mit dir genauso gern raus an den see fährt und kirschen isst. zwei platten mit tracks und songs von den djs und bands, die das tam tam tanzlokal in seinem ersten jahr zu einem unverwechselbar offenen, verrückten, partyhungrigen, allesistmöglichen, duweißtniewaspassierten ort gemacht haben.

three years after the launch of the label and after releasing different digital tracks, sumpfsee records proudly presents the release of the first vinyl. at the end of summer the hamburg based producer and long year sumpfsee member pay kusten shows his preferences for slow and organic music. the alpaka ep comes with four different tracks and shows the diversity of his music. all tracks are characterized by warm basslines and influences from different places of the globe. from the happy and harmonic alpaka till the more dark and dusty camina the artist takes you on a journey into his mind.

following the hypnotic ‘what’s in your head’ ep in 2016, archie hamilton returns to moscow records with his first solo ep on the imprint since the release last year. since finishing 2016 with a place in ra s top 100 djs poll, he’s been touring the world, had a summer residency at amnesia and released another massive ep on fuse. an integral part of the stellar ascent of the brand, and founder at tastemaker label initiatives moscow records, moss co. and arkityp, he is an artist very much in control of his rise. the record opens with confusion, an out and out anthem which has been tearing up dance floors across the globe all summer. a trademark bassline drives the track forward as stabs build, tight percussion cuts through and a repeating vocal enters. then when the track drops it shifts the mood completely, causing any dance floor to bump uncontrollably. dos equis is something different altogether. minimalistic percussion and a tight sub lay the foundations for a funky bass guitar line. warming pads meet rhodes keys and out of nowhere a beautifully subtle vocal line appears. as the track breaks down, a mind bending synth line takes the listener out of their state of reflection. the title track on the flip is a classic piece of groovy hamilton weaponry. a positive mood that bounces along to a whispering voice in the background. the track develops as lush chords permeate the groove, soaking the dance floor in the last of the summer sun to create a euphoric crescendo.