in just three years, berlin based artist dehnert has gone from unknown talent to underground hero with his very own >raw techno< sound making waves on labels like his own imprint fachwerk and now delsin, where he finds himself at home amongst the future music of talented cohorts redshape, a made up sound, delta funktionen and more. this ep is an introduction to his upcoming album framework - an uncompromising album made up of pure techno tracks of the sort youd expect to hear on the dancefloors of places like berghain or tresor. they go from pulsing and classic sounding to skipping and glitchy, through greyed-out and sandy via swinging and syncopated but always with a sense of restraint and control whether they are abstract, apocalyptic, atmospheric or whatever else. although his tracks are undeniably functional, at the same time, they are neither nondescript nor forgettable: somehow, through masterful sound designs and an accomplished knack for blending real tension and atmosphere with his obvious basic channel and berghain influences, mike dehnert manages to lock you into whatever mood takes his fancy with apparent ease.

the urgent bass tones of >tussilago< open another intense builder. textural, staccatto elements combine and head the attack as the track picks up steam through its several, breathless breaks. satisfyingly wicked! mikael jonasson is the next artist to have his say on figure. like a pack of gruesome bass monsters brawling in their subterranean lair, >random diversity< is a ferocious encounter to say the least. roaring with intensity and detailed, thrilling sound design, its a raw, brutally modern and fiercely powerful production

brooklyn duo creep are set to release their debut single, days, on tuesday, february 14th 2010 through young turks. featuring guest vocals by the xxs romy madley-croft, >days< is a ghostly blend of romys ethereal voice and creeps sinister beats, blending tones of goth, shoegaze and r&b to create darkly prophetic and orchestral soundscapes. check out the stream for >days< on pitchfork where it premiered. remixes on the 12 inch come from deadboy and azari & iii. deadboy turns >days< in to 2-step, dancefloor melancholia with azari & iii turning in a 6 minute chicago house indebted mix. creep are producers/ djs lauren flax and lauren dillard. lauren flax is an internationally renowned house dj and producer. up next, creep will release the single you, featuring nyc twins and r&b duo nina sky, as well as a collaboration with planning to rock. a full length is planned for 2011... stay tuned!

>corky< is the third ep from brand brauer frick on tartelet records and features a remix from tartelets own james braun. music has always been the defining core of tartelet records. this may seem like an obvious statement, but that was the very reason why it hit us like a ton of bricks when we receivedthe first demo from paul frick and his new band around two years ago you might say that the brandt brauer frick sound touched on a vibration that had been lurking in our musical subconscious. we ll resist the temptation to wax lengthy or lyrical about >corky< instead, we suggest you have a listen and let yourself be seduced by its panoramic echoes and pumping bass drum. hop aboard an odyssey that leads brandt brauer frick through the technoid city of detroit. its a fine ride indeed.

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

round two on plumbum! on the a and with an acute attention for detail, piemont present us with involved. a rolling march through the wild. with bird noise, the scything roar of a gorilla and a weighty bassline. we are drawn through the undergrowth, with the delightful organ drops invoking memories of classic kong and tarzan movies. on the flip the duo get there fidget on. a growling bassline, sci-fi bleeps and moody synth waves, make for a solid tech number.

>contrast i< is the first installment of three limited vinyl releases from polish sound artist and sonic terrorist cezary gapiks amazing work, to be made available through white box in 2011. contains 2 tracks with a runtime of 22:46 and 15:04 minutes.

fresh beats delivered directly from the caribbean by venezuelan producer trujillo on his latest appearance on the spanish-venezuelan label apersonal music. trujillos ability to make you feel caught up in an eternal summer vibe gets clearer and stronger with every track he releases. on this release main single >fruit punch< is simplicity at its best, squeezing the most out of basic classic-house elements. it builds up slowly until the original guitar tunes in, thats when you take a sip of your fruit punch (or whatever sweet drink comes handy) and enjoy the sea breeze in your face (whether its there or not..). for the extra flavor on your drink they pour an edit-format track >looking up through you<. lots of original ingredients here enough to make this edit an own piece of music... venezuelan keyboard player mister casanova on board plus trujillo mixing it all up in his best poolside bar style. fresh juicy punched stuff here! on the remix department 2 remix versions from uk based producer toby tobias plus a classy fashioned remix from canadian eddie c. tobias is a hard working man, and when you ask him for one he hits you twice, hard to pick one remix although one had to be selected for digital only release (size matters some time!). what can we say about eddie c.. apersonal had already made a statement that they love classic grooves, and it cant get classier than eddies beats on his remix! this groove is what house music is all about, and it will always be.

nice price deal !!! morgan zarate is best known for pushing r&b and hip hop into new spaces, taking influences from the us and uk and creating raw, emotional and psychedelic beats. on this first ep for hyperdub, his production steps up in tempo, and the influence on his music of grime and dubstep shines through.

2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word

pressed as a limited edition of only 300 copies on 10 inch white vinyl, featuring unique artwork by up and coming artist, 181. inneractive music brings you the second in its highly limited vinyl-only series from spirit. >disconnected< goes on a deep journey through revolving synths and striding subs before reaching its nervous climax, while >clak< goes a stage further through glitching rhythms and cavernous tones, riding underneath an echoing dubbed-out soundscape. this is music to listen as well as groove to.

keyboard masher have happily joined the all ears roster, debuting with their second stunning ep luckily for you, we also managed to secure a small box of their incredible debut km editions 1 ep from early last year this ep sold out immediately through the handful of uk outlets lucky enough to get a few, and thankfully the boys kept a few back for a rainy day ! really very special indeed

keyboard masher came to our attention with their incredible debut km editions 1 ep early last year, selling out immediately through the handful of uk outlets lucky enough to get a few. as a fairly under the radar operation from london town, enthusiasts and champions of the good stuff, km have kindly allowed us to help them move the sensibly titled and equally brilliant km editions 2 ! picking up plaudits from titans of balearia like phil mison, moonboots etc, km editions 2 is a heady mix of early 80s, synth drenched boogie (amor & satisfaction), arabic influenced folk-funk (discotheque arabe) and a beautiful alan parsons style mid-tempo jam in the shape of >tartari< really very special indeed...

erell ranson is based in the north of france and has already released memorable records on arne weinbergs aw-recordings, as well as on his own myself label. he expresses his personality through these soulful productions, and this new release on adepth demonstrates how his great talent has developed even further. each track on the new everything needs to be clear ep is an individual musical journey in its own right. the 4 track ep begins with erells original version of >everything needs to be clear<. its combination of gentle chords with electro beats is the foundation of the musical ideas explored throughout this release. the second track, >so strange to explain<, is deeper and an adventurous fusion of dark, intense tones, swirling beats and insistent percussion. on the flipside, canadian rennie foster remixes the title track, and delivers a fine piece of modern dancefloor techno which respects the key elements of title track. erells >sandcastle< closes the ep, and its sophisticated yet punchy bassline and fragile synths recall some classic early 90s productions.

right after the success of his massive crude ep on adam beyer s famous drumcode imprint, patrick comes up with the titletrack dome - and boy what a follow-up it is! over ten minutes patrick keeps the tension high, teases us with the raw force of dome over just a few little kickdrum pauses until the track goes through the roof in on hell of a break! on the flip we have hot mess, another primetime weapon, and this one patrick produced together with per hammar, who made a name for himself with releases on great stuff, starlight and kant over the last year, but it was especially his track el salvador on mija rec. a few months ago that introduced per to a bigger audience, causing quite a stir on dancefloors worldwide!

after an incredible whirlwind of a year lee foss returns to the culprit fore with >your turn girl<. foss is the labels most consistent and prolific artist with this ep being his fourth release, solo or as part of hot natured. it is safe to say, lee has become one of the pillars around which culprit is being built. the >your turn girl ep< carries foss signature hallmarks: melodic funk-infused basslines, vocal hooks that grab you from the off and a smooth electronic edge. lees incredibly emotive sound makes him stand out even in the current glut of soulful dance music washing over the global scene. your turn girl – the title track is an epitome of foss >ominous funk< style, playful yet with a distinctly sultry edge. yet another memorable r n b female vocal bit sits on top of some of lees own best synth work. and driven by a killer analogue bassline. >pyramid scheme< –bristles with the disco-inspired propulsive energy. an acid-flecked low end, that comes to the fore mid-way through, a swirling guitar sample, the crisply sharp drums add up to the releases, perhaps, most hands-in-the air moment. >cabin party< continues the themes lee explored with his mega successful hot creations ep. foss eschews the standard house beat yet again, opting for his most organic drums yet, stunningly conceived textures and melodies, with another pair of vocal hooks to die for. finally >warriors< has been a staple of many a culprit dj set for the best part of 2010. lees trademark combination of a terrific electronic bassline, and an unabashedly emotional sample work make for a deep house stand-out tinged with a sense of nostalgia.

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.

italojohnson starts the new year punctual with his third stroke. this record will have something suitable on it for everyone out there. without batting an eyelid, its crosseyed and selfconfident, looking at three different floors at the same time: the a-side focuses on the chicago house floor. it begins with a recognizable toolish sound. slowely but surely the theme of the track opens – the track works through a breakdown, a classic drum roll sneaks in and jack grabs again. the b1 provides an unusual turn on the third italojohnson production. theres no space for compromises here. the track stomps on the steam engine warehouse floor. a flowing acid hookline is settled in the industrial drumline and gives the track its meaning. the second track on the flipside completes the whole package and is destined for the late night hours. thats everything there is to say about this track – the strength and emotion can only be experienced by listening first hand. love, peace and happiness

lowjac demonstrates his versatile sound and production style, on a unique debut vinyl only release, featuring an exceptional remix crafted by metrolux label boss xdb. limited copies. >frontal rainfall< is a sublime dub techno piece , subtly infused with organic textures, while its driving flow unravels into an acoustic journey of dreamy realms and atmospheric moods. >hatfield junk< drifts without warning to a futuristic hip-hop direction, triggered by offset beats, cosmic synths and cinematic samples easing into an unpredictable breakdown workout. xdbs b-side interpretation, through different dynamics, rhythmic arrangement and depth perspective, is an astounding display of his ability to elevate the original track to a world of sheer bliss.

we present superb deep house treat from alex danilov - framing the ear worming lead refrain around a robust ny house bass line and crisp, punchy percussion with his seal of vintage touches. it kicks off with the track >pool< in which alex builds a chunky chicago/ny styled house cut with silky smooth synth pad and hypnotic vocal loops that carry on to theme of the b side chicago tribute >get old house<. this ep rounds up with the deep and playful >sequence smoke< poem track that will keep you going through the late night. we bring the funk !

originating from argentina, savor music is a multi-cultural project that aims at bringing out our favorite flavors in sound. the leading forces behind the project are cape and jorge savoretti, both natives of the city of rosario. savor music kicks off underlining the madrilenian connection, so dear to us. it is represented here by our great friend papol of the esperanza crew. developing his sound release after release, he allowed us to pick through his best tracks in order to inaugurate our 12 inch vinyl series. on the a side, first up is >before tea<, a strong driving bomb with a crossover appeal. on a2, ekkohaus delivers a surprising broken beat take of >dub 2010<.

nice price deal !!! amsterdam strikes again! with jamy wing piekup records announce their 4th vinyl release. jamy wing small but nice this young music acrobat flys through the jungle of the always growing vinylmountains. his two basic constituents are techno and strong sounds, full of harmony and down-to-earthness from the division of house. with this ep jamy brings you three house tracks with lots of unexpected melodies and grooves from a higher level. support by richie hawtin, dan drastic, anthony collins, onno, yakine, mirco violo, superlounge

the >inside out< ep is a solid package featuring quality tunes from start to finish. midnight runner is a heavy plunge into deepest underwater techno, which drives fearlessly forward through a storm of ride cymbals. on the inside hovers and builds on a single chord, until breaking deliciously into a slinky deep house groove with a plonky bassline leading the way. on the b-side, the revenge pass by to deliver the >memory warehouse< remix of >on the inside< - a simple and decisive slice of deep dark rave, with all the hot production values we love to hear from the revenge. moonrunners, finally, is an organic and musical collection of neatly packed rhodes keys, piano splashes, trumpets and intense bass notes, and wraps up the package in style. another great ep for dso - and a solid return for winding road records

tearing through the streets again with wicked track after wicked track! pounding grooves dont stop! this heavy low end bomber is sprinkled with static dust which grunges it up nicely. then comes along valvestat who gives us a new taste of uk-style tech, mixxing heavy kicks and technical percussions with subtle black strings of death! huge! kataconda is back at it, this time treating us to a frenzy of static attacks. his droned out version of pounding grooves original leaves no room for improvement. finally, dijjs edit adds a funky bounce to the equation with cut-up alien vox and the skullsplitter! dont miss this one! asrx005 cannot be stopped!

an enchanting trip through the world with sacred rhythm on double vinyl.

once again, berlin based resopal label head mri sticks to his guns and brings you strangely funky tunes. weakend-polka titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced house / funk music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you will ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. this is electric intergalactic soul/funk/house/techno. its noir, its dirty, its dangerous and risqu. on vinyl, as we like our little record-shop around the corner.

we just cant let you go and this time pop & eye are out to punch you! number 5 in the splashy editainment series adds some high-impact flavour to the menu. done by a new super group that lives in an ark floating through outer space, you get two dance jams of the highest order. dubbed out and rubbed out. slow paced and fast paced. space pop to make your body rock!

first on decks.de!!! notoriously spunky, mix mup drops a new record which is gonna be the rotgut to your party. once again its hardware which he uses to expose his twisted mind. this time around its an encounter with 2 dirty, fondling tracks together with 2 adequate bonuses. alright! so, just let your needle jiggle through this poly vinyl incident produced by your friendly, slightly scruffy pal - mix mup. brought to you by spunky monkey records. black vinyl in unlimited very, very good condition - if you know how to use it.

>down there< is a world of nine new songs from animal collectives avey tare. his first official solo full length carries you through a murky world of sound, an alien death world of soul grooves that is both honest and otherworldly. wait for sundown and turn it up loud. take a ride on this haunted boat and let yourself be guided through deep sloshy rhythms, waterlogged bass, and moonlit breaks in the canopy that reveal a crisp crystalline pop buzz. >down there< was recorded in the month of june by old friend josh dibb (deakin) at the good house, an old church in upstate new york, surrounded by the great swamp and visited regularly by monks, white widows, and groan toads.
code for free digital download included.

superior elevation is proud to present to you the raw unadulterated motor city funk of exit, a one man band consisting of the psychedelic artist george gullet.originally from detroit, george relocated to california in 1980 and soon afterwards began to reminisce about the d.he decided to take home-studio action and recorded detroit leaning, a synth strings drive through a dark neighborhood of motor city.

this is a 20 year compilation, featuring hits right from the early days in 1990 right through to 2010. vinyl edition featuring plez, wildchild, soul grabber and annie.
this compilation is to celebrate 20 years of loaded records, alongside the successful birthday of skint s 15 years.

the emerging talent of subb-an is ushered into the culprit fold for the labels eleventh release. an extended member of the culprit clan in spirit and through his associations with hot natured and matt tolfreys leftroom, the young lad from birmingham clearly shares, much like his uk brother-in-arms jamie jones, culprits quintessential moody funk-infused sensibility. his debut ep for culprit, >what i do< is a statement of intent for a man with a definite interest in exploring the soulful and playful edges of house and techno. >what i do< has been slaying discerning dancefloors for months, blending strong chicago house roots with the polished warmth that la-based culprit has come to embody, but never forgetting darker clubbier atmospheric

from their critically acclaimed third studio album more! booka shades final release of 2010 is >regenerate<. coming with a remix package from the veritable whos who on the hot remixer tip right now : popof, & pan-pot . >regenerate< original remix is booka shades own new take on their >more!< album version, weaving a haunting femme vocal through bouncing synths and an epic breakdown. french producer popof, with previous releases on turbo and form music, pushes the groove through finely crafted highs and lows while mobilees pan-pot take it to the dark side

prompt has been producing electronic music since the mid 90s and during this time has made a string of outstanding eps, some of which have even won awards. but who exactly is this man from madrid: prompt? to stand on a stage and party for hours in his own world is not prompts style. he would rather sit in the background of his studio and create unforgettable and ever more fascinating tunes. his debut ep on highgrade set the tone for his convincing mix of sound design and subtle hooks. these are also the most important elements for his new highgrade release. in >sharing sounds< its all about deepness. expressed through dense loopy forests and deep broken valleys. you have to engage in the sound experience and see the world prompt has built for you. few other techno producers have such a distinctive style or unique voice. with this ep you could be blindfolded on the dance floor and you would still recognize the music. the sound will convince you once again, both in the club and on the turntables at home.

marco resmann has done it. the studio computer is purring again like a satisfied kitten and those dark technical storm clouds have passed by. to prove that a streak of technical bad luck which he has just gone through can sometimes enhance creativity he has come up with this little gem of a new single >drop outz<. on a1 we have >mal pas< (transl: difficult road) which is an ode to the suffering he went through with his computer. but dont worry, its just a name, the track itself is as light and sweet as the stuff that we love from marco. b1 is also little beauty, no dark clouds to be found here either, and b2, a cracker called >whats cracking< is the ultimate proof to anyone that the sun always shines at upon you. enjoy and always think happy thoughts friends

soys debut release comes in the form of >red<, a no nonsense straight up house track with stabby chords and relentless groove evident on the s2k rendition. on remix duty cinematic pulls in the now berlin based parisian alexkid whos career spans over a decade in techno and electronics, originally cutting his teeth alongside laurent garnier at f-comm. alex pulls out all the stabs on his remix with a stomping kick that further extentuiates that groove and forms that hybrid of house and techno with soul. completing the ep >computer moods< already burning floors is the hidden gem on this package seeing some great reactions from watergate, berlin to secretsundaze, london. a dirty bass heavy drum track that tears through any funktion one sound system!! one not to sleep on!

with the >debut remix album< alfred heinrichs scored on subdub in all charts through the ceiling. now he puts on mimique the >all about me e.p.< after 2 great songs in the distinctive style of heinrich. as known from alfred, fits his sound is not in a drawer. the galloping bass, the hot breaks and vocal snippets push the two songs at the heart of heinrichs night. rounding out the e.p. is the philip bader remix of >all about me<. this comes with a brash, cocky driving house beat around the corner.

the heliocentric worlds of hieroglyphic being vol. 1 brings 2 jamal moss tracks full of free jazz, experimental electronica, chicago acid house, & art noize elements. alter ur destiny is a long winding cut that flips halfway through for more mayhem. outer nothingness is a sun ra tribute. limited edition stamped white labels. only 300. no repress.

real support and plays by: adam beyer, christian smith, pan-pot, joseph capriati, secret cinema, dave seman, slam, 2000 and one, mihalis safras, karotte, layo & bushwacka, carlo lio, misstress barbara, alan fitzpatrick, .. although dusty kid and his friend emmanuele marascia are based on the beautiful and quiet island sardinia they have recently put out a couple of raw and punchy techno anthems on imprints like b:pitch control, boxer and of course systematic. where dusty kid is temporarely leaving this path, impressively rediscovering the spirit of real rooted house rhythms, marascia walks the techno path much more consequently and delivers a compromiseless piece of techno tones which smashes your brain through a wall of stones! watch your speakers!

vibrations is a new label set up by christopher galloway and piers harrison of roots unit. the first release comes from the ever-dependable and very busy mark e, who drops two killer jams for the dancefloor. escape is a bassline driven banger that drops into a hefty loop half-way through – large. the flip, midnight fires, is a more introspective, techno influenced cut, with crazy jazzy drums and swirling synths. we are thinking about early morning dancefloors for this one. escape is also remixed by roots unit, who add chicago house elements within a reggae aesthetic.

nice price deal !!! after more than one year slash co-owner ahmet sisman is back with his brand new solo ep! the playing with acid ep is an unapologetic combination of raw-deep techno and electro-pop influenced house music. and as we know it already from mr. sisman, he loves to combine different genres and create his own distinctive flavor! the a-side playing with acid is a pure synthie-baseline dominated track whose melody is drilling through your head that you won’t forget it so easily. this trapping hook line is coming along with some poppy vocals which are giving you a slight association how is it feeling being totally vaporized in the mind. we say, be careful when you playing with acid!!! feel today think tomorrow has a different approach while the ingredients remain the same. it’s the more melancholic side of this record but also filled with pure energy. the guitar phrases creating those feelings between the struggle and harmony in life, and like the title indicates: live today, pay tomorrow! no return no regret is the more poppy side of this record. the b2-side is a mixture of modern elements bonded with the refreshing vibe of the contemporary 80s influence. this fusion is a naive approach of pooling different styles in one track with the intention to create something timeless. even its poppy elements doesn’t seem to allow it we going to love it for a long time and we hope you will feel the same! this three-tracker ep contains the well known “mr. sisman-ingredients”. although the difference to his previous productions laying in its details. find it out for yourself and above all: enjoy it!!!

roman iv is roman flügel. surely, you dont need us to sing you the praise of his various styles. under his roman iv moniker, he always pursued his more contemplative dance floor side. la paloma is exactly that kind of perpetual and lulling marathon jam that recollects his testament tracks (check playhouse and ladomat for further listening) and needs to be followed all the way through. having said that, sa caleta looks for a more immediate hit. with a rigid punch and some greasy layers, you get romans take on the current or recurrent slow motion disco craze. straightened out and cut right to the chase. finally, lucy rolls over again, starts where la paloma ended and makes its way up to a subliminal hookline. for all you digi kids: look for the bonus beat mix tool supreme called 123 bpm. roman iv president

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

>les patates<, the fresh new rrygular release by tassilo, one half of pan-pot, is not an homage to french agriculture but a serious techno smasher with high club potential. at first, theres just a nice party atmosphere and … then this rough beat drops in! the small potatoe >petite patate< surprises by adding rudimental elements like the hihat and snare drum always a little late. but you have the feeling you havent missed something yet. this number just sneaks from behind and lulls you in with billowing pads until you sense the final rave sound as a self-evident consequence of it all. the message by g-tech right before the drop proves right - there is not a lack of vibration here! its all about the mixture … and in this case its just felicitous: male choir, clanking cymbals and finally the riff that this track subsists on. tassilo knows how to send the short melody-figure through the different stages of sound design, even though it might have been lively enough without it. this gives the big potatoe >grosse patate< a level of dynamic, that most contemporary techno releases just dont provide.

satyr - roadrunner liebedetail welcomes new artist satyr, who will remain anonymous for the time being, yet we assure you he is a figure embedded deep with the scene, producing and djing worldwide for the last 8 years. this new creative angle does as his teasing artist bio promises, stay true to his acid house roots, and roadrunner is a fittingly excitable, frenetic synthesiser trip that rises and climbs with great intensity and clarity of sound. wareika - rumba swing the trio of wareika return with rumba swing, their second outing on the label. perfectly jazz infected, with of course a healthy measure of that rhumba timing, this lazy, psychedelic journey track meanders through lush fields of guitar improvisations, tumbling drums, piano refrains and eerie pitching elements, all neatly strung together with wareikas impeccable production.

exactly one year ago, stimming bought us the exquisite >funk with me<. a production, created together with south african talent lazarus mathebula. having become firm friends, an invite was extended to lazarus to come to hamburg and spend time in the studio. once again, the result of those sessions is outstanding. with >change<, and through the vocals of lazarus, both artists have built a musical bridge linking hamburg and johannesburg. a beautifully exotic production, as we have come to expect from stimming, with an added african touch. completing the ep are three brand new stimming productions for you delectation. musically outstanding, with his trademark-out-there-touch. this is yet another stimming release, not to be missed. enjoy!

massive gregor tresher & karotte techno-monstertune!!! hammered by adam beyer, dubfire, laurent garnier, 2000 and one, joris voorn, romboy, bodzin, slam and many more.... break new soil is equally made for people who like techno without boundaries and of course djs who are willing to take people on an up-and-down journey through the night. enjyoy!

tiagos >disambiguation< begins like an aural sea, with a surface made of synthesized swells that rise, fall and crest again. beneath these waves are briefly clangorous metallic noises, searing electro hisses, long-armed synth stretches, and a never ending beat. there are moments of understated beauty floating through this perfect marriage of disco and house, sounds that are there and gone: a bassline that stairsteps and synthetic strings that follow suit: playful keyboard melodies, and percussion provided by tiago himself, who fell in love with music when he learned to play drums as a kid. >nada a perder< (>nothing to lose<) shies away from the extravagance suggested by its name and instead feels relaxed – at least at its outset. against shape shifting synths and the sound of piano house, percussion takes a leading role here, including finger snaps and clanging cowbells. the energy builds to a peak but, even when things are at their most frenetic, this track never loses its studied composure. tiago mirandas remixes and releases have been issued on disco devil, italians do it better, rong music, ene, hands of time, eskimo and claremont 56. he is one half of dj duos slight delay, the sea power & change, and mendes & alçada, and also handles mutiple duties in the band gala drop. tiago has been djing seven hour sets almost every weekend for more than a decade at the infamous lux in lisbon, portugal.

a sophomore tour through bachelorettes expanding universe, featuring a little bit more of everything that made >the end of things< so incredible (sweet pop songs, harmonies, space-age production sounds) in an increasingly streamlined setting, but still reflecting the lonesomeness of the title. interstellar innerdrive!
originally released in 2006 on new zealand label mistletone.
comes with coupon for free digital download of this release.