sometimes playful, sometimes serious and conceptual sounds that skirmish in a huge construct of 4 tracks. a sizzling noise pops up a straight kick n hi-hat rhythmic and initiates its all good by alek s, the new ep on made of concete

yaleesa hall has released solo tracks and remixes on the will & ink label before now, and here returns with four new cuts on the perrin ep. the unknown producer turned plenty of heads with its first full outing, and the stripped back but succulent sounds on offer here will surely do the same again. rubber kicks rolling beneath little flecks of static and raw metal texture. wonky synth lines riding up and down. this is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.

title track universe is covered by warm & drive-bass, percussion synths and a wavy mainlead that hijacks the mind to deeper places. still waters run deep as explorazione starts with strict but area-wide beats and turns into an interaction of arpeggiated synths and powerful bass. followed by the last track passage feat. afterwards-, whose sweet reverb-heavy vocals glide through the bassment , the ep constantly keeps up the danceable tech- house elements.definitely a flowing continuity of quality sounds.

solidars debut on the newcomer label bravuroes. this first release comes with tricky percussion and extensive synthie sounds as well as some pumpy deep basslines with short breaks. vinyl only!

after over a decade of music on pedigree labels like spectral, nation, m>o>s, and creme organization 2amfm offer their debut lp on bopside. based in ann arbor and raised in the detroit area, d’marc cantu and tadd mullinix are charged by a lifetime of midwestern soundwaves and the reinforcement of contemporaneous area innovators like carlos souffront and traxx. again, they join forces but with this monumental excursion into the ether of their very own techno/house universe. sounds herein are cast from debonair techno funk, rumbling house grooves, italo acid, galactic swing - offering a diverse array that’s perfect for the album experience.

feelings is the next single to be released ahead of tim deluxes highly anticipated lp the radicle, a deep and jazzy cut which includes two distinct versions. with its deep jazzy reprise and classic french house-influenced tone, the club edit pairs a shuffling groove with freeform trumpet courtesy of renowned instrumentalist jay phelps with whom tim has worked extensively. the ice cream dub throws back to tim’s garage-roots, with the name directly referencing the highly influential record label he founded back in the 90s. tim skilfully blends the techniques of his heritage with the more modern, garage-influenced house sounds, creating a bubbling, low-end monster.

bahdeni nami besticht mit einer vielzahl an kollaborationen mit produzenten aus dem elektronischen bereich, die einmalige interpretationen des bereits etablierten sounds von omar souleyman liefern: four tet ist erneut mit an bord, gilles peterson ist mit dabei, modeselektor steuern 2 dance-tracks bei und legowelt liefert einen remix des titeltracks. das neue album wurde in instanbul aufgenommen, omars wohnsitz, und der sänger wurde dabei standesgemäß von traditionellen musikern begleitet. unermüdlich bringt omar souleyman seine wilden dance parties in alle ecken der welt vom sxsw, über konzerte im rahmen der verleihung des friedensnobelpreises, hin zu rock-clubs auf der ganzen welt.

the first vinyl edition of the label moonrise hill material presents the differents artists work which will composed the label. funk to ambient, with proper jazzmen groove, where the house music predominate and appears like gold in every tracks with something which united them. the vinyl starts with « fucked up jazzmen », powerful track with jazz and hip hop influences from folamour, french producer which the last release on fauxpas musik is a love declaration to the sampling and to the 20s grooves until today. next listen with « jack my sista » from kaffe crème, french producer who takes the auditor in a perpetual modulation of the pads and bass under a syncopated rhythmic, between a real game and the tr-808. there is passion and percussions talent that comes to his classic formation in acadamy. the other side begins with « manhattune » from ethyène, soul anthem from 70s mixed to a proper chicago deep house rhythmic. after a empty period, the french producer annonces his next releases for the coming months, where samples and groove found a paramount place. the release ends on « cosmic spirals » from the lyonese okwa, who reveals his love to the electronic sounds for a half path ballade between dark walks and dance floors. after a great ep « preacher », in which he develops a returns to the 90s house music. focused on poetic house music, from the one that you can t stop dancing on to the one that you want to keep for yourself, the label defends the preciousness of every musical journey and the sensibility through beautiful stories.

colorhadoo makes his amphia debut with two enticing tracks while cristi cons delivers the house s remix. on the a side we are presented with * j strawbberry*, an atmospheric track which slowly slips away into a mind-bending realm, where broken voices come and go under different shapes and the listener is engaged by occasional eclectic explosions. a beautiful work and trouble waiting to happen when properly used. side b has cristi cons taking the interpretation duties of the main track. the remix keeps the general mood of the original with a twist, everything is wrapped around a tight groove with shattering low end work, ideal for those early mornings. we continue with * zanzibar*. this second track on side b takes the artistic vision into reverse. no more voices to be heard, huge spaces are reduced to just a solid groove. the track is guided by hypnotic pads and sounds while the emblematic percussion section is conducted by none other than colorhadoo himself. dont listen to this in the dark!

i first heard of julixo when i put my hands on his fantastic ep called silas released on rauh 005. after that, i kept a close eye on the sounds he was posting, and when i heard rebho, i knew we were going to do something together. the warm synth line, together with the jackin drum patterns, were perfect. then came reflections, which fitted superbly with rebho. although slower, and maybe more introspective, you still have that warm feeling going through the track. we decided to go with life of crime on the other side of the record. much more aggressive in its construction, that track deserved a side on its own: modern techno at its best. i hope you will enjoy this nice versatile release as much as i do! best regards, philippe petit

kingunderground is proud to announce rebel base, the highly anticipated collaboration between nottingham based rhyme and beat duo cappo and nappa. with their first single dropping in 2013 in the form of boom bap gem red hot, this slick and sonically stylish project touches on sounds from the past, present and future of hip-hop.

doc severinsen is an accomplished american jazz/pop trumpet player, and as a band leader gained considerable notoriety on the tonight show with johnny carson. like most musicians in the 70s, doc took his shot at the disco and funk sounds of the time, gathered stellar musicians, and released impeccably sounding works. two of these cuts, be with you and shine on me are featured on this release. harvey s unfailing magic touch has yielded two dj-friendly edits with a lot of punch and galactic energy, yet with a velvet undertone. staying true to the mission, the label took great care throughout the production process in order to preserve the quality of the original recordings.

nicole moudaber is a name we are used to hearing on the radar as a drumcode artist and she is showing us what she can do on the funkier side of the spectrum with her new ep now landing on truesoul. both tracks merge her signature techno sound into something that still contains stacks of class and character. the evolving sounds in both tracks build tension and energy to create after hour burners.

cafe lanai is a duo in paradise. friendship and music at once led vocalists/producers michael brock and forever to adventure together to pahoa, hawaii. originating with the absorption of tropical sounds and antiquated island imagery, the project made a sweet, sweet double espresso debut with their deep first single lanai. on their debut paradise ep, cafe lanai enlists the spirit of humid rainforests and black sand beaches, imploring you to close your eyes and throw your body to the beat.

over two decades ago, roland leesker would play and produce with artists that are legends today. slaving away with ricardo villalobos in his living room, creating loops with john selway at new york s satellite basement, working as a light jockey for joe jam and marc spoon, cooking the heat together with cajmere and ata at the wild pitch club, or running various record shops around the globe. since then, he’s invested much of his time, knowledge, heart and soul into electronic music to further the scene and support the art. now, he’s returned to the studio with his production partner philipp maier also known as sante to bring you a new instant classic, ‘my warehouse’ in a way, you could say ‘my warehouse’ has been in the making for 25 years. in that time roland leesker has studied the music, gathering inspiration from the sounds, people and experiences along the way and putting them all together to create his perfect sound. ‘my warehouse’ is a bass-laden house killer, with intense kicks and a gritty, in-your-face bassline.

catalogue number pp011 is another trip sponsored by the obalski music lab. check into the world of el lobo. lean back and meditate over a glass of champagne, get sucked into ambient landscapes only obalski can deliver. the feather of a tropical bird gently lands on a bed of fresh, humid green grass. flip sides, fast a basedrum jumps and punches, soft yet certain it leads the way, getting joined by pleasent company of fairylike synth sounds, every now and then a bumblebee hums. snippet, who s on the phone?

me & her are back featuring billie fountains vocals with their new lost ep. the title track, highlighted by wavy sounds combined with shakers and rainy percussion, turns into a sphere of late-released bass and a melodic-melancholic vocal that takes the soul down to dusty places.

celebrating all that s ear-piercing and techno, p.e.a.r.l. surges through with an emanating soundscape of near, far and leftfield embodiment of energy. following on from the well received ground fault interrupt, p.e.a.r.l. brings his spanish stamina and berlin influence to the table in biblical amounts. abrasive and dancefloor-focused -desolation- is no stranger to the harder sounds of percussion. with a subtle ghost, and ever tense, this track rides through red traffic lights, and begins at the end of your comfort zone, techno at its best. evoking a visceral reaction, -in space- exerts its crude, unearthly series of paranormal techno sound from the get go. a long drawn tool of the trade, comprising of little more than drone and percussion, this gives way to be adapted into any mix in the right hands. -flame on earth- doffs in salutation to the afterparty. with a constant identity of beep and bleeps - continually growing from somewhere from within itself - this track leaves a trail where no path lies. cascading between dark and light, this is a release of effectual techno worthy of any record bag, regardless of your sub-genre preference - a real weapon of profession

next up on the influential visionquest label is a revered bucharest duo vinyl speed adjust aka claudiu-eduard balan and andrei predoi. this cult pair serve up three essential new cuts that fit in perfectly with the labels spiritualand heady, stripped back techno sounds, and they follow on nicely from great recent eps by visionquest founders ryan crosson shaun reeves and deadbeat. claudiu-eduard and andrei are leading techno makers in their native romania and have made a name for themselves with their experimental, heavily percussive and intoxicatingly intricate soundscapes on labels like pressure traxx, gilesku records, colours in music and many more. here they do so once more, and in the process blow all competition out of the water

ltd 2020 repress...
following up his recently-released remixes of scubas single >the hope< on hotflush, plagent records boss recondite returns to the label, this time with a solo 12 inch titled drgn / wist 365. recalling some of the moodiest moments from >on acid<, his recent lp devoted to the sounds of the 303, this debut shows recondite stay true to his sombre and tension-inducing roots. >drgn<, the sonic equivalent to traversing a bleak end-of-times landscape, is a journey replete with a relentless, melodic sib-bass and vibrating synth, on the flip recondite gives the 9-minute long >wist 365< a drum workout, resulting in a progressive, menacing groove, awash with wind chimes and 808 claps.

youandme is acclaimed collaborative project between berlin based pair martin and daniel. they make raw, emotive underground sounds and martin recently turned out a well received full length album on ornaments that explored far and wide. they did official works for artists like moodymann, radio slave, seth troxler, lawrence and many others. they also run rotary cocktail and 3 other mysterious labels...

other people is excited to debut the work of 19-year-old russian producer gena volgarev, aka inlensk, with the obratno ep. translated as backward, or conversely, obratno seems obsessed with and frustrated by a sense of nostalgia that can never lock its focus. finely etched, highly detailed rhythms retain a cerebral cool fluttering over, under, and around melancholic digital melodies that bend and degrade sporadically. meanwhile, the tactile use of filtering, extreme pans, and hypnotic microprogramming reveals an interest in sounds ability to shift temporal perception and evoke a purely neural response

the mysterious talent antenna shows his tough, high impact house sound for his second release on the dutch pinkman label. first up, ‘childhood’ is a mid tempo bit of elastic, groove driven house with whirring machines, raw synth patterns and filtered, muffled vocals. hi hats add an incendiary element of pressure but really this one is all about the pinging, rubbery drums that flail like drunken limbs. ‘when i read my book’ is another purposeful offering riddled with melody and deep drums, slapping claps and lots of jittery cow bells, impish synth sounds and bass kills that brings a real sense of energy to proceedings. lastly, ‘in august’ is a tripped out cut with skipping kick drums, celestial and heavenly, glassy melodies and skittish percussion that all glide along in alluring and off kilter fashion. this is house music, but not as you know it!

daniel.t. has been subtly making waves over the past few years as one half of the la duo cosmic kids with releases on labels including throne of blood, let s play house and dfa. a record collector and selector at heart, 2015 has seen him flesh out his solo productions with world-leaning contributions to chit chat s brazilian tinged 12 and american standard s african summer stunner. young adults brings daniel into the fold for his debut tetrachromat mini-lp spanning a sprawling spectrum of sounds, but unified by a signature west-coast sheen. opener mission hill morning stretches its arms in the early am mist, tetrachromat jogs steadily toward the horizon and planetesimal accelerates the mph in the drop top down pch. on the flip, laced takes a smoke break down a dusty dirt road, akoussah sprinkles some sultry spice and the sun & the sky sits back while the sea sips up the last remaining daylight.

back in 2011, chicago s beau wanzer reshaped the angry body-music of the now-defunct houston duo //tense// with an 8 minute claustrophobic tr-909 workout. the track never saw the light of day on vinyl... until now. imagine wax-trax era sounds fused with wanzer s notorious grit. guaranteed to pummel.

echologist and vohkinne go head to head in the latest release for atrophic society. utilising a library of field recordings the two captured in their respective back yards. they ve crafted a sonic pallet using only those sounds, which serves to give a tangible cohesion across the ep as well as provide something a little different from the norm. each track captures a unique set of machine sounds and turns them into brooding, heady, atmospheric techno. a thousand cuts and scythe serve as heavy hitters, whereas nature control and broad swathe to the far side bring a dark mood seething with anticipation.

its not that easy to define the sound of this berliner based italian artist, but he clearly merges different influences together. the opening cuts are quite fascinating for the way they’ve been meticulously built up. it takes off like a soundscape experiment revealing the ambient involvement of the artist, but moves towards heavier structures characterized by elements of dub, mystical chants and solid industrial components. the debut of this album is absolutely great. inner8 brings icy elements together with a kind of dubby rhythm, which on the next song becomes pretty industrial like. it all sounds like a delicious osmosis of sounds and different influences, antezza revealing himself as an inspired sound alchemist.

romansoff continues his recent stellar run with a wandering, daylight-dreaming ep for mörk. four tracks channeling light-splintered techno, looping, shuttered-blind house and even some more visceral washed-out 5am sounds on the flip side. dreamy, deep techno at it’s finest.

already featuring on two earlier prrukblk samplers and on the digital imprint, it was just a matter of time for his 12 inch solo-debut to come, von grall presents his *no contact ep* on the planet rhythm black imprint. the paris-based producer has been pushing forward his characteristic deep & atmospheric sound over the past two years and has proven to be one of the strong upcoming forces of the label. next to the great claudio prc remix on the a-side, the release features three original tracks ranging from the dancefloor-driven *quadratic* to the trippy *no contact* and even deeper into dark atmospheric sounds on *molecular collison* - making this ep another strong addition to the prrukblk catalog!

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

repress 2015 ... with dubsteps big push into the mainstream, stirring up all manner of hybrids, variants and mutations, its worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception. paul rose, aka scuba, and his hotflush label have, since 2003, had experimentation and genre-collision etched into the very structures of everything they do. putting out key tunes by the core pioneers of dubstep, but also by true outliers like mount kimbie, joy orbison and sepalcure, hotflush has created a sense of absolute consistence in diversity: multiple sounds united by true craftsmanship and high-tech expression of complex emotion. joining the uk underground to the deep-rooted techno culture of berlin, where rose is now resident, the label is a vital nexus in the flow of musical information that is fuelling the current innovative climate. so next time you hear someone talking about >post<- this or >future<- that, consider that maybe the times are just catching up with hotflush. back and 4th features ten brand new tracks from bass musics most innovative producers, as well as a collection of essentials from hotflushs recent catalogue. the compilation is presented in double-cd and as a triple 12 inch vinyl release.

berlin atonal is proud to pick up on a tradition begun in 1984 with the publication of two volumes of live recordings from the 1983 edition of the festival. those records bore witness to the most inventive, adventurous sounds of the festival, and therefore of their time, containing live bits from psychic tv, la loora and zev. berlin atonal vol. 3 carries this custom forward three decades with selections from four of the standout performances of berlin atonal 2014. of course cabaret voltaire’s lauded and historical ?rst show in over 20 years is featured, richard h kirk’s no-nostalgia and machinery driven set ?rmly putting the cabaret voltaire project in a future-facing direction. miles whittakers surprising and muscular live performance also contributes a cut, as does festival favourite fis with his characteristically lumpy, textural soundscapes.

punctual is a stripped back, bleepy warehouse machine that hits hard but is versatile and funky. remix duties are taken care of by alex under from spain. after patrick s 12 on alex s cmyk musik it was time to invite alex into his community and alex delivered big time. alex refines the main ideas in the track, boiling it down to a solid groove and adding a killer bass riff that sounds like it was meant to be there all along.

we proudly present to you first and one of the most solid releases on capodopere records: fanfaronade ep. this time the release goes on vinyl only and is produced by suolo which gave us a perfect combination on a & b sides full of minimalistic sounds followed by some strong kicks. suolo will take you on a wonderful journey through the sound of his creation which fills the room with some impetuous but at the same time warm vibrations, so join the journey and give it a listen.

invisible inc s second release comes courtesy of synthesizer krautrock maestros higamos hogamos. this ep s influences are clear: early john carpenter in his darkest, seediest hour, amon duul ii in heavy pagan-trance mode, the psychedelic sounds of garage rock all topped off with a heavy dose of jacking synthesizer funk.

geneve based pascal viscardi bring his rich and sweltering textures to saft with his first ep for the spanish label. the swiss producers paradiso ep is already the 9th installment and by no means an odd addition to the family. strongly rooted in soulful sounds with firm aesthetics and blissful melodies, this release is exactly what saft is all about. from the moment the pad in the title track starts riding, paradiso immediately hints to a deserted paradise.
tales from the emax (a2) is a groove laden anthem that will soothe those that are into soulful but firm sounds. on the b side, we find remix work of both originals. swiss house stalwart agnes stirs things up with his thriving rework of paradiso called la charme chambertin mixx. on the b2 cut we find saft familiar jefferson belmondo with a cracking rework of the title track *paradiso* called beach mix. 4 strong, groove-laden cuts that celebrate the saft sound like never before.

escapism musique continues the vinyl series with an ep from the greek, hamburg based, dj and producer, boronas (visionquest / suruba / claap). fake romance gathers a mix of feelings, introducing the first original with slow deep sounds and the second one with more cheering and stimulating tones. nikola gala (escada music / ibadan / rekids) and nico puestel (ponsactrilau / soso / pimprinella) revitalize the originals with two ecstatic remixes that complete the ep and make it perfect for the dancefloor. enjoy!

already played by ricardo villalobos. be fast on this one. we are glad to introduce you cht 6th release from our co-founder roberto natalini. 2000 bc is an electronic techno tune full of experimental sounds and dark atmosphere. inclhuge remixes by our friends amir alexander and franco cinelli. the additional black hawk is a very strong track with old school elements and a bouncey underground groove. artwork by daniele troiani. comes again with an outstanding cover art. chelsea hotel never fails!

perhaps it is something in the water or just plain vodka, we really have no idea but one thing is for sure - there is something special about those moscow disco heads. they sure know how to find a perfect beat and re-edit it to perfection. after lay-far it is now time for arsenii to step into the basic fingers arena. both sides on this 12 are filled with jazz-funk and library infused disco at its best. *allegria* sounds like bob james is jamming with the headhunters and on the flip *turbo* with its generous use of synthesizers almost has an outer space theme. essential indulgence for disco heads & connoisseurs everywhere.

drum island unveil their tenth release with an extraordinary ep from norways klaus lunde. from norways oldest city tonsberg comes the stargazing sounds of klaus lunde: an acclaimed and prolific electronic music composer, his array of releases under the xerxes music pseudonym explore a unique take on ambience and tonal electronica that is a mesmerising and accomplished body of work to be sure. this, undoubtedly many peoples first introduction to his work, is a perfectly pitched collection that highlights the familiar themes of the xerxes work, but fits easily into the drum island blueprint of music for the midnight sun. on the exerxes ep, we are treated to pulsating balearic trance and zero gravity house before gliding into relaxed ambience, soothing new age and horizontal night music. we then dive further into the psychedelic ocean hidden below with truly tripped out kosmiche vignettes of warping and spine-tingling odd-pop. guest vocals from fellow viking marthe borge-lunde pfirrmann (aka phoenix) making this is a cinematic tour de force! limited edition import vinyl - full picture sleeve - one press only.

3rd part... , over the years all day i dream has developed a range of music that reflects and captures the spirit of the brand and the sounds of our outdoor day parties. this sampler is a collection of these moments presented as our soundtrack to the summer and features some very exciting artists we are proud to have representing us.

the talended italian based artist -sonartek- dropped 3 dope minimal orginals on the 7th rqm releaseto show why his music are unique. a deep trip into dark frequencies and mental groove tunes of high quality sounds. once again for the remix rqm hires the cooperation of francesco passantino & gabriele carasco for a massive deep break beat remix. no more to say just listen and enjoy.

kepler is no exception to that approach. a tough groove, backed by an enormous bass drum marches forward, while the looped melody patterns keep the energy flowing. the well-structured break downs and crisp hats will provide maximum impact on a proper dancefloor near you. cosmic vision takes us on an excursion into deep space. the sleek slow burner morphs tripped-out, effect filled pads with funk-driven percussion sounds. going full throttle midway, after a mysterious voice starts leading the way.

9 track lp of original material from zoovox. made with classic sounds of ana-digi machines of yore and filtered through some norman whitfield-in-jamaica 3d psychedelic dub. music to ride to the depths in your submarine, then climb tropical volcanoes with your gorilla pals.

the originals -excuse me-, keep going-and first kiss , taking inspiration from ... they sounds fresh and housie, got a shaky beat accompanied with sexy male vocals. the remix -first kiss- done by jumaira, is the little hard version with an impressive groove, kittenish but tight. we can and will say for sure, these tracks will find their way on the dancefloors around the globe.

featuring heavily on most of drumcodes shows due to his impeccable djing, bart skils is back with a new ep flexing his signature rolling sound and hooks. caressing from one track to another, the use of pads in this ep and using uneasy sounds to build tension in each track. the swelling bass within each track manoeuvres the tracks into dark after hours territory with the help of the subtle percussion.

over the years all day i dream has developed a range of music that reflects and captures the spirit of the brand and the sounds of our outdoor day parties. this sampler is a collection of these moments presented as our soundtrack to the summer and features some very exciting artists we are proud to have representing us.

summer is here and sees us returning with true colours, daylight all night long, and a deliberate breath of fresh air. norwegian-italian producer pelifics makes disco, infused with a strong homage to 80s pop, and a little dash of 90s house. the result is melodic, inspiring, kicking, danceable music that leave the listener oscillating between sounds of youthful nostalgia and the future sound of disco. next to the lush ultracrisp feel of the original track, full of light , warmths, thoughtful ideas it s chmmr and fettburger, aptly caled fett birger here to even pushing this more towards the floor

the raw and acid sounds from manuel di martino and raffaele attanasio mixed with the hypnotic sonorities of mike storm and the kaelans solid groove, they are the protagonists for the first release that open the label persistence.
already supported by: alessio mereu, joseph capriati, beat movement, binny, dimi angelis, frankyeffe, jeroen search, joton, kevin arnemann, marcus muzik, mental resonance, milton bradley, pfirter, shifted, unam zetineb, abnormal boyz ...